Posts / Photos

𝗠𝗼𝘇𝗮𝗿𝘁 - 𝗗𝗼𝗻 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 [𝗠𝗮𝘁𝘁𝗲𝗶, 𝗥𝗲𝗺𝗶𝗴𝗶𝗼, 𝗚𝗲𝗻𝘀 - 𝗗𝗮𝗻𝗶𝗲𝗹 𝗛𝗮𝗿𝗱𝗶𝗻𝗴, 𝟭𝟵𝟵𝟵 (𝟯 𝗖𝗗) - 𝗩𝗶𝗿𝗴𝗶𝗻 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝘀 https://www.patreon.com/posts/mozart-don-gens-159349191?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

🎼 History of the Conservatorio Giovanni Battista Martini, Bologna Founding and Early Years (1804–1839) Founded on December 3, 1804, as the Liceo Filarmonico di Bologna, it was the first municipal music school in Italy,…

The legendary production of Die Walküre from Bayreuth’s “Centenary Ring”, conducted by Pierre Boulez and staged by Patrice Chéreau, the cast of the 1980 filmed performance was: Wotan — Donald McIntyre Brünnhilde — Gwyneth…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟐 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐈𝐍𝐓𝐈𝐌𝐀𝐓𝐄 𝐅𝐑𝐈𝐄𝐍𝐃𝐒 𝐉𝐀𝐍 𝐁𝐈𝐀Ł𝐎𝐁Ł𝐎𝐂𝐊𝐈, 𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈, 𝐉𝐔𝐋𝐈𝐀𝐍 𝐅𝐎𝐍𝐓𝐀𝐍𝐀, 𝐀𝐍𝐃 𝐓𝐘𝐓𝐔𝐒…

Let's welcome our new members. Ricardo Alberto Varela Ortega, Sergey Bogolyubsky, 金永集, Lucio Vivaldi, Jan Hester, Igor Akmulin, Despina Daskalierou, Gia Bẻo, Rogelio Nieto, Anuar Mustafa, Şebnem Altın Güç, Rof Ben, Matteo Martino, Dumitru…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟭 — 𝗟𝗶𝘀𝘇𝘁 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗢𝘁𝗵𝗲𝗿 𝗘𝘆𝗲𝘀 To understand 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, it is not enough to study dates, compositions, concerts, pupils, cities,…

𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗦𝗧𝗥𝗔𝗨𝗦𝗦 — 𝗔𝗥𝗔𝗕𝗘𝗟𝗟𝗔 𝗦𝗶𝗿 𝗚𝗲𝗼𝗿𝗴 𝗦𝗼𝗹𝘁𝗶 — 𝗙𝗶𝗹𝗺 / 𝗗𝗩𝗗, 𝟭𝟵𝟳𝟳 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 — Sir Georg Solti 𝗦𝘁𝗮𝗴𝗲 𝗮𝗻𝗱 𝗳𝗶𝗹𝗺 𝗱𝗶𝗿𝗲𝗰𝘁𝗼𝗿 — Otto Schenk 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 — Vienna Philharmonic 𝗖𝗵𝗼𝗿𝘂𝘀 — Vienna State Opera Chorus…

𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗪𝗔𝗚𝗡𝗘𝗥 — 𝗧𝗥𝗜𝗦𝗧𝗔𝗡 𝗨𝗡𝗗 𝗜𝗦𝗢𝗟𝗗𝗘 𝗧𝗲𝗮𝘁𝗿𝗼 𝗮𝗹𝗹𝗮 𝗦𝗰𝗮𝗹𝗮, 𝗠𝗶𝗹𝗮𝗻 — 𝟮𝟬𝟬𝟳 - Final ACT 1 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 — Daniel Barenboim 𝗦𝘁𝗮𝗴𝗲 𝗱𝗶𝗿𝗲𝗰𝘁𝗼𝗿 — Patrice Chéreau 𝗦𝗲𝘁 𝗱𝗲𝘀𝗶𝗴𝗻 — Richard Peduzzi 𝗖𝗼𝘀𝘁𝘂𝗺𝗲 𝗱𝗲𝘀𝗶𝗴𝗻 — Moidele…

𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗪𝗔𝗚𝗡𝗘𝗥 — 𝗧𝗥𝗜𝗦𝗧𝗔𝗡 𝗨𝗡𝗗 𝗜𝗦𝗢𝗟𝗗𝗘 𝗧𝗲𝗮𝘁𝗿𝗼 𝗮𝗹𝗹𝗮 𝗦𝗰𝗮𝗹𝗮, 𝗠𝗶𝗹𝗮𝗻 — 𝟮𝟬𝟬𝟳 - Prelude 𝗖𝗔𝗦𝗧 𝗧𝗿𝗶𝘀𝘁𝗮𝗻 — Ian Storey 𝗜𝘀𝗼𝗹𝗱𝗲 — Waltraud Meier 𝗞𝗶𝗻𝗴 𝗠𝗮𝗿𝗸𝗲 — Matti Salminen 𝗞𝘂𝗿𝘄𝗲𝗻𝗮𝗹 — Gerd Grochowski 𝗕𝗿𝗮𝗻𝗴ä𝗻𝗲 —…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟮 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗥𝗜𝗗𝗗𝗟𝗘 𝗔𝗦 𝗛𝗜𝗗𝗗𝗘𝗡 𝗖𝗢𝗡𝗙𝗘𝗦𝗦𝗜𝗢𝗡 After the solemn world of 𝗙𝗥𝗘𝗘𝗠𝗔𝗦𝗢𝗡𝗥𝗬, with its ideals of brotherhood, initiation, moral light, and symbolic…

**Let us welcome the new members.** Laurent-Stéphane Duvaut, Slim BF, Ferreol Villegas, Michiyo Nagata, Lou Bonadio, Gia Gachechiladze, Huri Mendez, Manuel Priego, Rusiko Mircxulava, Marco Poi, Barak Arbel, Ioana Băcanu, Bawm Ying, Olena Kurkina,…

𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 — Arabella - 𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗦𝗮𝘄𝗮𝗹𝗹𝗶𝘀𝗰𝗵 https://www.youtube.com/watch?v=wK0NF6iiG0s 𝗝𝘂𝗹𝗶𝗮 𝗩𝗮𝗿𝗮𝗱𝘆 — Arabella 𝗛𝗲𝗹𝗲𝗻 𝗗𝗼𝗻𝗮𝘁𝗵 — Zdenka 𝗗𝗶𝗲𝘁𝗿𝗶𝗰𝗵 𝗙𝗶𝘀𝗰𝗵𝗲𝗿-𝗗𝗶𝗲𝘀𝗸𝗮𝘂 — Mandryka 𝗔𝗱𝗼𝗹𝗳 𝗗𝗮𝗹𝗹𝗮𝗽𝗼𝘇𝘇𝗮 — Matteo 𝗪𝗮𝗹𝘁𝗲𝗿 𝗕𝗲𝗿𝗿𝘆 — Graf Waldner 𝗛𝗲𝗿𝗺𝗮𝗻𝗻 𝗕𝗲𝗰𝗵𝘁 — Graf Lamoral…

𝗕𝗘𝗡𝗝𝗔𝗠𝗜𝗡 𝗕𝗥𝗜𝗧𝗧𝗘𝗡 𝗔𝗡𝗗 𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗦𝗧𝗥𝗔𝗨𝗦𝗦: 𝗔𝗗𝗠𝗜𝗥𝗔𝗧𝗜𝗢𝗡, 𝗦𝗧𝗨𝗗𝗬, 𝗔𝗡𝗗 𝗢𝗣𝗘𝗥𝗔𝗧𝗜𝗖 𝗜𝗡𝗙𝗟𝗨𝗘𝗡𝗖𝗘 𝗧𝗵𝗲 𝗮𝗱𝗺𝗶𝗿𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗕𝗲𝗻𝗷𝗮𝗺𝗶𝗻 𝗕𝗿𝗶𝘁𝘁𝗲𝗻 𝗳𝗼𝗿 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 𝘄𝗮𝘀 𝗻𝗼𝘁 𝗮 𝘀𝗶𝗺𝗽𝗹𝗲 𝗺𝗮𝘁𝘁𝗲𝗿 𝗼𝗳 𝘀𝘁𝘆𝗹𝗶𝘀𝘁𝗶𝗰 𝗶𝗺𝗶𝘁𝗮𝘁𝗶𝗼𝗻. Britten did not become a Straussian composer in…

Demos la bienvenida a los nuevos miembros. Philippe Vendrix, Philo M Bedoe, Shellman Johnson, みやじま かずひこ, Hajar Outisket, Maxim Marinin, Felipe Andres Ospina Martinez, Μαρία Γερογιάννη, Festes Baroques en Terre des Graves et du…

𝗩𝗶𝗻𝗰𝗲𝗻𝘇𝗼 𝗕𝗘𝗟𝗟𝗜𝗡𝗜 𝟭𝟴𝟬𝟭–𝟭𝟴𝟯𝟱 - 𝗜 𝗖𝗮𝗽𝘂𝗹𝗲𝘁𝗶 𝗲 𝗶 𝗠𝗼𝗻𝘁𝗲𝗰𝗰𝗵𝗶 𝗧𝗿𝗮𝗴𝗲𝗱𝗶𝗮 𝗹𝗶𝗿𝗶𝗰𝗮 𝗶𝗻 𝟮 𝗮𝗰𝘁𝘀 - 𝗩𝗲𝗻𝗶𝗰𝗲, 𝟭𝟴𝟯𝟬 - 𝗘𝗻𝘀𝗲𝗺𝗯𝗹𝗲 𝗥𝗲𝘀𝗼𝗻𝗮𝗻𝘇 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿: 𝗥𝗶𝗰𝗰𝗮𝗿𝗱𝗼 𝗠𝗶𝗻𝗮𝘀𝗶 https://www.patreon.com/posts/vincenzo-bellini-159138857?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗙𝗲𝗹𝗶𝗰𝗲 𝗥𝗼𝗺𝗮𝗻𝗶, 𝗮𝗳𝘁𝗲𝗿 𝗟𝘂𝗶𝗴𝗶 𝗦𝗰𝗲𝘃𝗼𝗹𝗮 𝗘𝗹𝘀𝗮 𝗗𝗿𝗲𝗶𝘀𝗶𝗴, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼 —…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗡𝗗 𝗦𝗛𝗢𝗦𝗧𝗔𝗞𝗢𝗩𝗜𝗖𝗛 𝗧𝗵𝗲 𝗠𝗼𝗿𝗮𝗹 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝘁𝗵𝗲 𝗤𝘂𝗮𝗿𝘁𝗲𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗧𝗿𝗮𝗴𝗶𝗰 𝗩𝗼𝗶𝗰𝗲 The influence of 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 on 𝗗𝗺𝗶𝘁𝗿𝗶 𝗦𝗵𝗼𝘀𝘁𝗮𝗸𝗼𝘃𝗶𝗰𝗵 was not a matter of simple imitation. Shostakovich did not…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗪𝗢𝗥𝗗𝗦 𝗛𝗘 𝗖𝗢𝗨𝗟𝗗 𝗡𝗢𝗧 𝗔𝗖𝗖𝗘𝗣𝗧 𝗖𝗼𝗻𝗰𝗲𝗿𝗻𝗶𝗻𝗴 𝗧𝗲𝘅𝘁𝘀 — 𝗧𝗵𝗲 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿’𝘀 𝗦𝘁𝗿𝘂𝗴𝗴𝗹𝗲 𝘄𝗶𝘁𝗵 𝗣𝗼𝗲𝘁𝗿𝘆, 𝗢𝗽𝗲𝗿𝗮, 𝗮𝗻𝗱 𝗠𝗼𝗿𝗮𝗹 𝗧𝗿𝘂𝘁𝗵 For 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, words were never a secondary matter. Although his genius found…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗜𝗡 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗧𝗵𝗮𝘁 𝗢𝗽𝗲𝗻𝗲𝗱 𝗮 𝗗𝗼𝗼𝗿 𝗮𝗻𝗱 𝗟𝗲𝗳𝘁 𝗮 𝗧𝗿𝗮𝗰𝗲 The influence of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 on 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was never a simple matter of imitation. It was more subtle, more fruitful,…

𝐖𝐡𝐲 𝐠𝐨 𝐭𝐨 𝐚 𝐥𝐢𝐯𝐞 𝐜𝐨𝐧𝐜𝐞𝐫𝐭 𝐰𝐡𝐞𝐧 𝐲𝐨𝐮 𝐜𝐚𝐧 𝐥𝐢𝐬𝐭𝐞𝐧 𝐭𝐨 𝐫𝐞𝐜𝐨𝐫𝐝𝐞𝐝 𝐦𝐮𝐬𝐢𝐜? In an age when almost any song is available instantly on a phone, computer, or speaker, some people ask why live…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗔𝗡𝗗 𝗪𝗢𝗥𝗞 𝗢𝗙 𝗙𝗥𝗔𝗡𝗭 𝗦𝗖𝗛𝗨𝗕𝗘𝗥𝗧 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 — 𝗢𝗣𝗣𝗢𝗥𝗧𝗨𝗡𝗜𝗧𝗜𝗘𝗦 𝗙𝗿𝗮𝗻𝘇 𝗦𝗰𝗵𝘂𝗯𝗲𝗿𝘁 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 𝗳𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽, 𝗻𝗲𝘄 𝗵𝗼𝗽𝗲𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝘄𝗶𝗱𝗲𝗿 𝗵𝗼𝗿𝗶𝘇𝗼𝗻𝘀 (𝟭𝟴𝟭𝟳–𝟭𝟴𝟭𝟵) With this fourth chapter, Schubert’s life begins to open outward in…

𝗗𝗘𝗕𝗨𝗦𝗦𝗬: 𝗧𝗛𝗘 𝗦𝗣𝗔𝗥𝗞 𝗢𝗙 𝗥𝗘𝗖𝗢𝗚𝗡𝗜𝗧𝗜𝗢𝗡 – 𝗧𝗛𝗘 𝗣𝗥𝗜𝗫 𝗗𝗘 𝗥𝗢𝗠𝗘 (𝟭𝟴𝟴𝟰) 𝗔 𝗬𝗢𝗨𝗡𝗚 𝗠𝗔𝗡 𝗔𝗧 𝗧𝗛𝗘 𝗧𝗛𝗥𝗘𝗦𝗛𝗢𝗟𝗗 𝗢𝗙 𝗙𝗔𝗠𝗘 By 1884, Claude Debussy was no longer merely a gifted Conservatoire student showing flashes of…

𝗧𝗵𝗲 𝗗𝘂𝗲𝗹 𝗼𝗳 𝗚𝗶𝗮𝗻𝘁𝘀: 𝗣𝗼𝗿𝗽𝗼𝗿𝗮 𝗮𝗻𝗱 𝗛𝗮𝗻𝗱𝗲𝗹 𝗶𝗻 𝗟𝗼𝗻𝗱𝗼𝗻 𝗟𝗼𝗻𝗱𝗼𝗻 𝗶𝗻 𝘁𝗵𝗲 𝟭𝟳𝟯𝟬𝘀: 𝗔𝗻 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗕𝗮𝘁𝘁𝗹𝗲𝗴𝗿𝗼𝘂𝗻𝗱 𝗜. 𝗔 𝗖𝗶𝘁𝘆 𝗧𝗵𝗮𝘁 𝗧𝘂𝗿𝗻𝗲𝗱 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻𝘁𝗼 𝗪𝗮𝗿 London in the 1730s was not merely a great musical…

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 — 𝟮𝟰 𝗢𝗙 𝗛𝗜𝗦 𝗠𝗢𝗦𝗧 𝗖𝗘𝗟𝗘𝗕𝗥𝗔𝗧𝗘𝗗 𝗔𝗡𝗗 𝗗𝗢𝗖𝗨𝗠𝗘𝗡𝗧𝗘𝗗 𝗤𝗨𝗢𝗧𝗔𝗧𝗜𝗢𝗡𝗦 𝟭. “𝗧𝗵𝗲 𝗮𝗿𝘁 𝗼𝗳 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝗰𝗼𝗻𝘀𝗶𝘀𝘁𝘀 𝗶𝗻 𝗸𝗻𝗼𝘄𝗶𝗻𝗴 𝘄𝗵𝗲𝗻 𝘁𝗼 𝘀𝘁𝗼𝗽 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝘁𝗼 𝗹𝗲𝘁 𝘁𝗵𝗲 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗽𝗹𝗮𝘆.” 𝟮. “𝗤𝘂𝗶𝗰𝗸 𝗺𝘂𝘀𝗶𝗰 𝘀𝗼𝘂𝗻𝗱𝘀 𝗱𝘂𝗹𝗹…

𝐂𝐚𝐫𝐥𝐨𝐬 𝐊𝐥𝐞𝐢𝐛𝐞𝐫: 𝐓𝐡𝐞 𝐆𝐞𝐧𝐢𝐮𝐬 𝐖𝐡𝐨 𝐂𝐨𝐧𝐝𝐮𝐜𝐭𝐞𝐝 𝐀𝐬 𝐈𝐟 𝐄𝐯𝐞𝐫𝐲 𝐍𝐨𝐭𝐞 𝐖𝐞𝐫𝐞 𝐚 𝐌𝐚𝐭𝐭𝐞𝐫 𝐨𝐟 𝐋𝐢𝐟𝐞 𝐚𝐧𝐝 𝐃𝐞𝐚𝐭𝐡 There are conductors who build careers, and there are conductors who become legends almost in spite of…