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𝗡𝗜𝗞𝗢𝗟𝗔𝗜 𝗥𝗜𝗠𝗦𝗞𝗬-𝗞𝗢𝗥𝗦𝗔𝗞𝗢𝗩’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Nikolai Rimsky-Korsakov is frequently described as a supreme orchestrator, as though colour were the principal—or even the only—reason for his enduring importance. The description is accurate but incomplete. His…

𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 𝗮𝗻𝗱 𝗔𝗻𝗮𝘁𝗼𝗹𝘆 𝗕𝗿𝗮𝗻𝗱𝘂𝗸𝗼𝘃 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗱 𝗯𝘆 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗥𝗲𝘂𝘁𝗹𝗶𝗻𝗴𝗲𝗿 𝗶𝗻 𝗣𝗮𝗿𝗶𝘀 𝗼𝗻 𝟲/𝟭𝟴 𝗠𝗮𝗿𝗰𝗵 𝟭𝟴𝟴𝟴 𝗔𝗻𝗮𝘁𝗼𝗹𝘆 𝗔𝗻𝗱𝗿𝗲𝘆𝗲𝘃𝗶𝗰𝗵 𝗕𝗿𝗮𝗻𝗱𝘂𝗸𝗼𝘃 — 𝗥𝘂𝘀𝘀𝗶𝗮𝗻 𝗰𝗲𝗹𝗹𝗶𝘀𝘁 𝗮𝗻𝗱 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗕𝗼𝗿𝗻: 𝟮𝟱 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟴𝟱𝟴 / 𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟴𝟱𝟵, 𝗠𝗼𝘀𝗰𝗼𝘄 𝗗𝗶𝗲𝗱: 𝟭𝟲 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆…

𝗕𝗮𝗰𝗵 - 𝗕𝗿𝗮𝗻𝗱𝗲𝗻𝗯𝘂𝗿𝗴 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼𝘀 - 𝗞𝗼𝗻𝗿𝗮𝗱 𝗛𝘂𝗻𝘁𝗲𝗹𝗲𝗿 https://www.patreon.com/posts/bach-brandenburg-155293360?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗼𝗳 𝗕𝗮𝗰𝗵’𝘀 𝗕𝗿𝗮𝗻𝗱𝗲𝗻𝗯𝘂𝗿𝗴 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼𝘀 is one of the great stories in Baroque music, because these six works stand at the meeting…

𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐅𝐈𝐅𝐓𝐇 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘: 𝐅𝐑𝐎𝐌 𝐃𝐀𝐑𝐊𝐍𝐄𝐒𝐒 𝐓𝐎 𝐋𝐈𝐆𝐇𝐓 The Symphony No. 5 in C minor, Op. 67 by 𝐋𝐮𝐝𝐰𝐢𝐠 𝐯𝐚𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 occupies an exceptional place not only in the history of music, but…

𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗙𝗥𝗢𝗠 𝗠𝗨𝗧𝗨𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗩𝗘𝗥𝗬 𝗧𝗢 𝗔 𝗖𝗢𝗢𝗟𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗔𝗦𝗧𝗘𝗥𝗦 The relationship between 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 was one of the most significant artistic friendships of the years immediately…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟮𝟬 𝗧𝗵𝗲 𝗧𝗲𝗻-𝗡𝗼𝘁𝗲 𝗖𝗵𝗼𝗿𝗱 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸, 𝗔𝗹𝗺𝗮, 𝗪𝗮𝗹𝘁𝗲𝗿 𝗚𝗿𝗼𝗽𝗶𝘂𝘀, 𝗙𝗿𝗲𝘂𝗱, 𝘁𝗵𝗲 𝗨𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗧𝗲𝗻𝘁𝗵, 𝗮𝗻𝗱 𝗠𝗮𝗵𝗹𝗲𝗿’𝘀 𝗟𝗮𝘀𝘁 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in 𝗡𝗲𝘄…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗖𝗛𝗔𝗠𝗕𝗘𝗥-𝗠𝗨𝗦𝗜𝗖 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 Any attempt to identify the fifteen greatest chamber-music recordings must begin by acknowledging that “greatest” cannot mean merely the most technically perfect. A genuinely historic chamber…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗼𝗻𝗸𝗲𝘆’𝘀 𝗧𝗼𝗼𝗹𝘀 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝗮𝘀𝘁𝗲𝗿’𝘀 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝗛𝗲𝗮𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗢𝗻 𝗠𝘂𝘀𝗶𝗰** brings together the central ideas that made…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭 — 𝗖𝗛𝗜𝗟𝗗𝗛𝗢𝗢𝗗 𝗔𝗡𝗗 𝗬𝗢𝗨𝗧𝗛 𝗧𝗛𝗘 𝗦𝗧𝗥𝗔𝗡𝗚𝗘 𝗕𝗢𝗬 𝗢𝗙 𝗭𝗪𝗜𝗖𝗞𝗔𝗨 Robert Schumann’s childhood begins not with the image of a passive…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝗻𝗴 𝗣𝗮𝘀𝘁, 𝗣𝗿𝗲𝘀𝗲𝗻𝘁, 𝗮𝗻𝗱 𝗙𝘂𝘁𝘂𝗿𝗲 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗗𝗲𝗰𝗮𝗱𝗲: 𝘁𝗵𝗲 𝟭𝟳𝟰𝟬𝘀 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗕𝗮𝗰𝗵: 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝗿𝗮𝘁𝗶𝗼𝗻, 𝗥𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝗼𝗻, 𝗦𝘂𝗺𝗺𝗮, 𝗮𝗻𝗱 𝗟𝗲𝗴𝗮𝗰𝘆 The final decade of Johann…

𝗛𝗔𝗬𝗗𝗡, 𝗕𝗬 𝗝. 𝗖𝗨𝗧𝗛𝗕𝗘𝗥𝗧 𝗛𝗔𝗗𝗗𝗘𝗡 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗤𝗨𝗔𝗥𝗧𝗘𝗧𝗦 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗛𝗔𝗬𝗗𝗡 𝗕𝗘𝗚𝗜𝗡𝗦 𝗧𝗢 𝗦𝗣𝗘𝗔𝗞 𝗜𝗡 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗩𝗢𝗜𝗖𝗘 𝗧𝗛𝗘 𝗠𝗢𝗠𝗘𝗡𝗧 𝗪𝗛𝗘𝗡 𝗦𝗨𝗥𝗩𝗜𝗩𝗔𝗟 𝗕𝗘𝗖𝗔𝗠𝗘 𝗦𝗧𝗬𝗟𝗘 By the middle of the…

𝗘𝗗𝗚𝗔𝗥 𝗔𝗟𝗟𝗔𝗡 𝗣𝗢𝗘 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗖𝗢𝗡𝗡𝗘𝗖𝗧𝗜𝗢𝗡 𝗪𝗜𝗧𝗛 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗘𝗱𝗴𝗮𝗿 𝗔𝗹𝗹𝗮𝗻 𝗣𝗼𝗲, born in Boston on 19 January 1809 and dead in Baltimore on 7 October 1849, was not a musician in the professional…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗖. 𝗙. 𝗔𝗯𝗱𝘆 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀 — 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜𝗜 𝗠𝘂̈𝗵𝗹𝗵𝗮𝘂𝘀𝗲𝗻 𝗔𝗻𝗱 𝗪𝗲𝗶𝗺𝗮𝗿: 𝗙𝗿𝗼𝗺 𝗬𝗼𝘂𝗻𝗴 𝗢𝗿𝗴𝗮𝗻𝗶𝘀𝘁 𝗧𝗼 𝗠𝗮𝘀𝘁𝗲𝗿 𝗢𝗳 𝗧𝗵𝗲 𝗢𝗿𝗴𝗮𝗻 𝗜. 𝗧𝗵𝗲 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗢𝗳 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜𝗜 Chapter III of C. F. Abdy Williams’s…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗕𝗮𝗱𝗲𝗻-𝗕𝗮𝗱𝗲𝗻, 𝗧𝗵𝗲 𝗗𝗲𝗮𝘁𝗵 𝗢𝗳 𝗛𝗶𝘀 𝗠𝗼𝘁𝗵𝗲𝗿, 𝗧𝗵𝗲 𝗣𝗶𝗮𝗻𝗼 𝗤𝘂𝗶𝗻𝘁𝗲𝘁, 𝗧𝗵𝗲 𝗛𝗼𝗿𝗻 𝗧𝗿𝗶𝗼, 𝗧𝗵𝗲 𝗖𝗲𝗹𝗹𝗼 𝗦𝗼𝗻𝗮𝘁𝗮, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗕𝗶𝗿𝘁𝗵 𝗢𝗳 𝗧𝗵𝗲 𝗚𝗲𝗿𝗺𝗮𝗻…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 𝗗𝗲𝘁𝗺𝗼𝗹𝗱, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗧𝗵𝗲 𝗗 𝗠𝗮𝗷𝗼𝗿 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝗮𝗻 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗚𝗿𝗶𝗲𝗳, 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽, 𝗮𝗻𝗱 𝗠𝗮𝘁𝘂𝗿𝗶𝘁𝘆 𝟭𝟴𝟱𝟲–𝟭𝟴𝟱𝟴 Chapter 8…

𝗧𝗛𝗘 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗣𝗥𝗢𝗙𝗜𝗟𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗗𝗨𝗥𝗜𝗡𝗚 𝗛𝗜𝗦 𝗙𝗜𝗡𝗔𝗟 𝗬𝗘𝗔𝗥 𝟭𝟳𝟰𝟵–𝟭𝟳𝟱𝟬: 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗳𝗮𝗶𝘁𝗵, 𝗰𝗼𝘂𝗻𝘁𝗲𝗿𝗽𝗼𝗶𝗻𝘁, 𝗳𝗮𝗺𝗶𝗹𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗶𝗻𝘄𝗮𝗿𝗱 𝗮𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗼𝗳 𝗮 𝗱𝘆𝗶𝗻𝗴 𝗺𝗶𝗻𝗱 𝗜. 𝗔 𝗠𝗶𝗻𝗱 𝗼𝗳 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁𝗮𝗹 𝗢𝗿𝗱𝗲𝗿 𝗙𝗮𝗰𝗶𝗻𝗴 𝘁𝗵𝗲 𝗤𝘂𝗶𝗲𝘁 𝗖𝗼𝗹𝗹𝗮𝗽𝘀𝗲…

𝗝𝗲𝗮𝗻-𝗖𝗹𝗮𝘂𝗱𝗲 𝗠𝗮𝗹𝗴𝗼𝗶𝗿𝗲 (𝟭𝟵𝟰𝟬–𝟮𝟬𝟭𝟴): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝘁𝗵𝗲 𝗢𝗯𝗼𝗲, 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗥𝗲𝘃𝗶𝘃𝗮𝗹, 𝗢𝗽𝗲𝗿𝗮, 𝗘𝘅𝗽𝗲𝗿𝗶𝗺𝗲𝗻𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗿𝗲𝗻𝗰𝗵 𝗥𝗲𝗱𝗶𝘀𝗰𝗼𝘃𝗲𝗿𝘆 𝗼𝗳 𝗘𝗮𝗿𝗹𝘆 𝗠𝘂𝘀𝗶𝗰 Mozart, Neukomm - "Brazilian" Requiem K. 626 - Malgoire https://www.youtube.com/watch?v=i0IDHFM5eIg 𝗜. 𝗔 𝗣𝗶𝗼𝗻𝗲𝗲𝗿 𝗪𝗵𝗼…

𝗔𝗹𝗮𝗻 𝗖𝘂𝗿𝘁𝗶𝘀 (𝟭𝟵𝟯𝟰–𝟮𝟬𝟭𝟱): 𝗔 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁𝗮𝗹 𝗣𝗼𝗿𝘁𝗿𝗮𝗶𝘁 𝗼𝗳 𝗮 𝗦𝗰𝗵𝗼𝗹𝗮𝗿-𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗪𝗵𝗼 𝗥𝗲𝘀𝗵𝗮𝗽𝗲𝗱 𝗢𝘂𝗿 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗼𝗳 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗢𝗽𝗲𝗿𝗮 𝗜. 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗦𝗰𝗵𝗼𝗹𝗮𝗿𝘀𝗵𝗶𝗽, 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲𝗮𝘁𝗿𝗶𝗰𝗮𝗹 𝗥𝗲𝘀𝘂𝗿𝗿𝗲𝗰𝘁𝗶𝗼𝗻 𝗔𝗹𝗮𝗻 𝗖𝘂𝗿𝘁𝗶𝘀 was born on 𝟭𝟳 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟯𝟰 in…

𝗕𝗥𝗔𝗛𝗠𝗦: 𝗪𝗢𝗥𝗞𝗦 𝗛𝗘 𝗗𝗜𝗦𝗟𝗜𝗞𝗘𝗗, 𝗖𝗥𝗜𝗧𝗜𝗖𝗜𝗭𝗘𝗗, 𝗢𝗥 𝗔𝗗𝗠𝗜𝗥𝗘𝗗 𝗪𝗜𝗧𝗛 𝗥𝗘𝗦𝗘𝗥𝗩𝗔𝗧𝗜𝗢𝗡 𝗧𝗛𝗘 𝗦𝗘𝗩𝗘𝗥𝗜𝗧𝗬 𝗢𝗙 𝗔 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗖𝗢𝗡𝗦𝗖𝗜𝗘𝗡𝗖𝗘 Before naming specific composers or works, one essential truth must be stated: 𝗕𝗿𝗮𝗵𝗺𝘀 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗱𝗶𝘀𝗹𝗶𝗸𝗲 𝗹𝗶𝗴𝗵𝘁𝗹𝘆. His criticisms…