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𝗣𝗢𝗦𝗦𝗜𝗕𝗟𝗘 𝗘𝗡𝗖𝗢𝗨𝗡𝗧𝗘𝗥𝗦 𝗕𝗘𝗧𝗪𝗘𝗘𝗡 𝗚𝗨𝗦𝗧𝗔𝗩 𝗞𝗟𝗜𝗠𝗧 𝗔𝗡𝗗 𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗜𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 The idea of encounters between 𝗚𝘂𝘀𝘁𝗮𝘃 𝗞𝗹𝗶𝗺𝘁 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 is not only plausible but historically very likely. Both stood near the center…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲: 𝗔𝗟𝗠𝗜𝗥𝗔 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗧𝗥𝗜𝗨𝗠𝗣𝗛 (𝟭𝟳𝟬𝟱) If the duel with Mattheson marked the violent end of one phase of Handel’s youth, 𝗔𝗹𝗺𝗶𝗿𝗮 marked the beginning of another:…

𝗕𝗮𝗰𝗵 - 𝗕𝗿𝗮𝗻𝗱𝗲𝗻𝗯𝘂𝗿𝗴 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼𝘀 - 𝗞𝗼𝗻𝗿𝗮𝗱 𝗛𝘂𝗻𝘁𝗲𝗹𝗲𝗿 https://www.patreon.com/posts/bach-brandenburg-155293360?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗼𝗳 𝗕𝗮𝗰𝗵’𝘀 𝗕𝗿𝗮𝗻𝗱𝗲𝗻𝗯𝘂𝗿𝗴 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼𝘀 is one of the great stories in Baroque music, because these six works stand at the meeting…

𝗪𝗶𝗹𝗵𝗲𝗹𝗺 𝗕𝗮𝗰𝗸𝗵𝗮𝘂𝘀 𝗶𝗻 𝟭𝟵𝟬𝟳 – 𝗧𝗵𝗲 𝗙𝗼𝗿𝗺𝗮𝘁𝗶𝘃𝗲 𝗔𝗽𝗲𝘅 𝗼𝗳 𝗮 𝗬𝗼𝘂𝗻𝗴 𝗩𝗶𝗿𝘁𝘂𝗼𝘀𝗼 𝟭. 𝗧𝗵𝗲 𝗬𝗲𝗮𝗿 𝗼𝗳 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗻𝘀𝗼𝗹𝗶𝗱𝗮𝘁𝗶𝗼𝗻 By 1907, Wilhelm Backhaus (born in Leipzig in 1884) was no longer the prodigious child who…

𝗥𝗢𝗦𝗦𝗜𝗡𝗜 𝗔𝗙𝗧𝗘𝗥 𝗚𝗟𝗢𝗥𝗬: 𝗚𝗔𝗦𝗧𝗥𝗢𝗡𝗢𝗠𝗬, 𝗦𝗜𝗟𝗘𝗡𝗖𝗘, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗘𝗖𝗢𝗡𝗗 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗔 𝗚𝗥𝗘𝗔𝗧 𝗢𝗣𝗘𝗥𝗔 𝗠𝗔𝗦𝗧𝗘𝗥 After the premiere of 𝗚𝘂𝗶𝗹𝗹𝗮𝘂𝗺𝗲 𝗧𝗲𝗹𝗹 in Paris in 1829, Gioachino Rossini did something almost without precedent in the history…

𝗝𝗼𝗵𝗮𝗻𝗻 𝗣𝗮𝗰𝗵𝗲𝗹𝗯𝗲𝗹: 𝗧𝗵𝗲 𝗖𝗹𝗲𝗮𝗿 𝗮𝗻𝗱 𝗡𝗼𝗯𝗹𝗲 𝗩𝗼𝗶𝗰𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗦𝗼𝘂𝘁𝗵 𝗚𝗲𝗿𝗺𝗮𝗻 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗝𝗼𝗵𝗮𝗻𝗻 𝗣𝗮𝗰𝗵𝗲𝗹𝗯𝗲𝗹 (1653–1706) was a leading German Baroque composer and 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗶𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 𝗳𝗶𝗴𝘂𝗿𝗲𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝗼𝘂𝘁𝗵 𝗚𝗲𝗿𝗺𝗮𝗻 𝗼𝗿𝗴𝗮𝗻 𝘁𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻.…

𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗖𝗮𝘃𝗮𝗹𝗹𝗶: 𝗧𝗵𝗲 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗪𝗵𝗼 𝗠𝗮𝗱𝗲 𝗢𝗽𝗲𝗿𝗮 𝗮 𝗣𝘂𝗯𝗹𝗶𝗰 𝗔𝗿𝘁 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗖𝗮𝘃𝗮𝗹𝗹𝗶 (1602–1676) was one of the most important opera composers of the early Baroque and 𝗮 𝗰𝗲𝗻𝘁𝗿𝗮𝗹 𝗳𝗶𝗴𝘂𝗿𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗿𝗶𝘀𝗲 𝗼𝗳 𝗽𝘂𝗯𝗹𝗶𝗰…

𝐊𝐚𝐫𝐥 𝐑𝐢𝐜𝐡𝐭𝐞𝐫: 𝐓𝐡𝐞 𝐁𝐚𝐜𝐡 𝐓𝐢𝐭𝐚𝐧 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐅𝐚𝐢𝐭𝐡, 𝐃𝐢𝐬𝐜𝐢𝐩𝐥𝐢𝐧𝐞, 𝐀𝐧𝐝 𝐅𝐢𝐫𝐞 𝐈𝐧𝐭𝐨 𝐒𝐨𝐮𝐧𝐝 There are musicians whose reputations rest on fashion, and others whose names remain inseparable from an entire repertory because they seemed…

𝗝𝗼𝘀𝗲𝗽𝗵 𝗛𝗮𝘆𝗱𝗻 𝗮𝗻𝗱 𝗛𝗶𝘀 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝘄𝗶𝘁𝗵 𝗛𝗶𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀: 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 𝗛𝗮𝘆𝗱𝗻 𝘄𝗮𝘀 𝗻𝗼𝘁 𝗺𝗲𝗿𝗲𝗹𝘆 𝗮 𝗴𝗿𝗲𝗮𝘁 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗮𝗺𝗼𝗻𝗴 𝗼𝘁𝗵𝗲𝗿 𝗴𝗿𝗲𝗮𝘁 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀. He was, in many respects, the central musical axis around which…

𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 - 𝟵 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗲𝘀 - 𝗙𝗲𝗹𝗶𝘅 𝗪𝗲𝗶𝗻𝗴𝗮𝗿𝘁𝗻𝗲𝗿 (𝟮𝟳-𝟯𝟴, 𝗘𝗠𝗜) https://www.patreon.com/posts/beethoven-9-27-139871885?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐅𝐞𝐥𝐢𝐱 𝐖𝐞𝐢𝐧𝐠𝐚𝐫𝐭𝐧𝐞𝐫 𝐢𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐓𝐡𝐞 𝐍𝐢𝐧𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Felix Weingartner remains one of the most important Beethoven conductors in recording history because…

𝐊𝐚𝐫𝐥 𝐁𝐨𝐡𝐦 𝐢𝐧 𝐌𝐨𝐳𝐚𝐫𝐭’𝐬 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬: 𝐀 𝐑𝐢𝐠𝐨𝐫𝐨𝐮𝐬 𝐀𝐧𝐚𝐥𝐲𝐬𝐢𝐬 Karl Bohm’s Mozart symphony legacy is often discussed as if it were one homogeneous “old-style” body of recordings. It is not. The important starting point is…

𝐁𝐫𝐮𝐧𝐨 𝐖𝐚𝐥𝐭𝐞𝐫 𝐢𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 𝐚𝐧𝐝 𝐁𝐫𝐚𝐡𝐦𝐬: 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Bruno Walter’s Beethoven and Brahms stand at the heart of the central Austro-German symphonic tradition on record, but his legacy in the two…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 – 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟗, 𝐎𝐩. 𝟏𝟐𝟓 – 𝐈𝐫𝐦𝐠𝐚𝐫𝐝 𝐒𝐞𝐞𝐟𝐫𝐢𝐞𝐝 – 𝐌𝐚𝐮𝐫𝐞𝐞𝐧 𝐅𝐨𝐫𝐫𝐞𝐬𝐭𝐞𝐫 – 𝐄𝐫𝐧𝐬𝐭 𝐇𝐚𝐞𝐟𝐥𝐢𝐠𝐞𝐫 – 𝐃𝐢𝐞𝐭𝐫𝐢𝐜𝐡 𝐅𝐢𝐬𝐜𝐡𝐞𝐫-𝐃𝐢𝐞𝐬𝐤𝐚𝐮 – 𝐁𝐞𝐫𝐥𝐢𝐧𝐞𝐫 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐤𝐞𝐫 – 𝐅𝐞𝐫𝐞𝐧𝐜 𝐅𝐫𝐢𝐜𝐬𝐚𝐲 https://www.patreon.com/posts/beethoven-no-9-153325649?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 – 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟗 𝐢𝐧 𝐃 𝐦𝐢𝐧𝐨𝐫,…

𝐆𝐮𝐬𝐭𝐚𝐯 𝐌𝐚𝐡𝐥𝐞𝐫 𝐢𝐧 𝟏𝟖𝟗𝟕: 𝐓𝐡𝐞 𝐘𝐞𝐚𝐫 𝐇𝐞 𝐒𝐭𝐞𝐩𝐩𝐞𝐝 𝐈𝐧𝐭𝐨 𝐕𝐢𝐞𝐧𝐧𝐚’𝐬 𝐂𝐞𝐧𝐭𝐫𝐞 𝐀 𝐲𝐞𝐚𝐫 𝐨𝐟 𝐭𝐫𝐚𝐧𝐬𝐢𝐭𝐢𝐨𝐧, 𝐚𝐦𝐛𝐢𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐟𝐚𝐭𝐞 For Gustav Mahler, 1897 was not merely another year in a successful conducting career. It was…

# **The Cambridge History of Seventeenth-Century Music ** ***The Cambridge History of Seventeenth-Century Music*** was published by **Cambridge University Press in 2005**, under the editorship of **Tim Carter** and **John Butt**. It appeared as…

𝐊𝐀𝐑𝐋 𝐁𝐎𝐇𝐌 𝐚𝐧𝐝 𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐯𝐨𝐧 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐖𝐎 𝐕𝐈𝐄𝐍𝐍𝐄𝐒𝐄 𝐌𝐀𝐒𝐓𝐄𝐑𝐒 𝐅𝐀𝐂𝐄 𝐓𝐎 𝐅𝐀𝐂𝐄: 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐈𝐒𝐌 𝐕𝐒. 𝐒𝐎𝐍𝐈𝐂 𝐆𝐋𝐎𝐑𝐘 𝐈. 𝐇𝐈𝐒𝐓𝐎𝐑𝐈𝐂𝐀𝐋 𝐏𝐎𝐈𝐍𝐓 𝐎𝐅 𝐂𝐎𝐍𝐓𝐀𝐂𝐓 𝐊𝐚𝐫𝐥 𝐀𝐮𝐠𝐮𝐬𝐭 𝐋𝐞𝐨𝐩𝐨𝐥𝐝 𝐁𝐨𝐡𝐦 (1894–1981) and 𝐇𝐞𝐫𝐛𝐞𝐫𝐭 𝐯𝐨𝐧 𝐊𝐚𝐫𝐚𝐣𝐚𝐧 (1908–1989) stood as…

𝐉𝐀𝐌𝐄𝐒 𝐋𝐄𝐕𝐈𝐍𝐄 — 𝐆𝐄𝐍𝐈𝐔𝐒, 𝐏𝐎𝐖𝐄𝐑 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐎𝐕𝐄𝐑𝐒𝐘: 𝐀𝐍𝐄𝐂𝐃𝐎𝐓𝐄𝐒 𝐀𝐍𝐃 𝐂𝐔𝐑𝐈𝐎𝐒𝐈𝐓𝐈𝐄𝐒 𝐈𝐍 𝐂𝐇𝐑𝐎𝐍𝐎𝐋𝐎𝐆𝐈𝐂𝐀𝐋 𝐎𝐑𝐃𝐄𝐑 (𝟏𝟗𝟒𝟑–𝟐𝟎𝟐𝟏) 𝐈. 𝐀 𝐏𝐑𝐎𝐃𝐈𝐆𝐘 𝐀𝐓 𝐓𝐇𝐄 𝐏𝐈𝐀𝐍𝐎 (𝟏𝟗𝟒𝟑–𝟏𝟗𝟓𝟎𝐬) 𝐉𝐚𝐦𝐞𝐬 𝐋𝐚𝐰𝐫𝐞𝐧𝐜𝐞 𝐋𝐞𝐯𝐢𝐧𝐞 (𝟏𝟗𝟒𝟑–𝟐𝟎𝟐𝟏) was born on 23 June 1943 in Cincinnati, Ohio,…

𝐂𝐋𝐀𝐔𝐃𝐄 𝐃𝐄𝐁𝐔𝐒𝐒𝐘: 𝐓𝐇𝐄 𝐑𝐄𝐁𝐄𝐋 𝐀𝐓 𝐓𝐇𝐄 𝐏𝐈𝐀𝐍𝐎 — 𝐇𝐈𝐒 𝐓𝐄𝐀𝐂𝐇𝐄𝐑𝐒, 𝐇𝐈𝐒 𝐏𝐔𝐏𝐈𝐋𝐒, 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐄𝐗𝐏𝐋𝐎𝐒𝐈𝐕𝐄 𝐁𝐈𝐑𝐓𝐇 𝐎𝐅 𝐀 𝐍𝐄𝐖 𝐌𝐔𝐒𝐈𝐂 (𝟏𝟖𝟔𝟐–𝟏𝟖𝟗𝟒) 𝐈. 𝐀 𝐂𝐇𝐈𝐋𝐃 𝐎𝐔𝐓𝐒𝐈𝐃𝐄 𝐓𝐇𝐄 𝐒𝐘𝐒𝐓𝐄𝐌 (𝟏𝟖𝟔𝟐–𝟏𝟖𝟕𝟐) 𝐂𝐥𝐚𝐮𝐝𝐞 𝐀𝐜𝐡𝐢𝐥𝐥𝐞 𝐃𝐞𝐛𝐮𝐬𝐬𝐲 was born on…

𝐄𝐌𝐈𝐋 𝐕𝐎𝐍 𝐒𝐀𝐔𝐄𝐑 (𝟏𝟖𝟔𝟐–𝟏𝟗𝟒𝟐) A Rigorous Essay on His Life and Professional Activity 𝐈. 𝐎𝐫𝐢𝐠𝐢𝐧𝐬 𝐚𝐧𝐝 𝐄𝐚𝐫𝐥𝐲 𝐅𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 (𝟏𝟖𝟔𝟐–𝟏𝟖𝟖𝟏) Emil von Sauer was born on October 8, 1862, in Hamburg, Germany. He grew up…

# **Willem Mengelberg and Gustav Mahler — Truths and Myths** ## 1. Historical Meeting and First Encounters The relationship between **Willem Mengelberg (1871–1951)** and **Gustav Mahler (1860–1911)** is one of the most fascinating artistic…

𝗪𝗛𝗘𝗡 𝗠𝗨𝗦𝗜𝗖 𝗕𝗘𝗖𝗔𝗠𝗘 𝗥𝗘𝗖𝗢𝗡𝗖𝗜𝗟𝗜𝗔𝗧𝗜𝗢𝗡 — 𝗙𝘂𝗿𝘁𝘄𝗮𝗻𝗴𝗹𝗲𝗿 𝗮𝗻𝗱 𝗠𝗲𝗻𝘂𝗵𝗶𝗻 Brahms: Violin Concerto (1949) Menuhin/Furtwängler https://www.youtube.com/watch?v=-u_MyGomh6Y The relationship between Wilhelm Furtwängler (1886–1954) and Yehudi Menuhin (1916–1999) is one of the most profound and symbolically powerful collaborations…

# **Samuel Scheidt (1587–1654)** Samuel Scheidt completes the celebrated trio of early German Baroque masters often called the **“Three S’s” — Schütz, Schein, and Scheidt**. If Schütz brought Italian dramatic expression to sacred music…

𝗧𝗛𝗘 𝗠𝗜𝗚𝗛𝗧𝗬 𝗛𝗔𝗡𝗗𝗙𝗨𝗟 (𝗧𝗛𝗘 𝗙𝗜𝗩𝗘): 𝗧𝗛𝗘 𝗕𝗜𝗥𝗧𝗛 𝗢𝗙 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗡𝗔𝗧𝗜𝗢𝗡𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗜. 𝗛𝗜𝗦𝗧𝗢𝗥𝗜𝗖𝗔𝗟 𝗕𝗔𝗖𝗞𝗚𝗥𝗢𝗨𝗡𝗗: 𝗥𝗨𝗦𝗦𝗜𝗔 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗘𝗔𝗥𝗖𝗛 𝗙𝗢𝗥 𝗔 𝗡𝗔𝗧𝗜𝗢𝗡𝗔𝗟 𝗩𝗢𝗜𝗖𝗘 (1830–1860) During the early 19th century, Russian art music was largely dominated…

𝗪𝗛𝗬 𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗦𝗧𝗥𝗔𝗨𝗦𝗦 𝗖𝗔𝗡 𝗕𝗘 𝗥𝗘𝗔𝗦𝗢𝗡𝗔𝗕𝗟𝗬 𝗖𝗔𝗟𝗟𝗘𝗗 𝗧𝗛𝗘 𝗠𝗢𝗦𝗧 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗢𝗙 𝗧𝗛𝗘 𝟮𝟬𝗧𝗛 𝗖𝗘𝗡𝗧𝗨𝗥𝗬 Calling any single composer “the most complete” is always a value judgment, because “completeness” depends on what we choose…