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𝗘𝗹𝗶𝘀𝗮𝗯𝗲𝘁𝗵 𝗦𝗰𝗵𝘄𝗮𝗿𝘇𝗸𝗼𝗽𝗳 𝗮𝗻𝗱 𝗠𝗮𝗿𝗶𝗮 𝗖𝗮𝗹𝗹𝗮𝘀, 𝟭𝟵𝟱𝟱

## What “reference recording” means in Bruckner’s Ninth Symphony When critics speak of “reference recordings” of **Symphony No. 9**, they are usually comparing interpretations that, by different paths, solve (or illuminate) four enormous challenges:…

## Mahler’s Music in the Netherlands Under Nazism — and the Controversial Role of Willem Mengelberg The fate of **Mahler’s music in the Netherlands during the Nazi occupation (1940–1945)** is inseparable from the tragic…

# **Willem Mengelberg and Gustav Mahler — Truths and Myths** ## 1. Historical Meeting and First Encounters The relationship between **Willem Mengelberg (1871–1951)** and **Gustav Mahler (1860–1911)** is one of the most fascinating artistic…

𝗚𝗘𝗡𝗜𝗨𝗦, 𝗙𝗔𝗠𝗜𝗟𝗬 𝗔𝗡𝗗 𝗙𝗥𝗔𝗚𝗜𝗟𝗜𝗧𝗬 — 𝗧𝗛𝗘 𝗗𝗘𝗘𝗣𝗘𝗥 𝗥𝗘𝗔𝗟𝗜𝗧𝗬 𝗢𝗙 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜 𝗔𝗡𝗗 𝗛𝗢𝗥𝗢𝗪𝗜𝗧𝗭 The story of Arturo Toscanini and Vladimir Horowitz is often told as a glamorous tale: the greatest conductor of his era becomes…

𝗖𝗮𝗿𝗹𝗼 𝗠𝗮𝗿𝗶𝗮 𝗚𝗶𝘂𝗹𝗶𝗻𝗶 — 𝗧𝗲𝗮𝗰𝗵𝗲𝗿𝘀 𝗮𝗻𝗱 𝗜𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝘀 𝗕𝗲𝗵𝗶𝗻𝗱 𝗮 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝗣𝗵𝗶𝗹𝗼𝘀𝗼𝗽𝗵𝘆 Carlo Maria Giulini (1914–2005) developed one of the most distinctive and spiritually intense conducting styles of the twentieth century. Unlike many conductors who…

𝗧𝗛𝗘 𝗠𝗔𝗞𝗜𝗡𝗚 𝗢𝗙 𝗔 𝗚𝗘𝗡𝗜𝗨𝗦 — 𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗙𝗢𝗥𝗠𝗔𝗧𝗜𝗩𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗦𝗧 𝗣𝗘𝗧𝗘𝗥𝗦𝗕𝗨𝗥𝗚 (𝟭𝟴𝟲𝟭–𝟭𝟴𝟲𝟲) The story of Pyotr Ilyich Tchaikovsky’s transformation into a composer begins not with triumph, but with uncertainty, fear, and a radical…

# **Beulah Collection 7 ** 1. Adagio – 10 Slow Movements 2. American Compositions 1 – **Bernstein**, **Schuman**, **Copland**, **Barber** & **Gershwin** 3. American Compositions 2 – **Gershwin**, **Harris**, **Giannini** & **Copland** 4. American…

# **Beulah Collection 6** 1. **Georg Solti** conducts **Beethoven** Symphonies Nos. 3 & 5 (1958) 2. **Georg Solti** conducts **Beethoven** Violin Concerto & **Haydn** Symphony No. 100 (Mischa Elman) 3. **Georg Solti** conducts **Schubert**…

𝗦𝗮𝗯𝗶𝗻𝗲 𝗗𝗲𝘃𝗶𝗲𝗶𝗹𝗵𝗲, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼

Francesco Corti

𝗝𝗮𝗸𝘂𝗯 𝗝𝗼𝘇𝗲𝗳 𝗢𝗿𝗹𝗶𝗻𝘀𝗸𝗶, 𝗰𝗼𝘂𝗻𝘁𝗲𝗿𝘁𝗲𝗻𝗼𝗿

𝗧𝗛𝗘 𝗠𝗔𝗧𝗛𝗘𝗠𝗔𝗧𝗜𝗖𝗜𝗔𝗡 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗢𝗙 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗨𝗦𝗜𝗖 — 𝗧𝗛𝗘 𝗘𝗫𝗧𝗥𝗔𝗢𝗥𝗗𝗜𝗡𝗔𝗥𝗬 𝗪𝗢𝗥𝗟𝗗 𝗢𝗙 𝗘𝗥𝗡𝗘𝗦𝗧 𝗔𝗡𝗦𝗘𝗥𝗠𝗘𝗧 Ernest Ansermet (1883–1969) occupies a unique place in music history because his life intersected with almost every major…

𝗧𝗛𝗘 𝗠𝗔𝗘𝗦𝗧𝗥𝗢 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗧𝗨𝗗𝗘𝗡𝗧 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗔 𝗠𝗔𝗘𝗦𝗧𝗥𝗢 — 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 & 𝗢𝘇𝗮𝘄𝗮 The relationship between Herbert von Karajan (1908–1989) and Seiji Ozawa (1935–2024) is one of the most fascinating mentor–protégé stories in twentieth-century…

## **𝗧𝗛𝗘 𝗣𝗥𝗢𝗗𝗜𝗚𝗬 𝗪𝗛𝗢 𝗪𝗢𝗡 𝗕𝗘𝗥𝗟𝗜𝗡 𝗔𝗧 𝗧𝗪𝗘𝗡𝗧𝗬 — 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀 𝗮𝗻𝗱 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗼𝗳 𝗢𝗸𝗸𝗼 𝗞𝗮𝗺𝘂** **Okko Kamu (born 1946)** is one of Finland’s most distinguished conductors, yet his career began with one of the…

𝗪𝗛𝗘𝗡 𝗠𝗨𝗦𝗜𝗖 𝗕𝗘𝗖𝗔𝗠𝗘 𝗥𝗘𝗖𝗢𝗡𝗖𝗜𝗟𝗜𝗔𝗧𝗜𝗢𝗡 — 𝗙𝘂𝗿𝘁𝘄𝗮𝗻𝗴𝗹𝗲𝗿 𝗮𝗻𝗱 𝗠𝗲𝗻𝘂𝗵𝗶𝗻 Brahms: Violin Concerto (1949) Menuhin/Furtwängler https://www.youtube.com/watch?v=-u_MyGomh6Y The relationship between Wilhelm Furtwängler (1886–1954) and Yehudi Menuhin (1916–1999) is one of the most profound and symbolically powerful collaborations…

𝗧𝗵𝗿𝗲𝗲 𝗣𝗶𝗮𝗻𝗶𝘀𝘁𝘀 𝗔𝘁 𝗧𝗵𝗲 𝗕𝗲𝗴𝗶𝗻𝗻𝗶𝗻𝗴 𝗢𝗳 𝗧𝗵𝗲𝗶𝗿 𝗟𝗲𝗴𝗲𝗻𝗱𝘀 — 𝗠𝗶𝘀𝗵𝗮 𝗗𝗶𝗰𝗵𝘁𝗲𝗿, 𝗘𝗺𝗶𝗹 𝗚𝗶𝗹𝗲𝗹𝘀 𝗮𝗻𝗱 𝗚𝗿𝗶𝗴𝗼𝗿𝘆 𝗦𝗼𝗸𝗼𝗹𝗼𝘃 (1966) The year 1966 sits at a fascinating crossroads in pianistic history. In a single historical moment we…

𝗧𝗛𝗘 𝗩𝗢𝗜𝗖𝗘 𝗧𝗛𝗔𝗧 𝗖𝗢𝗨𝗟𝗗 𝗥𝗘𝗔𝗗 𝗧𝗛𝗘 𝗦𝗢𝗨𝗟 — 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗜𝗻𝘁𝗲𝗹𝗹𝗲𝗰𝘁𝘂𝗮𝗹 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗗𝗶𝗲𝘁𝗿𝗶𝗰𝗵 𝗙𝗶𝘀𝗰𝗵𝗲𝗿-𝗗𝗶𝗲𝘀𝗸𝗮𝘂 Dietrich Fischer-Dieskau (1925–2012) reshaped the idea of what a singer could be. He was not merely a…