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# **Joseph Haydn and Nicola Porpora: A Transformative Encounter** When **Joseph Haydn** was struggling to survive in Vienna in the early **1750s**, poor, largely self-taught, and without influential patrons, a chance encounter would prove…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟗 — 𝐀𝐍 𝐀𝐑𝐓𝐈𝐒𝐓𝐈𝐂 𝐃𝐄𝐕𝐎𝐓𝐄𝐄 𝐏𝐀𝐔𝐋𝐈𝐍𝐄 𝐕𝐈𝐀𝐑𝐃𝐎𝐓 Among the many women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤…

𝗚𝗘𝗢𝗥𝗚 𝗦𝗢𝗟𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Georg Solti’s discography is one of the most formidable in twentieth-century music. He was a conductor of incisive rhythm, explosive dramatic instinct, dazzling orchestral control and extraordinary…

𝗟𝗼𝗿𝗲𝗻𝘇𝗼 𝗦𝗮𝗹𝘃𝗶 — 𝗧𝗵𝗲 𝗡𝗶𝗻𝗲𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘂𝗿𝘆 𝗧𝗲𝗻𝗼𝗿 𝗪𝗵𝗼 𝗦𝘁𝗼𝗼𝗱 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗗𝗼𝗻𝗶𝘇𝗲𝘁𝘁𝗶 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗩𝗲𝗿𝗱𝗶 𝗟𝗼𝗿𝗲𝗻𝘇𝗼 𝗦𝗮𝗹𝘃𝗶 was one of the notable Italian tenors of the nineteenth century, a singer whose career belonged to the…

𝗟𝗶𝗰𝗶𝗮 𝗔𝗹𝗯𝗮𝗻𝗲𝘀𝗲 — 𝗧𝗵𝗲 𝗦𝗼𝗽𝗿𝗮𝗻𝗼 𝗢𝗳 𝗣𝘂𝗰𝗰𝗶𝗻𝗶𝗮𝗻 𝗧𝗲𝗻𝗱𝗲𝗿𝗻𝗲𝘀𝘀, 𝗩𝗲𝗿𝗱𝗶𝗮𝗻 𝗟𝘆𝗿𝗶𝗰𝗶𝘀𝗺, 𝗔𝗻𝗱 𝗘𝘅𝘁𝗿𝗮𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆 𝗟𝗼𝗻𝗴𝗲𝘃𝗶𝘁𝘆 𝗟𝗶𝗰𝗶𝗮 𝗔𝗹𝗯𝗮𝗻𝗲𝘀𝗲 was one of the most beloved Italian-born sopranos of the twentieth century, especially admired for her interpretations of the…

𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗧𝗮𝗱𝗱𝗲𝗶 — 𝗧𝗵𝗲 𝗟𝘆𝗿𝗶𝗰 𝗕𝗮𝗿𝗶𝘁𝗼𝗻𝗲 𝗪𝗵𝗼 𝗨𝗻𝗶𝘁𝗲𝗱 𝗖𝗼𝗺𝗲𝗱𝘆, 𝗗𝗿𝗮𝗺𝗮, 𝗔𝗻𝗱 𝗘𝘅𝘁𝗿𝗮𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆 𝗟𝗼𝗻𝗴𝗲𝘃𝗶𝘁𝘆 𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗧𝗮𝗱𝗱𝗲𝗶 was one of the most complete Italian lyric baritones of the twentieth century, admired for the extraordinary range of…

𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗗𝗲 𝗟𝘂𝗰𝗮 — 𝗧𝗵𝗲 𝗔𝗿𝗶𝘀𝘁𝗼𝗰𝗿𝗮𝘁 𝗢𝗳 𝗧𝗵𝗲 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗕𝗮𝗿𝗶𝘁𝗼𝗻𝗲 𝗩𝗼𝗶𝗰𝗲 𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗗𝗲 𝗟𝘂𝗰𝗮 was one of the most refined Italian baritones of the twentieth century, admired not for overwhelming vocal force but for…

𝗘𝘁𝘁𝗼𝗿𝗲 𝗕𝗮𝘀𝘁𝗶𝗮𝗻𝗶𝗻𝗶 — 𝗔 𝗕𝗿𝗶𝗲𝗳 𝗕𝘂𝘁 𝗥𝗶𝗰𝗵 𝗣𝗼𝗿𝘁𝗿𝗮𝗶𝘁 𝗢𝗳 𝗔 𝗚𝗿𝗲𝗮𝘁 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗕𝗮𝗿𝗶𝘁𝗼𝗻𝗲 𝗘𝘁𝘁𝗼𝗿𝗲 𝗕𝗮𝘀𝘁𝗶𝗮𝗻𝗶𝗻𝗶 was one of the most admired Italian baritones of the twentieth century, remembered for the exceptional beauty of his…

𝗧𝗵𝗲 𝗣𝗿𝗶𝗻𝗰𝗶𝗽𝗮𝗹 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿𝘀 𝗪𝗵𝗼 𝗦𝗵𝗮𝗽𝗲𝗱 𝘁𝗵𝗲 𝗦𝗮̈𝗰𝗵𝘀𝗶𝘀𝗰𝗵𝗲 𝗦𝘁𝗮𝗮𝘁𝘀𝗸𝗮𝗽𝗲𝗹𝗹𝗲 𝗗𝗿𝗲𝘀𝗱𝗲𝗻 (Part 2) 𝗘𝗿𝗻𝘀𝘁 𝘃𝗼𝗻 𝗦𝗰𝗵𝘂𝗰𝗵 𝗖𝗵𝗶𝗲𝗳 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 𝗮𝗻𝗱 𝗚𝗲𝗻𝗲𝗿𝗮𝗹 𝗠𝘂𝘀𝗶𝗰 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿, 𝟭𝟴𝟴𝟰–𝟭𝟵𝟭𝟰 𝗧𝗵𝗲 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 𝗔𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗚𝗼𝗹𝗱𝗲𝗻 𝗬𝗲𝗮𝗿𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗗𝗿𝗲𝘀𝗱𝗲𝗻 𝗢𝗽𝗲𝗿𝗮 With 𝗘𝗿𝗻𝘀𝘁…

𝗦𝗔𝗜𝗡𝗧 𝗖𝗘𝗖𝗜𝗟𝗜𝗔: 𝗣𝗔𝗧𝗥𝗢𝗡 𝗦𝗔𝗜𝗡𝗧 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖 𝗛𝗶𝘀𝘁𝗼𝗿𝘆, 𝘀𝘆𝗺𝗯𝗼𝗹𝗶𝘀𝗺, 𝗹𝗲𝗴𝗲𝗻𝗱, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝘄𝗼𝗿𝗸𝘀 𝗶𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗵𝗲𝗿 𝗜. 𝗔 𝗦𝗮𝗶𝗻𝘁 𝗪𝗵𝗼𝘀𝗲 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 𝗕𝗲𝗰𝗮𝗺𝗲 𝗠𝘂𝘀𝗶𝗰 𝗦𝗮𝗶𝗻𝘁 𝗖𝗲𝗰𝗶𝗹𝗶𝗮 occupies one of the most poetic positions in Western…

𝗡𝗶𝗰𝗵𝗼𝗹𝗮𝘀 𝗠𝗰𝗚𝗲𝗴𝗮𝗻 (𝗯. 𝟭𝟵𝟱𝟬): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗛𝗮𝗿𝗽𝘀𝗶𝗰𝗵𝗼𝗿𝗱, 𝗛𝗮𝗻𝗱𝗲𝗹, 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗝𝗼𝘆𝗳𝘂𝗹 𝗥𝗲𝗯𝗶𝗿𝘁𝗵 𝗼𝗳 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝗹 𝗦𝗼𝘂𝗻𝗱 𝗜. 𝗔 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 𝗼𝗳 𝗝𝗼𝘆, 𝗖𝗹𝗮𝗿𝗶𝘁𝘆, 𝗮𝗻𝗱 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗜𝗺𝗮𝗴𝗶𝗻𝗮𝘁𝗶𝗼𝗻 𝗡𝗶𝗰𝗵𝗼𝗹𝗮𝘀 𝗠𝗰𝗚𝗲𝗴𝗮𝗻, often affectionately known as…

𝗞𝗔𝗧𝗜𝗔 𝗥𝗜𝗖𝗖𝗜𝗔𝗥𝗘𝗟𝗟𝗜 𝗧𝗵𝗲 𝗟𝘆𝗿𝗶𝗰 𝗦𝗼𝗽𝗿𝗮𝗻𝗼 𝗼𝗳 𝗣𝗼𝗲𝘁𝗿𝘆, 𝗥𝗶𝘀𝗸, 𝗮𝗻𝗱 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗠𝗲𝗺𝗼𝗿𝘆 𝗞𝗮𝘁𝗶𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶, born 𝗞𝗮𝘁𝗶𝘂𝘀𝗰𝗶𝗮 𝗠𝗮𝗿𝗶𝗮 𝗦𝘁𝗲𝗹𝗹𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶 in 𝗥𝗼𝘃𝗶𝗴𝗼, Veneto, on 𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟵𝟰𝟲, belongs to that fascinating category of singers whose…

𝗘𝗟𝗜𝗦𝗔𝗕𝗘𝗧𝗛 𝗦𝗖𝗛𝗪𝗔𝗥𝗭𝗞𝗢𝗣𝗙 𝗔𝗡𝗗 𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻, 𝗖𝗼𝗻𝘁𝗿𝗼𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝗼𝘀𝘁-𝗪𝗮𝗿 𝗚𝗼𝗹𝗱𝗲𝗻 𝗔𝗴𝗲 𝗼𝗳 𝗢𝗽𝗲𝗿𝗮 The artistic relationship between 𝗘𝗹𝗶𝘀𝗮𝗯𝗲𝘁𝗵 𝗦𝗰𝗵𝘄𝗮𝗿𝘇𝗸𝗼𝗽𝗳 and 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 belongs to one of the most refined chapters in…

𝐒𝐡𝐞𝐫𝐫𝐢𝐥𝐥 𝐌𝐢𝐥𝐧𝐞𝐬: 𝐓𝐡𝐞 𝐀𝐦𝐞𝐫𝐢𝐜𝐚𝐧 𝐕𝐞𝐫𝐝𝐢 𝐁𝐚𝐫𝐢𝐭𝐨𝐧𝐞 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐏𝐨𝐰𝐞𝐫, 𝐍𝐨𝐛𝐢𝐥𝐢𝐭𝐲, 𝐀𝐧𝐝 𝐒𝐭𝐚𝐠𝐞 𝐂𝐨𝐦𝐦𝐚𝐧𝐝 𝐈𝐧𝐭𝐨 𝐋𝐞𝐠𝐞𝐧𝐝 There are baritones whose greatness lies in vocal beauty alone, and others whose greatness comes from something broader and…

𝐀𝐍𝐍𝐄 𝐒𝐈𝐋𝐉𝐀 (𝟏𝟗𝟒𝟎– ) 𝐓𝐇𝐄 𝐅𝐈𝐄𝐑𝐂𝐄 𝐌𝐔𝐒𝐄 𝐎𝐅 𝐌𝐎𝐃𝐄𝐑𝐍 𝐎𝐏𝐄𝐑𝐀 — 𝐓𝐇𝐄 𝐀𝐑𝐓𝐈𝐒𝐓 𝐖𝐇𝐎 𝐓𝐑𝐀𝐍𝐒𝐅𝐎𝐑𝐌𝐄𝐃 𝐖𝐀𝐆𝐍𝐄𝐑𝐈𝐀𝐍 𝐓𝐑𝐀𝐃𝐈𝐓𝐈𝐎𝐍 𝐈𝐍𝐓𝐎 𝐏𝐒𝐘𝐂𝐇𝐎𝐋𝐎𝐆𝐈𝐂𝐀𝐋 𝐓𝐇𝐄𝐀𝐓𝐑𝐄 𝐀 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐈𝐍 𝐖𝐀𝐑-𝐒𝐇𝐀𝐃𝐎𝐖𝐄𝐃 𝐆𝐄𝐑𝐌𝐀𝐍𝐘 𝐀𝐧𝐧𝐞 𝐒𝐢𝐥𝐣𝐚 (𝐛. 𝟏𝟕 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟒𝟎) was born in…

𝐓𝐇𝐄 𝐍𝐈𝐆𝐇𝐓 𝐓𝐇𝐀𝐓 𝐂𝐇𝐀𝐍𝐆𝐄𝐃 𝐎𝐏𝐄𝐑𝐀 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 𝐓𝐫𝐢𝐬𝐭𝐚𝐧 𝐮𝐧𝐝 𝐈𝐬𝐨𝐥𝐝𝐞, 𝟏𝟖𝟔𝟓 — 𝐭𝐡𝐞 𝐬𝐭𝐚𝐠𝐞 𝐭𝐫𝐢𝐮𝐦𝐩𝐡, 𝐭𝐡𝐞 𝐯𝐨𝐜𝐚𝐥 𝐚𝐛𝐲𝐬𝐬, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐟𝐚𝐭𝐞 𝐨𝐟 𝐢𝐭𝐬 𝐟𝐢𝐫𝐬𝐭 𝐥𝐨𝐯𝐞𝐫𝐬 𝐋𝐮𝐝𝐰𝐢𝐠 𝐒𝐜𝐡𝐧𝐨𝐫𝐫 𝐯𝐨𝐧 𝐂𝐚𝐫𝐨𝐥𝐬𝐟𝐞𝐥𝐝 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐰𝐢𝐟𝐞 𝐌𝐚𝐥𝐰𝐢𝐧𝐚 were not…

## **𝐇𝐄𝐑𝐌𝐀𝐍𝐍 𝐖𝐈𝐍𝐊𝐄𝐋𝐌𝐀𝐍𝐍 (𝟏𝟖𝟒𝟗–𝟏𝟗𝟏𝟐)** **A Rigorous Essay on His Life and Professional Activity** ## **𝐈. 𝐎𝐫𝐢𝐠𝐢𝐧𝐬 𝐚𝐧𝐝 𝐔𝐧𝐮𝐬𝐮𝐚𝐥 𝐏𝐚𝐭𝐡 𝐭𝐨 𝐒𝐢𝐧𝐠𝐢𝐧𝐠 (𝟏𝟖𝟒𝟗–𝟏𝟖𝟕𝟓)** **Hermann Winkelmann** was born on **March 8, 1849, in Brunswick (Braunschweig), Germany**.…

# **Francesco Antonio Bonporti (1672–1749)** **Francesco Antonio Bonporti** was an Italian Baroque composer and priest whose music became surprisingly influential—especially through its later association with **Johann Sebastian Bach**, who studied and even copied some…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐀𝐌𝐈𝐋𝐘 𝐈𝐍 𝐇𝐈𝐒 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐕𝐄 𝐘𝐄𝐀𝐑𝐒 The first people…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗙𝗥𝗢𝗠 𝗠𝗨𝗧𝗨𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗩𝗘𝗥𝗬 𝗧𝗢 𝗔 𝗖𝗢𝗢𝗟𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗔𝗦𝗧𝗘𝗥𝗦 The relationship between 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 was one of the most significant artistic friendships of the years immediately…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟲 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜𝗜 — 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝗻𝗱 𝗢𝘁𝗵𝗲𝗿 𝗣𝗶𝗮𝗻𝗼 𝗣𝗶𝗲𝗰𝗲𝘀 𝟯.𝟭. 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝘀 𝗮 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁 In this chapter, 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 approaches 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁’𝘀 𝗕-𝗺𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…

𝗙𝗥𝗔𝗡𝗭 𝗟𝗜𝗦𝗭𝗧’𝗦 𝗙𝗜𝗙𝗧𝗘𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Franz Liszt’s reputation has often been distorted by two opposing myths. To some listeners, he remains primarily the supreme nineteenth-century virtuoso: the dazzling showman who transformed the piano into…