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𝗚𝘂𝘀𝘁𝗮𝘃 𝗟𝗲𝗼𝗻𝗵𝗮𝗿𝗱𝘁 (𝟭𝟵𝟮𝟴–𝟮𝟬𝟭𝟮): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝘁𝗵𝗲 𝗛𝗮𝗿𝗽𝘀𝗶𝗰𝗵𝗼𝗿𝗱, 𝗕𝗮𝗰𝗵, 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗧𝗿𝘂𝘁𝗵, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗔𝘂𝘀𝘁𝗲𝗿𝗲 𝗥𝗲𝗯𝗶𝗿𝘁𝗵 𝗼𝗳 𝗘𝗮𝗿𝗹𝘆 𝗠𝘂𝘀𝗶𝗰 𝗜. 𝗔 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗪𝗵𝗼 𝗠𝗮𝗱𝗲 𝘁𝗵𝗲 𝗣𝗮𝘀𝘁 𝗦𝗼𝘂𝗻𝗱 𝗦𝗲𝗿𝗶𝗼𝘂𝘀 𝗔𝗴𝗮𝗶𝗻 𝗚𝘂𝘀𝘁𝗮𝘃 𝗟𝗲𝗼𝗻𝗵𝗮𝗿𝗱𝘁, born on 𝟯𝟬 𝗠𝗮𝘆…

𝗝𝗲𝗮𝗻-𝗖𝗹𝗮𝘂𝗱𝗲 𝗠𝗮𝗹𝗴𝗼𝗶𝗿𝗲 (𝟭𝟵𝟰𝟬–𝟮𝟬𝟭𝟴): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝘁𝗵𝗲 𝗢𝗯𝗼𝗲, 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗥𝗲𝘃𝗶𝘃𝗮𝗹, 𝗢𝗽𝗲𝗿𝗮, 𝗘𝘅𝗽𝗲𝗿𝗶𝗺𝗲𝗻𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗿𝗲𝗻𝗰𝗵 𝗥𝗲𝗱𝗶𝘀𝗰𝗼𝘃𝗲𝗿𝘆 𝗼𝗳 𝗘𝗮𝗿𝗹𝘆 𝗠𝘂𝘀𝗶𝗰 Mozart, Neukomm - "Brazilian" Requiem K. 626 - Malgoire https://www.youtube.com/watch?v=i0IDHFM5eIg 𝗜. 𝗔 𝗣𝗶𝗼𝗻𝗲𝗲𝗿 𝗪𝗵𝗼…

𝗦𝗶𝗿 𝗝𝗼𝗵𝗻 𝗘𝗹𝗶𝗼𝘁 𝗚𝗮𝗿𝗱𝗶𝗻𝗲𝗿 (𝗯. 𝟭𝟵𝟰𝟯): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗕𝗮𝗰𝗵, 𝗠𝗼𝗻𝘁𝗲𝘃𝗲𝗿𝗱𝗶, 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗧𝗿𝘂𝘁𝗵, 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝗹 𝗙𝗶𝗿𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗥𝗲𝗻𝗲𝘄𝗮𝗹 𝗜. 𝗔 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 𝗼𝗳 𝗘𝗻𝗲𝗿𝗴𝘆, 𝗥𝗵𝗲𝘁𝗼𝗿𝗶𝗰, 𝗮𝗻𝗱 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗜𝗺𝗮𝗴𝗶𝗻𝗮𝘁𝗶𝗼𝗻 𝗦𝗶𝗿 𝗝𝗼𝗵𝗻 𝗘𝗹𝗶𝗼𝘁 𝗚𝗮𝗿𝗱𝗶𝗻𝗲𝗿,…

𝗔𝗹𝗮𝗻 𝗖𝘂𝗿𝘁𝗶𝘀 (𝟭𝟵𝟯𝟰–𝟮𝟬𝟭𝟱): 𝗔 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁𝗮𝗹 𝗣𝗼𝗿𝘁𝗿𝗮𝗶𝘁 𝗼𝗳 𝗮 𝗦𝗰𝗵𝗼𝗹𝗮𝗿-𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗪𝗵𝗼 𝗥𝗲𝘀𝗵𝗮𝗽𝗲𝗱 𝗢𝘂𝗿 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗼𝗳 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗢𝗽𝗲𝗿𝗮 𝗜. 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗦𝗰𝗵𝗼𝗹𝗮𝗿𝘀𝗵𝗶𝗽, 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲𝗮𝘁𝗿𝗶𝗰𝗮𝗹 𝗥𝗲𝘀𝘂𝗿𝗿𝗲𝗰𝘁𝗶𝗼𝗻 𝗔𝗹𝗮𝗻 𝗖𝘂𝗿𝘁𝗶𝘀 was born on 𝟭𝟳 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟯𝟰 in…

𝗩𝗘𝗥𝗦𝗔𝗜𝗟𝗟𝗘𝗦 𝗔𝗦 𝗔 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗦𝗬𝗦𝗧𝗘𝗠 𝟭𝟲𝟲𝟭–𝟭𝟳𝟴𝟵 The Palace of Versailles was never simply a royal residence, nor even merely the most spectacular architectural expression of French absolutism. From the moment Louis XIV began transforming…

𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝗛𝗮𝗻𝗱𝗲𝗹’𝘀 𝗠𝗲𝘀𝘀𝗶𝗮𝗵 𝗧𝗵𝗲 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗠𝗼𝘇𝗮𝗿𝘁’𝘀 𝗥𝗲-𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻: 𝗠𝗼𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻, 𝗖𝗼𝗺𝗺𝗶𝘀𝘀𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗛𝗮𝗻𝗱𝗲𝗹'𝘀 𝗠𝗲𝘀𝘀𝗶𝗮𝗵 𝗮𝗿𝗿𝗮𝗻𝗴𝗲𝗱 𝗯𝘆 𝗪.𝗔. 𝗠𝗼𝘇𝗮𝗿𝘁 - 𝗢𝗥𝗙 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗮𝗻𝗱 𝗖𝗵𝗼𝗿𝘂𝘀 — 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗠𝗮𝗰𝗸𝗲𝗿𝗿𝗮𝘀 - 𝗘𝗱𝗶𝘁𝗵 𝗠𝗮𝘁𝗵𝗶𝘀, 𝗕𝗶𝗿𝗴𝗶𝘁 𝗙𝗶𝗻𝗻𝗶𝗹𝗮,…

𝗧𝗵𝗲 𝗕𝗮𝗰𝗵 𝗙𝗮𝗺𝗶𝗹𝘆 𝗚𝗲𝗻𝗲𝗮𝗹𝗼𝗴𝗶𝗰𝗮𝗹 𝗧𝗿𝗲𝗲 𝗔 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗗𝘆𝗻𝗮𝘀𝘁𝘆 𝗔𝗰𝗿𝗼𝘀𝘀 𝗠𝗼𝗿𝗲 𝗧𝗵𝗮𝗻 𝗧𝘄𝗼 𝗖𝗲𝗻𝘁𝘂𝗿𝗶𝗲𝘀 The 𝗕𝗮𝗰𝗵 𝗳𝗮𝗺𝗶𝗹𝘆 represents one of the most extraordinary hereditary musical lineages in European history. It was not simply a family…

𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗕𝗮𝘁𝘁𝗶𝘀𝘁𝗮 𝗣𝗲𝗿𝗴𝗼𝗹𝗲𝘀𝗶 (𝟭𝟳𝟭𝟬–𝟭𝟳𝟯𝟲): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗡𝗮𝗽𝗹𝗲𝘀, 𝗢𝗽𝗲𝗿𝗮 𝗕𝘂𝗳𝗳𝗮, 𝗦𝗮𝗰𝗿𝗲𝗱 𝗣𝗮𝘁𝗵𝗼𝘀, 𝗮𝗻𝗱 𝗮𝗻 𝗘𝗮𝗿𝗹𝘆 𝗗𝗲𝗮𝘁𝗵 𝗜. 𝗔 𝗖𝗵𝗶𝗹𝗱 𝗼𝗳 𝗝𝗲𝘀𝗶: 𝟭𝟳𝟭𝟬–𝟭𝟳𝟮𝟱 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗕𝗮𝘁𝘁𝗶𝘀𝘁𝗮 𝗣𝗲𝗿𝗴𝗼𝗹𝗲𝘀𝗶 was born on 𝟰 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟭𝟬 in 𝗝𝗲𝘀𝗶, in…

𝗠𝗮𝗿𝗰-𝗔𝗻𝘁𝗼𝗶𝗻𝗲 𝗖𝗵𝗮𝗿𝗽𝗲𝗻𝘁𝗶𝗲𝗿 (𝟭𝟲𝟯𝟰–𝟭𝟳𝟬𝟰): 𝗔 𝗟𝗶𝗳𝗲 𝗶𝗻 𝗠𝘂𝘀𝗶𝗰, 𝗣𝗶𝗲𝘁𝘆, 𝗧𝗵𝗲𝗮𝘁𝗿𝗲, 𝗮𝗻𝗱 𝗙𝗿𝗲𝗻𝗰𝗵 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗚𝗿𝗮𝗻𝗱𝗲𝘂𝗿 𝗜. 𝗢𝗿𝗶𝗴𝗶𝗻𝘀 𝗶𝗻 𝗦𝗲𝘃𝗲𝗻𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗙𝗿𝗮𝗻𝗰𝗲: 𝟭𝟲𝟯𝟰–𝗰.𝟭𝟲𝟲𝟱 𝗠𝗮𝗿𝗰-𝗔𝗻𝘁𝗼𝗶𝗻𝗲 𝗖𝗵𝗮𝗿𝗽𝗲𝗻𝘁𝗶𝗲𝗿 was born in Paris in 𝟭𝟲𝟯𝟰, into a France that was entering one…

𝗝𝘂𝘀𝘁𝘂𝘀 𝗙𝗿𝗮𝗻𝘁𝘇 𝗮𝗻𝗱 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵 𝗘𝘀𝗰𝗵𝗲𝗻𝗯𝗮𝗰𝗵 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗘𝘀𝘀𝗮𝘆 𝗼𝗻 𝗧𝗵𝗲𝗶𝗿 𝗝𝗼𝗶𝗻𝘁 𝗣𝗿𝗼𝗳𝗲𝘀𝘀𝗶𝗼𝗻𝗮𝗹 𝗔𝗰𝘁𝗶𝘃𝗶𝘁𝘆, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀, 𝗮𝗻𝗱 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗮𝗹 𝗦𝗶𝗴𝗻𝗶𝗳𝗶𝗰𝗮𝗻𝗰𝗲 The artistic partnership between 𝗝𝘂𝘀𝘁𝘂𝘀 𝗙𝗿𝗮𝗻𝘁𝘇 and 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵 𝗘𝘀𝗰𝗵𝗲𝗻𝗯𝗮𝗰𝗵 belongs to a very special chapter in post-war…

# **Vox Digital Remastered 1** VOXNX2000 𝗡𝗶𝗲𝗹𝘀𝗲𝗻 - Symphony No. 2 - 𝗖𝗮𝗿𝗹 𝘃𝗼𝗻 𝗚𝗮𝗿𝗮𝗴𝘂𝗹𝘆 VOXNX2001 𝗡𝗶𝗲𝗹𝘀𝗲𝗻 - Symphony No. 4 - 𝗜𝗴𝗼𝗿 𝗠𝗮𝗿𝗸𝗲𝘃𝗶𝘁𝗰𝗵 VOXNX2002 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 - Concerto for Piano & Wind Instruments -…

𝗪𝗛𝗬 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗖𝗔𝗠𝗘 𝗧𝗢 𝗠𝗔𝗛𝗟𝗘𝗥 𝗟𝗔𝗧𝗘 𝗜𝗡 𝗟𝗜𝗙𝗘 𝗧𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝘃𝗲 𝗘𝗹𝗱𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗲𝘀 𝗼𝗳 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 The relationship between 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 was never simple, never complete, and never entirely comfortable.…

𝗖𝗢𝗨𝗟𝗗 𝗥𝗢𝗦𝗦𝗜𝗡𝗜 𝗛𝗔𝗩𝗘 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗚𝗥𝗘𝗔𝗧 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗘𝗦? The idea that 𝗚𝗶𝗼𝗮𝗰𝗵𝗶𝗻𝗼 𝗥𝗼𝘀𝘀𝗶𝗻𝗶 might have written outstanding symphonies, had he chosen to devote himself to the genre, is not a romantic exaggeration or a form of…

𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 – 𝗖𝗮𝗽𝗿𝗶𝗰𝗰𝗶𝗼 – 𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗦𝗮𝘄𝗮𝗹𝗹𝗶𝘀𝗰𝗵 https://www.patreon.com/posts/richard-strauss-147365951?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗢𝗽𝗲𝗿𝗮: 𝗪𝗼𝗿𝗱, 𝗠𝘂𝘀𝗶𝗰, 𝗟𝗼𝘃𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝘂𝗻𝘀𝗲𝘁 𝗼𝗳 𝗮𝗻 𝗔𝗿𝘁𝗶𝘀𝘁𝗶𝗰 𝗪𝗼𝗿𝗹𝗱 𝗖𝗮𝗽𝗿𝗶𝗰𝗰𝗶𝗼, the last opera of 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀, is one of the most refined…

𝗞𝗔𝗧𝗜𝗔 𝗥𝗜𝗖𝗖𝗜𝗔𝗥𝗘𝗟𝗟𝗜 𝗧𝗵𝗲 𝗟𝘆𝗿𝗶𝗰 𝗦𝗼𝗽𝗿𝗮𝗻𝗼 𝗼𝗳 𝗣𝗼𝗲𝘁𝗿𝘆, 𝗥𝗶𝘀𝗸, 𝗮𝗻𝗱 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗠𝗲𝗺𝗼𝗿𝘆 𝗞𝗮𝘁𝗶𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶, born 𝗞𝗮𝘁𝗶𝘂𝘀𝗰𝗶𝗮 𝗠𝗮𝗿𝗶𝗮 𝗦𝘁𝗲𝗹𝗹𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶 in 𝗥𝗼𝘃𝗶𝗴𝗼, Veneto, on 𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟵𝟰𝟲, belongs to that fascinating category of singers whose…

𝗚𝗜𝗔𝗖𝗢𝗠𝗢 𝗣𝗨𝗖𝗖𝗜𝗡𝗜 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗬𝗲𝗮𝗿: 𝗧𝘂𝗿𝗮𝗻𝗱𝗼𝘁, 𝗜𝗹𝗹𝗻𝗲𝘀𝘀, 𝗕𝗿𝘂𝘀𝘀𝗲𝗹𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗨𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗙𝗶𝗻𝗮𝗹 𝗣𝘂𝘇𝘇𝗹𝗲 The last year of 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗣𝘂𝗰𝗰𝗶𝗻𝗶’s life was one of the most dramatic final chapters in the history of opera. It…

𝗚𝗜𝗔𝗖𝗢𝗠𝗢 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗠𝗮𝗻 𝗪𝗵𝗼 𝗧𝘂𝗿𝗻𝗲𝗱 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻𝘁𝗼 𝗮 𝗪𝗼𝗿𝗹𝗱 The life of 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is full of paradoxes. He was one of the most famous opera composers of the nineteenth century, perhaps the…

𝗪𝗔𝗚𝗡𝗘𝗥 𝗔𝗡𝗗 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗣𝗮𝘁𝗿𝗼𝗻, 𝘁𝗵𝗲 𝗗𝗲𝗯𝘁, 𝘁𝗵𝗲 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹 — 𝗮𝗻𝗱 𝗢𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗼𝘀𝘁 𝗧𝗿𝗼𝘂𝗯𝗹𝗶𝗻𝗴 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝗶𝗻 𝗡𝗶𝗻𝗲𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗠𝘂𝘀𝗶𝗰 The relationship between 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗪𝗮𝗴𝗻𝗲𝗿 and 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is one of the most revealing,…

𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗣𝗶𝗼𝘂𝘀 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰𝘀, 𝗧𝘄𝗼 𝗡𝗮𝘁𝗶𝗼𝗻𝘀, 𝗧𝘄𝗼 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗵𝗼𝗻𝘆 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 is much more difficult to describe than the relationship between Brahms and Dvořák.…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗢𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥𝗦 — 𝗪𝗛𝗢 𝗛𝗘 𝗧𝗥𝗨𝗦𝗧𝗘𝗗, 𝗪𝗛𝗢 𝗛𝗘 𝗗𝗜𝗗𝗡’𝗧 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗔𝗦 𝗚𝗨𝗔𝗥𝗗𝗜𝗔𝗡 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗧𝗥𝗨𝗧𝗛 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 judged conductors with the same severity he applied to composers, performers, critics, and even to…

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗔𝗡𝗗 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡’𝗦 𝗡𝗜𝗡𝗧𝗛: 𝗔 𝗖𝗛𝗥𝗢𝗡𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗔𝗟𝗟 𝗛𝗜𝗦 𝗠𝗔𝗝𝗢𝗥 𝗥𝗘𝗖𝗢𝗥𝗗𝗘𝗗 𝗩𝗘𝗥𝗦𝗜𝗢𝗡𝗦 https://www.youtube.com/watch?v=fEiJwgcawvI&t=77s (1962) Herbert von Karajan’s relationship with 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻’𝘀 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟵 𝗶𝗻 𝗗 𝗺𝗶𝗻𝗼𝗿, 𝗢𝗽. 𝟭𝟮𝟱 “𝗖𝗵𝗼𝗿𝗮𝗹”…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗔𝗡𝗗 𝗪𝗢𝗥𝗞 𝗢𝗙 𝗙𝗥𝗔𝗡𝗭 𝗦𝗖𝗛𝗨𝗕𝗘𝗥𝗧 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟭 — 𝗦𝗨𝗖𝗖𝗘𝗦𝗦 𝗔𝗡𝗗 𝗦𝗜𝗖𝗞𝗡𝗘𝗦𝗦 𝗙𝗿𝗮𝗻𝘇 𝗦𝗰𝗵𝘂𝗯𝗲𝗿𝘁 𝗶𝗻 𝗵𝗶𝘀 𝗳𝗶𝗻𝗮𝗹 𝘆𝗲𝗮𝗿: 𝗽𝘂𝗯𝗹𝗶𝗰 𝗿𝗲𝗰𝗼𝗴𝗻𝗶𝘁𝗶𝗼𝗻, 𝗮𝗿𝘁𝗶𝘀𝘁𝗶𝗰 𝗳𝘂𝗹𝗹𝗻𝗲𝘀𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗮𝗱𝘃𝗮𝗻𝗰𝗲 𝗼𝗳 𝗱𝗲𝗰𝗹𝗶𝗻𝗲 (𝟭𝟴𝟮𝟴) With Chapter 11, Schubert’s…

𝗙𝗿𝗶𝘁𝘇 𝗞𝗿𝗲𝗶𝘀𝗹𝗲𝗿: 𝗧𝗵𝗲 𝗩𝗶𝗼𝗹𝗶𝗻𝗶𝘀𝘁 𝗼𝗳 𝗖𝗵𝗮𝗿𝗺, 𝗡𝗼𝘀𝘁𝗮𝗹𝗴𝗶𝗮, 𝗮𝗻𝗱 𝗔𝗿𝗶𝘀𝘁𝗼𝗰𝗿𝗮𝘁𝗶𝗰 𝗙𝗿𝗲𝗲𝗱𝗼𝗺 ⠀ 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 – 𝗩𝗶𝗲𝗻𝗻𝗮: 𝗧𝗵𝗲 𝗕𝗶𝗿𝘁𝗵 𝗼𝗳 𝗮 𝗩𝗶𝗼𝗹𝗶𝗻𝗶𝘀𝘁 𝗼𝗳 𝗖𝗶𝘃𝗶𝗹𝗶𝘇𝗲𝗱 𝗚𝗿𝗮𝗰𝗲 𝗙𝗿𝗶𝘁𝘇 𝗞𝗿𝗲𝗶𝘀𝗹𝗲𝗿 was born on 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮, 𝟭𝟴𝟳𝟱, in 𝗩𝗶𝗲𝗻𝗻𝗮, one…

𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗠𝗔𝗥𝗜𝗔 𝗖𝗔𝗟𝗟𝗔𝗦 — 𝗔 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 𝗠𝗮𝗿𝗶𝗮 𝗖𝗮𝗹𝗹𝗮𝘀 did not leave the world suddenly in the ordinary sense. Her physical death came on 𝟭𝟲 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟳𝟳, in her Paris apartment, but…