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𝗕𝗥𝗔𝗛𝗠𝗦 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗜𝗥𝗥𝗢𝗥: 𝗧𝗛𝗘 𝗣𝗛𝗬𝗦𝗜𝗖𝗔𝗟 𝗔𝗣𝗣𝗘𝗔𝗥𝗔𝗡𝗖𝗘 𝗔𝗡𝗗 𝗗𝗥𝗘𝗦𝗦 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗧𝗛𝗥𝗢𝗨𝗚𝗛𝗢𝗨𝗧 𝗛𝗜𝗦 𝗟𝗜𝗙𝗘 The image that posterity most readily associates with 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 is that of the heavy, bearded, somewhat untidy old…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟭 𝗛𝗮𝗺𝗯𝘂𝗿𝗴, 𝗧𝗵𝗲 𝗣𝗶𝗮𝗻𝗼 𝗤𝘂𝗮𝗿𝘁𝗲𝘁𝘀, 𝗧𝗵𝗲 𝗠𝗮𝗴𝗲𝗹𝗼𝗻𝗲 𝗥𝗼𝗺𝗮𝗻𝗰𝗲𝘀, 𝗧𝗵𝗲 𝗛𝗮𝗻𝗱𝗲𝗹 𝗩𝗮𝗿𝗶𝗮𝘁𝗶𝗼𝗻𝘀, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗗𝗲𝗽𝗮𝗿𝘁𝘂𝗿𝗲 𝗙𝗼𝗿 𝗩𝗶𝗲𝗻𝗻𝗮 𝟭𝟴𝟲𝟭–𝟭𝟴𝟲𝟮 Chapter 11 is one of…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟬 𝗗𝗲𝘁𝗺𝗼𝗹𝗱, 𝗛𝗮𝗺𝗯𝘂𝗿𝗴, 𝗕𝗼𝗻𝗻, 𝗧𝗵𝗲 𝗦𝗲𝗰𝗼𝗻𝗱 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗧𝗵𝗲 𝗠𝗮𝗿𝗶𝗲𝗻𝗹𝗶𝗲𝗱𝗲𝗿, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗕-𝗙𝗹𝗮𝘁 𝗦𝗲𝘅𝘁𝗲𝘁 𝟭𝟴𝟱𝟵–𝟭𝟴𝟲𝟭 Chapter 10 follows 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 through one of…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟵 𝗧𝗵𝗲 𝗗 𝗠𝗶𝗻𝗼𝗿 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗣𝘂𝗯𝗹𝗶𝗰 𝗙𝗮𝗶𝗹𝘂𝗿𝗲, 𝗧𝗵𝗲 𝗗 𝗠𝗮𝗷𝗼𝗿 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗕𝗶𝗿𝘁𝗵 𝗼𝗳 𝗧𝗵𝗲 𝗟𝗮𝗱𝗶𝗲𝘀’ 𝗖𝗵𝗼𝗶𝗿 𝟭𝟴𝟱𝟵…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 𝗗𝗲𝘁𝗺𝗼𝗹𝗱, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗧𝗵𝗲 𝗗 𝗠𝗮𝗷𝗼𝗿 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝗮𝗻 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗚𝗿𝗶𝗲𝗳, 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽, 𝗮𝗻𝗱 𝗠𝗮𝘁𝘂𝗿𝗶𝘁𝘆 𝟭𝟴𝟱𝟲–𝟭𝟴𝟱𝟴 Chapter 8…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟳 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝘀, 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽𝘀, 𝗦𝗲𝘃𝗲𝗿𝗲 𝗦𝘁𝘂𝗱𝘆, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗗𝗲𝗮𝘁𝗵 𝗼𝗳 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝟭𝟴𝟱𝟱–𝟭𝟴𝟱𝟲 Chapter 7 belongs to one of the most serious and…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲 𝗧𝗵𝗲 𝗡𝗲𝘄 𝗟𝗶𝗳𝗲, 𝗧𝗵𝗲 𝗖𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗕𝘂𝗿𝗱𝗲𝗻 𝗼𝗳 𝗟𝗼𝘆𝗮𝗹𝘁𝘆 𝟭𝟴𝟱𝟰–𝟭𝟴𝟱𝟱 Chapter 6 is one of the most emotionally…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬’𝗦 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗔 𝗡𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝗔𝗻𝗮𝗹𝘆𝘀𝗶𝘀 𝗼𝗳 𝗮 𝗕𝗶𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗪𝗿𝗶𝘁𝘁𝗲𝗻 𝗖𝗹𝗼𝘀𝗲 𝘁𝗼 𝘁𝗵𝗲 𝗟𝗶𝘃𝗶𝗻𝗴 𝗠𝗲𝗺𝗼𝗿𝘆 𝗼𝗳 𝗕𝗿𝗮𝗵𝗺𝘀 Florence May’s 𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 occupies a special place among Brahms…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝗝𝗼𝗮𝗰𝗵𝗶𝗺, 𝗟𝗶𝘀𝘇𝘁, 𝘁𝗵𝗲 𝗥𝗵𝗶𝗻𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝟭𝟴𝟱𝟯 Chapter 4 is one of the turning-points…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯 𝗙𝗿𝗼𝗺 𝗛𝗮𝗺𝗯𝘂𝗿𝗴 𝗢𝗯𝘀𝗰𝘂𝗿𝗶𝘁𝘆 𝘁𝗼 𝘁𝗵𝗲 𝗧𝗵𝗿𝗲𝘀𝗵𝗼𝗹𝗱 𝗼𝗳 𝘁𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗪𝗼𝗿𝗹𝗱 𝟭𝟴𝟰𝟴–𝟭𝟴𝟱𝟯 Chapter 3 is one of the decisive transition chapters…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗠𝗮𝗿𝘅𝘀𝗲𝗻, 𝗪𝗶𝗻𝘀𝗲𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗔𝘄𝗮𝗸𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝟭𝟴𝟰𝟱–𝟭𝟴𝟰𝟴 Chapter 2 follows Johannes Brahms from the protected promise of…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭 𝗧𝗵𝗲 𝗕𝗿𝗮𝗵𝗺𝘀 𝗙𝗮𝗺𝗶𝗹𝘆, 𝗛𝗮𝗺𝗯𝘂𝗿𝗴, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗶𝗴𝗻𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝟭𝟳𝟲𝟬–𝟭𝟴𝟰𝟱 The first chapter begins far before the birth of Johannes…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗡𝗗 𝗦𝗛𝗢𝗦𝗧𝗔𝗞𝗢𝗩𝗜𝗖𝗛 𝗧𝗵𝗲 𝗠𝗼𝗿𝗮𝗹 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝘁𝗵𝗲 𝗤𝘂𝗮𝗿𝘁𝗲𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗧𝗿𝗮𝗴𝗶𝗰 𝗩𝗼𝗶𝗰𝗲 The influence of 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 on 𝗗𝗺𝗶𝘁𝗿𝗶 𝗦𝗵𝗼𝘀𝘁𝗮𝗸𝗼𝘃𝗶𝗰𝗵 was not a matter of simple imitation. Shostakovich did not…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗦 𝗖𝗥𝗜𝗧𝗜𝗖 𝗧𝗵𝗲 𝗙𝗶𝗲𝗿𝘆 𝗝𝘂𝗱𝗴𝗲 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀, 𝗙𝗮𝘀𝗵𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗧𝗿𝘂𝗲 𝗠𝘂𝘀𝗶𝗰 For 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, criticism was never a polite salon game. He did not judge composers, poets, singers, or performers according to…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗔𝗡𝗗 𝗪𝗢𝗥𝗞 𝗢𝗙 𝗙𝗥𝗔𝗡𝗭 𝗦𝗖𝗛𝗨𝗕𝗘𝗥𝗧 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 — 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗜𝗟𝗟𝗡𝗘𝗦𝗦 𝗙𝗿𝗮𝗻𝘇 𝗦𝗰𝗵𝘂𝗯𝗲𝗿𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝗽𝗵𝗮𝘀𝗲 𝗼𝗳 𝗹𝗶𝗳𝗲: 𝗱𝗲𝗰𝗹𝗶𝗻𝗲, 𝗰𝗼𝗻𝘀𝗰𝗶𝗼𝘂𝘀𝗻𝗲𝘀𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝘂𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗳𝘂𝘁𝘂𝗿𝗲 With Chapter 12, Schubert’s life enters its…

𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿: 𝗧𝗵𝗲 𝗚𝗶𝗮𝗻𝘁 𝗪𝗵𝗼 𝗧𝘂𝗿𝗻𝗲𝗱 𝗧𝗶𝗺𝗲 𝗶𝗻𝘁𝗼 𝗠𝘂𝘀𝗶𝗰 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹 𝗦𝘁𝘂𝗱𝘆 𝗼𝗳 𝗛𝗶𝘀 𝗖𝗮𝗿𝗲𝗲𝗿 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗵𝗲 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝘀 𝗮𝗻𝗱 𝗜𝗻𝘀𝘁𝗶𝘁𝘂𝘁𝗶𝗼𝗻𝘀 𝗛𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗲𝗱 𝗜. 𝗔𝗻 𝗔𝗿𝘁𝗶𝘀𝘁 𝗼𝗳 𝗚𝗿𝗮𝗻𝗶𝘁𝗲: 𝗪𝗵𝘆 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 𝗠𝗮𝘁𝘁𝗲𝗿𝘀 𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 was…

𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 𝗶𝗻 𝗖𝗼𝗻𝗳𝗹𝗶𝗰𝘁: 𝗧𝗵𝗲 𝗠𝗼𝘀𝘁 𝗙𝗮𝗺𝗼𝘂𝘀 𝗗𝗶𝘀𝗮𝗴𝗿𝗲𝗲𝗺𝗲𝗻𝘁𝘀 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝘂𝘀𝗶𝗰 The history of classical music is often presented as a noble succession of geniuses: 𝗕𝗮𝗰𝗵, 𝗛𝗮𝘆𝗱𝗻, 𝗠𝗼𝘇𝗮𝗿𝘁, 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, 𝗦𝗰𝗵𝘂𝗯𝗲𝗿𝘁,…

𝗛𝗲𝗿𝗺𝗮𝗻𝗻 𝗛𝗲𝘀𝘀𝗲 𝗮𝗻𝗱 𝗧𝗵𝗼𝗺𝗮𝘀 𝗠𝗮𝗻𝗻 𝗕𝗲𝗳𝗼𝗿𝗲 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝘂𝘀𝗶𝗰: 𝗧𝘄𝗼 𝗪𝗿𝗶𝘁𝗲𝗿𝘀 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, 𝗪𝗮𝗴𝗻𝗲𝗿, 𝗠𝗮𝗵𝗹𝗲𝗿, 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿𝘀 𝗼𝗳 𝗧𝗵𝗲𝗶𝗿 𝗧𝗶𝗺𝗲 The relationship of 𝗛𝗲𝗿𝗺𝗮𝗻𝗻 𝗛𝗲𝘀𝘀𝗲 and 𝗧𝗵𝗼𝗺𝗮𝘀 𝗠𝗮𝗻𝗻 with classical music was profound,…

𝐋𝐢𝐥𝐢 𝐚𝐧𝐝 𝐍𝐚𝐝𝐢𝐚 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 𝐓𝐰𝐨 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝐓𝐰𝐨 𝐃𝐞𝐬𝐭𝐢𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐂𝐨𝐧𝐬𝐜𝐢𝐞𝐧𝐜𝐞 The history of 𝐋𝐢𝐥𝐢 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 and 𝐍𝐚𝐝𝐢𝐚 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 is one of the most moving and paradoxical stories in modern music. They were sisters,…

𝗙𝗲𝗿𝗱𝗶𝗻𝗮𝗻𝗱 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗮𝗻𝗱 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀: 𝗧𝗵𝗲 𝗦𝗶𝗹𝗲𝗻𝘁 𝗦𝗵𝗮𝗱𝗼𝘄 𝗼𝗳 𝘁𝗵𝗲 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗡𝗮𝗺𝗲 𝗜. 𝗔 𝗟𝗶𝗻𝗸 𝗙𝗼𝗿𝗴𝗲𝗱 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗵𝗲 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗛𝗼𝘂𝘀𝗲𝗵𝗼𝗹𝗱 The relationship between 𝗙𝗲𝗿𝗱𝗶𝗻𝗮𝗻𝗱 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 (1849–1891) and 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 was not one of artistic…

𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗚𝗘𝗢𝗥𝗚𝗘 𝗙𝗥𝗜𝗗𝗘𝗥𝗜𝗖 𝗛𝗔𝗡𝗗𝗘𝗟 — 𝗔 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗡𝗔𝗥𝗥𝗔𝗧𝗜𝗩𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟱𝟴–𝟭𝟳𝟱𝟵: 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗲𝘅𝗵𝗮𝘂𝘀𝘁𝗶𝗼𝗻, 𝗳𝗮𝗶𝘁𝗵, 𝗽𝘂𝗯𝗹𝗶𝗰 𝗿𝗲𝘃𝗲𝗿𝗲𝗻𝗰𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝘀𝗶𝗹𝗲𝗻𝗰𝗲 𝗼𝗳 𝗮 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗺𝗼𝗻𝘂𝗺𝗲𝗻𝘁 𝗜. 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟱𝟴–𝟭𝟳𝟱𝟵 — 𝗔 𝗖𝗲𝗹𝗲𝗯𝗿𝗮𝘁𝗲𝗱 𝗠𝗮𝗻 𝗜𝗻…

𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝟰𝟴 𝗛𝗢𝗨𝗥𝗦 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗔 𝗻𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝗿𝗲𝗰𝗼𝗻𝘀𝘁𝗿𝘂𝗰𝘁𝗶𝗼𝗻 𝗼𝗳 𝗱𝗲𝗰𝗹𝗶𝗻𝗲, 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗳𝗮𝗶𝘁𝗵, 𝗳𝗮𝗺𝗶𝗹𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗳𝗶𝗻𝗮𝗹 𝘀𝗶𝗹𝗲𝗻𝗰𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗴𝗿𝗲𝗮𝘁𝗲𝘀𝘁 𝗰𝗼𝗻𝘁𝗿𝗮𝗽𝘂𝗻𝘁𝗶𝘀𝘁 𝗶𝗻 𝗺𝘂𝘀𝗶𝗰 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗜. 𝗧𝗵𝗲 𝗡𝗲𝗰𝗲𝘀𝘀𝗮𝗿𝘆 𝗖𝗮𝘂𝘁𝗶𝗼𝗻: 𝗪𝗵𝗮𝘁 𝗖𝗮𝗻 𝗮𝗻𝗱…

𝗦𝗔𝗜𝗡𝗧 𝗖𝗘𝗖𝗜𝗟𝗜𝗔: 𝗣𝗔𝗧𝗥𝗢𝗡 𝗦𝗔𝗜𝗡𝗧 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖 𝗛𝗶𝘀𝘁𝗼𝗿𝘆, 𝘀𝘆𝗺𝗯𝗼𝗹𝗶𝘀𝗺, 𝗹𝗲𝗴𝗲𝗻𝗱, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝘄𝗼𝗿𝗸𝘀 𝗶𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗵𝗲𝗿 𝗜. 𝗔 𝗦𝗮𝗶𝗻𝘁 𝗪𝗵𝗼𝘀𝗲 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 𝗕𝗲𝗰𝗮𝗺𝗲 𝗠𝘂𝘀𝗶𝗰 𝗦𝗮𝗶𝗻𝘁 𝗖𝗲𝗰𝗶𝗹𝗶𝗮 occupies one of the most poetic positions in Western…

𝗖𝗼𝗽𝗹𝗮𝗻𝗱 𝗮𝗻𝗱 𝗡𝗮𝗱𝗶𝗮 𝗕𝗼𝘂𝗹𝗮𝗻𝗴𝗲𝗿 𝗧𝗵𝗲 𝗕𝗶𝗿𝘁𝗵 𝗼𝗳 𝗮𝗻 𝗔𝗺𝗲𝗿𝗶𝗰𝗮𝗻 𝗩𝗼𝗶𝗰𝗲 The encounter between 𝗔𝗮𝗿𝗼𝗻 𝗖𝗼𝗽𝗹𝗮𝗻𝗱 and 𝗡𝗮𝗱𝗶𝗮 𝗕𝗼𝘂𝗹𝗮𝗻𝗴𝗲𝗿 was one of the most decisive pedagogical relationships in twentieth-century music. It was not merely the…