Posts / Photos

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Herbert von Karajan left one of the largest recorded legacies of any conductor. He repeatedly returned to the same compositions, sometimes recording them three or four…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗙𝗔𝗧𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗛𝗘𝗔𝗥𝗧 Pyotr Ilyich Tchaikovsky is often presented as the supreme composer of emotional immediacy: the creator of unforgettable melodies, tragic symphonies,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗗𝗜𝗔𝗥𝗬 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗦𝗢𝗨𝗟 Robert Schumann was perhaps the composer who most completely transformed private thought, literary imagination, emotional contradiction and unstable memory into music.…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗛𝗔𝗬𝗗𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗥𝗔𝗡𝗦𝗙𝗢𝗥𝗠𝗘𝗗 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬, 𝗧𝗛𝗘 𝗤𝗨𝗔𝗥𝗧𝗘𝗧 𝗔𝗡𝗗 𝗦𝗔𝗖𝗥𝗘𝗗 𝗠𝗨𝗦𝗜𝗖 Joseph Haydn is often introduced through a series of familiar labels: “father of the symphony,” “father of…

𝗦𝗔𝗜𝗡𝗧-𝗦𝗔𝗘𝗡𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗔𝗥 𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗦𝗪𝗔𝗡 𝗔𝗡𝗗 𝗧𝗛𝗘 “𝗢𝗥𝗚𝗔𝗡” 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Camille Saint-Saëns has often suffered from the very qualities that made him extraordinary. His technique seemed effortless, his craftsmanship was impeccable,…

𝗧𝗘𝗡 𝗨𝗡𝗝𝗨𝗦𝗧𝗟𝗬 𝗨𝗡𝗗𝗘𝗥𝗩𝗔𝗟𝗨𝗘𝗗 𝗢𝗣𝗘𝗥𝗔𝗦 𝗜𝗡 𝗠𝗨𝗦𝗜𝗖 𝗛𝗜𝗦𝗧𝗢𝗥𝗬 The operatic repertory is not a neutral museum of masterpieces. It is the result of institutional tradition, language, economics, star singers, political history, editorial availability and theatrical…

𝗦𝗜𝗕𝗘𝗟𝗜𝗨𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗥𝗢𝗠 𝗙𝗜𝗡𝗡𝗜𝗦𝗛 𝗠𝗬𝗧𝗛 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗘𝗜𝗡𝗩𝗘𝗡𝗧𝗜𝗢𝗡 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Jean Sibelius is often described as the musical voice of Finland: a composer of forests, lakes, swans, northern darkness and…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟳 𝗣𝗥𝗔𝗚𝗨𝗘 𝗔𝗡𝗗 𝗕𝗘𝗬𝗢𝗡𝗗 ════════════════════════════ 𝗧𝗛𝗘 𝗖𝗜𝗧𝗬 𝗧𝗛𝗔𝗧 𝗨𝗡𝗗𝗘𝗥𝗦𝗧𝗢𝗢𝗗 𝗛𝗜𝗠 After the inward family tragedies of 𝗟𝗶𝘁𝘁𝗹𝗲 𝗟𝗲𝗼𝗽𝗼𝗹𝗱 and “𝗖𝗮𝗿𝗶𝘀𝘀𝗶𝗺𝗮 𝘀𝗼𝗿𝗲𝗹𝗹𝗮 𝗺𝗶𝗮,” Solomon turns outward again, but…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 — 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦, 𝟭𝟴𝟯𝟰–𝟯𝟵 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗦 𝗔 𝗦𝗘𝗖𝗥𝗘𝗧 𝗧𝗛𝗘𝗔𝗧𝗥𝗘 Between 1834 and 1839, Robert Schumann created the piano…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡’𝗦 𝗧𝗪𝗘𝗟𝗩𝗘 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗠𝗨𝗦𝗜𝗖 𝗕𝗘𝗖𝗔𝗠𝗘𝗦 𝗗𝗘𝗦𝗧𝗜𝗡𝗬 To choose Beethoven’s twelve “true” masterpieces is not simply to choose his most famous works. Fame is not enough. Beethoven wrote works so central to Western…

𝗧𝗛𝗘 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗕𝗘𝗔𝗨𝗧𝗬 𝗕𝗘𝗖𝗢𝗠𝗘𝗦 𝗔𝗕𝗦𝗢𝗟𝗨𝗧𝗘 To choose Mozart’s ten “true” masterpieces is not to choose merely the most famous works, nor even the most immediately seductive. Mozart wrote too much…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗚𝗨𝗘 𝗢𝗙 𝗗𝗔𝗩𝗜𝗗 𝗔𝗡 𝗜𝗠𝗔𝗚𝗜𝗡𝗔𝗥𝗬 𝗕𝗥𝗢𝗧𝗛𝗘𝗥𝗛𝗢𝗢𝗗 𝗙𝗢𝗥 𝗔 𝗥𝗘𝗔𝗟 𝗕𝗔𝗧𝗧𝗟𝗘 In the early 1830s, Robert Schumann began to…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟯 𝗧𝗛𝗘 𝗖𝗔𝗥𝗡𝗜𝗩𝗔𝗟𝗘𝗦𝗤𝗨𝗘 𝗗𝗜𝗠𝗘𝗡𝗦𝗜𝗢𝗡 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗢𝗧𝗛𝗘𝗥 𝗪𝗢𝗥𝗟𝗗 𝗢𝗙 𝗠𝗢𝗭𝗔𝗥𝗧 After 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦, Solomon turns toward one of the most disturbing, comic, liberating, and misunderstood…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱 — 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦 𝗣𝗥𝗜𝗢𝗥 𝗧𝗢 𝟭𝟴𝟯𝟰 𝗕𝗘𝗙𝗢𝗥𝗘 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗔𝗣𝗣𝗘𝗔𝗥𝗦 Before 1834, Robert Schumann had not yet fully become…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟬 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 𝗢𝗙 𝗔 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗠𝗔𝗡 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 𝗠𝗬𝗧𝗛 After the dazzling public world of 𝗧𝗛𝗘 𝗜𝗠𝗣𝗥𝗘𝗦𝗔𝗥𝗜𝗢, Solomon pauses to ask a deceptively simple…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟵 𝗧𝗛𝗘 𝗜𝗠𝗣𝗥𝗘𝗦𝗔𝗥𝗜𝗢 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗔𝗥𝗧𝗜𝗦𝗧 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗠𝗔𝗡𝗔𝗚𝗘𝗥 After 𝗔𝗗𝗔𝗠, the symbolic chapter of self-renaming, Mozart enters a more practical and public phase…

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝘂𝘀𝗶𝗰 𝗳𝗼𝗿 𝗗𝗿𝗶𝘃𝗶𝗻𝗴: 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝗿𝗮𝘁𝗶𝗼𝗻, 𝗣𝗹𝗲𝗮𝘀𝘂𝗿𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗥𝗵𝘆𝘁𝗵𝗺 𝗼𝗳 𝘁𝗵𝗲 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 Listening to classical music while driving is not the same as listening to it at home, in a concert hall, or…

𝗗𝗩𝗢𝗥̌𝗔́𝗞 𝗔𝗡𝗗 𝗦𝗜𝗕𝗘𝗟𝗜𝗨𝗦: 𝗧𝗪𝗢 𝗡𝗔𝗧𝗜𝗢𝗡𝗔𝗟 𝗩𝗢𝗜𝗖𝗘𝗦, 𝗧𝗪𝗢 𝗩𝗜𝗦𝗜𝗢𝗡𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔𝗻𝘁𝗼𝗻𝗶́𝗻 𝗗𝘃𝗼𝗿̌𝗮́𝗸 and 𝗝𝗲𝗮𝗻 𝗦𝗶𝗯𝗲𝗹𝗶𝘂𝘀 belong to two different generations, but they share one essential historical idea: both transformed the musical identity of…

𝗖𝗛𝗥𝗜𝗦𝗧𝗜𝗔𝗡 𝗖𝗔𝗡𝗡𝗔𝗕𝗜𝗖𝗛: 𝗧𝗛𝗘 𝗠𝗔𝗡𝗡𝗛𝗘𝗜𝗠 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢 𝗧𝗔𝗨𝗚𝗛𝗧 𝗧𝗛𝗘 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 𝗧𝗢 𝗕𝗥𝗘𝗔𝗧𝗛𝗘 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗖𝗮𝗻𝗻𝗮𝗯𝗶𝗰𝗵 𝗕𝗼𝗿𝗻: 𝟮𝟴 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟯𝟭, 𝗠𝗮𝗻𝗻𝗵𝗲𝗶𝗺, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗗𝗶𝗲𝗱: 𝟮𝟬 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟵𝟴, 𝗙𝗿𝗮𝗻𝗸𝗳𝘂𝗿𝘁 𝗮𝗺 𝗠𝗮𝗶𝗻, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗖𝗮𝗻𝗻𝗮𝗯𝗶𝗰𝗵 was one of the central…

𝗡𝗜𝗖𝗖𝗢𝗟𝗢̀ 𝗝𝗢𝗠𝗠𝗘𝗟𝗟𝗜: 𝗧𝗛𝗘 𝗢𝗣𝗘𝗥𝗔 𝗦𝗘𝗥𝗜𝗔 𝗥𝗘𝗙𝗢𝗥𝗠𝗘𝗥 𝗪𝗛𝗢 𝗣𝗥𝗘𝗣𝗔𝗥𝗘𝗗 𝗧𝗛𝗘 𝗥𝗢𝗔𝗗 𝗧𝗢 𝗚𝗟𝗨𝗖𝗞 𝗡𝗶𝗰𝗰𝗼𝗹𝗼̀ 𝗝𝗼𝗺𝗺𝗲𝗹𝗹𝗶 𝗕𝗼𝗿𝗻: 𝟭𝟬 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟭𝟰, 𝗔𝘃𝗲𝗿𝘀𝗮, 𝗜𝘁𝗮𝗹𝘆 𝗗𝗶𝗲𝗱: 𝟮𝟱 𝗔𝘂𝗴𝘂𝘀𝘁 𝟭𝟳𝟳𝟰, 𝗡𝗮𝗽𝗹𝗲𝘀, 𝗜𝘁𝗮𝗹𝘆 Among the great reforming figures of eighteenth-century opera,…

𝗡𝗜𝗖𝗖𝗢𝗟𝗢̀ 𝗣𝗜𝗖𝗖𝗜𝗡𝗡𝗜: 𝗧𝗛𝗘 𝗜𝗧𝗔𝗟𝗜𝗔𝗡 𝗟𝗬𝗥𝗜𝗖 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢 𝗦𝗧𝗢𝗢𝗗 𝗢𝗣𝗣𝗢𝗦𝗜𝗧𝗘 𝗚𝗟𝗨𝗖𝗞 𝗜𝗡 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗣𝗔𝗥𝗜𝗦𝗜𝗔𝗡 𝗢𝗣𝗘𝗥𝗔 𝗪𝗔𝗥 𝗡𝗶𝗰𝗰𝗼𝗹𝗼̀ 𝗣𝗶𝗰𝗰𝗶𝗻𝗻𝗶 𝗕𝗼𝗿𝗻: 𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟮𝟴, 𝗕𝗮𝗿𝗶, 𝗜𝘁𝗮𝗹𝘆 𝗗𝗶𝗲𝗱: 𝟳 𝗠𝗮𝘆 𝟭𝟴𝟬𝟬, 𝗣𝗮𝘀𝘀𝘆, 𝗙𝗿𝗮𝗻𝗰𝗲 Among the great Italian…

𝗙𝗥𝗔𝗡𝗖̧𝗢𝗜𝗦-𝗝𝗢𝗦𝗘𝗣𝗛 𝗚𝗢𝗦𝗦𝗘𝗖: 𝗧𝗛𝗘 𝗙𝗔𝗧𝗛𝗘𝗥 𝗢𝗙 𝗧𝗛𝗘 𝗙𝗥𝗘𝗡𝗖𝗛 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗚𝗥𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗩𝗢𝗜𝗖𝗘 𝗢𝗙 𝗥𝗘𝗩𝗢𝗟𝗨𝗧𝗜𝗢𝗡𝗔𝗥𝗬 𝗣𝗨𝗕𝗟𝗜𝗖 𝗟𝗜𝗙𝗘 𝗙𝗿𝗮𝗻𝗰̧𝗼𝗶𝘀-𝗝𝗼𝘀𝗲𝗽𝗵 𝗚𝗼𝘀𝘀𝗲𝗰 𝗕𝗼𝗿𝗻: 𝟭𝟳 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟯𝟰, 𝗩𝗲𝗿𝗴𝗻𝗶𝗲𝘀, 𝗛𝗮𝗶𝗻𝗮𝘂𝘁 — 𝗻𝗼𝘄 𝗕𝗲𝗹𝗴𝗶𝘂𝗺 𝗗𝗶𝗲𝗱: 𝟭𝟲 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟴𝟮𝟵, 𝗣𝗮𝘀𝘀𝘆, 𝗙𝗿𝗮𝗻𝗰𝗲…