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𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗩 — 𝗔𝘁 𝗥𝗼𝗺𝗲, 𝗪𝗲𝗶𝗺𝗮𝗿, 𝗕𝘂𝗱𝗮𝗽𝗲𝘀𝘁 𝗣𝗼𝘀𝘁 𝟭𝟴 — 𝗪𝗲𝗶𝗺𝗮𝗿: 𝗧𝗵𝗲 𝗧𝗲𝗮𝗰𝗵𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝗰𝗵𝗼𝗼𝗹 After 𝗥𝗼𝗺𝗲, with its cloisters, sacred manuscripts, Catholic ceremonies, and inward religious light,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜 — 𝗔𝘀𝗽𝗲𝗰𝘁𝘀 𝗼𝗳 𝗛𝗶𝘀 𝗔𝗿𝘁 𝗮𝗻𝗱 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟰 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝗻𝗱 𝗖𝗵𝗼𝗽𝗶𝗻 The relationship between 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 and 𝗙𝗿é𝗱é𝗿𝗶𝗰 𝗖𝗵𝗼𝗽𝗶𝗻 was one of the most fascinating…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟲 𝗧𝗵𝗲 𝗙𝗶𝗳𝘁𝗲𝗲𝗻-𝗬𝗲𝗮𝗿-𝗢𝗹𝗱 𝗶𝗻 𝗩𝗶𝗲𝗻𝗻𝗮 𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗖𝗮𝗽𝗶𝘁𝗮𝗹 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in 𝗩𝗶𝗲𝗻𝗻𝗮 in 𝟭𝟴𝟳𝟱, he was only fifteen years old, but he had already…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟱 𝗧𝗵𝗲 𝗙𝗶𝗳𝘁𝗲𝗲𝗻-𝗬𝗲𝗮𝗿-𝗢𝗹𝗱 𝗪𝗵𝗼 𝗖𝗵𝗮𝗹𝗹𝗲𝗻𝗴𝗲𝗱 𝗩𝗶𝗲𝗻𝗻𝗮 𝗣𝗼𝘃𝗲𝗿𝘁𝘆, 𝗔𝗺𝗯𝗶𝘁𝗶𝗼𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗖𝗼𝗻𝘀𝗲𝗿𝘃𝗮𝘁𝗼𝗿𝘆 In the summer of 𝟭𝟴𝟳𝟱, the future of 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 remained uncertain. He was fifteen years…

𝗛𝗘𝗥𝗠𝗔𝗡𝗡 𝗦𝗖𝗛𝗘𝗥𝗖𝗛𝗘𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Hermann Scherchen was one of the most radical, intellectually adventurous and unpredictable conductors of the twentieth century. He cannot be classified simply as a specialist in modern…

𝗙𝗥𝗔𝗡𝗭 𝗟𝗜𝗦𝗭𝗧’𝗦 𝗙𝗜𝗙𝗧𝗘𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Franz Liszt’s reputation has often been distorted by two opposing myths. To some listeners, he remains primarily the supreme nineteenth-century virtuoso: the dazzling showman who transformed the piano into…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗘𝗣𝗜𝗟𝗢𝗚𝗨𝗘 — “𝗧𝗛𝗘 𝗣𝗢𝗘𝗧 𝗦𝗣𝗘𝗔𝗞𝗦”: 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗔𝗡𝗗 𝗖𝗛𝗜𝗟𝗗𝗛𝗢𝗢𝗗 𝗧𝗛𝗘 𝗖𝗛𝗜𝗟𝗗 𝗔𝗦 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗦𝗘𝗖𝗥𝗘𝗧 𝗢𝗙 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 At the end of Robert Schumann’s…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜 — 𝗔𝘀𝗽𝗲𝗰𝘁𝘀 𝗼𝗳 𝗛𝗶𝘀 𝗔𝗿𝘁 𝗮𝗻𝗱 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟰 — 𝗟𝗶𝘀𝘇𝘁𝗼𝗺𝗮𝗻𝗶𝗮: 𝗕𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗣𝗼𝗽 𝗦𝘁𝗮𝗿 Before the modern pop idol, before the cinema star, before mass media…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗕𝗔𝗥𝗢𝗤𝗨𝗘 𝗞𝗘𝗬𝗕𝗢𝗔𝗥𝗗 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 Selecting the greatest Baroque keyboard masterpieces requires a broader definition of “keyboard” than the modern piano repertoire usually implies. These works were written for harpsichord,…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗪𝗢𝗥𝗞𝗦 𝗔𝗡𝗗 𝗖𝗬𝗖𝗟𝗘𝗦 𝗙𝗢𝗥 𝗦𝗢𝗟𝗢 𝗣𝗜𝗔𝗡𝗢 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 𝗔 𝗥𝗘𝗩𝗜𝗦𝗘𝗗 𝗔𝗡𝗗 𝗘𝗫𝗣𝗔𝗡𝗗𝗘𝗗 𝗦𝗘𝗟𝗘𝗖𝗧𝗜𝗢𝗡 Selecting the fifteen greatest achievements in solo piano literature cannot be reduced to choosing fifteen isolated compositions.…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 — 𝗟𝗶𝘀𝘇𝘁: 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗮𝗻𝗱 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗣𝗼𝘀𝘁 𝟭𝟭 — 𝗥𝗼𝗺𝗲, 𝗥𝗲𝗹𝗶𝗴𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗔𝗯𝗯é 𝗟𝗶𝘀𝘇𝘁 After the brilliance of 𝗪𝗲𝗶𝗺𝗮𝗿 and the intellectual kingdom of the 𝗔𝗹𝘁𝗲𝗻𝗯𝘂𝗿𝗴, Franz…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 — 𝗟𝗶𝘀𝘇𝘁: 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗮𝗻𝗱 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗣𝗼𝘀𝘁 𝟭𝟬 — 𝗪𝗲𝗶𝗺𝗮𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗔𝗹𝘁𝗲𝗻𝗯𝘂𝗿𝗴 The Weimar years were the great turning point of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁’𝘀 maturity. Until then,…

𝗥𝗨𝗗𝗢𝗟𝗙 𝗕𝗨𝗖𝗛𝗕𝗜𝗡𝗗𝗘𝗥 — 𝗔 𝗟𝗜𝗙𝗘 𝗔𝗧 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗮𝗻𝗱 𝗗𝗲𝗰𝗶𝘀𝗶𝘃𝗲 𝗠𝗼𝗺𝗲𝗻𝘁𝘀 — 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹𝗹𝘆 𝗔𝗿𝗿𝗮𝗻𝗴𝗲𝗱 The life of 𝗥𝘂𝗱𝗼𝗹𝗳 𝗕𝘂𝗰𝗵𝗯𝗶𝗻𝗱𝗲𝗿 has been shaped by an unusual combination of precocious talent, Viennese musical tradition,…

𝗙𝗥𝗜𝗧𝗭 𝗥𝗘𝗜𝗡𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Fritz Reiner was one of the supreme orchestral disciplinarians of the twentieth century. His conducting combined extraordinary precision, rhythmic tension, transparent textures and an almost unequalled ability…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗼𝗻𝗸𝗲𝘆’𝘀 𝗧𝗼𝗼𝗹𝘀 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝗮𝘀𝘁𝗲𝗿’𝘀 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝗛𝗲𝗮𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗢𝗻 𝗠𝘂𝘀𝗶𝗰** brings together the central ideas that made…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗪𝗘 𝗔𝗥𝗘 𝗔 𝗙𝗘𝗟𝗟𝗢𝗪𝗦𝗛𝗜𝗣 𝗢𝗙 𝗘𝗫𝗣𝗟𝗢𝗥𝗘𝗥𝗦 ## 𝗡𝗼𝘁𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗜𝗻𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝘂𝘀 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗪𝗲 𝗔𝗿𝗲 𝗮 𝗙𝗲𝗹𝗹𝗼𝘄𝘀𝗵𝗶𝗽 𝗼𝗳 𝗘𝘅𝗽𝗹𝗼𝗿𝗲𝗿𝘀** recounts the beginnings of a…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Nikolaus Harnoncourt did not merely change the way Baroque and Classical music was performed. He transformed the modern understanding of what interpretation itself could mean. For him,…

# 𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗙𝗥𝗢𝗠 𝗬𝗢𝗨𝗧𝗛𝗙𝗨𝗟 𝗗𝗜𝗦𝗖𝗜𝗣𝗟𝗘 𝗧𝗢 𝗖𝗥𝗘𝗔𝗧𝗜𝗩𝗘 𝗛𝗘𝗜𝗥 The influence of **𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻** on **𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀** was profound, but it cannot be reduced to direct imitation.…

𝗟𝗲́𝗼𝗽𝗼𝗹𝗱 𝗦𝗶𝗺𝗼𝗻𝗲𝗮𝘂 — 𝗧𝗵𝗲 𝗣𝘂𝗿𝗲𝘀𝘁 𝗩𝗼𝗶𝗰𝗲 𝗼𝗳 𝗠𝗼𝘇𝗮𝗿𝘁 Among the great lyric tenors of the twentieth century, few embodied elegance, musical intelligence and vocal purity as completely as Léopold Simoneau. His was not a…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟭 — 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗗𝗥𝗘𝗦𝗗𝗘𝗡 𝗧𝗛𝗘 𝗖𝗜𝗧𝗬 𝗧𝗛𝗔𝗧 𝗪𝗔𝗦 𝗡𝗢𝗧 𝗔 𝗛𝗢𝗠𝗘 When Robert and Clara Schumann left Leipzig for…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 — 𝗟𝗶𝘀𝘇𝘁: 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗮𝗻𝗱 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗣𝗼𝘀𝘁 𝟬𝟵 — 𝗣𝗮𝗴𝗮𝗻𝗶𝗻𝗶, 𝗖𝗵𝗼𝗽𝗶𝗻, 𝗮𝗻𝗱 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 In the making of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, three encounters were decisive. They did not merely…