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American violinist Bronislaw Gimpel (r) with conductor Sir Thomas Beecham and British composer Benjamin Britten (l) in a dressing room at the Royal Festival Hall, London

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟗 — 𝐀𝐍 𝐀𝐑𝐓𝐈𝐒𝐓𝐈𝐂 𝐃𝐄𝐕𝐎𝐓𝐄𝐄 𝐏𝐀𝐔𝐋𝐈𝐍𝐄 𝐕𝐈𝐀𝐑𝐃𝐎𝐓 Among the many women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟖 — 𝐅𝐄𝐋𝐋𝐎𝐖 𝐏𝐈𝐀𝐍𝐈𝐒𝐓 𝐀𝐍𝐃 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐑 𝐅𝐑𝐀𝐍𝐙 𝐋𝐈𝐒𝐙𝐓 Of all the composers of his…

𝐓𝐂𝐇𝐀𝐈𝐊𝐎𝐕𝐒𝐊𝐘 𝐀𝐍𝐃 𝐒𝐀𝐈𝐍𝐓-𝐒𝐀𝐄̈𝐍𝐒: 𝐅𝐑𝐈𝐄𝐍𝐃𝐒𝐇𝐈𝐏, 𝐀𝐃𝐌𝐈𝐑𝐀𝐓𝐈𝐎𝐍 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐑𝐘 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐓𝐖𝐎 𝐆𝐄𝐍𝐈𝐔𝐒𝐄𝐒 The relationship between Pyotr Ilyich Tchaikovsky and Camille Saint-Saëns was one of the most fascinating personal encounters between two major European composers of the…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐀𝐌𝐈𝐋𝐘 𝐈𝐍 𝐇𝐈𝐒 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐕𝐄 𝐘𝐄𝐀𝐑𝐒 The first people…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐎𝐓𝐓𝐎 𝐊𝐋𝐄𝐌𝐏𝐄𝐑𝐄𝐑 — 𝐓𝐇𝐄 𝐁𝐑𝐀𝐈𝐍 𝐓𝐔𝐌𝐎𝐔𝐑 𝐓𝐇𝐀𝐓 𝐍𝐄𝐀𝐑𝐋𝐘 𝐄𝐍𝐃𝐄𝐃 𝐇𝐈𝐒 𝐂𝐀𝐑𝐄𝐄𝐑 Otto Klemperer’s life was marked not only by exceptional musical achievement, but also by illness, exile, physical disability and repeated personal catastrophe. Among…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

𝐌𝐀𝐇𝐋𝐄𝐑 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐃 𝐇𝐈𝐒 𝐆𝐑𝐄𝐀𝐓𝐄𝐒𝐓 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐃𝐔𝐑𝐈𝐍𝐆 𝐇𝐈𝐒 𝐒𝐔𝐌𝐌𝐄𝐑 𝐇𝐎𝐋𝐈𝐃𝐀𝐘𝐒 Gustav Mahler (1860–1911) spent each concert season conducting some of Europe's greatest opera houses, leaving very little time to compose. His solution was remarkable: every…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝟭𝟬 𝗙𝗮𝘀𝗰𝗶𝗻𝗮𝘁𝗶𝗻𝗴 𝗙𝗮𝗰𝘁𝘀 𝗔𝗻𝗱 𝗟𝗲𝘀𝘀𝗲𝗿-𝗞𝗻𝗼𝘄𝗻 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗩𝗶𝗹𝗹𝗶𝗲𝗿𝘀 𝗦𝘁𝗮𝗻𝗳𝗼𝗿𝗱 𝟭. 𝗛𝗲 𝗪𝗮𝘀 𝗕𝗼𝗿𝗻 𝗜𝗻 𝗜𝗿𝗲𝗹𝗮𝗻𝗱 𝗕𝘂𝘁 𝗕𝗲𝗰𝗮𝗺𝗲 𝗔 𝗣𝗶𝗹𝗹𝗮𝗿 𝗢𝗳 𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗠𝘂𝘀𝗶𝗰 Born in Dublin in 1852, Stanford spent most of his career…

𝟭𝟬 𝗙𝗮𝘀𝗰𝗶𝗻𝗮𝘁𝗶𝗻𝗴 𝗙𝗮𝗰𝘁𝘀 𝗔𝗻𝗱 𝗟𝗲𝘀𝘀𝗲𝗿-𝗞𝗻𝗼𝘄𝗻 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 𝗔𝗯𝗼𝘂𝘁 𝗪𝗶𝗹𝗹𝗶𝗮𝗺 𝗔𝗹𝘄𝘆𝗻 𝟭. 𝗛𝗲 𝗪𝗮𝘀 𝗔 𝗖𝗵𝗶𝗹𝗱 𝗣𝗿𝗼𝗱𝗶𝗴𝘆 Alwyn entered the Royal Academy of Music at the age of 15 as a gifted flute student. He quickly…

𝗛𝗢𝗪 𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗧𝗢 𝗖𝗢𝗡𝗗𝗨𝗖𝗧 – 𝗪𝗜𝗧𝗛𝗢𝗨𝗧 𝗔 𝗧𝗘𝗔𝗖𝗛𝗘𝗥 𝗪𝗶𝘁𝗵 𝘄𝗵𝗼𝗺 𝗱𝗶𝗱 𝗠𝗮𝗵𝗹𝗲𝗿 𝗮𝗰𝘁𝘂𝗮𝗹𝗹𝘆 𝘀𝘁𝘂𝗱𝘆 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴? 𝗧𝗵𝗲 𝘀𝘂𝗿𝗽𝗿𝗶𝘀𝗶𝗻𝗴 𝗮𝗻𝘀𝘄𝗲𝗿 𝗶𝘀: 𝘄𝗶𝘁𝗵 𝗻𝗼 𝗼𝗻𝗲. At the time, conducting was not yet a formal discipline…

𝗪𝗛𝗔𝗧 𝗗𝗜𝗗 𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗧𝗛𝗜𝗡𝗞 𝗢𝗙 𝗔𝗡𝗧𝗢𝗡 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥? 𝗔𝗹𝗺𝗮 𝗠𝗮𝗵𝗹𝗲𝗿'𝘀 𝗠𝗼𝘃𝗶𝗻𝗴 𝗧𝗲𝘀𝘁𝗶𝗺𝗼𝗻𝘆 𝗼𝗳 𝗔𝗱𝗺𝗶𝗿𝗮𝘁𝗶𝗼𝗻, 𝗙𝗮𝗶𝘁𝗵, 𝗮𝗻𝗱 𝗦𝗽𝗶𝗿𝗶𝘁𝘂𝗮𝗹 𝗞𝗶𝗻𝘀𝗵𝗶𝗽 Among the many relationships that shaped 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿's artistic life, none was more profound than his…

𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 𝗔𝗡𝗗 𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 — 𝗧𝗪𝗢 𝗥𝗨𝗦𝗦𝗜𝗔𝗦, 𝗢𝗡𝗘 𝗝𝗔𝗥 𝗢𝗙 𝗛𝗢𝗡𝗘𝗬 Few encounters in twentieth-century music could have been more symbolically charged than those between 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 and 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆. Both were Russian exiles, internationally…