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𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟰 𝗧𝗵𝗲 𝗣𝗶𝗮𝗻𝗼 𝗶𝗻 𝘁𝗵𝗲 𝗔𝘁𝘁𝗶𝗰 𝗧𝗵𝗲 𝗔𝘄𝗮𝗸𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗩𝗼𝗰𝗮𝘁𝗶𝗼𝗻 In the Mahler household, education was not regarded as a luxury. For 𝗕𝗲𝗿𝗻𝗵𝗮𝗿𝗱 𝗠𝗮𝗵𝗹𝗲𝗿, culture…

𝗝𝗢𝗦𝗘𝗙 𝗞𝗥𝗜𝗣𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Josef Krips represented a conducting tradition founded not upon personal display, exaggerated rhetoric or orchestral weight, but upon balance, clarity, natural phrasing and absolute fidelity to musical…

𝗛𝗘𝗥𝗠𝗔𝗡𝗡 𝗦𝗖𝗛𝗘𝗥𝗖𝗛𝗘𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Hermann Scherchen was one of the most radical, intellectually adventurous and unpredictable conductors of the twentieth century. He cannot be classified simply as a specialist in modern…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…

𝗙𝗥𝗔𝗡𝗭 𝗟𝗜𝗦𝗭𝗧’𝗦 𝗙𝗜𝗙𝗧𝗘𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Franz Liszt’s reputation has often been distorted by two opposing myths. To some listeners, he remains primarily the supreme nineteenth-century virtuoso: the dazzling showman who transformed the piano into…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟯 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗼𝘂𝗻𝗱𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝗧𝗵𝗲 𝗙𝗹𝗮𝗴𝗲𝗼𝗹𝗲𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗗𝗿𝗮𝘄𝗲𝗿 — 𝗖𝗶𝗿𝗰𝗮 𝟭𝟴𝟭𝟱–𝟭𝟴𝟭𝟲 In the memory of 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, love and music seemed…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟰 — 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦, 𝟭𝟴𝟰𝟱–𝟱𝟰 𝗧𝗛𝗘 𝗟𝗔𝗧𝗘 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗡𝗢𝗧 𝗔 𝗥𝗨𝗜𝗡, 𝗕𝗨𝗧 𝗔 𝗗𝗜𝗙𝗙𝗘𝗥𝗘𝗡𝗧 𝗪𝗢𝗥𝗟𝗗 The music Robert Schumann composed…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗖𝗛𝗔𝗠𝗕𝗘𝗥-𝗠𝗨𝗦𝗜𝗖 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 Any attempt to identify the fifteen greatest chamber-music recordings must begin by acknowledging that “greatest” cannot mean merely the most technically perfect. A genuinely historic chamber…

𝗘𝗨𝗚𝗘𝗡𝗘 𝗢𝗥𝗠𝗔𝗡𝗗𝗬 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugene Ormandy remains inseparable from the Philadelphia Orchestra and the famously sumptuous sonority that became known throughout the world as the “Philadelphia Sound.” During his extraordinary tenure—first…

𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁 (𝟭𝟳𝟱𝟲–𝟭𝟳𝟵𝟭) 𝗜𝗗𝗢𝗠𝗘𝗡𝗘𝗢, 𝗥𝗘 𝗗𝗜 𝗖𝗥𝗘𝗧𝗔, 𝗢𝗦𝗦𝗜𝗔 𝗜𝗟𝗜𝗔 𝗘 𝗜𝗗𝗔𝗠𝗔𝗡𝗧𝗘 https://www.patreon.com/ClassicMusicComposersGroup/posts/wolfgang-amadeus-163907446?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Dramma per musica in three acts, K. 366. Libretto: Giambattista Varesco. First performed: 29 January 1781, Munich. 𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝗵𝗶𝗿𝗹𝗲𝘆 — Idomeneo,…

𝗪𝗢𝗟𝗙𝗚𝗔𝗡𝗚 𝗦𝗔𝗪𝗔𝗟𝗟𝗜𝗦𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wolfgang Sawallisch represented one of the last great manifestations of the traditional German Kapellmeister: a conductor whose authority was founded not upon personal exhibitionism, but upon complete…

𝗘𝗨𝗚𝗘𝗡 𝗝𝗢𝗖𝗛𝗨𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugen Jochum is remembered above all as one of the supreme Bruckner conductors of the twentieth century, but that description captures only part of his achievement. His…

𝗙𝗥𝗜𝗧𝗭 𝗥𝗘𝗜𝗡𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Fritz Reiner was one of the supreme orchestral disciplinarians of the twentieth century. His conducting combined extraordinary precision, rhythmic tension, transparent textures and an almost unequalled ability…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗪𝗘 𝗔𝗥𝗘 𝗔 𝗙𝗘𝗟𝗟𝗢𝗪𝗦𝗛𝗜𝗣 𝗢𝗙 𝗘𝗫𝗣𝗟𝗢𝗥𝗘𝗥𝗦 ## 𝗡𝗼𝘁𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗜𝗻𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝘂𝘀 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗪𝗲 𝗔𝗿𝗲 𝗮 𝗙𝗲𝗹𝗹𝗼𝘄𝘀𝗵𝗶𝗽 𝗼𝗳 𝗘𝘅𝗽𝗹𝗼𝗿𝗲𝗿𝘀** recounts the beginnings of a…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 & 𝗥𝗢𝗬𝗔𝗟 𝗖𝗢𝗡𝗖𝗘𝗥𝗧𝗚𝗘𝗕𝗢𝗨𝗪 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 — 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗧𝗘𝗟𝗗𝗘𝗖 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 — 𝟰𝟮-𝗖𝗗 𝗕𝗢𝗫 𝗦𝗘𝗧 𝗖𝗗 𝟭 — 𝗪𝗢𝗟𝗙𝗚𝗔𝗡𝗚 𝗔𝗠𝗔𝗗𝗘𝗨𝗦 𝗠𝗢𝗭𝗔𝗥𝗧 𝗠𝗼𝘇𝗮𝗿𝘁: Symphony No. 40 in G minor, K. 550 𝗠𝗼𝘇𝗮𝗿𝘁: Symphony No. 25…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟯 — 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗗Ü𝗦𝗦𝗘𝗟𝗗𝗢𝗥𝗙 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗡𝗘𝗘𝗗𝗘𝗗 — 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗖𝗢𝗨𝗟𝗗 𝗡𝗢𝗧 𝗕𝗘𝗔𝗥 When Robert Schumann…

𝗦𝗘𝗜𝗝𝗜 𝗢𝗭𝗔𝗪𝗔 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Seiji Ozawa was one of the most internationally influential conductors of the post-war era. His art united rhythmic precision, luminous orchestral colour, exceptional transparency and an instinctive…

𝗙𝗥𝗔𝗡𝗭 𝗩𝗢𝗡 𝗪𝗔𝗟𝗦𝗘𝗚𝗚 — 𝗧𝗛𝗘 𝗚𝗥𝗜𝗘𝗩𝗜𝗡𝗚 𝗖𝗢𝗨𝗡𝗧, 𝗧𝗛𝗘 𝗦𝗘𝗖𝗥𝗘𝗧 𝗖𝗢𝗠𝗠𝗜𝗦𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗠𝗢𝗭𝗔𝗥𝗧’𝗦 𝗥𝗘𝗤𝗨𝗜𝗘𝗠 Few minor figures in musical history have exercised such a decisive influence over the fate of a masterpiece…

𝗪𝗜𝗟𝗛𝗘𝗟𝗠 𝗙𝗨𝗥𝗧𝗪𝗔̈𝗡𝗚𝗟𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wilhelm Furtwängler remains one of the most powerful, individual and controversial conductors preserved on record. His interpretations were founded not upon literal regularity but upon organic growth,…

𝗖𝗔𝗥𝗟𝗢 𝗠𝗔𝗥𝗜𝗔 𝗚𝗜𝗨𝗟𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Carlo Maria Giulini possessed one of the most unmistakable conducting personalities of the twentieth century. His authority did not depend upon theatrical aggression, autocratic display or…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗭𝗘𝗟𝗟 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 George Szell is often remembered as the supreme orchestral disciplinarian: a conductor of relentless rehearsal, exact ensemble, perfectly balanced textures and uncompromising technical standards. Under his direction,…

𝗔𝗥𝗧𝗨𝗥𝗢 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Arturo Toscanini was one of the decisive figures in the creation of modern orchestral performance. His reputation was built upon fidelity to the written score, rhythmic discipline,…

𝗖𝗟𝗔𝗨𝗗𝗜𝗢 𝗔𝗕𝗕𝗔𝗗𝗢 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Claudio Abbado’s finest recordings reveal a conductor whose authority rarely depended upon weight, domination or theatrical self-display. His interpretations were founded upon listening, transparency, rhythmic flexibility, instrumental…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…