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𝗧𝗛𝗘 𝗟𝗢𝗩𝗘 𝗔𝗙𝗙𝗔𝗜𝗥𝗦 𝗢𝗙 𝗚𝗥𝗘𝗔𝗧 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 𝗥𝗨𝗣𝗘𝗥𝗧 𝗛𝗨𝗚𝗛𝗘𝗦 𝗖𝗛𝗢𝗣𝗜𝗡 𝗔𝗡𝗗 𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗔𝗡𝗗 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗣𝗥𝗢𝗧𝗘𝗖𝗧𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗗𝗜𝗦𝗘𝗡𝗖𝗛𝗔𝗡𝗧𝗠𝗘𝗡𝗧 When 𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝗮𝗻𝗱 enters Chopin’s life, Rupert Hughes’s chapter moves from nocturnal solitude into one…

𝗧𝗛𝗘 𝗟𝗢𝗩𝗘 𝗔𝗙𝗙𝗔𝗜𝗥𝗦 𝗢𝗙 𝗚𝗥𝗘𝗔𝗧 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 𝗥𝗨𝗣𝗘𝗥𝗧 𝗛𝗨𝗚𝗛𝗘𝗦 𝗪𝗘𝗕𝗘𝗥 𝗥𝗘𝗙𝗢𝗥𝗠𝗘𝗗 𝗠𝗔𝗥𝗥𝗜𝗔𝗚𝗘, 𝗚𝗘𝗡𝗜𝗨𝗦, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗛𝗔𝗗𝗢𝗪 𝗢𝗙 𝗘𝗔𝗥𝗟𝗬 𝗗𝗘𝗔𝗧𝗛 By the time Rupert Hughes brings 𝗖𝗮𝗿𝗹 𝗠𝗮𝗿𝗶𝗮 𝘃𝗼𝗻 𝗪𝗲𝗯𝗲𝗿 to the final…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗣𝗥𝗢𝗟𝗢𝗚𝗨𝗘 𝗕𝗮𝗰𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗡𝗼𝘁𝗶𝗼𝗻 𝗼𝗳 “𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗦𝗰𝗶𝗲𝗻𝗰𝗲” 𝗣𝗼𝘀𝘁 𝟭.𝟮 — 𝗠𝘂𝘀𝗶𝗰 𝗮𝘀 𝗞𝗻𝗼𝘄𝗹𝗲𝗱𝗴𝗲, 𝗖𝗿𝗮𝗳𝘁, 𝗮𝗻𝗱 𝗗𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗲 To understand Johann Sebastian Bach only as a…

𝗩𝗢𝗟𝗧𝗔𝗜𝗥𝗘 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗩𝗼𝗹𝘁𝗮𝗶𝗿𝗲 — 𝟭𝟲𝟵𝟰–𝟭𝟳𝟳𝟴 𝗩𝗼𝗹𝘁𝗮𝗶𝗿𝗲 occupies a distinctive place among French writers connected with classical music. He was not primarily a musical poet in the intimate sense of…

𝗧𝗛𝗘 𝗟𝗢𝗩𝗘 𝗔𝗙𝗙𝗔𝗜𝗥𝗦 𝗢𝗙 𝗚𝗥𝗘𝗔𝗧 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦— 𝗛𝗘𝗡𝗥𝗬 𝗣𝗨𝗥𝗖𝗘𝗟𝗟: 𝗢𝗥𝗣𝗛𝗘𝗨𝗦 𝗕𝗥𝗜𝗧𝗔𝗡𝗡𝗜𝗖𝗨𝗦, 𝗙𝗥𝗔𝗡𝗖𝗘𝗦 𝗣𝗨𝗥𝗖𝗘𝗟𝗟, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗠𝗘𝗟𝗔𝗡𝗖𝗛𝗢𝗟𝗬 𝗚𝗟𝗢𝗥𝗬 𝗢𝗙 𝗘𝗡𝗚𝗟𝗜𝗦𝗛 𝗠𝗨𝗦𝗜𝗖 𝗛𝗲𝗻𝗿𝘆 𝗣𝘂𝗿𝗰𝗲𝗹𝗹 stands in English musical history with a strange and almost lunar splendour. He…

𝗘𝗻𝗿𝗶𝗰𝗼 𝗖𝗮𝗿𝘂𝘀𝗼 — 𝗧𝗵𝗲 𝗧𝗲𝗻𝗼𝗿 𝗪𝗵𝗼 𝗖𝗵𝗮𝗻𝗴𝗲𝗱 𝗧𝗵𝗲 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗢𝗳 𝗢𝗽𝗲𝗿𝗮 𝗔𝗻𝗱 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴 𝗘𝗻𝗿𝗶𝗰𝗼 𝗖𝗮𝗿𝘂𝘀𝗼 was one of the most famous singers in the entire history of opera and perhaps the first operatic tenor…

𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗞𝗡𝗢𝗪𝗡 𝗪𝗢𝗥𝗞 𝗕𝗬 𝗙𝗥𝗘́𝗗𝗘́𝗥𝗜𝗖 𝗖𝗛𝗢𝗣𝗜𝗡 Chopin - Polonaise Op.Posth B.1 No.11 in G minor (Vladimir Ashkenazy) https://www.youtube.com/watch?v=mczBEsrCaW8 Composed in 𝟭𝟴𝟭𝟳, when Chopin was approximately 𝟳 𝘆𝗲𝗮𝗿𝘀 𝗼𝗹𝗱. He had been born on…

𝗖𝗟𝗔𝗥𝗔 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗕𝗘𝗥𝗟𝗜𝗡𝗘𝗥 𝗣𝗛𝗜𝗟𝗛𝗔𝗥𝗠𝗢𝗡𝗜𝗞𝗘𝗥 𝗧𝗵𝗲 𝗴𝗿𝗲𝗮𝘁 𝗽𝗶𝗮𝗻𝗶𝘀𝘁 𝘄𝗵𝗼 𝘀𝘂𝗽𝗽𝗼𝗿𝘁𝗲𝗱 𝘁𝗵𝗲 𝘆𝗼𝘂𝗻𝗴 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗮𝘁 𝘁𝗵𝗲 𝗱𝗮𝘄𝗻 𝗼𝗳 𝗶𝘁𝘀 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗔 𝘄𝗼𝗺𝗮𝗻 𝗯𝗲𝘆𝗼𝗻𝗱 𝘁𝗵𝗲 𝗹𝗶𝗺𝗶𝘁𝘀 𝗼𝗳 𝗵𝗲𝗿 𝘁𝗶𝗺𝗲 In the musical world of the…

𝗚𝗲𝗼𝗿𝗴 𝗦𝗼𝗹𝘁𝗶 was scheduled to make his U.S. debut with the 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 at the Ravinia Festival on July 14, 1953. However, his visa was denied only a few days before, pending clarification…

𝗔𝗿𝗻𝗼𝗹𝗱 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴 – 𝗙𝗶𝘃𝗲 𝗣𝗶𝗲𝗰𝗲𝘀 𝗳𝗼𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗢𝗽. 𝟭𝟲 Composed in 𝟭𝟵𝟬𝟵, 𝗔𝗿𝗻𝗼𝗹𝗱 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴’𝘀 𝗙𝗶𝘃𝗲 𝗣𝗶𝗲𝗰𝗲𝘀 𝗳𝗼𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗢𝗽. 𝟭𝟲, stands as one of the decisive works of early twentieth-century modernism. Written at a…

𝗘𝗨𝗚𝗘𝗡𝗘 𝗢𝗥𝗠𝗔𝗡𝗗𝗬 𝗤𝗨𝗢𝗧𝗘𝗦 𝟭. “𝗠𝘂𝘀𝗶𝗰 𝗶𝘀 𝘁𝗵𝗲 𝗼𝗻𝗹𝘆 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲 in which you cannot say a mean or sarcastic thing.” Interview, 𝗧𝗵𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 𝗧𝗶𝗺𝗲𝘀, 𝟭𝟵𝟳𝟬 𝟮. “𝗟𝗶𝗳𝗲 𝗶𝘀 𝗹𝗶𝗸𝗲 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝗮𝗻 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮; you must…

𝗖𝗟𝗔𝗥𝗔 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗜𝗥𝗥𝗢𝗥: 𝗛𝗘𝗥 𝗣𝗛𝗬𝗦𝗜𝗖𝗔𝗟 𝗔𝗣𝗣𝗘𝗔𝗥𝗔𝗡𝗖𝗘, 𝗗𝗥𝗘𝗦𝗦, 𝗔𝗡𝗗 𝗣𝗨𝗕𝗟𝗜𝗖 𝗜𝗠𝗔𝗚𝗘 𝗧𝗛𝗥𝗢𝗨𝗚𝗛𝗢𝗨𝗧 𝗛𝗘𝗥 𝗟𝗜𝗙𝗘 To speak of 𝗖𝗹𝗮𝗿𝗮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻’s appearance is not merely to describe a face, a dress, or a series of…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝗝𝗼𝗮𝗰𝗵𝗶𝗺, 𝗟𝗶𝘀𝘇𝘁, 𝘁𝗵𝗲 𝗥𝗵𝗶𝗻𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝟭𝟴𝟱𝟯 Chapter 4 is one of the turning-points…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗠𝗮𝗿𝘅𝘀𝗲𝗻, 𝗪𝗶𝗻𝘀𝗲𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗔𝘄𝗮𝗸𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝟭𝟴𝟰𝟱–𝟭𝟴𝟰𝟴 Chapter 2 follows Johannes Brahms from the protected promise of…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡’𝗦 𝗪𝗢𝗥𝗟𝗗𝗟𝗬 𝗪𝗜𝗦𝗗𝗢𝗠 𝗙𝗿𝗲𝗲𝗱𝗼𝗺, 𝗖𝗼𝘂𝗿𝗮𝗴𝗲, 𝗧𝗶𝗺𝗲, 𝗙𝗮𝗺𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗔𝗿𝘁 𝗼𝗳 𝗦𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗙𝗶𝗿𝗺 The section 𝗪𝗢𝗥𝗟𝗗𝗟𝗬 𝗪𝗜𝗦𝗗𝗢𝗠 from Beethoven, the Man and the Artist, as Revealed in His Own Words reveals a different but…

𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 𝗮𝗻𝗱 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗚𝗲𝗶𝘀𝗹𝗲𝗿: 𝗔 𝗠𝗮𝗿𝗿𝗶𝗮𝗴𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗧𝗵𝗲𝗮𝘁𝗿𝗲, 𝗘𝘅𝗶𝗹𝗲, 𝗠𝘂𝘀𝗶𝗰, 𝗮𝗻𝗱 𝗦𝘂𝗿𝘃𝗶𝘃𝗮𝗹 𝗔 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽 𝗕𝗼𝗿𝗻 𝗶𝗻 𝘁𝗵𝗲 𝗢𝗽𝗲𝗿𝗮 𝗛𝗼𝘂𝘀𝗲 The relationship between 𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 and 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗚𝗲𝗶𝘀𝗹𝗲𝗿 was not a secondary episode in…

# 𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟳 — 𝗘𝘁 𝗟𝘂𝘅 𝗣𝗲𝗿𝗽𝗲𝘁𝘂𝗮 𝗟𝘂𝗰𝗲𝗮𝘁 𝗘𝗶𝘀 ## 𝗠𝗼𝘇𝗮𝗿𝘁, 𝗧𝗵𝗲 𝗥𝗲𝗾𝘂𝗶𝗲𝗺, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗮𝘀𝘁 𝗗𝗮𝘆𝘀 𝗼𝗳 𝗮 𝗚𝗲𝗻𝗶𝘂𝘀 After the triumphant premiere of 𝗗𝗶𝗲 𝗭𝗮𝘂𝗯𝗲𝗿𝗳𝗹ö𝘁𝗲 in September…

𝗛𝗲𝗿𝗺𝗮𝗻𝗻 𝗛𝗲𝘀𝘀𝗲 𝗮𝗻𝗱 𝗧𝗵𝗼𝗺𝗮𝘀 𝗠𝗮𝗻𝗻 𝗕𝗲𝗳𝗼𝗿𝗲 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝘂𝘀𝗶𝗰: 𝗧𝘄𝗼 𝗪𝗿𝗶𝘁𝗲𝗿𝘀 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, 𝗪𝗮𝗴𝗻𝗲𝗿, 𝗠𝗮𝗵𝗹𝗲𝗿, 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿𝘀 𝗼𝗳 𝗧𝗵𝗲𝗶𝗿 𝗧𝗶𝗺𝗲 The relationship of 𝗛𝗲𝗿𝗺𝗮𝗻𝗻 𝗛𝗲𝘀𝘀𝗲 and 𝗧𝗵𝗼𝗺𝗮𝘀 𝗠𝗮𝗻𝗻 with classical music was profound,…

𝗠𝗮𝗿𝗶𝗲 𝗮𝗻𝗱 𝗖𝗹𝗮𝗿𝗮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻, 𝗗ü𝘀𝘀𝗲𝗹𝗱𝗼𝗿𝗳, around 𝟭𝟴𝟱𝟰/𝟱𝟱 𝗗𝗮𝗴𝘂𝗲𝗿𝗿𝗲𝗼𝘁𝘆𝗽𝗲 𝗯𝘆 𝗪𝗶𝗹𝗵𝗲𝗹𝗺 𝗦𝗲𝘃𝗲𝗿𝗶𝗻 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗛𝗼𝘂𝘀𝗲, 𝗭𝘄𝗶𝗰𝗸𝗮𝘂 Here, 𝗖𝗹𝗮𝗿𝗮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 is seen with her eldest daughter, 𝘁𝗵𝗶𝗿𝘁𝗲𝗲𝗻-𝘆𝗲𝗮𝗿-𝗼𝗹𝗱 𝗠𝗮𝗿𝗶𝗲 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻, in a daguerreotype taken in 𝗗ü𝘀𝘀𝗲𝗹𝗱𝗼𝗿𝗳 around…

𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 (𝟭𝟴𝟭𝟬–𝟭𝟴𝟱𝟲), aged about 16 𝗠𝗶𝗻𝗶𝗮𝘁𝘂𝗿𝗲, around 𝟭𝟴𝟮𝟲 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗛𝗼𝘂𝘀𝗲, 𝗭𝘄𝗶𝗰𝗸𝗮𝘂 This coloured miniature is 𝘁𝗵𝗲 𝗲𝗮𝗿𝗹𝗶𝗲𝘀𝘁 𝗽𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱 𝘃𝗶𝗲𝘄 𝗼𝗳 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 and probably dates from 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿 𝗼𝗳 𝗵𝗶𝘀 𝗳𝗮𝘁𝗵𝗲𝗿’𝘀 𝗱𝗲𝗮𝘁𝗵.…

𝗖𝗹𝗮𝗿𝗮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 at the age of 35 Photography by 𝗙𝗿𝗮𝗻𝘇 𝗛𝗮𝗻𝗳𝘀𝘁𝗮𝗲𝗻𝗴𝗹, 1854 𝗥𝗼𝗯𝗲𝗿𝘁-𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻-𝗛𝗮𝘂𝘀 𝗭𝘄𝗶𝗰𝗸𝗮𝘂 This photograph shows 𝗖𝗹𝗮𝗿𝗮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 in 1854, at the age of 35, during one of the most tragic and decisive…

𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸 (1819–1896) at the age of 18 Pencil drawing by 𝗝𝗼𝗵𝗮𝗻𝗻 𝗛𝗲𝗶𝗻𝗿𝗶𝗰𝗵 𝗦𝗰𝗵𝗿𝗮𝗺𝗺, Prague, November 1837 𝗥𝗼𝗯𝗲𝗿𝘁-𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻-𝗛𝗮𝘂𝘀 𝗭𝘄𝗶𝗰𝗸𝗮𝘂 This portrait of 𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸 was drawn in 𝗣𝗿𝗮𝗴𝘂𝗲 by the Viennese painter 𝗝𝗼𝗵𝗮𝗻𝗻 𝗛𝗲𝗶𝗻𝗿𝗶𝗰𝗵…

𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸 (1819–1896) at the age of 16 Oil painting, around 1835 𝗥𝗼𝗯𝗲𝗿𝘁-𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻-𝗛𝗮𝘂𝘀 𝗭𝘄𝗶𝗰𝗸𝗮𝘂 The portrait shows 𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸 at a decisive moment in her youth, around the time when her friendly feelings for…