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𝐓𝐖𝐄𝐍𝐓𝐘 𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟑 «𝐄𝐑𝐎𝐈𝐂𝐀» 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟑 𝐢𝐧 𝐄-𝐟𝐥𝐚𝐭 𝐦𝐚𝐣𝐨𝐫, 𝐎𝐩. 𝟓𝟓 «𝐄𝐫𝐨𝐢𝐜𝐚» — 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰𝐚𝐧𝐠𝐥𝐞𝐫, conductor — 𝐕𝐢𝐞𝐧𝐧𝐚 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐜 [https://www.youtube.com/watch?v=qbxD-_yNIKw&t=1506s](https://www.youtube.com/watch?v=qbxD-_yNIKw&t=1506s) 𝐑𝐞𝐜𝐨𝐫𝐝𝐞𝐝 𝐨𝐧 𝟏𝟗 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟏𝟗𝟒𝟒 (radio broadcast)…

𝐌𝐈𝐂𝐇𝐄𝐋 𝐂𝐎𝐑𝐁𝐎𝐙 — 𝟐𝟎 𝐅𝐀𝐒𝐂𝐈𝐍𝐀𝐓𝐈𝐍𝐆 𝐒𝐓𝐎𝐑𝐈𝐄𝐒, 𝐅𝐀𝐂𝐓𝐒 𝐀𝐍𝐃 𝐂𝐔𝐑𝐈𝐎𝐒𝐈𝐓𝐈𝐄𝐒 𝐀𝐁𝐎𝐔𝐓 𝐓𝐇𝐄 𝐌𝐀𝐒𝐓𝐄𝐑 𝐎𝐅 𝐓𝐇𝐄 𝐇𝐔𝐌𝐀𝐍 𝐕𝐎𝐈𝐂𝐄 Michel Corboz was never one of those conductors who built a public image around theatrical gestures or celebrity.…

𝐖𝐎𝐉𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐀𝐍𝐃 𝐀𝐃𝐕𝐈𝐒𝐄𝐑 𝐈𝐍 𝐏𝐀𝐑𝐈𝐒 The figure of 𝐖𝐨𝐣𝐜𝐢𝐞𝐜𝐡 𝐆𝐫𝐳𝐲𝐦𝐚ł𝐚 occupies a far more important place in the life of Fryderyk Chopin than his relative absence from popular biographies…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟕 — 𝐀 𝐌𝐎𝐒𝐓 𝐓𝐑𝐔𝐒𝐓𝐄𝐃 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐖𝐎𝐘𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 Among the many people who entered…

𝐌𝐀𝐗𝐈𝐌 𝐄𝐌𝐄𝐋𝐘𝐀𝐍𝐘𝐂𝐇𝐄𝐕 — 𝐀 𝐒𝐄𝐋𝐄𝐂𝐓𝐄𝐃 𝐃𝐈𝐒𝐂𝐎𝐆𝐑𝐀𝐏𝐇𝐘 From Baroque opera and historically informed Mozart to Schubert, Mendelssohn and Brahms, Maxim Emelyanychev has built an increasingly important discography both as conductor and keyboard player. 𝟐𝟎𝟏𝟓 𝐀𝐑𝐈𝐄…

𝐆𝐔𝐒𝐓𝐀𝐕 𝐇𝐎𝐋𝐒𝐓 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐃 𝐀 𝐌𝐀𝐒𝐓𝐄𝐑𝐏𝐈𝐄𝐂𝐄... 𝐀𝐍𝐃 𝐓𝐇𝐄𝐍 𝐒𝐏𝐄𝐍𝐓 𝐓𝐇𝐄 𝐑𝐄𝐒𝐓 𝐎𝐅 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 𝐓𝐑𝐘𝐈𝐍𝐆 𝐓𝐎 𝐄𝐒𝐂𝐀𝐏𝐄 𝐈𝐓 One of Britain's greatest composers became world-famous for a work he never wanted to define his career.…

𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗙𝗥𝗢𝗠 𝗠𝗨𝗧𝗨𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗩𝗘𝗥𝗬 𝗧𝗢 𝗔 𝗖𝗢𝗢𝗟𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗔𝗦𝗧𝗘𝗥𝗦 The relationship between 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 was one of the most significant artistic friendships of the years immediately…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗞𝗘𝗜𝗟𝗕𝗘𝗥𝗧𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲𝗹𝘆 𝗥𝗲𝘃𝗶𝘀𝗲𝗱, 𝗖𝗼𝗿𝗿𝗲𝗰𝘁𝗲𝗱 𝗮𝗻𝗱 𝗩𝗲𝗿𝗶𝗳𝗶𝗲𝗱 𝗘𝗱𝗶𝘁𝗶𝗼𝗻 𝗝𝗼𝘀𝗲𝗽𝗵 𝗞𝗲𝗶𝗹𝗯𝗲𝗿𝘁𝗵 was one of the most accomplished representatives of the Central European Kapellmeister tradition. His conducting was generally direct, structurally…

𝗕𝗘𝗥𝗟𝗜𝗢𝗭 — 𝗧𝗛𝗘 𝟮𝟬 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗘𝗤𝗨𝗜𝗘𝗠 Any ranking of the Grande Messe des morts, Op. 5 is inevitably open to debate. Some recordings stand out for their ceremonial grandeur, others for…

𝗛𝗘𝗥𝗠𝗔𝗡𝗡 𝗦𝗖𝗛𝗘𝗥𝗖𝗛𝗘𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Hermann Scherchen was one of the most radical, intellectually adventurous and unpredictable conductors of the twentieth century. He cannot be classified simply as a specialist in modern…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟱 — 𝗘𝗡𝗗𝗘𝗡𝗜𝗖𝗛 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗥𝗢𝗢𝗠 The word 𝗘𝗻𝗱𝗲𝗻𝗶𝗰𝗵 has become almost inseparable from Robert Schumann’s name. It is more than…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟰 — 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦, 𝟭𝟴𝟰𝟱–𝟱𝟰 𝗧𝗛𝗘 𝗟𝗔𝗧𝗘 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗡𝗢𝗧 𝗔 𝗥𝗨𝗜𝗡, 𝗕𝗨𝗧 𝗔 𝗗𝗜𝗙𝗙𝗘𝗥𝗘𝗡𝗧 𝗪𝗢𝗥𝗟𝗗 The music Robert Schumann composed…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗖𝗛𝗔𝗠𝗕𝗘𝗥-𝗠𝗨𝗦𝗜𝗖 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 Any attempt to identify the fifteen greatest chamber-music recordings must begin by acknowledging that “greatest” cannot mean merely the most technically perfect. A genuinely historic chamber…

𝗦𝗜𝗥 𝗖𝗢𝗟𝗜𝗡 𝗗𝗔𝗩𝗜𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Colin Davis was one of the most cultivated, humane and intellectually independent conductors of the second half of the twentieth century. He never cultivated the…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Nikolaus Harnoncourt did not merely change the way Baroque and Classical music was performed. He transformed the modern understanding of what interpretation itself could mean. For him,…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟯 — 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗗Ü𝗦𝗦𝗘𝗟𝗗𝗢𝗥𝗙 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗡𝗘𝗘𝗗𝗘𝗗 — 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗖𝗢𝗨𝗟𝗗 𝗡𝗢𝗧 𝗕𝗘𝗔𝗥 When Robert Schumann…

Demos la bienvenida a los nuevos miembros. Marco Antonio, Violeta Slivjanoska, The Peralta Consort, Peter Stingel, Stefano Bianchi, Giovanni Acanfora, Tomer Coco, Toshiki Tsumuraya, Břetislav Přech, Oriana Cavazza, Игорь Клюкин, Peter Hable, Dale Stout,…

𝗟𝗲́𝗼𝗽𝗼𝗹𝗱 𝗦𝗶𝗺𝗼𝗻𝗲𝗮𝘂 — 𝗧𝗵𝗲 𝗣𝘂𝗿𝗲𝘀𝘁 𝗩𝗼𝗶𝗰𝗲 𝗼𝗳 𝗠𝗼𝘇𝗮𝗿𝘁 Among the great lyric tenors of the twentieth century, few embodied elegance, musical intelligence and vocal purity as completely as Léopold Simoneau. His was not a…

𝗕𝗘𝗥𝗟𝗜𝗢𝗭 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗘 𝗙𝗔𝗡𝗧𝗔𝗦𝗧𝗜𝗤𝗨𝗘 Berlioz’s Symphonie fantastique requires far more than orchestral brilliance. A truly great interpretation must reconcile two apparently opposing qualities: the extravagant narrative of hallucination,…

𝗞𝗔𝗥𝗟 𝗕𝗢̈𝗛𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Karl Böhm’s reputation rests above all upon Mozart, Richard Strauss, Wagner, Schubert and Bruckner. He was neither a cultivator of orchestral glamour in the Karajan manner nor…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗕𝗟𝗢𝗠𝗦𝗧𝗘𝗗𝗧 — 𝗧𝗛𝗘 𝗠𝗔𝗘𝗦𝗧𝗥𝗢 𝗪𝗛𝗢 𝗦𝗘𝗘𝗠𝗦 𝗧𝗢 𝗛𝗔𝗩𝗘 𝗢𝗨𝗧𝗟𝗜𝗩𝗘𝗗 𝗧𝗜𝗠𝗘 Few conductors have travelled through nearly an entire century of musical history while preserving such freshness, modesty and intellectual curiosity. 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝗕𝗹𝗼𝗺𝘀𝘁𝗲𝗱𝘁, who…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 — 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦, 𝟭𝟴𝟯𝟰–𝟯𝟵 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗦 𝗔 𝗦𝗘𝗖𝗥𝗘𝗧 𝗧𝗛𝗘𝗔𝗧𝗥𝗘 Between 1834 and 1839, Robert Schumann created the piano…