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𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟎 — 𝐓𝐇𝐄 𝐃𝐀𝐑𝐊 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝟏𝟕𝟖𝟖 Mozart’s 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟎 𝐢𝐧 𝐆 𝐦𝐢𝐧𝐨𝐫, 𝐊. 𝟓𝟓𝟎, completed on 25 July 1788, stands at the centre of one of the most astonishing…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

# **MENDELSSOHN’S MUSICAL INFLUENCE ON OTHER COMPOSERS** The influence of **Felix Mendelssohn (1809–1847)** was far deeper than is sometimes acknowledged. He did not create a clearly defined “school” in the manner of Wagner or…

# **Teldec Collection — Box Set 50 CDs** **CD 1** **Bartók:** Klavierkonzerte Nr. 1–3 (András Schiff, Budapest Festival Orchestra, Iván Fischer) **CD 2** **Beethoven:** Symphonien Nr. 6 & 8 (Chamber Orchestra of Europe, Nikolaus…

𝗛𝗔𝗡𝗦 𝗥𝗢𝗦𝗕𝗔𝗨𝗗 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗛𝗮𝗻𝘀 𝗥𝗼𝘀𝗯𝗮𝘂𝗱 was one of the twentieth century’s most complete and least theatrical great conductors. His reputation rests largely on his advocacy of modern music, especially 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴,…

𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗧𝗪𝗢 𝗣𝗜𝗔𝗡𝗢 𝗪𝗢𝗥𝗟𝗗𝗦 𝗧𝗛𝗔𝗧 𝗔𝗣𝗣𝗔𝗥𝗘𝗡𝗧𝗟𝗬 𝗡𝗘𝗩𝗘𝗥 𝗠𝗘𝗧 The relationship between 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 presents a striking historical paradox. They were almost exact contemporaries, internationally celebrated composers and pianists,…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟯 𝗠𝗼𝘂𝗻𝘁𝗮𝗶𝗻𝘀, 𝗕𝗿𝗶𝗴𝗮𝗻𝗱𝘀, 𝗮𝗻𝗱 𝗛𝗮𝗿𝗼𝗹𝗱 𝗶𝗻 𝗜𝘁𝗮𝗹𝘆 𝗥𝗼𝗺𝗲 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗠𝘂𝘀𝗶𝗰 — 𝟭𝟴𝟯𝟭–𝟭𝟴𝟯𝟮 After the frenzy of his flight toward Paris, the abandoned plan of…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟭 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗼𝗳 𝗢𝗯𝘀𝗲𝘀𝘀𝗶𝗼𝗻: 𝗙𝗿𝗼𝗺 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗙𝗮𝗻𝘁𝗮𝘀𝘁𝗶𝗾𝘂𝗲 𝗧𝗵𝗲 𝗪𝗼𝗺𝗮𝗻 𝗪𝗵𝗼 𝗛𝗮𝗱 𝗕𝗲𝗰𝗼𝗺𝗲 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗩𝗶𝘀𝗶𝗼𝗻 — 𝟭𝟴𝟮𝟳–𝟭𝟴𝟮𝟵 After seeing 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟬 𝗧𝗵𝗲 𝗕𝗮𝘁𝘁𝗹𝗲 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗣𝗿𝗶𝘅 𝗱𝗲 𝗥𝗼𝗺𝗲 𝗔 𝗣𝗿𝗶𝘇𝗲 𝗛𝗲 𝗗𝗲𝘀𝗽𝗶𝘀𝗲𝗱 𝗕𝘂𝘁 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼𝘁 𝗔𝗳𝗳𝗼𝗿𝗱 𝘁𝗼 𝗜𝗴𝗻𝗼𝗿𝗲 — 𝟭𝟴𝟮𝟲 For 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, the…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗧𝘄𝗼 𝗛𝗲𝗮𝗱𝘀, 𝗢𝗻𝗲 𝗟𝗶𝗳𝗲 𝗧𝗵𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿, 𝘁𝗵𝗲 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿, 𝘁𝗵𝗲 𝗦𝘂𝗺𝗺𝗲𝗿 𝗥𝗲𝘁𝗿𝗲𝗮𝘁𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗮𝗺𝗶𝗹𝘆 𝗕𝘂𝗶𝗹𝘁 𝗔𝗿𝗼𝘂𝗻𝗱 𝗚𝗲𝗻𝗶𝘂𝘀 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 married 𝗔𝗹𝗺𝗮 𝗦𝗰𝗵𝗶𝗻𝗱𝗹𝗲𝗿 in 𝗠𝗮𝗿𝗰𝗵 𝟭𝟵𝟬𝟮,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟭 — 𝗟𝗶𝘀𝘇𝘁 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗢𝘁𝗵𝗲𝗿 𝗘𝘆𝗲𝘀 To understand 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, it is not enough to study dates, compositions, concerts, pupils, cities,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟬 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿: 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗤𝘂𝗲𝘀𝘁𝗶𝗼𝗻 The central question surrounding 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 as a composer has always been difficult, almost uncomfortable:…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗞𝗘𝗜𝗟𝗕𝗘𝗥𝗧𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲𝗹𝘆 𝗥𝗲𝘃𝗶𝘀𝗲𝗱, 𝗖𝗼𝗿𝗿𝗲𝗰𝘁𝗲𝗱 𝗮𝗻𝗱 𝗩𝗲𝗿𝗶𝗳𝗶𝗲𝗱 𝗘𝗱𝗶𝘁𝗶𝗼𝗻 𝗝𝗼𝘀𝗲𝗽𝗵 𝗞𝗲𝗶𝗹𝗯𝗲𝗿𝘁𝗵 was one of the most accomplished representatives of the Central European Kapellmeister tradition. His conducting was generally direct, structurally…

𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗪𝗔𝗚𝗡𝗘𝗥 𝗖𝗛𝗢𝗦𝗘: 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥’𝗦 𝗧𝗛𝗜𝗥𝗗, 𝗧𝗛𝗘 𝗕𝗔𝗬𝗥𝗘𝗨𝗧𝗛 𝗩𝗜𝗦𝗜𝗧, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 “𝗪𝗔𝗚𝗡𝗘𝗥 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬” 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿: 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟯 𝗶𝗻 𝗗 𝗠𝗶𝗻𝗼𝗿, 𝗪𝗔𝗕 𝟭𝟬𝟯 — 𝗙𝗶𝗿𝘀𝘁 𝗩𝗲𝗿𝘀𝗶𝗼𝗻 (𝟭𝟴𝟳𝟯) — 𝗚𝗲𝗻𝗻𝗮𝗱𝘆 𝗥𝗼𝘇𝗵𝗱𝗲𝘀𝘁𝘃𝗲𝗻𝘀𝗸𝘆 — 𝗥𝗲𝗰.…

𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗠𝗘𝗟𝗢𝗗𝗜𝗘𝗦: 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗪𝗛𝗢 𝗦𝗛𝗔𝗣𝗘𝗗 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙’𝗦 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗪𝗢𝗥𝗟𝗗 The music of 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 is instantly recognizable: long-breathed melodies, darkly glowing harmonies, immense climaxes, tolling bells, dense piano textures and an almost…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟲 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜𝗜 — 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝗻𝗱 𝗢𝘁𝗵𝗲𝗿 𝗣𝗶𝗮𝗻𝗼 𝗣𝗶𝗲𝗰𝗲𝘀 𝟯.𝟭. 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝘀 𝗮 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁 In this chapter, 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 approaches 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁’𝘀 𝗕-𝗺𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮…

𝗝𝗢𝗦𝗘𝗙 𝗞𝗥𝗜𝗣𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Josef Krips represented a conducting tradition founded not upon personal display, exaggerated rhetoric or orchestral weight, but upon balance, clarity, natural phrasing and absolute fidelity to musical…

𝗗𝗜𝗠𝗜𝗧𝗥𝗜 𝗠𝗜𝗧𝗥𝗢𝗣𝗢𝗨𝗟𝗢𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Dimitri Mitropoulos was one of the most intense, selfless and visionary conductors of the twentieth century. He conducted without a baton, frequently without a score and with…

𝗡𝗜𝗞𝗢𝗟𝗔𝗜 𝗥𝗜𝗠𝗦𝗞𝗬-𝗞𝗢𝗥𝗦𝗔𝗞𝗢𝗩’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Nikolai Rimsky-Korsakov is frequently described as a supreme orchestrator, as though colour were the principal—or even the only—reason for his enduring importance. The description is accurate but incomplete. His…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…