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𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗖. 𝗙. 𝗔𝗯𝗱𝘆 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀 — 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜𝗜 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗬𝗲𝗮𝗿𝘀: 𝗛𝗼𝗻𝗼𝘂𝗿, 𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺, 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝘁𝗵𝗲 𝗚𝗿𝗲𝗮𝘁, 𝗕𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗔𝗻𝗱 𝗗𝗲𝗮𝘁𝗵 𝗜. 𝗧𝗵𝗲 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗢𝗳 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜𝗜 Chapter VII of C. F. Abdy Williams’s…

𝗣𝗥𝗢𝗞𝗢𝗙𝗜𝗘𝗩’𝗦 𝗙𝗜𝗥𝗦𝗧 𝗞𝗡𝗢𝗪𝗡 𝗣𝗜𝗔𝗡𝗢 𝗪𝗢𝗥𝗞: 𝗧𝗔𝗥𝗔𝗡𝗧𝗘𝗟𝗟𝗔 𝗜𝗡 𝗗 𝗠𝗜𝗡𝗢𝗥 Prokofiev - Tarantella in D Minor · 1901 - Frederic Chiu https://www.youtube.com/watch?v=K0dzqAhLqC8 The first known surviving piano work by 𝗦𝗲𝗿𝗴𝗲𝗶 𝗣𝗿𝗼𝗸𝗼𝗳𝗶𝗲𝘃 is generally identified as…

𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗞𝗡𝗢𝗪𝗡 𝗪𝗢𝗥𝗞 𝗕𝗬 𝗙𝗥𝗘́𝗗𝗘́𝗥𝗜𝗖 𝗖𝗛𝗢𝗣𝗜𝗡 Chopin - Polonaise Op.Posth B.1 No.11 in G minor (Vladimir Ashkenazy) https://www.youtube.com/watch?v=mczBEsrCaW8 Composed in 𝟭𝟴𝟭𝟳, when Chopin was approximately 𝟳 𝘆𝗲𝗮𝗿𝘀 𝗼𝗹𝗱. He had been born on…

Austrian pianist 𝗔𝗿𝘁𝘂𝗿 𝗦𝗰𝗵𝗻𝗮𝗯𝗲𝗹 made his debut with the 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 at Orchestra Hall on March 9 and 10, 1923, in 𝗕𝗿𝗮𝗵𝗺𝘀’ Piano Concerto no. 1 under 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝗦𝘁𝗼𝗰𝗸. He first appeared with the…

𝗔𝗿𝗻𝗼𝗹𝗱 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴 – 𝗙𝗶𝘃𝗲 𝗣𝗶𝗲𝗰𝗲𝘀 𝗳𝗼𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗢𝗽. 𝟭𝟲 Composed in 𝟭𝟵𝟬𝟵, 𝗔𝗿𝗻𝗼𝗹𝗱 𝗦𝗰𝗵𝗼𝗲𝗻𝗯𝗲𝗿𝗴’𝘀 𝗙𝗶𝘃𝗲 𝗣𝗶𝗲𝗰𝗲𝘀 𝗳𝗼𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗢𝗽. 𝟭𝟲, stands as one of the decisive works of early twentieth-century modernism. Written at a…

On November 25, 1927, 𝗠𝘆𝗿𝗮 𝗛𝗲𝘀𝘀 made her debut with the 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 in Schumann’s Piano Concerto. 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝗦𝘁𝗼𝗰𝗸 conducted. 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗼𝘀𝗲𝗻𝗳𝗲𝗹𝗱 in the Chicago News commented that 𝗛𝗲𝘀𝘀 performed “in a way…

On April 5 and 6, 1907, 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝗦𝘁𝗼𝗰𝗸 programmed a concert of “compositions by living writers,” including music from five countries. The first half opened with 𝗩𝗶𝗻𝗰𝗲𝗻𝘁 𝗱’𝗜𝗻𝗱𝘆’s Wallenstein’s Camp (France), 𝗔𝗹𝗲𝘅𝗮𝗻𝗱𝗲𝗿 𝗚𝗹𝗮𝘇𝘂𝗻𝗼𝘃’s Spring…

19-year-old 𝗜𝘀𝗮𝗮𝗰 𝗦𝘁𝗲𝗿𝗻 first appeared with the 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 on January 11 and 12, 1940. 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝗦𝘁𝗼𝗰𝗸 conducted an all-Sibelius program, and 𝗦𝘁𝗲𝗿𝗻 was soloist in the Violin Concerto.

𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝘃 made his first appearances with the 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 on December 3 and 4, 1909, conducting his Isle of the Dead and performing as soloist in his Second Piano Concerto with 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗙𝗥𝗜𝗗𝗘𝗥𝗜𝗖 𝗛𝗔𝗡𝗗𝗘𝗟 – 𝗔𝗿𝗶𝗼𝗱𝗮𝗻𝘁𝗲, 𝗛𝗪𝗩 𝟯𝟯 – 𝗥𝗮𝗽𝗵𝗮𝗲̈𝗹 𝗣𝗶𝗰𝗵𝗼𝗻 / 𝗣𝘆𝗴𝗺𝗮𝗹𝗶𝗼𝗻 – 𝗢𝗽𝗲́𝗿𝗮 𝗚𝗮𝗿𝗻𝗶𝗲𝗿, 𝗣𝗮𝗿𝗶𝘀, 𝟯 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟮𝟬𝟮𝟱 https://www.patreon.com/posts/handel-ariodante-159138123?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗦𝗮𝗯𝗶𝗻𝗲 𝗗𝗲𝘃𝗶𝗲𝗶𝗹𝗵𝗲, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼 — 𝗗𝗮𝗹𝗶𝗻𝗱𝗮 𝗝𝗮𝗰𝗾𝘂𝗲𝗹𝘆𝗻 𝗦𝘁𝘂𝗰𝗸𝗲𝗿, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼 — 𝗚𝗶𝗻𝗲𝘃𝗿𝗮 𝗖𝗲𝗰𝗶𝗹𝗶𝗮 𝗠𝗼𝗹𝗶𝗻𝗮𝗿𝗶, 𝗺𝗲𝘇𝘇𝗼-𝘀𝗼𝗽𝗿𝗮𝗻𝗼 —…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗙𝗥𝗜𝗗𝗘𝗥𝗜𝗖 𝗛𝗔𝗡𝗗𝗘𝗟 – 𝗧𝗲𝘀𝗲𝗼, 𝗛𝗪𝗩 𝟵 – 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗠𝗼𝗰𝗰𝗶𝗮 / 𝗖𝗮𝗽𝗲𝗹𝗹𝗮 𝗖𝗿𝗮𝗰𝗼𝘃𝗶𝗲𝗻𝘀𝗶𝘀 - 𝗢𝗽𝗲𝗿𝗮 𝘀𝗲𝗿𝗶𝗮 𝗶𝗻 𝟱 𝗮𝗰𝘁𝘀 - 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟭𝟯 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗡𝗶𝗰𝗼𝗹𝗮 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗛𝗮𝘆𝗺, 𝗮𝗳𝘁𝗲𝗿 𝗣𝗵𝗶𝗹𝗶𝗽𝗽𝗲 𝗤𝘂𝗶𝗻𝗮𝘂𝗹𝘁’𝘀 𝗧𝗵𝗲́𝘀𝗲́𝗲 https://www.patreon.com/posts/handel-teseo-hwv-159137737?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗖𝗮𝗿𝗹𝗼𝘁𝘁𝗮 𝗖𝗼𝗹𝗼𝗺𝗯𝗼, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗙𝗥𝗜𝗗𝗘𝗥𝗜𝗖 𝗛𝗔𝗡𝗗𝗘𝗟 – 𝗣𝗼𝗿𝗼, 𝗥𝗲 𝗱𝗲𝗹𝗹’𝗜𝗻𝗱𝗶𝗲, 𝗛𝗪𝗩 𝟮𝟴 – 𝗢𝗽𝗲𝗿𝗮 𝘀𝗲𝗿𝗶𝗮 𝗶𝗻 𝟯 𝗮𝗰𝘁𝘀 - 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟯𝟭 - 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗣𝗶𝗲𝘁𝗿𝗼 𝗠𝗲𝘁𝗮𝘀𝘁𝗮𝘀𝗶𝗼 - 𝗖𝗮𝗽𝗲𝗹𝗹𝗮 𝗖𝗿𝗮𝗰𝗼𝘃𝗶𝗲𝗻𝘀𝗶𝘀 - 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿: 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗧𝗮𝗺𝗽𝗶𝗲𝗿𝗶 https://www.patreon.com/posts/handel-poro-hwv-159137101?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗗𝗼𝗿𝗼𝘁𝗮 𝗦𝘇𝗰𝘇𝗲𝗽𝗮𝗻́𝘀𝗸𝗮, 𝘀𝗼𝗽𝗿𝗮𝗻𝗼 —…

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗔𝗡𝗗𝗘𝗟 (1685–1759) - 𝗧𝗮𝗺𝗲𝗿𝗹𝗮𝗻𝗼 dramma per musica in 3 acts, HWV 18 - London, 1724 Libretto: Nicola Francesco Haym, after Agostino Piovene https://www.patreon.com/posts/handel-tamerlano-158804881?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗠𝗮𝗿𝗶 𝗘𝗿𝗶𝗸𝘀𝗺𝗼𝗲𝗻, soprano — Asteria 𝗞𝗿𝗶𝘀𝘁𝗶𝗻𝗮 𝗛𝗮𝗺𝗺𝗮𝗿𝘀𝘁𝗿𝗼̈𝗺, mezzo-soprano —…

𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗚𝗘𝗢𝗥𝗚𝗘 𝗙𝗥𝗜𝗗𝗘𝗥𝗜𝗖 𝗛𝗔𝗡𝗗𝗘𝗟 — 𝗔 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗡𝗔𝗥𝗥𝗔𝗧𝗜𝗩𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟱𝟴–𝟭𝟳𝟱𝟵: 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗲𝘅𝗵𝗮𝘂𝘀𝘁𝗶𝗼𝗻, 𝗳𝗮𝗶𝘁𝗵, 𝗽𝘂𝗯𝗹𝗶𝗰 𝗿𝗲𝘃𝗲𝗿𝗲𝗻𝗰𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝘀𝗶𝗹𝗲𝗻𝗰𝗲 𝗼𝗳 𝗮 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗺𝗼𝗻𝘂𝗺𝗲𝗻𝘁 𝗜. 𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟱𝟴–𝟭𝟳𝟱𝟵 — 𝗔 𝗖𝗲𝗹𝗲𝗯𝗿𝗮𝘁𝗲𝗱 𝗠𝗮𝗻 𝗜𝗻…

𝗛𝗔𝗡𝗗𝗘𝗟’𝗦 𝗙𝗨𝗡𝗘𝗥𝗔𝗟 𝗔𝗧 𝗪𝗘𝗦𝗧𝗠𝗜𝗡𝗦𝗧𝗘𝗥 𝗔𝗕𝗕𝗘𝗬 — 𝗔 𝗙𝗨𝗟𝗟 𝗡𝗔𝗥𝗥𝗔𝗧𝗜𝗩𝗘 𝗟𝗼𝗻𝗱𝗼𝗻, 𝗔𝗽𝗿𝗶𝗹 𝟭𝟳𝟱𝟵: 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗿𝗲𝘃𝗲𝗿𝗲𝗻𝗰𝗲, 𝗪𝗲𝘀𝘁𝗺𝗶𝗻𝘀𝘁𝗲𝗿, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗯𝗶𝗿𝘁𝗵 𝗼𝗳 𝗮 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗺𝗲𝗺𝗼𝗿𝘆 𝗜. 𝗟𝗼𝗻𝗱𝗼𝗻 𝗔𝗳𝘁𝗲𝗿 𝗛𝗮𝗻𝗱𝗲𝗹’𝘀 𝗗𝗲𝗮𝘁𝗵 When 𝗚𝗲𝗼𝗿𝗴 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗮𝗻𝗱𝗲𝗹 died in…

𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗜𝗟𝗟𝗡𝗘𝗦𝗦𝗘𝗦 𝗢𝗙 𝗕𝗔𝗖𝗛 𝗩𝗦. 𝗛𝗔𝗡𝗗𝗘𝗟 — 𝗔 𝗖𝗢𝗠𝗣𝗔𝗥𝗔𝗧𝗜𝗩𝗘 𝗡𝗔𝗥𝗥𝗔𝗧𝗜𝗩𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 𝗧𝘄𝗼 𝗴𝗶𝗮𝗻𝘁𝘀 𝗼𝗳 𝟭𝟳𝟴𝟱, 𝘁𝘄𝗼 𝗰𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗶𝗰 𝗱𝗲𝗰𝗹𝗶𝗻𝗲𝘀, 𝗼𝗻𝗲 𝗶𝗻𝗳𝗮𝗺𝗼𝘂𝘀 𝗼𝗰𝘂𝗹𝗶𝘀𝘁, 𝗮𝗻𝗱 𝘁𝘄𝗼 𝘃𝗲𝗿𝘆 𝗱𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝘁 𝘄𝗮𝘆𝘀 𝗼𝗳 𝗱𝘆𝗶𝗻𝗴 𝗜. 𝗧𝘄𝗼 𝗠𝗲𝗻 𝗕𝗼𝗿𝗻 𝗶𝗻…

𝗛𝗮𝗻𝗱𝗲𝗹 𝗮𝗻𝗱 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗦𝗰𝗮𝗿𝗹𝗮𝘁𝘁𝗶 𝗜𝘁𝗮𝗹𝘆 𝗮𝘀 𝗮 𝗦𝗰𝗵𝗼𝗼𝗹 𝗼𝗳 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗗𝗿𝗮𝗺𝗮 The encounter between 𝗚𝗲𝗼𝗿𝗴 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗮𝗻𝗱𝗲𝗹 and 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗦𝗰𝗮𝗿𝗹𝗮𝘁𝘁𝗶 belongs to one of the most formative episodes in early eighteenth-century music. It was…

𝗖𝗵𝗼𝗽𝗶𝗻 𝗮𝗻𝗱 𝗟𝗶𝘀𝘇𝘁 𝗧𝘄𝗼 𝗢𝗽𝗽𝗼𝘀𝗶𝘁𝗲 𝗠𝗼𝗱𝗲𝗹𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰 𝗣𝗶𝗮𝗻𝗼 When 𝗙𝗿é𝗱é𝗿𝗶𝗰 𝗖𝗵𝗼𝗽𝗶𝗻 arrived in Paris in 𝟭𝟴𝟯𝟭, he entered a city that had become the most brilliant musical capital of Europe. Paris was…

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗔𝗡𝗗𝗘𝗟 – 𝗝𝗲𝗽𝗵𝘁𝗵𝗮 – 𝗡𝗲𝘃𝗶𝗹𝗹𝗲 𝗠𝗮𝗿𝗿𝗶𝗻𝗲𝗿 (𝗗𝗲𝗰𝗰𝗮) 𝗔 𝗙𝗮𝗯𝘂𝗹𝗼𝘂𝘀 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴 https://www.patreon.com/posts/handel-jephtha-144574327?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗔𝗡𝗗𝗘𝗟 (𝟭𝟲𝟴𝟱–𝟭𝟳𝟱𝟵) – 𝗙𝗹𝗮𝘃𝗶𝗼, 𝗿𝗲 𝗱𝗲’ 𝗟𝗼𝗻𝗴𝗼𝗯𝗮𝗿𝗱𝗶 – 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻 𝟯 𝗮𝗰𝘁𝘀 (𝗟𝗼𝗻𝗱𝗼𝗻, 𝟭𝟳𝟮𝟯) (𝗛𝗪𝗩 𝟭𝟲) - 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗡𝗶𝗰𝗼𝗹𝗮 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗛𝗮𝘆𝗺 - 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗞ö𝗹𝗻 – 𝗕𝗲𝗻𝗷𝗮𝗺𝗶𝗻 𝗕𝗮𝘆𝗹 https://www.patreon.com/posts/george-frideric-144597458?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗝𝘂𝗹𝗶𝗮 𝗟𝗲𝘇𝗵𝗻𝗲𝘃𝗮, soprano (Emilia)…

𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝗛𝗮𝗻𝗱𝗲𝗹’𝘀 𝗠𝗲𝘀𝘀𝗶𝗮𝗵 𝗧𝗵𝗲 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗠𝗼𝘇𝗮𝗿𝘁’𝘀 𝗥𝗲-𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻: 𝗠𝗼𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻, 𝗖𝗼𝗺𝗺𝗶𝘀𝘀𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗛𝗮𝗻𝗱𝗲𝗹'𝘀 𝗠𝗲𝘀𝘀𝗶𝗮𝗵 𝗮𝗿𝗿𝗮𝗻𝗴𝗲𝗱 𝗯𝘆 𝗪.𝗔. 𝗠𝗼𝘇𝗮𝗿𝘁 - 𝗢𝗥𝗙 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗮𝗻𝗱 𝗖𝗵𝗼𝗿𝘂𝘀 — 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗠𝗮𝗰𝗸𝗲𝗿𝗿𝗮𝘀 - 𝗘𝗱𝗶𝘁𝗵 𝗠𝗮𝘁𝗵𝗶𝘀, 𝗕𝗶𝗿𝗴𝗶𝘁 𝗙𝗶𝗻𝗻𝗶𝗹𝗮,…

𝗟𝗼𝘂𝗶𝘀 𝗜𝗜 𝗮𝗻𝗱 𝗪𝗮𝗴𝗻𝗲𝗿: 𝗧𝗵𝗲 𝗔𝗳𝗳𝗮𝗶𝗿 𝗼𝗳 𝘁𝗵𝗲 𝗣𝗼𝗿𝘁𝗿𝗮𝗶𝘁 𝗔𝘂𝗴𝘂𝘀𝘁 𝗙𝗿𝗶𝗲𝗱𝗿𝗶𝗰𝗵 𝗣𝗲𝗰𝗵𝘁, oil on canvas, 131.4 x 117.5 cm, Metropolitan Museum of Art, donated by Frederick Loeser in 1889. This portrait was painted by…

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗮𝗻𝗱𝗲𝗹 𝗮𝗻𝗱 𝗞𝗶𝗻𝗴 𝗚𝗲𝗼𝗿𝗴𝗲 𝗜. 𝗙𝗿𝗼𝗺 𝗮 𝗽𝗮𝗶𝗻𝘁𝗶𝗻𝗴 𝗯𝘆 𝗘́𝗱𝗼𝘂𝗮𝗿𝗱 𝗝𝗲𝗮𝗻 𝗖𝗼𝗻𝗿𝗮𝗱 𝗛𝗮𝗺𝗺𝗮𝗻.