Posts / Photos

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟵 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻: 𝗦𝗵𝗮𝗸𝗲𝘀𝗽𝗲𝗮𝗿𝗲 𝗕𝗲𝗰𝗼𝗺𝗲𝘀 𝗟𝗼𝘃𝗲 𝗔𝗻 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗖𝗼𝗺𝗽𝗮𝗻𝘆 𝗖𝗼𝗻𝗾𝘂𝗲𝗿𝘀 𝗣𝗮𝗿𝗶𝘀 — 𝗔𝘂𝘁𝘂𝗺𝗻 𝟭𝟴𝟮𝟳 By the time the English actors arrived in Paris, 𝗛𝗲𝗰𝘁𝗼𝗿…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟳 𝗪𝗮𝗴𝗻𝗲𝗿’𝘀 𝗖𝘆𝗺𝗯𝗮𝗹 𝗖𝗿𝗮𝘀𝗵 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗥𝗲𝘃𝗼𝗹𝘂𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in Vienna, he entered not only a great musical capital but also a city divided…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟲 𝗧𝗵𝗲 𝗙𝗶𝗳𝘁𝗲𝗲𝗻-𝗬𝗲𝗮𝗿-𝗢𝗹𝗱 𝗶𝗻 𝗩𝗶𝗲𝗻𝗻𝗮 𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗖𝗮𝗽𝗶𝘁𝗮𝗹 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in 𝗩𝗶𝗲𝗻𝗻𝗮 in 𝟭𝟴𝟳𝟱, he was only fifteen years old, but he had already…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟯 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗼𝘂𝗻𝗱𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝗧𝗵𝗲 𝗙𝗹𝗮𝗴𝗲𝗼𝗹𝗲𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗗𝗿𝗮𝘄𝗲𝗿 — 𝗖𝗶𝗿𝗰𝗮 𝟭𝟴𝟭𝟱–𝟭𝟴𝟭𝟲 In the memory of 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, love and music seemed…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟮 𝗘𝘀𝘁𝗲𝗹𝗹𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝗶𝗻𝗸 𝗦𝗹𝗶𝗽𝗽𝗲𝗿𝘀: 𝗧𝗵𝗲 𝗟𝗼𝘃𝗲 𝗧𝗵𝗮𝘁 𝗡𝗲𝘃𝗲𝗿 𝗗𝗶𝗲𝗱 𝗧𝗵𝗲 𝗦𝘂𝗺𝗺𝗲𝗿 𝗧𝗵𝗮𝘁 𝗖𝗵𝗮𝗻𝗴𝗲𝗱 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲 Long before music had entirely claimed him,…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟰 — 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦, 𝟭𝟴𝟰𝟱–𝟱𝟰 𝗧𝗛𝗘 𝗟𝗔𝗧𝗘 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗡𝗢𝗧 𝗔 𝗥𝗨𝗜𝗡, 𝗕𝗨𝗧 𝗔 𝗗𝗜𝗙𝗙𝗘𝗥𝗘𝗡𝗧 𝗪𝗢𝗥𝗟𝗗 The music Robert Schumann composed…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 — 𝗟𝗶𝘀𝘇𝘁: 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗮𝗻𝗱 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗣𝗼𝘀𝘁 𝟭𝟬 — 𝗪𝗲𝗶𝗺𝗮𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗔𝗹𝘁𝗲𝗻𝗯𝘂𝗿𝗴 The Weimar years were the great turning point of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁’𝘀 maturity. Until then,…

# 𝗥𝗨𝗗𝗢𝗟𝗙 𝗕𝗨𝗖𝗛𝗕𝗜𝗡𝗗𝗘𝗥 — 𝗠𝗬 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 ## 𝗟𝗶𝘃𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗠𝗮𝘀𝘁𝗲𝗿 **𝗠𝘆 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻: 𝗟𝗶𝘃𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗠𝗮𝘀𝘁𝗲𝗿** is neither a conventional biography of **𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻** nor a technical handbook devoted exclusively to piano…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗡𝗢𝗧𝗘𝗦 𝗔𝗥𝗘 𝗦𝗨𝗣𝗘𝗥𝗜𝗢𝗥 𝗧𝗢 𝗪𝗢𝗥𝗗𝗦 𝗧𝗮𝗹𝗸𝘀 𝗮𝗯𝗼𝘂𝘁 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰 𝗠𝘂𝘀𝗶𝗰 𝗟𝗶𝘃𝗲 𝗮𝗻𝗱 𝗥𝗲𝗮𝗱 𝗠𝘂𝘀𝗶𝗰! 𝗡𝗼𝘁𝗲𝘀 𝗔𝗿𝗲 𝗦𝘂𝗽𝗲𝗿𝗶𝗼𝗿 𝘁𝗼 𝗪𝗼𝗿𝗱𝘀 is both a meditation on nineteenth-century music and a passionate defence of interpretation…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗼𝗻𝗸𝗲𝘆’𝘀 𝗧𝗼𝗼𝗹𝘀 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝗮𝘀𝘁𝗲𝗿’𝘀 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝗛𝗲𝗮𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗢𝗻 𝗠𝘂𝘀𝗶𝗰** brings together the central ideas that made…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗪𝗘 𝗔𝗥𝗘 𝗔 𝗙𝗘𝗟𝗟𝗢𝗪𝗦𝗛𝗜𝗣 𝗢𝗙 𝗘𝗫𝗣𝗟𝗢𝗥𝗘𝗥𝗦 ## 𝗡𝗼𝘁𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗜𝗻𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝘂𝘀 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗪𝗲 𝗔𝗿𝗲 𝗮 𝗙𝗲𝗹𝗹𝗼𝘄𝘀𝗵𝗶𝗽 𝗼𝗳 𝗘𝘅𝗽𝗹𝗼𝗿𝗲𝗿𝘀** recounts the beginnings of a…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗗𝗜𝗔𝗟𝗢𝗚𝗨𝗘𝗦 ## 𝗖𝗢𝗟𝗟𝗘𝗖𝗧𝗘𝗗 𝗧𝗛𝗢𝗨𝗚𝗛𝗧𝗦 𝗢𝗡 𝗔 𝗚𝗥𝗘𝗔𝗧 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗙ü𝗿𝘀𝘁𝗮𝘂𝗲𝗿 **𝗧𝗵𝗲 𝗠𝗼𝘇𝗮𝗿𝘁 𝗗𝗶𝗮𝗹𝗼𝗴𝘂𝗲𝘀** is not a conventional biography of **𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁**, nor is it a…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Nikolaus Harnoncourt did not merely change the way Baroque and Classical music was performed. He transformed the modern understanding of what interpretation itself could mean. For him,…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 — 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗗𝗥𝗔𝗠𝗔𝗧𝗜𝗖 𝗪𝗢𝗥𝗞𝗦 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗪𝗛𝗢 𝗪𝗔𝗡𝗧𝗘𝗗 𝗧𝗛𝗘 𝗦𝗧𝗔𝗚𝗘 — 𝗔𝗡𝗗 𝗛𝗘𝗔𝗥𝗗 𝗜𝗧 𝗜𝗡𝗪𝗔𝗥𝗗𝗟𝗬 There was always something dramatic…

𝗥𝗜𝗖𝗖𝗔𝗥𝗗𝗢 𝗠𝗨𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Riccardo Muti is one of the defining conductors of the modern Italian tradition: a musician of rhythmic authority, textual discipline, theatrical instinct and uncompromising respect for the…

𝗦𝗘𝗥𝗚𝗜𝗨 𝗖𝗘𝗟𝗜𝗕𝗜𝗗𝗔𝗖𝗛𝗘 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sergiu Celibidache occupies a unique and paradoxical position in the history of recorded performance. Few major conductors distrusted recording technology more profoundly, yet few left behind such…

𝗦𝗜𝗥 𝗧𝗛𝗢𝗠𝗔𝗦 𝗕𝗘𝗘𝗖𝗛𝗔𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Thomas Beecham was one of the most charismatic, cultivated and immediately recognisable conductors of the twentieth century. His interpretations rarely depended upon severity, intellectual demonstration…

𝗖𝗔𝗥𝗟𝗢 𝗠𝗔𝗥𝗜𝗔 𝗚𝗜𝗨𝗟𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Carlo Maria Giulini possessed one of the most unmistakable conducting personalities of the twentieth century. His authority did not depend upon theatrical aggression, autocratic display or…

𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Hector Berlioz occupies a unique place in nineteenth-century music. He was neither a conventional symphonist in the Beethovenian tradition nor principally a composer of absolute music. His greatest creations…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗙𝗔𝗧𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗛𝗘𝗔𝗥𝗧 Pyotr Ilyich Tchaikovsky is often presented as the supreme composer of emotional immediacy: the creator of unforgettable melodies, tragic symphonies,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗛𝗔𝗬𝗗𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗥𝗔𝗡𝗦𝗙𝗢𝗥𝗠𝗘𝗗 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬, 𝗧𝗛𝗘 𝗤𝗨𝗔𝗥𝗧𝗘𝗧 𝗔𝗡𝗗 𝗦𝗔𝗖𝗥𝗘𝗗 𝗠𝗨𝗦𝗜𝗖 Joseph Haydn is often introduced through a series of familiar labels: “father of the symphony,” “father of…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜 — 𝗟𝗶𝘀𝘇𝘁: 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗮𝗻𝗱 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗣𝗼𝘀𝘁 𝟬𝟵 — 𝗣𝗮𝗴𝗮𝗻𝗶𝗻𝗶, 𝗖𝗵𝗼𝗽𝗶𝗻, 𝗮𝗻𝗱 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 In the making of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, three encounters were decisive. They did not merely…