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# 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 𝟭𝟵𝟲𝟬𝘀 - 𝗧𝗵𝗲 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝗗𝗚 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 - 𝗕𝗼𝘅 𝗦𝗲𝘁 𝟴𝟮𝗖𝗗𝘀 𝗖𝗗 𝟭 — 𝗦𝘁𝗿𝗮𝘂𝘀𝘀, 𝗥.: Ein Heldenleben Op. 40 𝗖𝗗 𝟮 — 𝗕𝗿𝗮𝗵𝗺𝘀: Hungarian Dances / 𝗗𝘃𝗼𝗿̌𝗮́𝗸: Slavonic Dances 𝗖𝗗 𝟯 —…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯 𝗧𝗵𝗲 𝗚𝗲𝗿𝗺𝗮𝗻 𝗥𝗲𝗾𝘂𝗶𝗲𝗺, 𝗕𝗿𝗲𝗺𝗲𝗻, 𝗩𝗶𝗲𝗻𝗻𝗮, 𝗦𝘁𝗼𝗰𝗸𝗵𝗮𝘂𝘀𝗲𝗻, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗖𝗵𝗼𝗶𝗰𝗲 𝗢𝗳 𝗩𝗶𝗲𝗻𝗻𝗮 𝟭𝟴𝟲𝟳–𝟭𝟴𝟲𝟵 Chapter 3 of Volume II — printed in…

𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐓𝐑𝐈𝐏𝐋𝐄 𝐂𝐎𝐍𝐂𝐄𝐑𝐓𝐎 — 𝐓𝐇𝐄 𝟏𝟗𝟔𝟗 𝐊𝐀𝐑𝐀𝐉𝐀𝐍, 𝐎𝐈𝐒𝐓𝐑𝐀𝐊𝐇, 𝐑𝐎𝐒𝐓𝐑𝐎𝐏𝐎𝐕𝐈𝐂𝐇 𝐀𝐍𝐃 𝐑𝐈𝐂𝐇𝐓𝐄𝐑 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆 Few classical recordings have ever assembled such an extraordinary concentration of musical personalities as the celebrated 𝟏𝟗𝟔𝟗 EMI recording of Beethoven’s Triple…

THE LAST DAYS OF FRYDERYK CHOPIN THE SLOW END AT PLACE VENDOME, WHO ACCOMPANIED HIM, AND HOW HE DIED ON 17 OCTOBER 1849 The final months of 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 were not marked by a…

𝐆𝐄𝐎𝐑𝐆𝐄 𝐒𝐀𝐍𝐃 𝐀𝐌𝐀𝐍𝐓𝐈𝐍𝐄-𝐀𝐔𝐑𝐎𝐑𝐄-𝐋𝐔𝐂𝐈𝐋𝐄 𝐃𝐔𝐏𝐈𝐍 — 𝐖𝐑𝐈𝐓𝐄𝐑, 𝐑𝐄𝐁𝐄𝐋, 𝐋𝐎𝐕𝐄𝐑, 𝐌𝐎𝐓𝐇𝐄𝐑 𝐀𝐍𝐃 𝐎𝐍𝐄 𝐎𝐅 𝐓𝐇𝐄 𝐆𝐑𝐄𝐀𝐓 𝐕𝐎𝐈𝐂𝐄𝐒 𝐎𝐅 𝐅𝐑𝐄𝐍𝐂𝐇 𝐑𝐎𝐌𝐀𝐍𝐓𝐈𝐂𝐈𝐒𝐌 Few figures in nineteenth-century French culture united so many apparently contradictory identities as 𝐆𝐞𝐨𝐫𝐠𝐞 𝐒𝐚𝐧𝐝. She…

𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐅𝐎𝐔𝐑𝐓𝐇 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘: 𝐓𝐇𝐄 𝐋𝐔𝐌𝐈𝐍𝐎𝐔𝐒 𝐖𝐎𝐑𝐊 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐓𝐖𝐎 𝐆𝐈𝐀𝐍𝐓𝐒 Symphony No. 4 in B-flat major, Op. 60, by 𝐋𝐮𝐝𝐰𝐢𝐠 𝐯𝐚𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧, occupies one of the most singular places among his nine symphonies.…

𝐌𝐎𝐙𝐀𝐑𝐓 — 𝟐𝟎 𝐆𝐑𝐄𝐀𝐓 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐍𝐎𝐒. 𝟒𝟎 𝐀𝐍𝐃 𝟒𝟏 Mozart’s final two symphonies invite radically different approaches. Symphony No. 40 in G minor, K. 550, thrives on tension, nervous energy and emotional…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟏 — 𝐓𝐇𝐄 “𝐉𝐔𝐏𝐈𝐓𝐄𝐑” 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐔𝐋𝐌𝐈𝐍𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐀𝐑𝐓 Mozart completed his 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟏 𝐢𝐧 𝐂 𝐦𝐚𝐣𝐨𝐫, 𝐊. 𝟓𝟓𝟏, on 10 August 1788. It was the last of…

𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐌𝐏𝐀𝐍𝐈𝐎𝐍 𝐀𝐍𝐃 𝐖𝐈𝐓𝐍𝐄𝐒𝐒 𝐓𝐎 𝐇𝐈𝐒 𝐏𝐀𝐑𝐈𝐒𝐈𝐀𝐍 𝐋𝐈𝐅𝐄 Jan Edward Matuszyński (1808–1842) was one of Frédéric Chopin’s closest and most trusted friends, a companion from his Warsaw youth who later…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

# **MENDELSSOHN’S MUSICAL INFLUENCE ON OTHER COMPOSERS** The influence of **Felix Mendelssohn (1809–1847)** was far deeper than is sometimes acknowledged. He did not create a clearly defined “school” in the manner of Wagner or…

𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗧𝗪𝗢 𝗣𝗜𝗔𝗡𝗢 𝗪𝗢𝗥𝗟𝗗𝗦 𝗧𝗛𝗔𝗧 𝗔𝗣𝗣𝗔𝗥𝗘𝗡𝗧𝗟𝗬 𝗡𝗘𝗩𝗘𝗥 𝗠𝗘𝗧 The relationship between 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 presents a striking historical paradox. They were almost exact contemporaries, internationally celebrated composers and pianists,…

𝗧𝗛𝗘 𝗦𝗔𝗜𝗡𝗧 𝗣𝗘𝗧𝗘𝗥𝗦𝗕𝗨𝗥𝗚 𝗖𝗢𝗡𝗦𝗘𝗥𝗩𝗔𝗧𝗢𝗥𝗬: 𝗧𝗛𝗘 𝗖𝗥𝗔𝗗𝗟𝗘 𝗢𝗙 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗚𝗘𝗡𝗜𝗨𝗦 The 𝗦𝗮𝗶𝗻𝘁 𝗣𝗲𝘁𝗲𝗿𝘀𝗯𝘂𝗿𝗴 𝗖𝗼𝗻𝘀𝗲𝗿𝘃𝗮𝘁𝗼𝗿𝘆 is one of the oldest, most prestigious and historically influential institutions of higher musical education in Russia. Together with the…

𝗪𝗛𝗘𝗡 𝗧𝗪𝗢 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗪𝗢𝗥𝗟𝗗𝗦 𝗔𝗟𝗠𝗢𝗦𝗧 𝗠𝗘𝗧: 𝗧𝗛𝗘 𝗨𝗡𝗦𝗢𝗟𝗩𝗘𝗗 𝗘𝗡𝗖𝗢𝗨𝗡𝗧𝗘𝗥𝗦 𝗢𝗙 𝗗𝗘𝗕𝗨𝗦𝗦𝗬 𝗔𝗡𝗗 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 The possibility that 𝗖𝗹𝗮𝘂𝗱𝗲 𝗗𝗲𝗯𝘂𝘀𝘀𝘆 and 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳, two of the most powerful and apparently contrasting musical personalities of their age,…

𝗦𝗖𝗥𝗜𝗔𝗕𝗜𝗡 𝗔𝗡𝗗 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙: 𝗧𝗪𝗢 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗚𝗘𝗡𝗜𝗨𝗦𝗘𝗦 𝗪𝗛𝗢𝗦𝗘 𝗣𝗔𝗧𝗛𝗦 𝗖𝗥𝗢𝗦𝗦𝗘𝗗 The relationship between Alexander Scriabin and Sergei Rachmaninoff has often been simplified into a picturesque opposition: the mystical revolutionary against the last great Romantic, the…