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𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟱 𝗟𝗶𝘀𝘇𝘁, 𝗣𝗮𝗴𝗮𝗻𝗶𝗻𝗶, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗛𝗲𝗿𝗼𝗶𝗰 𝗬𝗲𝗮𝗿𝘀 𝗧𝘄𝗼 𝗚𝗿𝗲𝗮𝘁 𝗩𝗶𝗿𝘁𝘂𝗼𝘀𝗶 𝗘𝗻𝘁𝗲𝗿 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲 — 𝟭𝟴𝟯𝟬–𝟭𝟴𝟯𝟯 Shortly before leaving Paris for Rome, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 received…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟰 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗮𝘁 𝗟𝗮𝘀𝘁: 𝗪𝗵𝗲𝗻 𝘁𝗵𝗲 𝗗𝗿𝗲𝗮𝗺 𝗕𝗲𝗰𝗮𝗺𝗲 𝗮 𝗠𝗮𝗿𝗿𝗶𝗮𝗴𝗲 𝗧𝗵𝗲 𝗡𝗶𝗴𝗵𝘁 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗙𝗶𝗻𝗮𝗹𝗹𝘆 𝗛𝗲𝗮𝗿𝗱 𝗛𝗲𝗿𝘀𝗲𝗹𝗳 𝗶𝗻 𝗛𝗶𝘀 𝗠𝘂𝘀𝗶𝗰 — 𝟵 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟴𝟯𝟮 When…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟭 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗼𝗳 𝗢𝗯𝘀𝗲𝘀𝘀𝗶𝗼𝗻: 𝗙𝗿𝗼𝗺 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗙𝗮𝗻𝘁𝗮𝘀𝘁𝗶𝗾𝘂𝗲 𝗧𝗵𝗲 𝗪𝗼𝗺𝗮𝗻 𝗪𝗵𝗼 𝗛𝗮𝗱 𝗕𝗲𝗰𝗼𝗺𝗲 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗩𝗶𝘀𝗶𝗼𝗻 — 𝟭𝟴𝟮𝟳–𝟭𝟴𝟮𝟵 After seeing 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟵 — 𝗕𝘂𝘀𝗼𝗻𝗶, 𝗦𝗺𝗲𝘁𝗮𝗻𝗮, 𝗥𝗶𝗺𝘀𝗸𝘆-𝗞𝗼𝗿𝘀𝗮𝗸𝗼𝗳𝗳: 𝗧𝗵𝗲 𝗟𝗶𝘀𝘇𝘁𝗶𝗮𝗻 𝗔𝗳𝘁𝗲𝗿𝗹𝗶𝗳𝗲 The afterlife of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 did not begin after his death in 𝟭𝟴𝟴𝟲.…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟮𝟬 𝗧𝗵𝗲 𝗧𝗲𝗻-𝗡𝗼𝘁𝗲 𝗖𝗵𝗼𝗿𝗱 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸, 𝗔𝗹𝗺𝗮, 𝗪𝗮𝗹𝘁𝗲𝗿 𝗚𝗿𝗼𝗽𝗶𝘂𝘀, 𝗙𝗿𝗲𝘂𝗱, 𝘁𝗵𝗲 𝗨𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗧𝗲𝗻𝘁𝗵, 𝗮𝗻𝗱 𝗠𝗮𝗵𝗹𝗲𝗿’𝘀 𝗟𝗮𝘀𝘁 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in 𝗡𝗲𝘄…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟴 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗧𝗲𝗮𝗰𝗵𝗲𝗿, 𝟭𝟴𝟲𝟵–𝟭𝟴𝟴𝟲 There is a final image of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 that is as important as the young…

𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟱 — 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗣𝗼𝗲𝗺, 𝘁𝗵𝗲 𝗙𝗮𝘂𝘀𝘁 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗗𝗮𝗻𝘁𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 The question of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 cannot be answered only from the piano. The piano…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟰 𝗧𝗵𝗲 𝗣𝗿𝗶𝗰𝗲 𝗼𝗳 𝗩𝗶𝗲𝗻𝗻𝗮 𝗧𝗵𝗲 𝗙𝗮𝗶𝘁𝗵 𝗛𝗲 𝗔𝗰𝗰𝗲𝗽𝘁𝗲𝗱, 𝘁𝗵𝗲 𝗕𝗮𝗿𝗿𝗶𝗲𝗿𝘀 𝗛𝗲 𝗖𝗿𝗼𝘀𝘀𝗲𝗱, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗢𝗽𝗲𝗿𝗮 𝗛𝗲 𝗖𝗮𝗺𝗲 𝘁𝗼 𝗥𝘂𝗹𝗲 By the beginning of 𝟭𝟴𝟵𝟳, 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟮 𝗕𝘂𝗱𝗮𝗽𝗲𝘀𝘁: 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗕𝗮𝘁𝘁𝗹𝗲 𝗔 𝗬𝗼𝘂𝗻𝗴 𝗢𝘂𝘁𝘀𝗶𝗱𝗲𝗿 𝗧𝗮𝗸𝗲𝘀 𝗖𝗼𝗺𝗺𝗮𝗻𝗱 — 𝟭𝟴𝟴𝟴 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 accepted the direction of the 𝗛𝘂𝗻𝗴𝗮𝗿𝗶𝗮𝗻 𝗥𝗼𝘆𝗮𝗹 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻 𝗕𝘂𝗱𝗮𝗽𝗲𝘀𝘁 in…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟭 — 𝗟𝗶𝘀𝘇𝘁 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗢𝘁𝗵𝗲𝗿 𝗘𝘆𝗲𝘀 To understand 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, it is not enough to study dates, compositions, concerts, pupils, cities,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟬 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿: 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗤𝘂𝗲𝘀𝘁𝗶𝗼𝗻 The central question surrounding 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 as a composer has always been difficult, almost uncomfortable:…

𝗪𝗔𝗚𝗡𝗘𝗥 𝗔𝗡𝗗 𝗕𝗘𝗥𝗟𝗜𝗢𝗭: 𝗔𝗗𝗠𝗜𝗥𝗔𝗧𝗜𝗢𝗡, 𝗥𝗜𝗩𝗔𝗟𝗥𝗬 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗕𝗔𝗧𝗧𝗟𝗘 𝗙𝗢𝗥 𝗧𝗛𝗘 𝗙𝗨𝗧𝗨𝗥𝗘 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖 The relationship between 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 and 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗪𝗮𝗴𝗻𝗲𝗿 was one of the most fascinating—and most frequently misunderstood—encounters in nineteenth-century music. They…

𝗝𝗨𝗟𝗜𝗔 𝗙𝗜𝗦𝗖𝗛𝗘𝗥: 𝗧𝗛𝗘 𝗩𝗜𝗢𝗟𝗜𝗡𝗜𝗦𝗧 𝗪𝗛𝗢 𝗡𝗘𝗩𝗘𝗥 𝗔𝗕𝗔𝗡𝗗𝗢𝗡𝗘𝗗 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗝𝘂𝗹𝗶𝗮 𝗙𝗶𝘀𝗰𝗵𝗲𝗿 is best known as one of the outstanding violinists of her generation, but her musical identity has never been limited to a single…

𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗪𝗔𝗚𝗡𝗘𝗥 𝗖𝗛𝗢𝗦𝗘: 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥’𝗦 𝗧𝗛𝗜𝗥𝗗, 𝗧𝗛𝗘 𝗕𝗔𝗬𝗥𝗘𝗨𝗧𝗛 𝗩𝗜𝗦𝗜𝗧, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 “𝗪𝗔𝗚𝗡𝗘𝗥 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬” 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿: 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟯 𝗶𝗻 𝗗 𝗠𝗶𝗻𝗼𝗿, 𝗪𝗔𝗕 𝟭𝟬𝟯 — 𝗙𝗶𝗿𝘀𝘁 𝗩𝗲𝗿𝘀𝗶𝗼𝗻 (𝟭𝟴𝟳𝟯) — 𝗚𝗲𝗻𝗻𝗮𝗱𝘆 𝗥𝗼𝘇𝗵𝗱𝗲𝘀𝘁𝘃𝗲𝗻𝘀𝗸𝘆 — 𝗥𝗲𝗰.…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟵 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻: 𝗦𝗵𝗮𝗸𝗲𝘀𝗽𝗲𝗮𝗿𝗲 𝗕𝗲𝗰𝗼𝗺𝗲𝘀 𝗟𝗼𝘃𝗲 𝗔𝗻 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗖𝗼𝗺𝗽𝗮𝗻𝘆 𝗖𝗼𝗻𝗾𝘂𝗲𝗿𝘀 𝗣𝗮𝗿𝗶𝘀 — 𝗔𝘂𝘁𝘂𝗺𝗻 𝟭𝟴𝟮𝟳 By the time the English actors arrived in Paris, 𝗛𝗲𝗰𝘁𝗼𝗿…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟱 𝗧𝗵𝗲 𝗡𝗶𝗴𝗵𝘁 𝘁𝗵𝗲 𝗢𝗽𝗲𝗿𝗮 𝗖𝗵𝗮𝗻𝗴𝗲𝗱 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲 𝗔 𝗠𝗲𝗱𝗶𝗰𝗮𝗹 𝗦𝘁𝘂𝗱𝗲𝗻𝘁 𝗔𝗺𝗼𝗻𝗴 𝗧𝘄𝗼 𝗪𝗼𝗿𝗹𝗱𝘀 — 𝟭𝟴𝟮𝟮 When 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 arrived in Paris in 𝟭𝟴𝟮𝟮,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗩 — 𝗔𝘁 𝗥𝗼𝗺𝗲, 𝗪𝗲𝗶𝗺𝗮𝗿, 𝗕𝘂𝗱𝗮𝗽𝗲𝘀𝘁 𝗣𝗼𝘀𝘁 𝟭𝟴 — 𝗪𝗲𝗶𝗺𝗮𝗿: 𝗧𝗵𝗲 𝗧𝗲𝗮𝗰𝗵𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝗰𝗵𝗼𝗼𝗹 After 𝗥𝗼𝗺𝗲, with its cloisters, sacred manuscripts, Catholic ceremonies, and inward religious light,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟲 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜𝗜 — 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝗻𝗱 𝗢𝘁𝗵𝗲𝗿 𝗣𝗶𝗮𝗻𝗼 𝗣𝗶𝗲𝗰𝗲𝘀 𝟯.𝟭. 𝗧𝗵𝗲 𝗕-𝗠𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮 𝗮𝘀 𝗮 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁 In this chapter, 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 approaches 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁’𝘀 𝗕-𝗺𝗶𝗻𝗼𝗿 𝗦𝗼𝗻𝗮𝘁𝗮…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟳 𝗪𝗮𝗴𝗻𝗲𝗿’𝘀 𝗖𝘆𝗺𝗯𝗮𝗹 𝗖𝗿𝗮𝘀𝗵 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗥𝗲𝘃𝗼𝗹𝘂𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in Vienna, he entered not only a great musical capital but also a city divided…

𝗝𝗔𝗠𝗘𝗦 𝗟𝗘𝗩𝗜𝗡𝗘 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 James Levine left one of the largest and most varied recorded legacies of any American conductor. His discography encompasses Mozart, Verdi, Wagner, Puccini, Berlioz, Mahler, Brahms, Schumann,…

𝗝𝗔𝗦𝗖𝗛𝗔 𝗛𝗢𝗥𝗘𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Jascha Horenstein belonged to a generation of conductors for whom interpretation was founded upon structural understanding, stylistic responsibility and absolute concentration rather than theatrical personality. His performances…

𝗡𝗜𝗞𝗢𝗟𝗔𝗜 𝗥𝗜𝗠𝗦𝗞𝗬-𝗞𝗢𝗥𝗦𝗔𝗞𝗢𝗩’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Nikolai Rimsky-Korsakov is frequently described as a supreme orchestrator, as though colour were the principal—or even the only—reason for his enduring importance. The description is accurate but incomplete. His…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…

𝗙𝗥𝗔𝗡𝗭 𝗟𝗜𝗦𝗭𝗧’𝗦 𝗙𝗜𝗙𝗧𝗘𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Franz Liszt’s reputation has often been distorted by two opposing myths. To some listeners, he remains primarily the supreme nineteenth-century virtuoso: the dazzling showman who transformed the piano into…