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𝗔𝗡𝗧𝗔𝗟 𝗗𝗢𝗥𝗔́𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Antal Doráti was one of the most versatile and industrious conductors of the twentieth century, but mere productivity does not explain his importance. His finest recordings reveal…

𝗦𝗜𝗥 𝗖𝗢𝗟𝗜𝗡 𝗗𝗔𝗩𝗜𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Colin Davis was one of the most cultivated, humane and intellectually independent conductors of the second half of the twentieth century. He never cultivated the…

𝗪𝗢𝗟𝗙𝗚𝗔𝗡𝗚 𝗦𝗔𝗪𝗔𝗟𝗟𝗜𝗦𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wolfgang Sawallisch represented one of the last great manifestations of the traditional German Kapellmeister: a conductor whose authority was founded not upon personal exhibitionism, but upon complete…

𝗘𝗨𝗚𝗘𝗡 𝗝𝗢𝗖𝗛𝗨𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugen Jochum is remembered above all as one of the supreme Bruckner conductors of the twentieth century, but that description captures only part of his achievement. His…

𝗕𝗘𝗥𝗡𝗔𝗥𝗗 𝗛𝗔𝗜𝗧𝗜𝗡𝗞 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Bernard Haitink’s greatness was rarely proclaimed through theatrical gestures, violent tempo manipulation or the deliberate imposition of a conductor’s personality upon the score. His authority emerged gradually,…

𝗦𝗘𝗜𝗝𝗜 𝗢𝗭𝗔𝗪𝗔 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Seiji Ozawa was one of the most internationally influential conductors of the post-war era. His art united rhythmic precision, luminous orchestral colour, exceptional transparency and an instinctive…

𝗛𝗢𝗟𝗦𝗧 — 𝗧𝗛𝗘 𝗣𝗟𝗔𝗡𝗘𝗧𝗦 𝗧𝗛𝗘 𝟮𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 No ranking of The Planets can be entirely objective. Some recordings stand out for their historical authority, others for the violence of Mars, the spirituality of…

𝗕𝗘𝗥𝗟𝗜𝗢𝗭 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗘 𝗙𝗔𝗡𝗧𝗔𝗦𝗧𝗜𝗤𝗨𝗘 Berlioz’s Symphonie fantastique requires far more than orchestral brilliance. A truly great interpretation must reconcile two apparently opposing qualities: the extravagant narrative of hallucination,…

𝗖𝗟𝗔𝗨𝗗𝗜𝗢 𝗔𝗕𝗕𝗔𝗗𝗢 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Claudio Abbado’s finest recordings reveal a conductor whose authority rarely depended upon weight, domination or theatrical self-display. His interpretations were founded upon listening, transparency, rhythmic flexibility, instrumental…

𝗞𝗔𝗥𝗟 𝗕𝗢̈𝗛𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Karl Böhm’s reputation rests above all upon Mozart, Richard Strauss, Wagner, Schubert and Bruckner. He was neither a cultivator of orchestral glamour in the Karajan manner nor…

𝗧𝗵𝗲 𝗖𝗵𝗶𝗲𝗳 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗴𝗲𝗯𝗼𝘂𝘄 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗙𝗿𝗼𝗺 𝗪𝗶𝗹𝗹𝗲𝗺 𝗞𝗲𝘀 𝘁𝗼 𝗞𝗹𝗮𝘂𝘀 𝗠𝗮̈𝗸𝗲𝗹𝗮̈: 𝗔 𝗖𝗵𝗿𝗼𝗻𝗶𝗰𝗹𝗲 𝗼𝗳 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺’𝘀 𝗚𝗿𝗲𝗮𝘁 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝗹 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 Few orchestras in the world have constructed their identity through so small and so…

𝟮𝟬 𝗥𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 𝗼𝗳 𝗦𝗶𝗯𝗲𝗹𝗶𝘂𝘀’𝘀 𝗩𝗶𝗼𝗹𝗶𝗻 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝟭. 𝗝𝗮𝘀𝗰𝗵𝗮 𝗛𝗲𝗶𝗳𝗲𝘁𝘇 — Chicago Symphony Orchestra — Walter Hendl — 𝗥𝗖𝗔 / 𝗥𝗖𝗔 𝗟𝗶𝘃𝗶𝗻𝗴 𝗦𝘁𝗲𝗿𝗲𝗼. Probably the most legendary account: incandescent, fast, sharply etched, and almost…

𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗣𝗜𝗔𝗡𝗢 𝗖𝗢𝗡𝗖𝗘𝗥𝗧𝗢 𝗡𝗢. 𝟭 𝗜𝗡 𝗗 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟭𝟱 𝟰𝟬 𝗱𝗶𝘀𝘁𝗶𝗻𝗴𝘂𝗶𝘀𝗵𝗲𝗱 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀, 𝘄𝗶𝘁𝗵 𝗽𝗶𝗮𝗻𝗶𝘀𝘁, 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿, 𝗹𝗮𝗯𝗲𝗹, 𝗮𝗻𝗱 𝗯𝗿𝗶𝗲𝗳 𝗰𝗼𝗺𝗺𝗲𝗻𝘁 The following list is 𝗻𝗼𝘁 𝗮 𝗿𝗶𝗴𝗶𝗱 𝗿𝗮𝗻𝗸𝗶𝗻𝗴, but a broad discographic…

𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆’𝘀 𝗩𝗶𝗼𝗹𝗶𝗻 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼: 𝟮𝟬 𝗥𝗲𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 𝟭. 𝗝𝗮𝘀𝗰𝗵𝗮 𝗛𝗲𝗶𝗳𝗲𝘁𝘇 — 𝗙𝗿𝗶𝘁𝘇 𝗥𝗲𝗶𝗻𝗲𝗿, 𝗖𝗵𝗶𝗰𝗮𝗴𝗼 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 — 𝗥𝗖𝗔 / 𝗥𝗖𝗔 𝗟𝗶𝘃𝗶𝗻𝗴 𝗦𝘁𝗲𝗿𝗲𝗼. A legendary version: fast, dazzling, aristocratic, almost terrifying in its technical command. 𝟮.…

𝗔𝗹𝗳𝗿𝗲𝗱 𝗕𝗿𝗲𝗻𝗱𝗲𝗹 𝗧𝗵𝗲 𝗧𝗵𝗶𝗻𝗸𝗶𝗻𝗴 𝗣𝗶𝗮𝗻𝗶𝘀𝘁: 𝗟𝗶𝗳𝗲, 𝗔𝗿𝘁, 𝗥𝗲𝗽𝗲𝗿𝘁𝗼𝗿𝘆, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀, 𝗮𝗻𝗱 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀 Alfred Brendel occupies a singular place in the history of twentieth-century pianism. He was not the glamorous prodigy, not the thunderous virtuoso, not…

# **The Legend of Gustav Leonhardt - Box Set 15CDs ** **CD 1** **Bach, J S**: Geschwinde, geschwinde, ihr wirbelnden Winde Cantata, BWV 201 Monika Frimmer (soprano), Max van Egmond (bass), David Wilson-Johnson (bass),…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 — 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟵 𝗜𝗡 𝗗 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟭𝟮𝟱 “𝗖𝗛𝗢𝗥𝗔𝗟” 𝗧𝗵𝗶𝗿𝘁𝘆-𝘀𝗶𝘅 𝗲𝘀𝘀𝗲𝗻𝘁𝗶𝗮𝗹 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 — 𝗯𝗿𝗶𝗲𝗳 𝗮𝗻𝗻𝗼𝘁𝗮𝘁𝗲𝗱 𝗹𝗶𝘀𝘁 𝟭. 𝗪𝗶𝗹𝗵𝗲𝗹𝗺 𝗙𝘂𝗿𝘁𝘄ä𝗻𝗴𝗹𝗲𝗿 — 𝟭𝟵𝟱𝟭 — 𝗘𝗠𝗜 / 𝗪𝗮𝗿𝗻𝗲𝗿 Orchestra: Bayreuth Festival Orchestra. Soloists: Elisabeth Schwarzkopf,…

𝗖𝗹𝗮𝗿𝗮 𝗛𝗮𝘀𝗸𝗶𝗹 – 𝗔 𝗟𝗶𝗳𝗲 𝗶𝗻 𝟮𝟬 𝗖𝗵𝗮𝗽𝘁𝗲𝗿𝘀 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟭 – 𝗖𝗵𝗶𝗹𝗱𝗵𝗼𝗼𝗱 𝗶𝗻 𝗕𝘂𝗰𝗵𝗮𝗿𝗲𝘀𝘁 (𝟭𝟴𝟵𝟱–𝟭𝟵𝟬𝟱) Clara Haskil was born on January 7, 1895, in Bucharest, Romania, into a Sephardic Jewish family of modest means.…

𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 - 𝗣𝗶𝗮𝗻𝗼 𝗰𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼 𝟭 𝗢𝗽. 𝟮𝟯 - 𝗠𝗮𝗿𝘁𝗵𝗮 𝗔𝗿𝗴𝗲𝗿𝗶𝗰𝗵 - 𝗞𝗶𝗿𝗶𝗹𝗹 𝗞𝗼𝗻𝗱𝗿𝗮𝘀𝗵𝗶𝗻 - 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗲 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗲𝗿 𝗱𝗲𝘀 𝗕𝗮𝘆𝗲𝗿𝗶𝘀𝗰𝗵𝗲𝗻 𝗥𝘂𝗻𝗱𝗳𝘂𝗻𝗸𝘀 https://www.youtube.com/watch?v=FCWH-xbLImc 𝗟𝗶𝘃𝗲 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴 – 𝟭𝟵𝟳𝟭, 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺 (𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗴𝗲𝗯𝗼𝘂𝘄) 𝗜. 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗦𝗶𝗴𝗻𝗶𝗳𝗶𝗰𝗮𝗻𝗰𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗪𝗼𝗿𝗸 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆'𝘀…

𝐌𝐚𝐡𝐥𝐞𝐫 – 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 𝟏 𝐭𝐨 𝟏𝟎 – 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐚𝐢𝐭𝐢𝐧𝐤 – 𝐋𝐏 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 https://www.patreon.com/posts/mahler-1-to-10-137376934?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐚𝐢𝐭𝐢𝐧𝐤 𝐢𝐧 𝐌𝐚𝐡𝐥𝐞𝐫: 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Bernard Haitink’s Mahler is one of the central recorded monuments in the…

𝗔𝗟𝗙𝗥𝗘𝗗 𝗕𝗥𝗘𝗡𝗗𝗘𝗟 — 𝗥𝗘𝗣𝗘𝗥𝗧𝗢𝗜𝗥𝗘 𝗔𝗡𝗗 𝗙𝗔𝗩𝗢𝗨𝗥𝗜𝗧𝗘 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Alfred Brendel (1931–2025) built one of the most distinctive artistic identities in pianism. His repertoire was selective, intellectually coherent, and centred on the Austro-German tradition, with carefully…

𝐀𝐑𝐂𝐀𝐍𝐆𝐄𝐋𝐎 𝐂𝐎𝐑𝐄𝐋𝐋𝐈 — 𝐓𝐇𝐄 𝐈𝐍𝐒𝐂𝐑𝐈𝐏𝐓𝐈𝐎𝐍 𝐎𝐍 𝐇𝐈𝐒 𝐓𝐎𝐌𝐁 The inscription is written in formal **Latin**, with the characteristic use of **V for U** and numerous abbreviations. Corelli received the exceptional honour of burial in…

𝗖𝗟𝗘𝗢𝗙𝗜𝗗𝗔 — 𝗪𝗛𝗘𝗡 𝗧𝗘𝗟𝗘𝗠𝗔𝗡𝗡 𝗧𝗥𝗔𝗡𝗦𝗙𝗢𝗥𝗠𝗘𝗗 𝗔 𝗛𝗔𝗡𝗗𝗘𝗟 𝗢𝗣𝗘𝗥𝗔 𝗙𝗢𝗥 𝗛𝗔𝗠𝗕𝗨𝗥𝗚 https://www.patreon.com/ClassicMusicComposersGroup/posts/handel-telemann-163510678?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link The recording entitled 𝗛𝗮𝗻𝗱𝗲𝗹 & 𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻: 𝗖𝗹𝗲𝗼𝗳𝗶𝗱𝗮 does not present an opera jointly composed in the conventional sense. It reconstructs a fascinating historical…

𝗖𝗔𝗥𝗟 𝗦𝗧𝗔𝗠𝗜𝗧𝗭: 𝗧𝗛𝗘 𝗧𝗥𝗔𝗩𝗘𝗟𝗟𝗜𝗡𝗚 𝗩𝗜𝗥𝗧𝗨𝗢𝗦𝗢 𝗪𝗛𝗢 𝗖𝗔𝗥𝗥𝗜𝗘𝗗 𝗧𝗛𝗘 𝗠𝗔𝗡𝗡𝗛𝗘𝗜𝗠 𝗦𝗧𝗬𝗟𝗘 𝗔𝗖𝗥𝗢𝗦𝗦 𝗘𝗨𝗥𝗢𝗣𝗘 𝗖𝗮𝗿𝗹 𝗣𝗵𝗶𝗹𝗶𝗽𝗽 𝗦𝘁𝗮𝗺𝗶𝘁𝘇 𝗕𝗼𝗿𝗻: 𝟳 𝗠𝗮𝘆 𝟭𝟳𝟰𝟱, 𝗠𝗮𝗻𝗻𝗵𝗲𝗶𝗺, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗗𝗶𝗲𝗱: 𝟵 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟴𝟬𝟭, 𝗝𝗲𝗻𝗮, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗖𝗮𝗿𝗹 𝗦𝘁𝗮𝗺𝗶𝘁𝘇 was one of the most…