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𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲 𝗘𝗻𝗼𝘂𝗴𝗵 — 𝟭𝟴𝟰𝟮 For years, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had struggled…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟲 𝗖𝗵𝗲𝗿𝘂𝗯𝗶𝗻𝗶, 𝗟𝗲𝘀𝘂𝗲𝘂𝗿, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗥𝗲𝗯𝗲𝗹 𝗮𝘁 𝘁𝗵𝗲 𝗖𝗼𝗻𝘀𝗲𝗿𝘃𝗮𝘁𝗼𝗶𝗿𝗲 𝗕𝗲𝗳𝗼𝗿𝗲 𝗟𝗲𝘀𝘂𝗲𝘂𝗿: 𝗜𝗺𝗮𝗴𝗶𝗻𝗮𝘁𝗶𝗼𝗻 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗧𝗲𝗰𝗵𝗻𝗶𝗾𝘂𝗲 — 𝟭𝟴𝟮𝟯 Once 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had decided that he would…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟱 𝗧𝗵𝗲 𝗡𝗶𝗴𝗵𝘁 𝘁𝗵𝗲 𝗢𝗽𝗲𝗿𝗮 𝗖𝗵𝗮𝗻𝗴𝗲𝗱 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲 𝗔 𝗠𝗲𝗱𝗶𝗰𝗮𝗹 𝗦𝘁𝘂𝗱𝗲𝗻𝘁 𝗔𝗺𝗼𝗻𝗴 𝗧𝘄𝗼 𝗪𝗼𝗿𝗹𝗱𝘀 — 𝟭𝟴𝟮𝟮 When 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 arrived in Paris in 𝟭𝟴𝟮𝟮,…

𝗝𝗢𝗦𝗘𝗙 𝗞𝗥𝗜𝗣𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Josef Krips represented a conducting tradition founded not upon personal display, exaggerated rhetoric or orchestral weight, but upon balance, clarity, natural phrasing and absolute fidelity to musical…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟯 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗼𝘂𝗻𝗱𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝗧𝗵𝗲 𝗙𝗹𝗮𝗴𝗲𝗼𝗹𝗲𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗗𝗿𝗮𝘄𝗲𝗿 — 𝗖𝗶𝗿𝗰𝗮 𝟭𝟴𝟭𝟱–𝟭𝟴𝟭𝟲 In the memory of 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, love and music seemed…

𝗘𝗨𝗚𝗘𝗡𝗘 𝗢𝗥𝗠𝗔𝗡𝗗𝗬 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugene Ormandy remains inseparable from the Philadelphia Orchestra and the famously sumptuous sonority that became known throughout the world as the “Philadelphia Sound.” During his extraordinary tenure—first…

𝗪𝗢𝗟𝗙𝗚𝗔𝗡𝗚 𝗦𝗔𝗪𝗔𝗟𝗟𝗜𝗦𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wolfgang Sawallisch represented one of the last great manifestations of the traditional German Kapellmeister: a conductor whose authority was founded not upon personal exhibitionism, but upon complete…

𝗘𝗨𝗚𝗘𝗡 𝗝𝗢𝗖𝗛𝗨𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugen Jochum is remembered above all as one of the supreme Bruckner conductors of the twentieth century, but that description captures only part of his achievement. His…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗼𝗻𝗸𝗲𝘆’𝘀 𝗧𝗼𝗼𝗹𝘀 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝗮𝘀𝘁𝗲𝗿’𝘀 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝗛𝗲𝗮𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗢𝗻 𝗠𝘂𝘀𝗶𝗰** brings together the central ideas that made…

𝗭𝗨𝗕𝗜𝗡 𝗠𝗘𝗛𝗧𝗔 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Zubin Mehta’s extraordinary career connects several apparently different musical worlds: the Central European tradition he absorbed in Vienna, the orchestral brilliance of Los Angeles, the distinctive identity…

𝗦𝗘𝗥𝗚𝗜𝗨 𝗖𝗘𝗟𝗜𝗕𝗜𝗗𝗔𝗖𝗛𝗘 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sergiu Celibidache occupies a unique and paradoxical position in the history of recorded performance. Few major conductors distrusted recording technology more profoundly, yet few left behind such…

𝗖𝗛𝗔𝗥𝗟𝗘𝗦 𝗠𝗨𝗡𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Charles Munch was one of the most spontaneous, incandescent and unmistakably French conductors of the twentieth century. His finest performances combine rhythmic freedom, nervous energy, luminous orchestral…

𝗥𝗔𝗙𝗔𝗘𝗟 𝗞𝗨𝗕𝗘𝗟𝗜́𝗞 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Rafael Kubelík was one of the twentieth century’s most humane, spontaneous and musically generous conductors. His interpretations rarely sought the immaculate finish of Karajan, the iron discipline…

𝗪𝗜𝗟𝗛𝗘𝗟𝗠 𝗙𝗨𝗥𝗧𝗪𝗔̈𝗡𝗚𝗟𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wilhelm Furtwängler remains one of the most powerful, individual and controversial conductors preserved on record. His interpretations were founded not upon literal regularity but upon organic growth,…

𝗘𝗥𝗜𝗖𝗛 𝗞𝗟𝗘𝗜𝗕𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Erich Kleiber was one of the great representatives of the Central European conducting tradition, yet he never belonged comfortably to any single school. His performances combined rhythmic…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗭𝗘𝗟𝗟 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 George Szell is often remembered as the supreme orchestral disciplinarian: a conductor of relentless rehearsal, exact ensemble, perfectly balanced textures and uncompromising technical standards. Under his direction,…

𝗕𝗥𝗨𝗡𝗢 𝗪𝗔𝗟𝗧𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Bruno Walter occupies a unique position in the history of conducting. He belonged directly to the final world of late Romanticism, worked closely with Gustav Mahler and…

𝗔𝗥𝗧𝗨𝗥𝗢 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Arturo Toscanini was one of the decisive figures in the creation of modern orchestral performance. His reputation was built upon fidelity to the written score, rhythmic discipline,…

𝗖𝗟𝗔𝗨𝗗𝗜𝗢 𝗔𝗕𝗕𝗔𝗗𝗢 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Claudio Abbado’s finest recordings reveal a conductor whose authority rarely depended upon weight, domination or theatrical self-display. His interpretations were founded upon listening, transparency, rhythmic flexibility, instrumental…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Leonard Bernstein left one of the most extensive, varied and immediately recognisable recorded legacies of the twentieth century. He was not only a conductor but also a…

𝗞𝗔𝗥𝗟 𝗕𝗢̈𝗛𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Karl Böhm’s reputation rests above all upon Mozart, Richard Strauss, Wagner, Schubert and Bruckner. He was neither a cultivator of orchestral glamour in the Karajan manner nor…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…