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# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗗𝗜𝗔𝗟𝗢𝗚𝗨𝗘𝗦 ## 𝗖𝗢𝗟𝗟𝗘𝗖𝗧𝗘𝗗 𝗧𝗛𝗢𝗨𝗚𝗛𝗧𝗦 𝗢𝗡 𝗔 𝗚𝗥𝗘𝗔𝗧 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗙ü𝗿𝘀𝘁𝗮𝘂𝗲𝗿 **𝗧𝗵𝗲 𝗠𝗼𝘇𝗮𝗿𝘁 𝗗𝗶𝗮𝗹𝗼𝗴𝘂𝗲𝘀** is not a conventional biography of **𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁**, nor is it a…

# 𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗙𝗥𝗢𝗠 𝗬𝗢𝗨𝗧𝗛𝗙𝗨𝗟 𝗗𝗜𝗦𝗖𝗜𝗣𝗟𝗘 𝗧𝗢 𝗖𝗥𝗘𝗔𝗧𝗜𝗩𝗘 𝗛𝗘𝗜𝗥 The influence of **𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻** on **𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀** was profound, but it cannot be reduced to direct imitation.…

𝗟𝗢𝗥𝗜𝗡 𝗠𝗔𝗔𝗭𝗘𝗟 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Lorin Maazel was one of the most technically formidable conductors of the twentieth and early twenty-first centuries. He possessed an exceptional ear, an almost photographic memory, absolute…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗔𝗡𝗗 𝗔𝗡𝗗 𝗖𝗛𝗢𝗣𝗜𝗡: 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗠𝗬𝗧𝗛 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗟𝗢𝗩𝗘𝗥𝗦 The relationship between 𝗙𝗿𝘆𝗱𝗲𝗿𝘆𝗸 𝗖𝗵𝗼𝗽𝗶𝗻 and 𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝗮𝗻𝗱—the literary pseudonym of Aurore Dupin—is usually presented as one of the great love stories of…

𝗗𝗢𝗦𝗧𝗢𝗘𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 𝗢𝗙 𝗛𝗜𝗦 𝗧𝗜𝗠𝗘 𝗡𝗼𝘁 𝗱𝗶𝗿𝗲𝗰𝘁 𝗰𝗼𝗹𝗹𝗮𝗯𝗼𝗿𝗮𝘁𝗶𝗼𝗻𝘀, 𝗯𝘂𝘁 𝗮 𝗽𝗼𝘄𝗲𝗿𝗳𝘂𝗹 𝘀𝗽𝗶𝗿𝗶𝘁𝘂𝗮𝗹 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲 Strictly speaking, 𝗙𝘆𝗼𝗱𝗼𝗿 𝗗𝗼𝘀𝘁𝗼𝗲𝘃𝘀𝗸𝘆 did not collaborate with musicians in the practical sense in which a librettist collaborates with…

𝗥𝗼𝘀𝘀𝗶𝗻𝗶 - 𝗟’𝗶𝗻𝗴𝗮𝗻𝗻𝗼 𝗳𝗲𝗹𝗶𝗰𝗲 - 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗗𝗲 𝗠𝗮𝗿𝗰𝗵𝗶 https://www.patreon.com/ClassicMusicComposersGroup/posts/rossini-linganno-163229149?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗙𝗼𝗿𝘁𝘂𝗻𝗮𝘁𝗲 𝗗𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻 – 𝗥𝗼𝘀𝘀𝗶𝗻𝗶’𝘀 𝗙𝗶𝗿𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗦𝘁𝗮𝗴𝗲 𝗦𝘂𝗰𝗰𝗲𝘀𝘀: 𝗟’𝗶𝗻𝗴𝗮𝗻𝗻𝗼 𝗳𝗲𝗹𝗶𝗰𝗲, translated as 𝗧𝗵𝗲 𝗙𝗼𝗿𝘁𝘂𝗻𝗮𝘁𝗲 𝗗𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻, is a one-act opera by 𝗚𝗶𝗼𝗮𝗰𝗵𝗶𝗻𝗼 𝗥𝗼𝘀𝘀𝗶𝗻𝗶, composed when…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭 — 𝗖𝗛𝗜𝗟𝗗𝗛𝗢𝗢𝗗 𝗔𝗡𝗗 𝗬𝗢𝗨𝗧𝗛 𝗧𝗛𝗘 𝗦𝗧𝗥𝗔𝗡𝗚𝗘 𝗕𝗢𝗬 𝗢𝗙 𝗭𝗪𝗜𝗖𝗞𝗔𝗨 Robert Schumann’s childhood begins not with the image of a passive…

𝗚𝗘𝗢𝗥𝗚 𝗔𝗡𝗧𝗢𝗡 𝗕𝗘𝗡𝗗𝗔: 𝗧𝗛𝗘 𝗗𝗥𝗔𝗠𝗔𝗧𝗜𝗖 𝗜𝗡𝗡𝗢𝗩𝗔𝗧𝗢𝗥 𝗪𝗛𝗢 𝗚𝗔𝗩𝗘 𝗠𝗨𝗦𝗜𝗖 𝗔 𝗦𝗣𝗢𝗞𝗘𝗡 𝗩𝗢𝗜𝗖𝗘 𝗚𝗲𝗼𝗿𝗴 𝗔𝗻𝘁𝗼𝗻 𝗕𝗲𝗻𝗱𝗮 𝗕𝗼𝗿𝗻: 𝟯𝟬 𝗝𝘂𝗻𝗲 𝟭𝟳𝟮𝟮, 𝗕𝗲𝗻𝗮́𝘁𝗸𝘆 𝗻𝗮𝗱 𝗝𝗶𝘇𝗲𝗿𝗼𝘂, 𝗕𝗼𝗵𝗲𝗺𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟲 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟵𝟱, 𝗞𝗼̈𝘀𝘁𝗿𝗶𝘁𝘇, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗚𝗲𝗼𝗿𝗴 𝗔𝗻𝘁𝗼𝗻 𝗕𝗲𝗻𝗱𝗮 was one…

𝗡𝗜𝗖𝗖𝗢𝗟𝗢̀ 𝗝𝗢𝗠𝗠𝗘𝗟𝗟𝗜: 𝗧𝗛𝗘 𝗢𝗣𝗘𝗥𝗔 𝗦𝗘𝗥𝗜𝗔 𝗥𝗘𝗙𝗢𝗥𝗠𝗘𝗥 𝗪𝗛𝗢 𝗣𝗥𝗘𝗣𝗔𝗥𝗘𝗗 𝗧𝗛𝗘 𝗥𝗢𝗔𝗗 𝗧𝗢 𝗚𝗟𝗨𝗖𝗞 𝗡𝗶𝗰𝗰𝗼𝗹𝗼̀ 𝗝𝗼𝗺𝗺𝗲𝗹𝗹𝗶 𝗕𝗼𝗿𝗻: 𝟭𝟬 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟭𝟰, 𝗔𝘃𝗲𝗿𝘀𝗮, 𝗜𝘁𝗮𝗹𝘆 𝗗𝗶𝗲𝗱: 𝟮𝟱 𝗔𝘂𝗴𝘂𝘀𝘁 𝟭𝟳𝟳𝟰, 𝗡𝗮𝗽𝗹𝗲𝘀, 𝗜𝘁𝗮𝗹𝘆 Among the great reforming figures of eighteenth-century opera,…

𝗚𝗜𝗢𝗩𝗔𝗡𝗡𝗜 𝗣𝗔𝗜𝗦𝗜𝗘𝗟𝗟𝗢: 𝗧𝗛𝗘 𝗡𝗘𝗔𝗣𝗢𝗟𝗜𝗧𝗔𝗡 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢𝗦𝗘 𝗕𝗔𝗥𝗕𝗘𝗥 𝗢𝗙 𝗦𝗘𝗩𝗜𝗟𝗟𝗘 𝗥𝗨𝗟𝗘𝗗 𝗘𝗨𝗥𝗢𝗣𝗘 𝗕𝗘𝗙𝗢𝗥𝗘 𝗥𝗢𝗦𝗦𝗜𝗡𝗜 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗣𝗮𝗶𝘀𝗶𝗲𝗹𝗹𝗼 𝗕𝗼𝗿𝗻: 𝟵 𝗠𝗮𝘆 𝟭𝟳𝟰𝟬, 𝗧𝗮𝗿𝗮𝗻𝘁𝗼, 𝗜𝘁𝗮𝗹𝘆 𝗗𝗶𝗲𝗱: 𝟱 𝗝𝘂𝗻𝗲 𝟭𝟴𝟭𝟲, 𝗡𝗮𝗽𝗹𝗲𝘀, 𝗜𝘁𝗮𝗹𝘆 Among the great masters of eighteenth-century Italian…

𝗙𝗥𝗔𝗡𝗭 𝗞𝗥𝗢𝗠𝗠𝗘𝗥: 𝗧𝗛𝗘 𝗠𝗢𝗥𝗔𝗩𝗜𝗔𝗡 𝗠𝗔𝗦𝗧𝗘𝗥 𝗢𝗙 𝗪𝗜𝗡𝗗 𝗠𝗨𝗦𝗜𝗖 𝗔𝗡𝗗 𝗟𝗔𝗧𝗘 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗕𝗥𝗜𝗟𝗟𝗜𝗔𝗡𝗖𝗘 𝗙𝗿𝗮𝗻𝘇 𝗞𝗿𝗼𝗺𝗺𝗲𝗿 𝗖𝘇𝗲𝗰𝗵 𝗻𝗮𝗺𝗲: 𝗙𝗿𝗮𝗻𝘁𝗶𝘀̌𝗲𝗸 𝗩𝗶𝗻𝗰𝗲𝗻𝗰 𝗞𝗿𝗮𝗺𝗮́𝗿̌ 𝗕𝗼𝗿𝗻: 𝟮𝟳 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟱𝟵, 𝗞𝗮𝗺𝗲𝗻𝗶𝗰𝗲, 𝗠𝗼𝗿𝗮𝘃𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟴 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟴𝟯𝟭, 𝗩𝗶𝗲𝗻𝗻𝗮, 𝗔𝘂𝘀𝘁𝗿𝗶𝗮 Among the composers…

𝗝𝗢𝗦𝗘𝗙 𝗠𝗬𝗦𝗟𝗜𝗩𝗘𝗖̌𝗘𝗞: 𝗜𝗟 𝗕𝗢𝗘𝗠𝗢, 𝗧𝗛𝗘 𝗕𝗢𝗛𝗘𝗠𝗜𝗔𝗡 𝗢𝗣𝗘𝗥𝗔 𝗦𝗧𝗔𝗥 𝗪𝗛𝗢 𝗖𝗔𝗣𝗧𝗜𝗩𝗔𝗧𝗘𝗗 𝗜𝗧𝗔𝗟𝗬 𝗔𝗡𝗗 𝗙𝗔𝗦𝗖𝗜𝗡𝗔𝗧𝗘𝗗 𝗠𝗢𝗭𝗔𝗥𝗧 𝗝𝗼𝘀𝗲𝗳 𝗠𝘆𝘀𝗹𝗶𝘃𝗲𝗰̌𝗲𝗸 𝗕𝗼𝗿𝗻: 𝟵 𝗠𝗮𝗿𝗰𝗵 𝟭𝟳𝟯𝟳, 𝗣𝗿𝗮𝗴𝘂𝗲, 𝗕𝗼𝗵𝗲𝗺𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟳𝟴𝟭, 𝗥𝗼𝗺𝗲, 𝗜𝘁𝗮𝗹𝘆 Among the remarkable composers of the…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗕𝗔𝗣𝗧𝗜𝗦𝗧 𝗩𝗔𝗡𝗛𝗔𝗟: 𝗧𝗛𝗘 𝗕𝗢𝗛𝗘𝗠𝗜𝗔𝗡 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗦𝗧 𝗪𝗛𝗢 𝗕𝗥𝗢𝗨𝗚𝗛𝗧 𝗧𝗛𝗘 𝗩𝗜𝗘𝗡𝗡𝗘𝗦𝗘 𝗦𝗧𝗬𝗟𝗘 𝗧𝗢 𝗘𝗨𝗥𝗢𝗣𝗘 𝗝𝗼𝗵𝗮𝗻𝗻 𝗕𝗮𝗽𝘁𝗶𝘀𝘁 𝗩𝗮𝗻𝗵𝗮𝗹 𝗔𝗹𝘀𝗼 𝗸𝗻𝗼𝘄𝗻 𝗮𝘀: 𝗝𝗮𝗻 𝗞𝗿̌𝘁𝗶𝘁𝗲𝗹 𝗩𝗮𝗻̌𝗵𝗮𝗹 𝗕𝗼𝗿𝗻: 𝟭𝟮 𝗠𝗮𝘆 𝟭𝟳𝟯𝟵, 𝗡𝗲𝗰𝗵𝗮𝗻𝗶𝗰𝗲, 𝗕𝗼𝗵𝗲𝗺𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟮𝟬 𝗔𝘂𝗴𝘂𝘀𝘁 𝟭𝟴𝟭𝟯, 𝗩𝗶𝗲𝗻𝗻𝗮, 𝗔𝘂𝘀𝘁𝗿𝗶𝗮…

𝗙𝗜𝗙𝗧𝗬 𝗘𝗦𝗦𝗘𝗡𝗧𝗜𝗔𝗟 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗘𝗥𝗔 𝗙𝗿𝗼𝗺 𝟭𝟳𝟱𝟬 𝘁𝗼 𝟭𝟴𝟮𝟱 — 𝗧𝗵𝗲 𝗔𝗴𝗲 𝗼𝗳 𝗖𝗹𝗮𝗿𝗶𝘁𝘆, 𝗙𝗼𝗿𝗺, 𝗗𝗿𝗮𝗺𝗮 𝗮𝗻𝗱 𝗛𝘂𝗺𝗮𝗻 𝗘𝘅𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻 The 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗽𝗲𝗿𝗶𝗼𝗱 was not merely the age of 𝗛𝗮𝘆𝗱𝗻, 𝗠𝗼𝘇𝗮𝗿𝘁 and 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻.…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟬 𝗧𝗿𝗮𝘃𝗲𝗿𝘀𝗶𝗻𝗴 𝗖𝗼𝗻𝘃𝗲𝗻𝘁𝗶𝗼𝗻𝗮𝗹 𝗕𝗼𝘂𝗻𝗱𝗮𝗿𝗶𝗲𝘀 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗘𝗻𝗴𝗮𝗴𝗲𝗺𝗲𝗻𝘁𝘀: 𝗧𝗵𝗲 𝟭𝟳𝟯𝟬𝘀 𝗕𝗮𝗰𝗵 𝗶𝗻 𝘁𝗵𝗲 𝟭𝟳𝟯𝟬𝘀: 𝗖𝗿𝗼𝘀𝘀𝗿𝗼𝗮𝗱𝘀, 𝗖𝗼𝗳𝗳𝗲𝗲𝗵𝗼𝘂𝘀𝗲 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝘀, 𝗥𝗼𝘆𝗮𝗹 𝗔𝗺𝗯𝗶𝘁𝗶𝗼𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗖𝗹𝗮𝘃𝗶𝗲𝗿-Ü𝗯𝘂𝗻𝗴 𝗔𝘀 𝗮 𝗣𝘂𝗯𝗹𝗶𝗰 𝗠𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝗼…

𝗜𝗚𝗢𝗥 𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬: 𝗚𝗘𝗡𝗜𝗨𝗦, 𝗔𝗥𝗥𝗢𝗚𝗔𝗡𝗖𝗘, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗬 𝗢𝗙 𝗖𝗢𝗡𝗧𝗥𝗢𝗟 To speak of 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆’𝘀 𝗮𝗿𝗿𝗼𝗴𝗮𝗻𝗰𝗲 requires caution. He was not merely arrogant in a simple or vulgar sense. He was a profoundly complex personality:…

𝗛𝗔𝗬𝗗𝗡, 𝗕𝗬 𝗝. 𝗖𝗨𝗧𝗛𝗕𝗘𝗥𝗧 𝗛𝗔𝗗𝗗𝗘𝗡 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟱 𝗢𝗫𝗙𝗢𝗥𝗗, 𝗦𝗔𝗟𝗢𝗠𝗢𝗡, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗨𝗕𝗟𝗜𝗖 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗛𝗔𝗬𝗗𝗡 𝗕𝗘𝗖𝗢𝗠𝗘𝗦 𝗔 𝗘𝗨𝗥𝗢𝗣𝗘𝗔𝗡 𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧 𝗧𝗛𝗘 𝗠𝗢𝗠𝗘𝗡𝗧 𝗪𝗛𝗘𝗡 𝗙𝗔𝗠𝗘 𝗕𝗘𝗖𝗢𝗠𝗘𝗦 𝗜𝗡𝗦𝗧𝗜𝗧𝗨𝗧𝗜𝗢𝗡 The first London journey did more than give 𝗝𝗼𝘀𝗲𝗽𝗵…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗦𝗔𝗟𝗭𝗕𝗨𝗥𝗚 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟭 𝗔 𝗠𝗢𝗧𝗛𝗘𝗥’𝗦 𝗗𝗘𝗔𝗧𝗛 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗗𝗥𝗘𝗔𝗠 𝗢𝗙 𝗟𝗘𝗔𝗩𝗜𝗡𝗚 𝗛𝗢𝗠𝗘 Every child imagines, at some point, that beyond the familiar house there lies a freer kingdom:…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱 𝗘𝘅𝗽𝗹𝗼𝗿𝗶𝗻𝗴 “𝗘𝘃𝗲𝗿𝘆 𝗣𝗼𝘀𝘀𝗶𝗯𝗹𝗲 𝗔𝗿𝘁𝗶𝘀𝘁𝗿𝘆” 𝗖𝗼𝘂𝗿𝘁 𝗢𝗿𝗴𝗮𝗻𝗶𝘀𝘁 𝗮𝗻𝗱 𝗖𝗮𝗺𝗺𝗲𝗿 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗶𝗻 𝗪𝗲𝗶𝗺𝗮𝗿, 𝟭𝟳𝟬𝟴–𝟭𝟳𝟭𝟰 𝗪𝗲𝗶𝗺𝗮𝗿: 𝗧𝗵𝗲 𝗣𝗹𝗮𝗰𝗲 𝗪𝗵𝗲𝗿𝗲 𝗕𝗮𝗰𝗵 𝗕𝗲𝗰𝗮𝗺𝗲 𝗕𝗮𝗰𝗵 When Johann Sebastian Bach…

𝗔𝗡𝗗𝗥𝗜𝗦 𝗡𝗘𝗟𝗦𝗢𝗡𝗦 — 𝗙𝗥𝗢𝗠 𝗧𝗛𝗘 𝗧𝗥𝗨𝗠𝗣𝗘𝗧 𝗣𝗜𝗧 𝗢𝗙 𝗥𝗜𝗚𝗔 𝗧𝗢 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗣𝗢𝗗𝗜𝗨𝗠𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗪𝗢𝗥𝗟𝗗 𝗧𝗛𝗘 𝗥𝗜𝗦𝗘 𝗢𝗙 𝗔 𝗟𝗔𝗧𝗩𝗜𝗔𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗜𝗡𝗦𝗧𝗜𝗡𝗖𝗧, 𝗘𝗡𝗘𝗥𝗚𝗬, 𝗢𝗣𝗘𝗥𝗔, 𝗔𝗡𝗗 𝗗𝗜𝗦𝗖𝗜𝗣𝗟𝗜𝗡𝗘 𝗜𝗡𝗧𝗢 𝗔 𝗠𝗔𝗝𝗢𝗥 𝗜𝗡𝗧𝗘𝗥𝗡𝗔𝗧𝗜𝗢𝗡𝗔𝗟 𝗖𝗔𝗥𝗘𝗘𝗥…

𝗧𝗛𝗘 𝗟𝗢𝗩𝗘 𝗔𝗙𝗙𝗔𝗜𝗥𝗦 𝗢𝗙 𝗚𝗥𝗘𝗔𝗧 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 𝗥𝗨𝗣𝗘𝗥𝗧 𝗛𝗨𝗚𝗛𝗘𝗦 𝗖𝗛𝗢𝗣𝗜𝗡’𝗦 𝗟𝗔𝗦𝗧 𝗟𝗢𝗩𝗘𝗟𝗘𝗦𝗦 𝗬𝗘𝗔𝗥𝗦 𝗧𝗛𝗘 𝗘𝗡𝗗 𝗢𝗙 𝗧𝗛𝗘 𝗡𝗢𝗖𝗧𝗨𝗥𝗡𝗘 After the rupture with 𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝗮𝗻𝗱, Chopin’s life enters its final and most desolate…

𝗢𝗙𝗙𝗘𝗡𝗕𝗔𝗖𝗛, 𝗧𝗛𝗘 𝗠𝗔𝗡 𝗪𝗛𝗢 𝗘𝗡𝗖𝗢𝗨𝗥𝗔𝗚𝗘𝗗 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗧𝗥𝗔𝗨𝗦𝗦 𝗜𝗜 𝗧𝗢 𝗪𝗥𝗜𝗧𝗘 𝗢𝗣𝗘𝗥𝗘𝗧𝗧𝗔𝗦 𝗝𝗔𝗖𝗤𝗨𝗘𝗦 𝗢𝗙𝗙𝗘𝗡𝗕𝗔𝗖𝗛 𝗔𝗡𝗗 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗧𝗥𝗔𝗨𝗦𝗦 𝗜𝗜: 𝗣𝗔𝗥𝗜𝗦, 𝗩𝗜𝗘𝗡𝗡𝗔, 𝗢𝗣𝗘𝗥𝗘𝗧𝗧𝗔, 𝗪𝗔𝗟𝗧𝗭, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗕𝗜𝗥𝗧𝗛 𝗢𝗙 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗘𝗡𝗧𝗘𝗥𝗧𝗔𝗜𝗡𝗠𝗘𝗡𝗧 𝗝𝗮𝗰𝗾𝘂𝗲𝘀 𝗢𝗳𝗳𝗲𝗻𝗯𝗮𝗰𝗵, born Jacob Offenbach in…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗛𝗘 𝗙𝗔𝗠𝗜𝗟𝗬 𝗧𝗥𝗘𝗔𝗦𝗨𝗥𝗘 ════════════════════════════ 𝗜. 𝗠𝗢𝗡𝗘𝗬 𝗔𝗦 𝗗𝗘𝗦𝗧𝗜𝗡𝗬 The fourth chapter turns from the outward splendour of the Grand Journey to one of the deepest engines of…

𝗠𝗢𝗟𝗜𝗘̀𝗥𝗘 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗠𝗼𝗹𝗶𝗲̀𝗿𝗲 — 𝟭𝟲𝟮𝟮–𝟭𝟲𝟳𝟯 𝗠𝗼𝗹𝗶𝗲̀𝗿𝗲 occupies a special place among French writers connected with classical music because his relationship with music was not only indirect or posthumous. Unlike…