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𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟮𝟬 𝗘𝘀𝘁𝗲𝗹𝗹𝗲 𝗢𝗻𝗰𝗲 𝗠𝗼𝗿𝗲: 𝗧𝗵𝗲 𝗔𝗳𝘁𝗲𝗿𝗴𝗹𝗼𝘄 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 𝗧𝗵𝗲 𝗖𝗵𝗮𝗶𝗿 𝗧𝗵𝗮𝘁 𝗪𝗮𝘀 𝗘𝗺𝗽𝘁𝘆 — 𝟭𝟴𝟰𝟴 When 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 returned to France from…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟵 𝗙𝗮𝘂𝘀𝘁, 𝗙𝗮𝗶𝗹𝘂𝗿𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗧𝗿𝗼𝗷𝗮𝗻𝘀 𝗧𝗵𝗲 𝗕𝗼𝗼𝗸 𝗧𝗵𝗮𝘁 𝗛𝗮𝗱 𝗡𝗲𝘃𝗲𝗿 𝗟𝗲𝗳𝘁 𝗛𝗶𝗺 Long before 𝗟𝗮 𝗗𝗮𝗺𝗻𝗮𝘁𝗶𝗼𝗻 𝗱𝗲 𝗙𝗮𝘂𝘀𝘁 existed in its mature form,…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟲 𝗧𝗵𝗲 𝗠𝘂𝘀𝗶𝗰 𝗼𝗳 𝘁𝗵𝗲 𝗟𝗮𝘀𝘁 𝗝𝘂𝗱𝗴𝗺𝗲𝗻𝘁 𝗧𝗵𝗲 𝗖𝗼𝗺𝗺𝗶𝘀𝘀𝗶𝗼𝗻 𝗧𝗵𝗮𝘁 𝗪𝗮𝘀 𝗡𝗲𝗮𝗿𝗹𝘆 𝗕𝘂𝗿𝗶𝗲𝗱 𝗕𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗠𝘂𝘀𝗶𝗰 𝗘𝘅𝗶𝘀𝘁𝗲𝗱 — 𝟭𝟴𝟯𝟳 By 𝟭𝟴𝟯𝟳, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟱 𝗟𝗶𝘀𝘇𝘁, 𝗣𝗮𝗴𝗮𝗻𝗶𝗻𝗶, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗛𝗲𝗿𝗼𝗶𝗰 𝗬𝗲𝗮𝗿𝘀 𝗧𝘄𝗼 𝗚𝗿𝗲𝗮𝘁 𝗩𝗶𝗿𝘁𝘂𝗼𝘀𝗶 𝗘𝗻𝘁𝗲𝗿 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲 — 𝟭𝟴𝟯𝟬–𝟭𝟴𝟯𝟯 Shortly before leaving Paris for Rome, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 received…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟮 𝗥𝗼𝗺𝗲, 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗮𝗱 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 𝗛𝗼𝗺𝗲 𝗧𝗵𝗲 𝗣𝗿𝗶𝘇𝗲 𝗧𝗵𝗮𝘁 𝗧𝗼𝗼𝗸 𝗛𝗶𝗺 𝗔𝘄𝗮𝘆 𝗙𝗿𝗼𝗺 𝗛𝗮𝗽𝗽𝗶𝗻𝗲𝘀𝘀 — 𝗟𝗮𝘁𝗲 𝟭𝟴𝟯𝟬–𝗘𝗮𝗿𝗹𝘆 𝟭𝟴𝟯𝟭 After five years of…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟭 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗼𝗳 𝗢𝗯𝘀𝗲𝘀𝘀𝗶𝗼𝗻: 𝗙𝗿𝗼𝗺 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗙𝗮𝗻𝘁𝗮𝘀𝘁𝗶𝗾𝘂𝗲 𝗧𝗵𝗲 𝗪𝗼𝗺𝗮𝗻 𝗪𝗵𝗼 𝗛𝗮𝗱 𝗕𝗲𝗰𝗼𝗺𝗲 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗩𝗶𝘀𝗶𝗼𝗻 — 𝟭𝟴𝟮𝟳–𝟭𝟴𝟮𝟵 After seeing 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟳 — 𝗧𝗵𝗲 𝗦𝗮𝗰𝗿𝗲𝗱 𝗪𝗼𝗿𝗸𝘀: 𝗠𝗮𝘀𝘀𝗲𝘀, 𝗣𝘀𝗮𝗹𝗺𝘀, 𝗮𝗻𝗱 𝗖𝗵𝘂𝗿𝗰𝗵 𝗠𝘂𝘀𝗶𝗰 The sacred music of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 is one of the most misunderstood regions…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟲 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 𝗜𝘀 𝘁𝗵𝗲 𝗣𝗿𝗲𝘀𝗲𝗿𝘃𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗙𝗶𝗿𝗲 𝗔𝗹𝗳𝗿𝗲𝗱 𝗥𝗼𝗹𝗹𝗲𝗿, 𝘁𝗵𝗲 𝗦𝘁𝗮𝗴𝗲 𝗼𝗳 𝗟𝗶𝗴𝗵𝘁, 𝗮𝗻𝗱 𝗠𝗮𝗵𝗹𝗲𝗿’𝘀 𝗪𝗮𝗿 𝗔𝗴𝗮𝗶𝗻𝘀𝘁 𝗥𝗼𝘂𝘁𝗶𝗻𝗲 By the beginning of the twentieth century, 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟰 — 𝗪𝗼𝗺𝗲𝗻 𝗪𝗵𝗼 𝗥𝗲𝗺𝗲𝗺𝗯𝗲𝗿𝗲𝗱 𝗟𝗶𝘀𝘇𝘁, 𝟭𝟴𝟯𝟬𝘀–𝟭𝟴𝟴𝟬𝘀 The memory of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 was preserved not only by critics, composers, pupils, and…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟯 𝗛𝗮𝗺𝗯𝘂𝗿𝗴: 𝗧𝗵𝗲 𝗥𝗼𝗮𝗱 𝘁𝗼 𝗙𝗮𝗺𝗲 𝗧𝗵𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 𝗪𝗵𝗼 𝗛𝗮𝗱 𝗟𝗲𝗳𝘁 𝘁𝗵𝗲 𝗣𝗿𝗼𝘃𝗶𝗻𝗰𝗲𝘀 𝗕𝗲𝗵𝗶𝗻𝗱 — 𝟭𝟴𝟵𝟭 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 left Budapest for Hamburg in 𝟭𝟴𝟵𝟭, he was…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟮 — 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝗼𝗻 𝗟𝗶𝘀𝘇𝘁 Among the witnesses who tried to understand 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 occupies a privileged place. He…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟭 — 𝗟𝗶𝘀𝘇𝘁 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗢𝘁𝗵𝗲𝗿 𝗘𝘆𝗲𝘀 To understand 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁, it is not enough to study dates, compositions, concerts, pupils, cities,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟬 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿: 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗤𝘂𝗲𝘀𝘁𝗶𝗼𝗻 The central question surrounding 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 as a composer has always been difficult, almost uncomfortable:…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟬 𝗟𝗼𝘃𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗼𝗻𝗲𝗹𝘆 𝗪𝗮𝗻𝗱𝗲𝗿𝗲𝗿 𝗪𝗵𝗲𝗻 𝗨𝗻𝗳𝘂𝗹𝗳𝗶𝗹𝗹𝗲𝗱 𝗟𝗼𝘃𝗲 𝗕𝗲𝗰𝗮𝗺𝗲 𝗦𝗼𝗻𝗴 For the young 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿, love rarely arrived as tranquillity. It came instead as 𝗹𝗼𝗻𝗴𝗶𝗻𝗴, 𝗶𝗱𝗲𝗮𝗹𝗶𝘀𝗮𝘁𝗶𝗼𝗻,…

𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗪𝗔𝗚𝗡𝗘𝗥 𝗖𝗛𝗢𝗦𝗘: 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥’𝗦 𝗧𝗛𝗜𝗥𝗗, 𝗧𝗛𝗘 𝗕𝗔𝗬𝗥𝗘𝗨𝗧𝗛 𝗩𝗜𝗦𝗜𝗧, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 “𝗪𝗔𝗚𝗡𝗘𝗥 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬” 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿: 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟯 𝗶𝗻 𝗗 𝗠𝗶𝗻𝗼𝗿, 𝗪𝗔𝗕 𝟭𝟬𝟯 — 𝗙𝗶𝗿𝘀𝘁 𝗩𝗲𝗿𝘀𝗶𝗼𝗻 (𝟭𝟴𝟳𝟯) — 𝗚𝗲𝗻𝗻𝗮𝗱𝘆 𝗥𝗼𝘇𝗵𝗱𝗲𝘀𝘁𝘃𝗲𝗻𝘀𝗸𝘆 — 𝗥𝗲𝗰.…