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𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔𝗡𝗗 𝗔𝗟𝗠𝗔 𝗦𝗖𝗛𝗜𝗡𝗗𝗟𝗘𝗥 𝗧𝗛𝗘 𝗪𝗘𝗗𝗗𝗜𝗡𝗚 𝗔𝗧 𝗧𝗛𝗘 𝗞𝗔𝗥𝗟𝗦𝗞𝗜𝗥𝗖𝗛𝗘 — 𝗩𝗜𝗘𝗡𝗡𝗔, 𝟵 𝗠𝗔𝗥𝗖𝗛 𝟭𝟵𝟬𝟮 The marriage of 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 and 𝗔𝗹𝗺𝗮 𝗦𝗰𝗵𝗶𝗻𝗱𝗹𝗲𝗿 took place in 𝗩𝗶𝗲𝗻𝗻𝗮, at the 𝗞𝗮𝗿𝗹𝘀𝗸𝗶𝗿𝗰𝗵𝗲, on 𝗦𝘂𝗻𝗱𝗮𝘆, 𝟵 𝗠𝗮𝗿𝗰𝗵…

𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔𝗡 𝗜𝗡-𝗗𝗘𝗣𝗧𝗛 𝗔𝗡𝗗 𝗕𝗔𝗟𝗔𝗡𝗖𝗘𝗗 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 To enter the inner world of 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 is to stand before one of the most exposed psyches in the history of music. Few composers turned…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗡𝗗 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔 𝗠𝗘𝗘𝗧𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗪𝗢𝗥𝗟𝗗𝗦 — 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗚𝗨𝗔𝗥𝗗𝗜𝗔𝗡 𝗢𝗙 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗙𝗢𝗥𝗠 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗥𝗢𝗣𝗛𝗘𝗧 𝗢𝗙 𝗧𝗛𝗘 𝗠𝗢𝗗𝗘𝗥𝗡 𝗦𝗢𝗨𝗟 The meeting between 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 belongs to those rare…

𝗪𝗛𝗬 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗖𝗔𝗠𝗘 𝗧𝗢 𝗠𝗔𝗛𝗟𝗘𝗥 𝗟𝗔𝗧𝗘 𝗜𝗡 𝗟𝗜𝗙𝗘 𝗧𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝘃𝗲 𝗘𝗹𝗱𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗲𝘀 𝗼𝗳 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 The relationship between 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 was never simple, never complete, and never entirely comfortable.…

𝗗𝘃𝗼𝗿𝗮𝗸 - 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝗤𝘂𝗮𝗿𝘁𝗲𝘁𝘀 - 𝗣𝗿𝗮𝗴𝘂𝗲 𝗤𝘂𝗮𝗿𝘁𝗲𝘁 - 𝗗𝗚 https://www.patreon.com/posts/dvorak-complete-137333156?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗔𝗡𝗧𝗢𝗡Í𝗡 𝗗𝗩𝗢ŘÁ𝗞 — 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗦𝗧𝗥𝗜𝗡𝗚 𝗤𝗨𝗔𝗥𝗧𝗘𝗧𝗦 𝗙𝗿𝗼𝗺 𝗬𝗼𝘂𝘁𝗵𝗳𝘂𝗹 𝗘𝘅𝗽𝗲𝗿𝗶𝗺𝗲𝗻𝘁 𝘁𝗼 𝗕𝗼𝗵𝗲𝗺𝗶𝗮𝗻 𝗠𝗮𝘀𝘁𝗲𝗿𝘆 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 (𝟭𝟴𝟰𝟭–𝟭𝟵𝟬𝟰) wrote 𝗳𝗼𝘂𝗿𝘁𝗲𝗲𝗻 𝘀𝘁𝗿𝗶𝗻𝗴 𝗾𝘂𝗮𝗿𝘁𝗲𝘁𝘀, a body of chamber…

𝗦𝗺𝗲𝘁𝗮𝗻𝗮 - 𝗗𝗶𝗲 𝗩𝗲𝗿𝗸𝗮𝘂𝗳𝘁𝗲 𝗕𝗿𝗮𝘂𝘁 (𝗧𝗵𝗲 𝗕𝗮𝗿𝘁𝗲𝗿𝗲𝗱 𝗕𝗿𝗶𝗱𝗲) - 𝗢𝗽𝗲𝗿𝗮 - 𝟭𝟴𝟲𝟲 - 𝗥𝘂𝗱𝗼𝗹𝗳 𝗞𝗲𝗺𝗽𝗲 https://www.patreon.com/posts/smetana-die-139010374?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗛𝗘 𝗕𝗔𝗥𝗧𝗘𝗥𝗘𝗗 𝗕𝗥𝗜𝗗𝗘 — 𝗦𝗠𝗘𝗧𝗔𝗡𝗔’𝗦 𝗖𝗭𝗘𝗖𝗛 𝗖𝗢𝗠𝗜𝗖 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘 𝗗𝗶𝗲 𝘃𝗲𝗿𝗸𝗮𝘂𝗳𝘁𝗲 𝗕𝗿𝗮𝘂𝘁 — 𝗧𝗵𝗲 𝗕𝗮𝗿𝘁𝗲𝗿𝗲𝗱 𝗕𝗿𝗶𝗱𝗲 — is undoubtedly…

**𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - **𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟱 — 𝗘𝗻𝗱𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝗕𝗲𝗴𝗶𝗻𝗻𝗶𝗻𝗴𝘀 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝘁 𝘁𝗵𝗲 𝗘𝗱𝗴𝗲 𝗼𝗳 𝗮 𝗡𝗲𝘄 𝗪𝗼𝗿𝗹𝗱 (1790–1791) The death of Joseph II on February 20, 1790, marked not only the…

𝗪𝗜𝗟𝗛𝗘𝗟𝗠 𝗙𝗨𝗥𝗧𝗪𝗔̈𝗡𝗚𝗟𝗘𝗥 — 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗗𝗔𝗬𝗦 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗟𝗜𝗩𝗘 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘𝗦 The direct cause of Wilhelm Furtwängler’s death was pneumonia. He died on 30 November 1954, at the age of 68, in Ebersteinburg, near…

𝗥𝗼𝘀𝘀𝗶𝗻𝗶 – 𝗦𝘁𝗮𝗯𝗮𝘁 𝗠𝗮𝘁𝗲𝗿 – 𝗙𝗲𝗿𝗲𝗻𝗰 𝗙𝗿𝗶𝗰𝘀𝗮𝘆 https://www.patreon.com/posts/rossini-stabat-147103359?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗦𝗮𝗰𝗿𝗲𝗱 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝗮 𝗥𝗲𝘁𝗶𝗿𝗲𝗱 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗚𝗲𝗻𝗶𝘂𝘀 𝗚𝗶𝗼𝗮𝗰𝗵𝗶𝗻𝗼 𝗥𝗼𝘀𝘀𝗶𝗻𝗶’s 𝗦𝘁𝗮𝗯𝗮𝘁 𝗠𝗮𝘁𝗲𝗿 is one of the most fascinating sacred works of the nineteenth century because it…

𝗣𝗟Á𝗖𝗜𝗗𝗢 𝗗𝗢𝗠𝗜𝗡𝗚𝗢 𝗔𝗦 𝗢𝗧𝗘𝗟𝗟𝗢 𝗧𝗵𝗲 𝗧𝗲𝗻𝗼𝗿 𝗪𝗵𝗼 𝗠𝗮𝗱𝗲 𝘁𝗵𝗲 𝗠𝗼𝗼𝗿 𝗛𝘂𝗺𝗮𝗻 The role of 𝗢𝘁𝗲𝗹𝗹𝗼 was probably one of the great central pillars of 𝗣𝗹á𝗰𝗶𝗱𝗼 𝗗𝗼𝗺𝗶𝗻𝗴𝗼’s career. It was not simply another important Verdi…

𝗚𝗜𝗔𝗖𝗢𝗠𝗢 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗠𝗮𝗻 𝗪𝗵𝗼 𝗧𝘂𝗿𝗻𝗲𝗱 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻𝘁𝗼 𝗮 𝗪𝗼𝗿𝗹𝗱 The life of 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is full of paradoxes. He was one of the most famous opera composers of the nineteenth century, perhaps the…

𝗪𝗔𝗚𝗡𝗘𝗥 𝗔𝗡𝗗 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗣𝗮𝘁𝗿𝗼𝗻, 𝘁𝗵𝗲 𝗗𝗲𝗯𝘁, 𝘁𝗵𝗲 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹 — 𝗮𝗻𝗱 𝗢𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗼𝘀𝘁 𝗧𝗿𝗼𝘂𝗯𝗹𝗶𝗻𝗴 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝗶𝗻 𝗡𝗶𝗻𝗲𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗠𝘂𝘀𝗶𝗰 The relationship between 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗪𝗮𝗴𝗻𝗲𝗿 and 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is one of the most revealing,…

𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗣𝗶𝗼𝘂𝘀 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰𝘀, 𝗧𝘄𝗼 𝗡𝗮𝘁𝗶𝗼𝗻𝘀, 𝗧𝘄𝗼 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗵𝗼𝗻𝘆 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 is much more difficult to describe than the relationship between Brahms and Dvořák.…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗦𝗹𝗮𝘃𝗶𝗰 𝗚𝗲𝗻𝗶𝘂𝘀𝗲𝘀, 𝗢𝗻𝗲 𝗣𝗿𝗮𝗴𝘂𝗲 𝗘𝗻𝗰𝗼𝘂𝗻𝘁𝗲𝗿, 𝗮𝗻𝗱 𝗮 𝗕𝗿𝗶𝗲𝗳 𝗕𝘂𝘁 𝗪𝗮𝗿𝗺 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽 The relationship between 𝗣𝘆𝗼𝘁𝗿 𝗜𝗹𝘆𝗶𝗰𝗵 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was not as long, intimate, or structurally decisive as the…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗜𝗡 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗧𝗵𝗮𝘁 𝗢𝗽𝗲𝗻𝗲𝗱 𝗮 𝗗𝗼𝗼𝗿 𝗮𝗻𝗱 𝗟𝗲𝗳𝘁 𝗮 𝗧𝗿𝗮𝗰𝗲 The influence of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 on 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was never a simple matter of imitation. It was more subtle, more fruitful,…

𝗧𝗛𝗢𝗠𝗔𝗦 𝗦𝗖𝗛𝗜𝗣𝗣𝗘𝗥𝗦 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗘𝘀𝘀𝗮𝘆 𝗼𝗻 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲, 𝗔𝗿𝘁, 𝗮𝗻𝗱 𝗣𝗿𝗼𝗳𝗲𝘀𝘀𝗶𝗼𝗻𝗮𝗹 𝗖𝗮𝗿𝗲𝗲𝗿 𝗧𝗵𝗼𝗺𝗮𝘀 𝗦𝗰𝗵𝗶𝗽𝗽𝗲𝗿𝘀 was one of the most brilliant and charismatic American conductors of the post-war generation. Born in 𝗞𝗮𝗹𝗮𝗺𝗮𝘇𝗼𝗼, 𝗠𝗶𝗰𝗵𝗶𝗴𝗮𝗻, 𝗼𝗻 𝟵…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗡𝗗 𝗝𝗢𝗔𝗖𝗛𝗜𝗠: 𝗔 𝗟𝗜𝗙𝗘𝗟𝗢𝗡𝗚 𝗙𝗥𝗜𝗘𝗡𝗗𝗦𝗛𝗜𝗣 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖, 𝗟𝗢𝗬𝗔𝗟𝗧𝗬, 𝗔𝗡𝗗 𝗢𝗖𝗖𝗔𝗦𝗜𝗢𝗡𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗥𝗗 The friendship between 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 and 𝗝𝗼𝘀𝗲𝗽𝗵 𝗝𝗼𝗮𝗰𝗵𝗶𝗺 belongs among the most significant artistic relationships of the 19th century. It was not…

𝗧𝗛𝗘 𝗩𝗜𝗢𝗟𝗜𝗡 𝗖𝗢𝗡𝗖𝗘𝗥𝗧𝗢 𝗜𝗡 𝗗 𝗠𝗔𝗝𝗢𝗥, 𝗢𝗣. 𝟳𝟳, 𝗕𝗬 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦, 𝗔𝗡𝗗 𝗜𝗧𝗦 𝗗𝗘𝗘𝗣 𝗖𝗢𝗡𝗡𝗘𝗖𝗧𝗜𝗢𝗡 𝗧𝗢 𝗝𝗢𝗦𝗘𝗣𝗛 𝗝𝗢𝗔𝗖𝗛𝗜𝗠 https://www.patreon.com/collection/2148724 The origins of 𝗕𝗿𝗮𝗵𝗺𝘀’𝘀 𝗩𝗶𝗼𝗹𝗶𝗻 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗶𝗻 𝗗 𝗺𝗮𝗷𝗼𝗿, 𝗢𝗽. 𝟳𝟳, lead us back to…

𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗟𝗜𝗦𝗧𝗘𝗡𝗜𝗡𝗚 𝗛𝗔𝗕𝗜𝗧𝗦, 𝗛𝗢𝗨𝗥 𝗕𝗬 𝗛𝗢𝗨𝗥 — 𝗛𝗜𝗦 𝗗𝗔𝗜𝗟𝗬 𝗥𝗢𝗨𝗧𝗜𝗡𝗘 A reconstruction grounded in letters, recollections by close friends such as Joachim, Clara Schumann, and Billroth, and scattered diary fragments. This is not an…

𝗪𝗛𝗔𝗧 𝗕𝗥𝗔𝗛𝗠𝗦 𝗗𝗥𝗔𝗡𝗞, 𝗔𝗧𝗘, 𝗔𝗡𝗗 𝗖𝗔𝗥𝗥𝗜𝗘𝗗 𝗢𝗡 𝗪𝗔𝗟𝗞𝗦 𝗔 𝗦𝗘𝗡𝗦𝗢𝗥𝗬 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 lived through his senses with a physicality that matched the density, warmth, and grain of his music. He was not an…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗢𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥𝗦 — 𝗪𝗛𝗢 𝗛𝗘 𝗧𝗥𝗨𝗦𝗧𝗘𝗗, 𝗪𝗛𝗢 𝗛𝗘 𝗗𝗜𝗗𝗡’𝗧 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗔𝗦 𝗚𝗨𝗔𝗥𝗗𝗜𝗔𝗡 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗧𝗥𝗨𝗧𝗛 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 judged conductors with the same severity he applied to composers, performers, critics, and even to…

𝗔 𝗩𝗶𝘀𝗶𝘁 𝘁𝗼 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 𝗶𝗻 𝗩𝗶𝗲𝗻𝗻𝗮 — 𝗔 𝗣𝗲𝗿𝘀𝗼𝗻𝗮𝗹 𝗥𝗲𝗳𝗹𝗲𝗰𝘁𝗶𝗼𝗻 This past summer, during my visit to 𝗩𝗶𝗲𝗻𝗻𝗮, I had one of those quiet and unforgettable encounters that only music can truly prepare us…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗝𝗢𝗔𝗖𝗛𝗜𝗠 𝗔𝗡𝗗 𝗠𝗔𝗫 𝗕𝗥𝗨𝗖𝗛 𝗧𝗛𝗘 𝗩𝗜𝗢𝗟𝗜𝗡𝗜𝗦𝗧 𝗪𝗛𝗢 𝗚𝗔𝗩𝗘 𝗔 𝗖𝗢𝗡𝗖𝗘𝗥𝗧𝗢 𝗜𝗧𝗦 𝗩𝗢𝗜𝗖𝗘 𝗠𝗮𝘅 𝗕𝗿𝘂𝗰𝗵 - 𝗩𝗶𝗼𝗹𝗶𝗻 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟭 𝗶𝗻 𝗚 𝗺𝗶𝗻𝗼𝗿 - 𝗩𝗶𝗼𝗹𝗶𝗻: 𝗜𝘁𝘇𝗵𝗮𝗸 𝗣𝗲𝗿𝗹𝗺𝗮𝗻 - 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗴𝗲𝗯𝗼𝘂𝘄 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮, 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺 - 𝗕𝗲𝗿𝗻𝗮𝗿𝗱 𝗛𝗮𝗶𝘁𝗶𝗻𝗸…

𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸-𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 (𝟭𝟴𝟭𝟵–𝟭𝟴𝟵𝟲) 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟭 𝗶𝗻 𝗔 𝗺𝗶𝗻𝗼𝗿, 𝗢𝗽. 𝟳 https://www.youtube.com/watch?v=ESsY_vVZ3gQ 𝗕𝗲𝗮𝘁𝗿𝗶𝗰𝗲 𝗥𝗮𝗻𝗮, piano 𝗖𝗵𝗮𝗺𝗯𝗲𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗼𝗳 𝗘𝘂𝗿𝗼𝗽𝗲 𝗬𝗮𝗻𝗻𝗶𝗰𝗸 𝗡𝗲́𝘇𝗲𝘁-𝗦𝗲́𝗴𝘂𝗶𝗻, conductor 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡, 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘, 𝗔𝗡𝗗 𝗥𝗘𝗖𝗘𝗣𝗧𝗜𝗢𝗡 𝗧𝗛𝗘 𝗬𝗢𝗨𝗡𝗚 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 𝗪𝗢𝗥𝗞 𝗖𝗹𝗮𝗿𝗮…