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𝐒𝐢𝐫 𝐒𝐢𝐦𝐨𝐧 𝐑𝐚𝐭𝐭𝐥𝐞: 𝐓𝐡𝐞 𝐅𝐢𝐞𝐫𝐲 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭 𝐖𝐡𝐨 𝐑𝐞𝐦𝐚𝐝𝐞 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐬 𝐚𝐧𝐝 𝐓𝐚𝐮𝐠𝐡𝐭 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐁𝐫𝐞𝐚𝐭𝐡𝐞 𝐀𝐠𝐚𝐢𝐧 There are conductors who inherit greatness, and there are others who seem to create a new climate wherever they…

𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐊𝐞𝐦𝐩𝐟𝐟: 𝐓𝐡𝐞 𝐏𝐨𝐞𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐏𝐢𝐚𝐧𝐨 𝐖𝐡𝐨 𝐌𝐚𝐝𝐞 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 𝐒𝐢𝐧𝐠 𝐚𝐧𝐝 𝐒𝐜𝐡𝐮𝐛𝐞𝐫𝐭 𝐃𝐫𝐞𝐚𝐦 There are pianists who astonish by force, brilliance, and the sheer dazzle of their fingers, and there are others whose…

𝐅𝐑𝐀𝐍𝐙 𝐊𝐎𝐍𝐖𝐈𝐓𝐒𝐂𝐇𝐍𝐘 (𝟏𝟗𝟎𝟏–𝟏𝟗𝟔𝟐) 𝐓𝐇𝐄 𝐅𝐈𝐄𝐑𝐘 𝐀𝐑𝐂𝐇𝐈𝐓𝐄𝐂𝐓 𝐎𝐅 𝐆𝐄𝐑𝐌𝐀𝐍 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐓𝐑𝐀𝐃𝐈𝐓𝐈𝐎𝐍 — 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐈𝐍𝐒𝐓𝐈𝐍𝐂𝐓, 𝐏𝐀𝐒𝐒𝐈𝐎𝐍, 𝐀𝐍𝐃 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐈𝐍𝐄 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐀𝐍𝐃 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 — 𝐅𝐑𝐎𝐌 𝐕𝐈𝐎𝐋𝐈𝐍𝐈𝐒𝐓 𝐓𝐎 𝐌𝐀𝐄𝐒𝐓𝐑𝐎 𝐅𝐫𝐚𝐧𝐳 𝐊𝐨𝐧𝐰𝐢𝐭𝐬𝐜𝐡𝐧𝐲 (𝟏𝟒 𝐀𝐮𝐠𝐮𝐬𝐭 𝟏𝟗𝟎𝟏 – 𝟐𝟖 𝐉𝐮𝐥𝐲 𝟏𝟗𝟔𝟐) was…

𝐒𝐢𝐫 𝐀𝐝𝐫𝐢𝐚𝐧 𝐁𝐨𝐮𝐥𝐭: 𝐓𝐡𝐞 𝐆𝐞𝐧𝐭𝐥𝐞𝐦𝐚𝐧 𝐌𝐚𝐞𝐬𝐭𝐫𝐨 𝐖𝐡𝐨 𝐆𝐚𝐯𝐞 𝐄𝐧𝐠𝐥𝐚𝐧𝐝 𝐈𝐭𝐬 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐥 𝐕𝐨𝐢𝐜𝐞 There are conductors who dazzle through theatrical charisma, and there are others whose greatness lies in something quieter but no less durable:…

𝐇𝐞𝐫𝐦𝐚𝐧𝐧 𝐒𝐜𝐡𝐞𝐫𝐜𝐡𝐞𝐧: 𝐓𝐡𝐞 𝐑𝐞𝐛𝐞𝐥 𝐌𝐚𝐞𝐬𝐭𝐫𝐨 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐂𝐨𝐧𝐝𝐮𝐜𝐭𝐢𝐧𝐠 𝐈𝐧𝐭𝐨 𝐚 𝐌𝐢𝐬𝐬𝐢𝐨𝐧 There are conductors who preserve tradition, and there are conductors who explode it from within so that music can live again. Hermann Scherchen…

𝐊𝐚𝐫𝐞𝐥 𝐀𝐧𝐜̌𝐞𝐫𝐥: 𝐓𝐡𝐞 𝐂𝐨𝐧𝐝𝐮𝐜𝐭𝐨𝐫 𝐖𝐡𝐨 𝐂𝐚𝐦𝐞 𝐁𝐚𝐜𝐤 𝐅𝐫𝐨𝐦 𝐇𝐞𝐥𝐥 𝐚𝐧𝐝 𝐅𝐨𝐫𝐠𝐞𝐝 𝐚 𝐋𝐞𝐠𝐞𝐧𝐝 There are conductors whose greatness can be measured in recordings, premieres, orchestral discipline, and international prestige. And then there are conductors…

𝐉𝐚𝐬𝐜𝐡𝐚 𝐇𝐨𝐫𝐞𝐧𝐬𝐭𝐞𝐢𝐧 𝐢𝐧 𝐌𝐚𝐡𝐥𝐞𝐫: 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Jascha Horenstein is one of the indispensable Mahler conductors, but his Mahler legacy is not a neat studio cycle. It is a constellation of major…

𝐊𝐀𝐑𝐋 𝐁𝐎̈𝐇𝐌 (𝟏𝟖𝟗𝟒–𝟏𝟗𝟖𝟏): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Karl Böhm (1894–1981) was born in Graz on 28 August 1894 and died in Salzburg on 14 August 1981. He studied law…

𝐎𝐭𝐭𝐨 𝐊𝐥𝐞𝐦𝐩𝐞𝐫𝐞𝐫 𝐢𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐓𝐡𝐞 𝐍𝐢𝐧𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Otto Klemperer’s Beethoven belongs among the most imposing achievements in the discography of the twentieth century. His Philharmonia recordings, mainly made between 1955 and…

𝐅𝐑𝐀𝐍𝐙 𝐊𝐎𝐍𝐖𝐈𝐓𝐒𝐂𝐇𝐍𝐘 (𝟏𝟗𝟎𝟏–𝟏𝟗𝟔𝟐) 𝐓𝐇𝐄 𝐅𝐈𝐄𝐑𝐘 𝐀𝐑𝐂𝐇𝐈𝐓𝐄𝐂𝐓 𝐎𝐅 𝐆𝐄𝐑𝐌𝐀𝐍 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐓𝐑𝐀𝐃𝐈𝐓𝐈𝐎𝐍 — 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐈𝐍𝐒𝐓𝐈𝐍𝐂𝐓, 𝐏𝐀𝐒𝐒𝐈𝐎𝐍, 𝐀𝐍𝐃 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐈𝐍𝐄 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐀𝐍𝐃 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 — 𝐅𝐑𝐎𝐌 𝐕𝐈𝐎𝐋𝐈𝐍𝐈𝐒𝐓 𝐓𝐎 𝐌𝐀𝐄𝐒𝐓𝐑𝐎 𝐅𝐫𝐚𝐧𝐳 𝐊𝐨𝐧𝐰𝐢𝐭𝐬𝐜𝐡𝐧𝐲 (𝟏𝟒 𝐀𝐮𝐠𝐮𝐬𝐭 𝟏𝟗𝟎𝟏 – 𝟐𝟖 𝐉𝐮𝐥𝐲 𝟏𝟗𝟔𝟐) was…

𝐌𝐚𝐡𝐥𝐞𝐫 – 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 𝟏 𝐭𝐨 𝟏𝟎 – 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐚𝐢𝐭𝐢𝐧𝐤 – 𝐋𝐏 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 https://www.patreon.com/posts/mahler-1-to-10-137376934?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐚𝐢𝐭𝐢𝐧𝐤 𝐢𝐧 𝐌𝐚𝐡𝐥𝐞𝐫: 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Bernard Haitink’s Mahler is one of the central recorded monuments in the…

𝐋𝐞𝐨𝐧𝐚𝐫𝐝 𝐁𝐞𝐫𝐧𝐬𝐭𝐞𝐢𝐧 𝐢𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬, 𝐕𝐢𝐨𝐥𝐢𝐧 𝐂𝐨𝐧𝐜𝐞𝐫𝐭𝐨, 𝐚𝐧𝐝 𝐏𝐢𝐚𝐧𝐨 𝐂𝐨𝐧𝐜𝐞𝐫𝐭𝐨𝐬, 𝐎𝐧𝐞 𝐛𝐲 𝐎𝐧𝐞 Complete Audio in Patreon: https://www.patreon.com/collection/2064329 Leonard Bernstein’s Beethoven discography is both rich and uneven. In the symphonies, the essential comparison…

𝐌𝐀𝐗 𝐋𝐎𝐑𝐄𝐍𝐙 (𝟏𝟗𝟎𝟏–𝟏𝟗𝟕𝟓) - 𝐓𝐇𝐄 𝐖𝐀𝐆𝐍𝐄𝐑𝐈𝐀𝐍 𝐓𝐄𝐍𝐎𝐑 𝐖𝐇𝐎 𝐒𝐀𝐍𝐆 𝐓𝐑𝐈𝐒𝐓𝐀𝐍 𝐈𝐍 𝐓𝐇𝐄 𝐒𝐇𝐀𝐃𝐎𝐖 𝐎𝐅 𝐇𝐈𝐒𝐓𝐎𝐑𝐘 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐀𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐁𝐄𝐆𝐈𝐍𝐍𝐈𝐍𝐆𝐒 𝐌𝐚𝐱 𝐋𝐨𝐫𝐞𝐧𝐳 (𝟏𝟎 𝐌𝐚𝐲 𝟏𝟗𝟎𝟏 – 𝟏𝟏 𝐉𝐚𝐧𝐮𝐚𝐫𝐲 𝟏𝟗𝟕𝟓) was born in Düsseldorf, Germany, into…

**𝐀 𝐑𝐈𝐆𝐎𝐑𝐎𝐔𝐒 𝐂𝐎𝐌𝐏𝐀𝐑𝐀𝐓𝐈𝐕𝐄 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒 𝐎𝐅 𝐍𝐈𝐍𝐄 𝐌𝐀𝐉𝐎𝐑 𝐁𝐎𝐎𝐊𝐒 𝐎𝐍 𝐁𝐀𝐑𝐎𝐐𝐔𝐄 𝐌𝐔𝐒𝐈𝐂, 𝟏𝟔𝟎𝟎–𝟏𝟕𝟓𝟎** To compare these nine books properly, one must begin by recognizing that they do **not** all aim to do the same thing.…

# **Bruce Haynes’s *****The End of Early Music: A Period Performer’s History of Music for the Twenty-First Century*** Bruce Haynes’s ***The End of Early Music: A Period Performer’s History of Music for the Twenty-First…

# **Robert Donington’s *****Baroque Music: Style and Performance*****, ** Robert Donington’s ***Baroque Music: Style and Performance***, subtitled ***A Handbook***, was published in **1982**. The bibliographical record shows two closely related editions that year: a…

# ***Companion to Baroque Music*****, edited by Julie Anne Sadie** ***Companion to Baroque Music***, edited by **Julie Anne Sadie**, has a somewhat interesting publication history because it exists in **two main publishing stages**. The…

# **The Cambridge History of Eighteenth-Century Music ** ***The Cambridge History of Eighteenth-Century Music*** was published by **Cambridge University Press in 2009**, under the editorship of **Simon P. Keefe**. Cambridge’s own record identifies the…

# **The Cambridge History of Seventeenth-Century Music ** ***The Cambridge History of Seventeenth-Century Music*** was published by **Cambridge University Press in 2005**, under the editorship of **Tim Carter** and **John Butt**. It appeared as…

# **Richard Taruskin’s *****Music in the Seventeenth and Eighteenth Centuries***** ** Richard Taruskin’s ***Music in the Seventeenth and Eighteenth Centuries*** was published by **Oxford University Press in 2010** as part of his monumental ***The…

# **David Schulenberg’s *****Music of the Baroque*** David Schulenberg’s ***Music of the Baroque*** first appeared in **2001**, published by **Oxford University Press** in New York. The first edition is generally listed at **xiv +…

# **George J. Buelow — A History of Baroque Music** George J. Buelow’s ***A History of Baroque Music*** was published in **2004** by **Indiana University Press** in Bloomington. The standard bibliographic record gives the…

# **Music In The Baroque Era - From Monteverdi To Bach ** Manfred F. Bukofzer’s ***Music in the Baroque Era: From Monteverdi to Bach*** first appeared in **1947**, published by **W. W. Norton** in…

𝗠𝗔𝗛𝗟𝗘𝗥: 𝗘𝗔𝗖𝗛 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 To say that each Mahler symphony is a world is not a decorative phrase. It is one of the few formulas that comes close to the truth. In Mahler’s…