Posts / Photos

# **Herbert von Karajan in the Recording Studio — The Architect of the Modern Classical Sound ** ## The Studio as Karajan’s True Kingdom For Herbert von Karajan, the recording studio was not a…

# **Mozart - Violin Concerto No.1 KV 207 - Sinfonia Concertante KV 364 - Anne-Sophie Mutter - Bruno Giuranna - ASMF - Neville Marriner ** [https://www.patreon.com/posts/mozart-violin-no-147534334?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/mozart-violin-no-147534334?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) ## **Violin Concerto No. 1 in B-flat major,…

# **Mozart - Les Petits Riens, Ballet - Overtures - ASMF - Neville Marriner ** [https://www.patreon.com/posts/mozart-les-riens-147456057?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/mozart-les-riens-147456057?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) **Les Petits Riens** **Ballet-pantomime by Wolfgang Amadeus Mozart (K. 299b / K. Anh. 10)** **Les Petits Riens** occupies…

# **Giovanni Punto - Four Horn Concertos - Barry Tuckwell - ASMF - Neville Marriner ** [[https://www.patreon.com/posts/giovanni-punto-147455588?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/giovanni-punto-147455588?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link)](https://www.patreon.com/posts/giovanni-punto-147455588?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) **Giovanni Punto — Composer, Virtuoso, Reformer** Giovanni Punto, born **Jan Václav Stich** on **28 September 1746** in…

# **Alessandro Scarlatti - La Gloria di Primavera - **1716 (Naples) - **Nicholas McGegan ** [https://www.patreon.com/posts/alessandro-la-di-147367820?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/alessandro-la-di-147367820?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) **La Gloria di Primavera** is a refined and emblematic example of Alessandro Scarlatti’s **secular ceremonial music**, written in…

# **Lovro von Matačić (1899–1985)** ## **A Life in 20 Chapters** Lovro von Matačić stands as one of the **most profound, uncompromising, and morally complex conductors of the 20th century**. Revered by musicians for…

# **Could Rossini Have Written Great Symphonies? ** The idea that **Gioachino Rossini** might have composed **outstanding symphonies** had he chosen to do so is not speculative flattery, but a conclusion grounded in **musical…

# **André Cluytens — His Relationships with Musicians, Conductors, and Soloists** André Cluytens’ artistic life was shaped not by rivalries or power struggles, but by **networks of trust, quiet authority, and deep professional respect**.…

# **Wolfgang Sawallisch — His Relationships with Musicians, Soloists, Singers, and Fellow Conductors** **1. A Musician’s Conductor** Wolfgang Sawallisch was universally regarded as **a conductor trusted by musicians**. Unlike many podium figures whose authority…

# **Handel - Il pastor fido - Nicholas McGegan ** [https://www.patreon.com/posts/handel-il-pastor-146975888?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/handel-il-pastor-146975888?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) **Il pastor fido** occupies a very particular place in the operatic output of **George Frideric Handel**. First performed in **1712** at the **Queen’s…

# **Handel - Acis & Galatea (arr. Felix Mendelssohn) - Stephen Darlington ** [https://www.patreon.com/posts/handel-acis-arr-146839510?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/handel-acis-arr-146839510?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) **1. Handel’s Original Work (1718): A Pastoral Masque** **Acis and Galatea** was composed in **1718** for the Duke of Chandos…

# **Johann Christian Bach - Zanaida - Opera - 1763 - Opera Fuoco - David Stern** [https://www.patreon.com/posts/johann-christian-146666131?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/johann-christian-146666131?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) *Zanaida* is one of the **most ambitious and revealing operas** by Johann Christian Bach, the so-called **“London…

# **Mahler’s Fourth Symphony** ## *Why Klemperer Offers the Most Profound Metaphysical Reading* Among the many great interpretations of **Gustav Mahler’s Symphony No. 4**, the reading by **Otto Klemperer** stands apart not because it…

# **Gounod - Symphonies Nos. 1 & 2 - Iceland SO, Yan Pascal Tortelier ** [https://www.patreon.com/posts/gounod-nos-1-2-146349458?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/gounod-nos-1-2-146349458?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) ## **Charles Gounod and the Symphony: An Unlikely Encounter** Although today **Charles Gounod** is remembered above all as…

# **Haydn - Symphonies Nos. 50 - 51 - 52 - Swedish Chamber Orchestra - Bela Drahos ** [https://www.patreon.com/posts/haydn-symphonies-146341790?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/haydn-symphonies-146341790?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) ## **Symphony No. 50 in C major, Hob. I:50 (c. 1773)** At first glance, a…

# **Haydn - Symphonies Nos. 37 - 38 - 39 - 40 -Cologne Chamber Orchestra - Helmut Müller-Brühl ** [https://www.patreon.com/posts/haydn-symphonies-146274376?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/haydn-symphonies-146274376?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) ## By **1766–1768**, **Joseph Haydn** had become full Kapellmeister to the Esterházy court. His…

# **Bruno Walter’s Relationships with Other Musicians and Orchestras** **Gustav Mahler: Master, Mentor, and Moral Reference** The most decisive relationship in **Bruno Walter’s** artistic life was undoubtedly with **Gustav Mahler**, whom he met in…

# **Mieczysław Horszowski and Pau Casals: Friendship, Artistic Affinity, and Musical Collaboration** **1. Two Moral Artists from Different Worlds** At first glance, **Mieczysław Horszowski** and **Pau Casals** seemed to come from different musical universes.…

# **José de Nebra (1702–1768): Life, Works, and Historical Significance** **1. Family Origins and Early Formation (1702–c.1720)** **José Melchor Baltasar Gaspar Nebra Blasco** was born on **6 January 1702** in **Calatayud (Aragón)** into a…

# **Mozart and the Musicians: Orchestras, Opera Singers, and the Reality Behind the Genius** Mozart’s relationship with **orchestral musicians and opera singers** was complex, deeply human, and often misunderstood. Far from being a distant…

# **Mozart and the Violin** Although Mozart is remembered above all as a pianist and composer, **his relationship with the violin reveals one of the clearest signs of his exceptional musical cognition**: the ability…

# **Mozart: Emperor Joseph II and the Remark about “Too Many Notes”** The remark traditionally attributed to **Emperor Joseph II**—that Mozart’s music contained “too many notes”—is one of the most famous, and most misunderstood,…

# **Pinchas Zukerman and His Relationships with Other Musicians** Pinchas Zukerman’s career cannot be understood in isolation. From the beginning, his artistic identity was shaped—and continually refined—through **intense personal and musical relationships** with performers,…

# **Bach and Mozart** Placing Bach and Mozart side by side is like placing two continents next to each other: they touch at the edges, share a landscape of harmony and counterpoint, yet each…