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𝐂𝐀𝐌𝐈𝐋𝐋𝐄 𝐒𝐀𝐈𝐍𝐓-𝐒𝐀𝐄̈𝐍𝐒 (𝟏𝟖𝟑𝟓–𝟏𝟗𝟐𝟏): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Camille Saint-Saëns (1835–1921) is often remembered as the supreme French classicist of the later nineteenth century: elegant, lucid, disciplined, cultivated, brilliant, and…

**𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - Chapter 9 — Breaking** **1) Salzburg Stagnation and the Weight of Dependence** After Munich, **Mozart returned to Salzburg still without a meaningful future**. He had no major post beyond…

𝐀𝐒𝐓𝐑𝐈𝐃 𝐕𝐀𝐑𝐍𝐀𝐘 (𝟏𝟗𝟏𝟖–𝟐𝟎𝟎𝟔) 𝐓𝐇𝐄 𝐖𝐀𝐆𝐍𝐄𝐑𝐈𝐀𝐍 𝐐𝐔𝐄𝐄𝐍 𝐎𝐅 𝐅𝐈𝐑𝐄 — 𝐓𝐇𝐄 𝐃𝐑𝐀𝐌𝐀𝐓𝐈𝐂 𝐒𝐎𝐏𝐑𝐀𝐍𝐎 𝐖𝐇𝐎 𝐂𝐎𝐍𝐐𝐔𝐄𝐑𝐄𝐃 𝐁𝐀𝐘𝐑𝐄𝐔𝐓𝐇 𝐀𝐍𝐃 𝐑𝐄𝐈𝐍𝐕𝐄𝐍𝐓𝐄𝐃 𝐇𝐄𝐑𝐒𝐄𝐋𝐅 𝐁𝐈𝐑𝐓𝐇 𝐈𝐍𝐓𝐎 𝐀 𝐖𝐎𝐑𝐋𝐃 𝐎𝐅 𝐎𝐏𝐄𝐑𝐀 — 𝐀 𝐂𝐇𝐈𝐋𝐃 𝐎𝐅 𝐓𝐇𝐄 𝐓𝐇𝐄𝐀𝐓𝐑𝐄 𝐀𝐬𝐭𝐫𝐢𝐝 𝐕𝐚𝐫𝐧𝐚𝐲 (𝟐𝟓 𝐀𝐩𝐫𝐢𝐥…

𝐇𝐄𝐂𝐓𝐎𝐑 𝐁𝐄𝐑𝐋𝐈𝐎𝐙 (𝟏𝟖𝟎𝟑–𝟏𝟖𝟔𝟗): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Hector Berlioz (1803–1869) was one of the most radical and controversial composers of the nineteenth century. His life combined artistic genius, emotional…

𝐄𝐃𝐕𝐀𝐑𝐃 𝐆𝐑𝐈𝐄𝐆 (𝟏𝟖𝟒𝟑–𝟏𝟗𝟎𝟕): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Edvard Grieg (1843–1907) is often remembered as one of the most lyrical, intimate, and beloved composers of the nineteenth century: the musical…

𝐉𝐎𝐇𝐀𝐍𝐍𝐄𝐒 𝐁𝐑𝐀𝐇𝐌𝐒: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Johannes Brahms is often remembered as the great embodiment of musical seriousness, structural mastery, emotional reserve, and artistic integrity: the bearded classicist of…

𝐉𝐎𝐇𝐀𝐍𝐍 𝐒𝐄𝐁𝐀𝐒𝐓𝐈𝐀𝐍 𝐁𝐀𝐂𝐇: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Johann Sebastian Bach is often imagined as the supreme embodiment of order, discipline, faith, and musical perfection: a devout Lutheran master whose…

𝐓𝐈𝐌𝐄𝐋𝐈𝐍𝐄 𝐎𝐅 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐀𝐋 𝐌𝐔𝐒𝐈𝐂 Here are our own Composer Timelines for the following music periods: 𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐨𝐫 𝐆𝐨𝐭𝐡𝐢𝐜 𝐏𝐞𝐫𝐢𝐨𝐝 (𝐚𝐩𝐩𝐫𝐨𝐱. 𝟖𝟎𝟎–𝟏𝟒𝟎𝟎) 𝐑𝐞𝐧𝐚𝐢𝐬𝐬𝐚𝐧𝐜𝐞 𝐏𝐞𝐫𝐢𝐨𝐝 (𝐚𝐩𝐩𝐫𝐨𝐱. 𝟏𝟒𝟎𝟎–𝟏𝟔𝟎𝟎) 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐏𝐞𝐫𝐢𝐨𝐝 (𝐚𝐩𝐩𝐫𝐨𝐱. 𝟏𝟔𝟎𝟎–𝟏𝟕𝟓𝟎) 𝐂𝐥𝐚𝐬𝐬𝐢𝐜𝐚𝐥 𝐏𝐞𝐫𝐢𝐨𝐝 (𝐚𝐩𝐩𝐫𝐨𝐱. 𝟏𝟕𝟓𝟎–𝟏𝟖𝟐𝟎) 𝐑𝐨𝐦𝐚𝐧𝐭𝐢𝐜…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 - 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨.𝟑 “𝐄𝐫𝐨𝐢𝐜𝐚” - 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰𝐚𝐧𝐠𝐥𝐞𝐫 - 𝐖𝐢𝐞𝐧𝐞𝐫 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐤𝐞𝐫 - 𝟏𝟗𝟒𝟒 https://www.youtube.com/watch?v=sbHD189DAp0&t=234s https://www.youtube.com/watch?v=qbxD-_yNIKw (Good Sound) The 1944 Vienna performance of Beethoven’s Third Symphony conducted by Wilhelm Furtwangler with the Wiener Philharmoniker is…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 - 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨.𝟑 - 𝐀𝐮𝐝𝐢𝐨 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧 in Patreon: https://www.patreon.com/collection/2053627 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐓𝐇𝐈𝐑𝐃 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘, “𝐄𝐑𝐎𝐈𝐂𝐀”: 𝐓𝐇𝐄 𝐇𝐈𝐒𝐓𝐎𝐑𝐘 𝐎𝐅 𝐈𝐓𝐒 𝐂𝐎𝐌𝐏𝐎𝐒𝐈𝐓𝐈𝐎𝐍 Beethoven’s Third Symphony in E-flat major, Op. 55, universally known as the “Eroica”, stands at…

# **Generation Harmonia Mundi: The Family Spirit - **Box Set 18CDs [https://www.patreon.com/posts/generation-mundi-153011446?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/generation-mundi-153011446?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) CD 1 – **The heirs of Alfred Deller** – **Vivaldi**: *Stabat Mater* / **Cavalli** / **Handel** **The operatic odyssey of René Jacobs**…

𝐖𝐨𝐦𝐞𝐧 𝐢𝐧 𝐖𝐚𝐠𝐧𝐞𝐫: 𝐏𝐨𝐰𝐞𝐫, 𝐒𝐚𝐜𝐫𝐢𝐟𝐢𝐜𝐞, 𝐚𝐧𝐝 𝐑𝐞𝐝𝐞𝐦𝐩𝐭𝐢𝐨𝐧 Wagner’s female characters are among the most compelling in nineteenth-century opera. Isolde, Brünnhilde, Elisabeth, Senta, Kundry and others possess immense dramatic force, psychological intensity, and symbolic importance.…

**𝐊𝐀𝐑𝐋 𝐄𝐋𝐈𝐀𝐒𝐁𝐄𝐑𝐆 (1907–1978): 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐆𝐀𝐕𝐄 𝐋𝐄𝐍𝐈𝐍𝐆𝐑𝐀𝐃 𝐈𝐓𝐒 𝐕𝐎𝐈𝐂𝐄** Karl Ilyich Eliasberg was born in **Minsk on 10 June 1907** and died in **Leningrad on 12 February 1978**. In the broad history of…

The relationship between 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰ä𝐧𝐠𝐥𝐞𝐫 and 𝐀𝐭𝐚ú𝐥𝐟𝐨 𝐀𝐫𝐠𝐞𝐧𝐭𝐚 was not that of master and formal disciple in the strict documentary sense, nor was it a long public partnership built on frequent joint projects. What…

# **𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - Chapter 7 — *****Exsultate, Jubilate*** **1) Salzburg Again: Return, Frustration, and the Sense of Confinement** When **Leopold and Wolfgang returned to Salzburg on 28 March 1771**, the city…

𝗠𝗔𝗛𝗟𝗘𝗥: 𝗘𝗔𝗖𝗛 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 To say that each Mahler symphony is a world is not a decorative phrase. It is one of the few formulas that comes close to the truth. In Mahler’s…

𝐌𝐨𝐳𝐚𝐫𝐭 - 𝐃𝐢𝐞 𝐙𝐚𝐮𝐛𝐞𝐫𝐟𝐥𝐨𝐭𝐞 - 𝐎𝐭𝐭𝐨 𝐊𝐥𝐞𝐦𝐩𝐞𝐫𝐞𝐫, 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐚 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚 - 𝐍𝐢𝐜𝐨𝐥𝐚𝐢 𝐆𝐞𝐝𝐝𝐚, 𝐆𝐮𝐧𝐝𝐮𝐥𝐚 𝐉𝐚𝐧𝐨𝐰𝐢𝐭𝐳, 𝐖𝐚𝐥𝐭𝐞𝐫 𝐁𝐞𝐫𝐫𝐲, 𝐋𝐮𝐜𝐢𝐚 𝐏𝐨𝐩𝐩, 𝐆𝐨𝐭𝐭𝐥𝐨𝐛 𝐅𝐫𝐢𝐜𝐤, 𝐅𝐫𝐚𝐧𝐳 𝐂𝐫𝐚𝐬𝐬, 𝐄𝐥𝐢𝐬𝐚𝐛𝐞𝐭𝐡 𝐒𝐜𝐡𝐰𝐚𝐫𝐳𝐤𝐨𝐩𝐟, 𝐂𝐡𝐫𝐢𝐬𝐭𝐚 𝐋𝐮𝐝𝐰𝐢𝐠, 𝐌𝐚𝐫𝐠𝐚 𝐇ö𝐟𝐟𝐠𝐞𝐧, 𝐆𝐞𝐫𝐡𝐚𝐫𝐝 𝐔𝐧𝐠𝐞𝐫, 𝐀𝐠𝐧𝐞𝐬 𝐆𝐢𝐞𝐛𝐞𝐥, 𝐑𝐮𝐭𝐡-𝐌𝐚𝐫𝐠𝐫𝐞𝐭 𝐏ü𝐭𝐳,…

𝐉𝐎𝐇𝐀𝐍𝐍 𝐒𝐓𝐑𝐀𝐔𝐒𝐒 𝐈𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐋𝐓𝐙 𝐊𝐈𝐍𝐆 𝐎𝐅 𝐕𝐈𝐄𝐍𝐍𝐀: 𝐑𝐄𝐁𝐄𝐋𝐋𝐈𝐎𝐍, 𝐆𝐋𝐎𝐑𝐘, 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂 𝐓𝐇𝐀𝐓 𝐃𝐄𝐅𝐈𝐍𝐄𝐃 𝐀𝐍 𝐄𝐑𝐀 (1825–1899) 𝐈. 𝐁𝐎𝐑𝐍 𝐈𝐍𝐓𝐎 𝐀 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐘𝐍𝐀𝐒𝐓𝐘 — 𝐀 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐎𝐅 𝐂𝐎𝐍𝐅𝐋𝐈𝐂𝐓 (1825–1837) 𝐉𝐨𝐡𝐚𝐧𝐧 𝐒𝐭𝐫𝐚𝐮𝐬𝐬 𝐈𝐈…

𝐋𝐄𝐎𝐒 𝐉𝐀𝐍𝐀𝐂𝐄𝐊 — 𝐓𝐇𝐄 𝐅𝐋𝐀𝐌𝐄 𝐎𝐅 𝐋𝐀𝐓𝐄 𝐆𝐄𝐍𝐈𝐔𝐒: 𝐌𝐀𝐓𝐔𝐑𝐈𝐓𝐘, 𝐎𝐁𝐒𝐄𝐒𝐒𝐈𝐎𝐍 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐁𝐈𝐑𝐓𝐇 𝐎𝐅 𝐌𝐎𝐃𝐄𝐑𝐍 𝐎𝐏𝐄𝐑𝐀 (1890s–1928) 𝐈. 𝐓𝐇𝐄 𝐋𝐎𝐍𝐆 𝐒𝐓𝐑𝐔𝐆𝐆𝐋𝐄 𝐁𝐄𝐅𝐎𝐑𝐄 𝐅𝐀𝐌𝐄 (1890s–1903) By the 1890s, 𝐋𝐞𝐨𝐬 𝐉𝐚𝐧𝐚𝐜𝐞𝐤 (1854–1928) was already a respected…

𝐑𝐎𝐁𝐄𝐑𝐓 𝐊𝐀𝐉𝐀𝐍𝐔𝐒 — 𝐓𝐇𝐄 𝐀𝐑𝐂𝐇𝐈𝐓𝐄𝐂𝐓 𝐎𝐅 𝐅𝐈𝐍𝐍𝐈𝐒𝐇 𝐌𝐔𝐒𝐈𝐂: 𝐌𝐀𝐒𝐓𝐄𝐑𝐒, 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄𝐒 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐑𝐈𝐒𝐄 𝐎𝐅 𝐀 𝐍𝐀𝐓𝐈𝐎𝐍 (𝟏𝟖𝟓𝟔–𝟏𝟗𝟑𝟑) 𝐀 𝐘𝐎𝐔𝐍𝐆 𝐅𝐈𝐍𝐍 𝐋𝐎𝐎𝐊𝐈𝐍𝐆 𝐓𝐎 𝐄𝐔𝐑𝐎𝐏𝐄 When 𝐑𝐨𝐛𝐞𝐫𝐭 𝐊𝐚𝐣𝐚𝐧𝐮𝐬 (1856–1933) was born in Helsingfors on 2 December…

𝐆𝐈𝐔𝐋𝐈𝐍𝐈 𝐕𝐒. 𝐒𝐎𝐋𝐓𝐈 — 𝐓𝐖𝐎 𝐎𝐏𝐏𝐎𝐒𝐈𝐓𝐄 𝐕𝐈𝐒𝐈𝐎𝐍𝐒 𝐎𝐅 𝐓𝐇𝐄 𝐌𝐀𝐄𝐒𝐓𝐑𝐎’𝐒 𝐀𝐑𝐓 𝐈. 𝐓𝐖𝐎 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒, 𝐓𝐖𝐎 𝐖𝐎𝐑𝐋𝐃𝐒 Although 𝐂𝐚𝐫𝐥𝐨 𝐌𝐚𝐫𝐢𝐚 𝐆𝐢𝐮𝐥𝐢𝐧𝐢 (𝟏𝟗𝟏𝟒–𝟐𝟎𝟎𝟓) and 𝐒𝐢𝐫 𝐆𝐞𝐨𝐫𝐠 𝐒𝐨𝐥𝐭𝐢 (𝟏𝟗𝟏𝟐–𝟏𝟗𝟗𝟕) belonged to essentially the same generation, their artistic…

𝐇𝐚𝐲𝐝𝐧 – 𝐂𝐨𝐦𝐩𝐥𝐞𝐭𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 – 𝐀𝐮𝐝𝐢𝐨 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧: https://www.patreon.com/collection/2025866 𝐇𝐀𝐘𝐃𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒: 𝐓𝐇𝐄 𝐅𝐎𝐔𝐍𝐃𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐓𝐇𝐄 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐀𝐋 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀 𝐈. 𝐇𝐚𝐲𝐝𝐧 𝐚𝐬 𝐭𝐡𝐞 𝐂𝐫𝐞𝐚𝐭𝐨𝐫 𝐨𝐟 𝐭𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐜 𝐅𝐨𝐫𝐦 Joseph Haydn’s contribution to the symphony is without parallel…

𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗭𝗘𝗟𝗟 — 𝗧𝗛𝗘 𝗥𝗜𝗦𝗘 𝗢𝗙 𝗔𝗡 𝗜𝗥𝗢𝗡 𝗠𝗔𝗘𝗦𝗧𝗥𝗢 The early career of 𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝘇𝗲𝗹𝗹 (1897–1970) reads less like the meteoric story of a flamboyant prodigy and more like the steady forging of one…

𝗠𝗜𝗧𝗥𝗢𝗣𝗢𝗨𝗟𝗢𝗦 𝗔𝗡𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝗠𝗘𝗡𝗧𝗢𝗥𝗦𝗛𝗜𝗣 𝗧𝗛𝗔𝗧 𝗖𝗛𝗔𝗡𝗚𝗘𝗗 𝗔𝗠𝗘𝗥𝗜𝗖𝗔𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗜𝗡𝗚 𝗗𝗶𝗺𝗶𝘁𝗿𝗶 𝗠𝗶𝘁𝗿𝗼𝗽𝗼𝘂𝗹𝗼𝘀 (1896–1960) was indeed a crucial mentor figure for 𝗟𝗲𝗼𝗻𝗮𝗿𝗱 𝗕𝗲𝗿𝗻𝘀𝘁𝗲𝗶𝗻 (1918–1990), though their bond never followed the formal path of teacher and…