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𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟔 — 𝐌𝐎𝐉𝐀 𝐁𝐈𝐄𝐃𝐀 𝐌𝐀𝐑𝐈𝐀 𝐖𝐎𝐃𝐙𝐈Ń𝐒𝐊𝐀 Among all the women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧’s…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟏 — 𝐓𝐇𝐄 “𝐉𝐔𝐏𝐈𝐓𝐄𝐑” 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐔𝐋𝐌𝐈𝐍𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐀𝐑𝐓 Mozart completed his 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟏 𝐢𝐧 𝐂 𝐦𝐚𝐣𝐨𝐫, 𝐊. 𝟓𝟓𝟏, on 10 August 1788. It was the last of…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟎 — 𝐓𝐇𝐄 𝐃𝐀𝐑𝐊 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝟏𝟕𝟖𝟖 Mozart’s 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟎 𝐢𝐧 𝐆 𝐦𝐢𝐧𝐨𝐫, 𝐊. 𝟓𝟓𝟎, completed on 25 July 1788, stands at the centre of one of the most astonishing…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 The move to Paris changed almost every external circumstance of Fryderyk Chopin’s life. Warsaw had…

𝐓𝐇𝐄 𝐆𝐑𝐄𝐀𝐓 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐑𝐎𝐁𝐄𝐑𝐓 𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica, en siguiente Link: https://www.facebook.com/share/p/1DxAY1tt9T/ Schumann’s Symphony No. 1 in B-flat major, Op.…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟒 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 “𝐋𝐎𝐕𝐄” 𝐊𝐎𝐍𝐒𝐓𝐀𝐍𝐂𝐉𝐀 𝐆Ł𝐀𝐃𝐊𝐎𝐖𝐒𝐊𝐀 In 𝐀𝐩𝐫𝐢𝐥 𝟏𝟖𝟐𝟗, when 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 was…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐎𝐊𝐒𝐀𝐍𝐀 𝐋𝐘𝐍𝐈𝐕 — 𝐓𝐇𝐄 𝐔𝐊𝐑𝐀𝐈𝐍𝐈𝐀𝐍 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐑𝐎𝐊𝐄 𝐁𝐀𝐘𝐑𝐄𝐔𝐓’𝐒 𝟏𝟒𝟓-𝐘𝐄𝐀𝐑 𝐁𝐀𝐑𝐑𝐈𝐄𝐑 Oksana Lyniv has become one of the most important conductors of her generation, combining precision, dramatic instinct, deep preparation and a strong commitment…

𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 𝐀𝐍𝐃 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 — 𝐓𝐇𝐄 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐖𝐇𝐎 𝐑𝐄𝐂𝐎𝐆𝐍𝐈𝐙𝐄𝐃 𝐀 𝐆𝐄𝐍𝐈𝐔𝐒 Józef Elsner (1769–1854) was one of the decisive figures in Chopin’s artistic formation. Strictly speaking, Elsner was primarily a composer, conductor, theorist…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟑 — 𝐌𝐔𝐒𝐈𝐂 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐀𝐍𝐃 𝐌𝐄𝐍𝐓𝐎𝐑 𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 When 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 completed his piano…

𝗖𝗛𝗢𝗣𝗜𝗡: 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗦 𝗔 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘, 𝗧𝗛𝗘 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 𝗔𝗦 𝗔 𝗙𝗥𝗔𝗠𝗘, 𝗔𝗡𝗗 𝗢𝗣𝗘𝗥𝗔 𝗔𝗦 𝗔 𝗠𝗢𝗗𝗘𝗟 To say that Frédéric Chopin composed only music for the piano is a useful simplification, but it is…

𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐌𝐏𝐀𝐍𝐈𝐎𝐍 𝐀𝐍𝐃 𝐖𝐈𝐓𝐍𝐄𝐒𝐒 𝐓𝐎 𝐇𝐈𝐒 𝐏𝐀𝐑𝐈𝐒𝐈𝐀𝐍 𝐋𝐈𝐅𝐄 Jan Edward Matuszyński (1808–1842) was one of Frédéric Chopin’s closest and most trusted friends, a companion from his Warsaw youth who later…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟐 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐈𝐍𝐓𝐈𝐌𝐀𝐓𝐄 𝐅𝐑𝐈𝐄𝐍𝐃𝐒 𝐉𝐀𝐍 𝐁𝐈𝐀Ł𝐎𝐁Ł𝐎𝐂𝐊𝐈, 𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈, 𝐉𝐔𝐋𝐈𝐀𝐍 𝐅𝐎𝐍𝐓𝐀𝐍𝐀, 𝐀𝐍𝐃 𝐓𝐘𝐓𝐔𝐒…

𝐓𝐇𝐄 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 𝐌𝐎𝐍𝐔𝐌𝐄𝐍𝐓 𝐈𝐍 Ł𝐀𝐙𝐈𝐄𝐍𝐊𝐈 𝐏𝐀𝐑𝐊 The celebrated monument to 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 stands in the western part of 𝐑𝐨𝐲𝐚𝐥 Ł𝐚𝐳𝐢𝐞𝐧𝐤𝐢 𝐏𝐚𝐫𝐤 in 𝐖𝐚𝐫𝐬𝐚𝐰, close to the 𝐁𝐞𝐥𝐰𝐞𝐝𝐞𝐫 𝐏𝐚𝐥𝐚𝐜𝐞 and the Warsaw University Botanical…

𝐄𝐦𝐢𝐥𝐢𝐚 𝐂𝐡𝐨𝐩𝐢𝐧 (1812–1827) was a younger sister of the Polish composer 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧. As a child, she showed literary and artistic talent, but she died on 10 April 1827, aged just 15. The cause…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐀𝐌𝐈𝐋𝐘 𝐈𝐍 𝐇𝐈𝐒 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐕𝐄 𝐘𝐄𝐀𝐑𝐒 The first people…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐓𝐇𝐄 𝐄𝐘𝐄𝐒 𝐎𝐅 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐁𝐈𝐁𝐋𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐈𝐂𝐀𝐋 𝐈𝐍𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 Original title: 𝐂𝐡𝐨𝐩𝐢𝐧 𝐓𝐡𝐫𝐨𝐮𝐠𝐡 𝐇𝐢𝐬 𝐂𝐨𝐧𝐭𝐞𝐦𝐩𝐨𝐫𝐚𝐫𝐢𝐞𝐬: 𝐅𝐫𝐢𝐞𝐧𝐝𝐬, 𝐋𝐨𝐯𝐞𝐫𝐬, 𝐚𝐧𝐝 𝐑𝐢𝐯𝐚𝐥𝐬 Author: 𝐏𝐢𝐞𝐫𝐫𝐞 𝐇. 𝐀𝐳𝐨𝐮𝐫𝐲 First published: 𝐈𝐧 𝟏𝟗𝟗𝟗 Publisher: 𝐆𝐫𝐞𝐞𝐧𝐰𝐨𝐨𝐝 𝐏𝐫𝐞𝐬𝐬, Westport, Connecticut, and London…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝗖𝗛𝗢𝗣𝗜𝗡’𝗦 𝗧𝗢𝗠𝗕 𝗔𝗧 𝗣È𝗥𝗘-𝗟𝗔𝗖𝗛𝗔𝗜𝗦𝗘: 𝗧𝗛𝗘 𝗕𝗢𝗗𝗬 𝗜𝗡 𝗣𝗔𝗥𝗜𝗦, 𝗧𝗛𝗘 𝗛𝗘𝗔𝗥𝗧 𝗜𝗡 𝗪𝗔𝗥𝗦𝗔𝗪 When 𝗙𝗿𝘆𝗱𝗲𝗿𝘆𝗸 𝗖𝗵𝗼𝗽𝗶𝗻 died in Paris on 17 October 1849, at the age of only thirty-nine, he left behind one final wish…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…