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# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗣𝗘𝗥𝗔, 𝗦𝗘𝗡𝗦𝗨𝗔𝗟 ## 𝗔 𝗟𝗶𝗳𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗟𝗶𝗴𝗵𝘁 𝗼𝗳 𝗠𝘂𝘀𝗶𝗰 𝗧𝗵𝗲𝗮𝘁𝗿𝗲 𝗕𝘆 𝗔𝗻𝗻𝗮 𝗠𝗶𝗸𝗮, 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗙ü𝗿𝘀𝘁𝗮𝘂𝗲𝗿 𝗮𝗻𝗱 𝗡𝗶𝗸𝗼𝗹𝗮𝘂𝘀 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗡𝗶𝗸𝗼𝗹𝗮𝘂𝘀 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁: 𝗢𝗽𝗲𝗿𝗮, 𝗦𝗲𝗻𝘀𝘂𝗮𝗹** presents the world of opera as it…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗢𝗡 𝗠𝗨𝗦𝗜𝗖 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗼𝗻𝗸𝗲𝘆’𝘀 𝗧𝗼𝗼𝗹𝘀 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝗮𝘀𝘁𝗲𝗿’𝘀 𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝗛𝗲𝗮𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗨𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗢𝗻 𝗠𝘂𝘀𝗶𝗰** brings together the central ideas that made…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗪𝗘 𝗔𝗥𝗘 𝗔 𝗙𝗘𝗟𝗟𝗢𝗪𝗦𝗛𝗜𝗣 𝗢𝗙 𝗘𝗫𝗣𝗟𝗢𝗥𝗘𝗥𝗦 ## 𝗡𝗼𝘁𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗜𝗻𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝘂𝘀 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗔𝗹𝗶𝗰𝗲 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 **𝗪𝗲 𝗔𝗿𝗲 𝗮 𝗙𝗲𝗹𝗹𝗼𝘄𝘀𝗵𝗶𝗽 𝗼𝗳 𝗘𝘅𝗽𝗹𝗼𝗿𝗲𝗿𝘀** recounts the beginnings of a…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗗𝗜𝗔𝗟𝗢𝗚𝗨𝗘𝗦 ## 𝗖𝗢𝗟𝗟𝗘𝗖𝗧𝗘𝗗 𝗧𝗛𝗢𝗨𝗚𝗛𝗧𝗦 𝗢𝗡 𝗔 𝗚𝗥𝗘𝗔𝗧 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗙ü𝗿𝘀𝘁𝗮𝘂𝗲𝗿 **𝗧𝗵𝗲 𝗠𝗼𝘇𝗮𝗿𝘁 𝗗𝗶𝗮𝗹𝗼𝗴𝘂𝗲𝘀** is not a conventional biography of **𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗔𝗺𝗮𝗱𝗲𝘂𝘀 𝗠𝗼𝘇𝗮𝗿𝘁**, nor is it a…

# 𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — “…𝗜𝗧 𝗪𝗔𝗦 𝗔𝗟𝗪𝗔𝗬𝗦 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖” ## 𝗔 𝗥𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝗜𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄𝘀 𝗘𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗝𝗼𝗵𝗮𝗻𝗻𝗮 𝗙ü𝗿𝘀𝘁𝗮𝘂𝗲𝗿 Few conductors of the twentieth and early twenty-first centuries transformed musical interpretation as radically as…

𝗡𝗜𝗞𝗢𝗟𝗔𝗨𝗦 𝗛𝗔𝗥𝗡𝗢𝗡𝗖𝗢𝗨𝗥𝗧 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Nikolaus Harnoncourt did not merely change the way Baroque and Classical music was performed. He transformed the modern understanding of what interpretation itself could mean. For him,…

# 𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗙𝗥𝗢𝗠 𝗬𝗢𝗨𝗧𝗛𝗙𝗨𝗟 𝗗𝗜𝗦𝗖𝗜𝗣𝗟𝗘 𝗧𝗢 𝗖𝗥𝗘𝗔𝗧𝗜𝗩𝗘 𝗛𝗘𝗜𝗥 The influence of **𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻** on **𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀** was profound, but it cannot be reduced to direct imitation.…

# 𝗪𝗵𝗲𝗻 𝗚𝗲𝗻𝗶𝘂𝘀 𝗞𝗻𝗼𝗰𝗸𝗲𝗱 𝗮𝘁 𝘁𝗵𝗲 𝗗𝗼𝗼𝗿 — 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝗼𝗳 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 𝗮𝗻𝗱 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 Few encounters in the history of Western music produced consequences as immediate and far-reaching as the first…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟯 — 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗗Ü𝗦𝗦𝗘𝗟𝗗𝗢𝗥𝗙 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗡𝗘𝗘𝗗𝗘𝗗 — 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗛𝗘 𝗖𝗢𝗨𝗟𝗗 𝗡𝗢𝗧 𝗕𝗘𝗔𝗥 When Robert Schumann…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 — 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗗𝗥𝗔𝗠𝗔𝗧𝗜𝗖 𝗪𝗢𝗥𝗞𝗦 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗪𝗛𝗢 𝗪𝗔𝗡𝗧𝗘𝗗 𝗧𝗛𝗘 𝗦𝗧𝗔𝗚𝗘 — 𝗔𝗡𝗗 𝗛𝗘𝗔𝗥𝗗 𝗜𝗧 𝗜𝗡𝗪𝗔𝗥𝗗𝗟𝗬 There was always something dramatic…

𝗕𝗘𝗥𝗡𝗔𝗥𝗗 𝗛𝗔𝗜𝗧𝗜𝗡𝗞 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Bernard Haitink’s greatness was rarely proclaimed through theatrical gestures, violent tempo manipulation or the deliberate imposition of a conductor’s personality upon the score. His authority emerged gradually,…

𝗭𝗨𝗕𝗜𝗡 𝗠𝗘𝗛𝗧𝗔 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Zubin Mehta’s extraordinary career connects several apparently different musical worlds: the Central European tradition he absorbed in Vienna, the orchestral brilliance of Los Angeles, the distinctive identity…

𝗥𝗜𝗖𝗖𝗔𝗥𝗗𝗢 𝗠𝗨𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Riccardo Muti is one of the defining conductors of the modern Italian tradition: a musician of rhythmic authority, textual discipline, theatrical instinct and uncompromising respect for the…

𝗦𝗘𝗜𝗝𝗜 𝗢𝗭𝗔𝗪𝗔 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Seiji Ozawa was one of the most internationally influential conductors of the post-war era. His art united rhythmic precision, luminous orchestral colour, exceptional transparency and an instinctive…

𝗟𝗢𝗥𝗜𝗡 𝗠𝗔𝗔𝗭𝗘𝗟 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Lorin Maazel was one of the most technically formidable conductors of the twentieth and early twenty-first centuries. He possessed an exceptional ear, an almost photographic memory, absolute…

𝗙𝗥𝗔𝗡𝗭 𝗩𝗢𝗡 𝗪𝗔𝗟𝗦𝗘𝗚𝗚 — 𝗧𝗛𝗘 𝗚𝗥𝗜𝗘𝗩𝗜𝗡𝗚 𝗖𝗢𝗨𝗡𝗧, 𝗧𝗛𝗘 𝗦𝗘𝗖𝗥𝗘𝗧 𝗖𝗢𝗠𝗠𝗜𝗦𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗠𝗢𝗭𝗔𝗥𝗧’𝗦 𝗥𝗘𝗤𝗨𝗜𝗘𝗠 Few minor figures in musical history have exercised such a decisive influence over the fate of a masterpiece…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟮 𝗧𝗛𝗘 𝗣𝗢𝗪𝗘𝗥 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖 ════════════════════════════ 𝗔𝗙𝗧𝗘𝗥 𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛: 𝗪𝗛𝗔𝗧 𝗥𝗘𝗠𝗔𝗜𝗡𝗦 After 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗲𝘆, Solomon does not end his biography with the corpse, the grave, the…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟭 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗝𝗢𝗨𝗥𝗡𝗘𝗬 ════════════════════════════ 𝗧𝗛𝗘 𝗥𝗘𝗤𝗨𝗜𝗘𝗠 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗘𝗡𝗧𝗥𝗔𝗡𝗖𝗘 𝗢𝗙 𝗟𝗘𝗚𝗘𝗡𝗗 After the extraordinary resurgence of 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗬𝗲𝗮𝗿, Solomon turns to the chapter that every…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟬 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗬𝗘𝗔𝗥 ════════════════════════════ 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥 𝗧𝗛𝗔𝗧 𝗥𝗘𝗙𝗨𝗦𝗘𝗦 𝗧𝗢 𝗕𝗘 𝗢𝗡𝗟𝗬 𝗧𝗥𝗔𝗚𝗜𝗖 After the darkness of 𝗔 “𝗖𝗼𝗻𝘀𝘁𝗮𝗻𝘁 𝗦𝗮𝗱𝗻𝗲𝘀𝘀”, one might expect Mozart’s final year to…

𝗦𝗘𝗥𝗚𝗜𝗨 𝗖𝗘𝗟𝗜𝗕𝗜𝗗𝗔𝗖𝗛𝗘 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sergiu Celibidache occupies a unique and paradoxical position in the history of recorded performance. Few major conductors distrusted recording technology more profoundly, yet few left behind such…

𝗟𝗲́𝗼𝗽𝗼𝗹𝗱 𝗦𝗶𝗺𝗼𝗻𝗲𝗮𝘂 — 𝗧𝗵𝗲 𝗣𝘂𝗿𝗲𝘀𝘁 𝗩𝗼𝗶𝗰𝗲 𝗼𝗳 𝗠𝗼𝘇𝗮𝗿𝘁 Among the great lyric tenors of the twentieth century, few embodied elegance, musical intelligence and vocal purity as completely as Léopold Simoneau. His was not a…

𝗖𝗛𝗔𝗥𝗟𝗘𝗦 𝗠𝗨𝗡𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Charles Munch was one of the most spontaneous, incandescent and unmistakably French conductors of the twentieth century. His finest performances combine rhythmic freedom, nervous energy, luminous orchestral…

𝗦𝗜𝗥 𝗧𝗛𝗢𝗠𝗔𝗦 𝗕𝗘𝗘𝗖𝗛𝗔𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Thomas Beecham was one of the most charismatic, cultivated and immediately recognisable conductors of the twentieth century. His interpretations rarely depended upon severity, intellectual demonstration…

𝗦𝗜𝗥 𝗝𝗢𝗛𝗡 𝗕𝗔𝗥𝗕𝗜𝗥𝗢𝗟𝗟𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir John Barbirolli was one of the most affectionate, instinctive and profoundly humane conductors of the twentieth century. He did not seek orchestral perfection as an…