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𝐌𝐎𝐙𝐀𝐑𝐓 — 𝟐𝟎 𝐆𝐑𝐄𝐀𝐓 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐍𝐎𝐒. 𝟒𝟎 𝐀𝐍𝐃 𝟒𝟏 Mozart’s final two symphonies invite radically different approaches. Symphony No. 40 in G minor, K. 550, thrives on tension, nervous energy and emotional…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟏 — 𝐓𝐇𝐄 “𝐉𝐔𝐏𝐈𝐓𝐄𝐑” 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐔𝐋𝐌𝐈𝐍𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐀𝐑𝐓 Mozart completed his 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟏 𝐢𝐧 𝐂 𝐦𝐚𝐣𝐨𝐫, 𝐊. 𝟓𝟓𝟏, on 10 August 1788. It was the last of…

𝐀𝐔𝐆𝐔𝐒𝐓𝐄 𝐅𝐑𝐀𝐍𝐂𝐇𝐎𝐌𝐌𝐄 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐂𝐄𝐋𝐋𝐈𝐒𝐓, 𝐂𝐎𝐋𝐋𝐀𝐁𝐎𝐑𝐀𝐓𝐎𝐑 𝐀𝐍𝐃 𝐂𝐋𝐎𝐒𝐄 𝐅𝐑𝐈𝐄𝐍𝐃 Auguste-Joseph Franchomme (1808–1884) was one of the most distinguished French cellists of the nineteenth century and, above all, one of Frédéric Chopin’s closest musical friends…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 𝐀𝐍𝐃 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 — 𝐓𝐇𝐄 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐖𝐇𝐎 𝐑𝐄𝐂𝐎𝐆𝐍𝐈𝐙𝐄𝐃 𝐀 𝐆𝐄𝐍𝐈𝐔𝐒 Józef Elsner (1769–1854) was one of the decisive figures in Chopin’s artistic formation. Strictly speaking, Elsner was primarily a composer, conductor, theorist…

𝐍𝐀𝐓𝐇𝐀𝐋𝐈𝐄 𝐒𝐓𝐔𝐓𝐙𝐌𝐀𝐍𝐍 — 𝐅𝐑𝐎𝐌 𝐓𝐇𝐄 𝐃𝐄𝐄𝐏𝐄𝐒𝐓 𝐕𝐎𝐈𝐂𝐄 𝐓𝐎 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑’𝐒 𝐏𝐎𝐃𝐈𝐔𝐌 Nathalie Stutzmann is one of the most unusual figures in contemporary classical music. Long before becoming an internationally celebrated conductor, she was already…

𝐉𝐔𝐋𝐈𝐀𝐍 𝐅𝐎𝐍𝐓𝐀𝐍𝐀 𝐀𝐍𝐃 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 — 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐀𝐍𝐃 𝐆𝐔𝐀𝐑𝐃𝐈𝐀𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐌𝐔𝐒𝐈𝐂 Julian Fontana (1810–1869) was one of Frédéric Chopin’s closest Polish friends, and his importance in Chopin’s life went far beyond ordinary…

𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐌𝐏𝐀𝐍𝐈𝐎𝐍 𝐀𝐍𝐃 𝐖𝐈𝐓𝐍𝐄𝐒𝐒 𝐓𝐎 𝐇𝐈𝐒 𝐏𝐀𝐑𝐈𝐒𝐈𝐀𝐍 𝐋𝐈𝐅𝐄 Jan Edward Matuszyński (1808–1842) was one of Frédéric Chopin’s closest and most trusted friends, a companion from his Warsaw youth who later…

𝐌𝐀𝐗𝐈𝐌 𝐄𝐌𝐄𝐋𝐘𝐀𝐍𝐘𝐂𝐇𝐄𝐕 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐊𝐄𝐒 𝐓𝐇𝐄 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀 𝐅𝐄𝐄𝐋 𝐀𝐋𝐈𝐕𝐄 Maxim Emelyanychev has become one of the most distinctive conductors of his generation: restless, spontaneous, theatrical and intensely communicative. Born in Russia in…

𝐓𝐇𝐄 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 𝐌𝐎𝐍𝐔𝐌𝐄𝐍𝐓 𝐈𝐍 Ż𝐄𝐋𝐀𝐙𝐎𝐖𝐀 𝐖𝐎𝐋𝐀 The monument dedicated to 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 at his birthplace in 𝐙̇𝐞𝐥𝐚𝐳𝐨𝐰𝐚 𝐖𝐨𝐥𝐚 was designed in 1955 by the distinguished Polish sculptor 𝐉𝐨́𝐳𝐞𝐟 𝐆𝐨𝐬ł𝐚𝐰𝐬𝐤𝐢. However, the sculpture was…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

# **MENDELSSOHN’S MUSICAL INFLUENCE ON OTHER COMPOSERS** The influence of **Felix Mendelssohn (1809–1847)** was far deeper than is sometimes acknowledged. He did not create a clearly defined “school” in the manner of Wagner or…

𝐇𝐀𝐍𝐃𝐄𝐋 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐃 𝐌𝐄𝐒𝐒𝐈𝐀𝐇 𝐈𝐍 𝐉𝐔𝐒𝐓 𝟐𝟒 𝐃𝐀𝐘𝐒 In the summer of 𝟏𝟕𝟒𝟏, George Frideric Handel began composing the work that would become his most famous masterpiece. Working with extraordinary concentration, he completed 𝐭𝐡𝐞 𝐞𝐧𝐭𝐢𝐫𝐞…

𝐀𝐑𝐓𝐇𝐔𝐑 𝐒𝐔𝐋𝐋𝐈𝐕𝐀𝐍 𝐏𝐑𝐎𝐕𝐄𝐃 𝐓𝐇𝐀𝐓 𝐆𝐑𝐄𝐀𝐓 𝐀𝐑𝐓 𝐂𝐀𝐍 𝐀𝐋𝐒𝐎 𝐌𝐀𝐊𝐄 𝐌𝐈𝐋𝐋𝐈𝐎𝐍𝐒... 𝐀𝐍𝐃 𝐂𝐇𝐀𝐍𝐆𝐄𝐃 𝐄𝐍𝐆𝐋𝐈𝐒𝐇 𝐌𝐔𝐒𝐈𝐂 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 One of Britain's greatest composers brought classical music to millions through wit, melody, and unforgettable theatre. When 𝐒𝐢𝐫 𝐀𝐫𝐭𝐡𝐮𝐫…

𝐁𝐄𝐑𝐍𝐀𝐑𝐃 𝐇𝐄𝐑𝐑𝐌𝐀𝐍𝐍 𝐓𝐀𝐔𝐆𝐇𝐓 𝐇𝐎𝐋𝐋𝐘𝐖𝐎𝐎𝐃 𝐇𝐎𝐖 𝐓𝐎 𝐅𝐄𝐀𝐑... 𝐀𝐍𝐃 𝐂𝐇𝐀𝐍𝐆𝐄𝐃 𝐅𝐈𝐋𝐌 𝐌𝐔𝐒𝐈𝐂 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 One of the greatest film composers in history proved that music can become the true protagonist of a movie. When 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐞𝐫𝐫𝐦𝐚𝐧𝐧…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝗠𝗔𝗛𝗟𝗘𝗥 – 𝗗𝗮𝘀 𝗟𝗶𝗲𝗱 𝘃𝗼𝗻 𝗱𝗲𝗿 𝗘𝗿𝗱𝗲 Two Legendary Interpretations (Giulini) 𝗦𝗮𝗹𝘇𝗯𝘂𝗿𝗴 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 – 𝟬𝟮.𝗩𝗜𝗜𝗜.𝟭𝟵𝟴𝟳 Wiener PhilharmonikerBrigitte Fassbaender (mezzo-soprano)Francisco Araiza (tenor)Carlo Maria Giulini (conductor) 🔗 https://www.youtube.com/watch?v=FyxvWq7R91w&t=41s 𝗕𝗲𝗿𝗹𝗶𝗻 𝗣𝗵𝗶𝗹𝗵𝗮𝗿𝗺𝗼𝗻𝗶𝗸𝗲𝗿 – 𝟭𝟰–𝟭𝟱 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟵𝟴𝟰 (𝗗𝗚) Berliner…