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𝗥𝗢𝗚𝗘𝗥 𝗡𝗢𝗥𝗥𝗜𝗡𝗚𝗧𝗢𝗡: 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗧𝗥𝗜𝗘𝗗 𝗧𝗢 𝗦𝗧𝗥𝗜𝗣 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗜𝗧𝗦 𝗥𝗢𝗠𝗔𝗡𝗖𝗘 Few conductors have divided the musical world as violently as 𝗦𝗶𝗿 𝗥𝗼𝗴𝗲𝗿 𝗡𝗼𝗿𝗿𝗶𝗻𝗴𝘁𝗼𝗻. To his admirers, he was a visionary who…

𝗛𝗢𝗪 𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗧𝗢 𝗖𝗢𝗡𝗗𝗨𝗖𝗧 – 𝗪𝗜𝗧𝗛𝗢𝗨𝗧 𝗔 𝗧𝗘𝗔𝗖𝗛𝗘𝗥 𝗪𝗶𝘁𝗵 𝘄𝗵𝗼𝗺 𝗱𝗶𝗱 𝗠𝗮𝗵𝗹𝗲𝗿 𝗮𝗰𝘁𝘂𝗮𝗹𝗹𝘆 𝘀𝘁𝘂𝗱𝘆 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴? 𝗧𝗵𝗲 𝘀𝘂𝗿𝗽𝗿𝗶𝘀𝗶𝗻𝗴 𝗮𝗻𝘀𝘄𝗲𝗿 𝗶𝘀: 𝘄𝗶𝘁𝗵 𝗻𝗼 𝗼𝗻𝗲. At the time, conducting was not yet a formal discipline…

𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟱 — 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗣𝗼𝗲𝗺, 𝘁𝗵𝗲 𝗙𝗮𝘂𝘀𝘁 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗗𝗮𝗻𝘁𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 The question of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 cannot be answered only from the piano. The piano…

𝗥𝗨𝗗𝗢𝗟𝗙 𝗕𝗨𝗖𝗛𝗕𝗜𝗡𝗗𝗘𝗥 — 𝗔 𝗟𝗜𝗙𝗘 𝗔𝗧 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗮𝗻𝗱 𝗗𝗲𝗰𝗶𝘀𝗶𝘃𝗲 𝗠𝗼𝗺𝗲𝗻𝘁𝘀 — 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹𝗹𝘆 𝗔𝗿𝗿𝗮𝗻𝗴𝗲𝗱 The life of 𝗥𝘂𝗱𝗼𝗹𝗳 𝗕𝘂𝗰𝗵𝗯𝗶𝗻𝗱𝗲𝗿 has been shaped by an unusual combination of precocious talent, Viennese musical tradition,…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟮 𝗧𝗛𝗘 𝗣𝗢𝗪𝗘𝗥 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖 ════════════════════════════ 𝗔𝗙𝗧𝗘𝗥 𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛: 𝗪𝗛𝗔𝗧 𝗥𝗘𝗠𝗔𝗜𝗡𝗦 After 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗝𝗼𝘂𝗿𝗻𝗲𝘆, Solomon does not end his biography with the corpse, the grave, the…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟯 𝗧𝗛𝗘 𝗖𝗔𝗥𝗡𝗜𝗩𝗔𝗟𝗘𝗦𝗤𝗨𝗘 𝗗𝗜𝗠𝗘𝗡𝗦𝗜𝗢𝗡 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗢𝗧𝗛𝗘𝗥 𝗪𝗢𝗥𝗟𝗗 𝗢𝗙 𝗠𝗢𝗭𝗔𝗥𝗧 After 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦, Solomon turns toward one of the most disturbing, comic, liberating, and misunderstood…

𝗛𝗔𝗬𝗗𝗡, 𝗕𝗬 𝗝. 𝗖𝗨𝗧𝗛𝗕𝗘𝗥𝗧 𝗛𝗔𝗗𝗗𝗘𝗡 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟬 𝗛𝗔𝗬𝗗𝗡 𝗧𝗛𝗘 𝗠𝗔𝗡, 𝗛𝗔𝗬𝗗𝗡 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗧𝗛𝗘 𝗙𝗔𝗧𝗛𝗘𝗥 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗢𝗡𝗔𝗧𝗔 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 At the end of 𝗝𝗼𝘀𝗲𝗽𝗵 𝗛𝗮𝘆𝗱𝗻’s story, after Rohrau,…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗘𝗣𝗜𝗟𝗢𝗚𝗨𝗘 𝗕𝗮𝗰𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗜𝗱𝗲𝗮 𝗼𝗳 “𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻” 𝗧𝗵𝗲 𝗟𝗲𝗮𝗿𝗻𝗲𝗱 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝘂𝗿𝘀𝘂𝗶𝘁 𝗼𝗳 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻 At the end of Johann Sebastian Bach’s life, the…

𝗧𝗢𝗟𝗦𝗧𝗢𝗬 𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖: 𝗧𝗛𝗘 𝗪𝗥𝗜𝗧𝗘𝗥 𝗪𝗛𝗢 𝗟𝗢𝗩𝗘𝗗, 𝗙𝗘𝗔𝗥𝗘𝗗, 𝗔𝗡𝗗 𝗝𝗨𝗗𝗚𝗘𝗗 𝗧𝗛𝗘 𝗣𝗢𝗪𝗘𝗥 𝗢𝗙 𝗦𝗢𝗨𝗡𝗗 Few great writers had a relationship with music as fascinating, contradictory, and morally charged as 𝗟𝗲𝗼 𝗧𝗼𝗹𝘀𝘁𝗼𝘆. He was not…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗖. 𝗙. 𝗔𝗯𝗱𝘆 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀 — 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 𝗧𝗵𝗲 𝗟𝗲𝗶𝗽𝘇𝗶𝗴 𝗛𝗼𝘂𝘀𝗲𝗵𝗼𝗹𝗱: 𝗙𝗮𝗺𝗶𝗹𝘆, 𝗗𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗲, 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗚𝗲𝗻𝗶𝘂𝘀, 𝗔𝗻𝗱 𝗡𝗲𝘄 𝗖𝗼𝗻𝗳𝗹𝗶𝗰𝘁𝘀 𝗜. 𝗧𝗵𝗲 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗢𝗳 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 Chapter VI of C. F. Abdy Williams’s 𝗕𝗮𝗰𝗵…

𝗧𝗛𝗘 𝗙𝗢𝗢𝗗 𝗧𝗛𝗔𝗧 𝗕𝗘𝗦𝗧 𝗥𝗘𝗣𝗥𝗘𝗦𝗘𝗡𝗧𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 If we had to choose the foods that best represent Brahms, the answer would not be one dish but a constellation: 𝗗𝗮𝗿𝗸 𝗯𝗿𝗲𝗮𝗱, because it symbolizes foundation and…

𝗩𝗘𝗥𝗗𝗜 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗢𝗣𝗘𝗥𝗔𝗦 — 𝗪𝗛𝗜𝗖𝗛 𝗢𝗡𝗘𝗦 𝗗𝗜𝗗 𝗛𝗘 𝗩𝗔𝗟𝗨𝗘 𝗠𝗢𝗦𝗧? The safest answer is that 𝗩𝗲𝗿𝗱𝗶 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗹𝗲𝗮𝘃𝗲 𝗮 𝘀𝗶𝗻𝗴𝗹𝗲, 𝘀𝘁𝗮𝗯𝗹𝗲, 𝗼𝗻𝗰𝗲-𝗮𝗻𝗱-𝗳𝗼𝗿-𝗮𝗹𝗹 “𝗳𝗮𝘃𝗼𝗿𝗶𝘁𝗲 𝗼𝗽𝗲𝗿𝗮.” His preferences changed across his career, and…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝟮𝟬 𝗢𝗙 𝗛𝗜𝗦 𝗠𝗢𝗦𝗧 𝗖𝗘𝗟𝗘𝗕𝗥𝗔𝗧𝗘𝗗 𝗤𝗨𝗢𝗧𝗔𝗧𝗜𝗢𝗡𝗦 𝟭. 𝗧𝗵𝗶𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗼𝘂𝗿 𝗿𝗲𝗽𝗹𝘆 𝘁𝗼 𝘃𝗶𝗼𝗹𝗲𝗻𝗰𝗲: 𝘁𝗼 𝗺𝗮𝗸𝗲 𝗺𝘂𝘀𝗶𝗰 𝗺𝗼𝗿𝗲 𝗶𝗻𝘁𝗲𝗻𝘀𝗲𝗹𝘆, 𝗺𝗼𝗿𝗲 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹𝗹𝘆, 𝗺𝗼𝗿𝗲 𝗱𝗲𝘃𝗼𝘁𝗲𝗱𝗹𝘆 𝘁𝗵𝗮𝗻 𝗲𝘃𝗲𝗿 𝗯𝗲𝗳𝗼𝗿𝗲. 𝟮. 𝗠𝘂𝘀𝗶𝗰 𝗰𝗮𝗻 𝗻𝗮𝗺𝗲 𝘁𝗵𝗲…

𝗪𝗛𝗘𝗡 𝗔 𝗚𝗘𝗡𝗜𝗨𝗦 𝗚𝗢𝗘𝗦 𝗦𝗜𝗟𝗘𝗡𝗧 — 𝗪𝗵𝘆 𝗥𝗼𝘀𝘀𝗶𝗻𝗶 𝗦𝘁𝗼𝗽𝗽𝗲𝗱 𝗪𝗿𝗶𝘁𝗶𝗻𝗴 𝗢𝗽𝗲𝗿𝗮𝘀 𝗔𝘁 𝟯𝟳 (𝗜𝗻 𝗧𝗵𝗲 𝗠𝗶𝗱𝘀𝘁 𝗼𝗳 𝗧𝗿𝗶𝘂𝗺𝗽𝗵) Rossini’s “retirement” is one of the most haunting paradoxes in music history: Gioachino Rossini (1792–1868)—the most…

# **Mozart: A Phobia for a Musical Instrument** One of the most curious—and revealing—anecdotes about **Wolfgang Amadeus Mozart** concerns his **aversion to the flute**, an instrument he openly disliked, and at times almost mocked.…

# **The Relationship Between Handel and Göttingen: ** **How a German University Town Became the Heart of the Modern Handel Revival** ## **1. A Paradox at the Beginning: Handel Never Set Foot in Göttingen**…

# **Is Telemann Really the Most Prolific Composer in the History of Classical Music?** The short answer is: **Yes… almost certainly, though with important nuances.** And the long answer shows why Telemann occupies a…

𝐆𝐄𝐎𝐑𝐆𝐄 𝐒𝐀𝐍𝐃 𝐀𝐌𝐀𝐍𝐓𝐈𝐍𝐄-𝐀𝐔𝐑𝐎𝐑𝐄-𝐋𝐔𝐂𝐈𝐋𝐄 𝐃𝐔𝐏𝐈𝐍 — 𝐖𝐑𝐈𝐓𝐄𝐑, 𝐑𝐄𝐁𝐄𝐋, 𝐋𝐎𝐕𝐄𝐑, 𝐌𝐎𝐓𝐇𝐄𝐑 𝐀𝐍𝐃 𝐎𝐍𝐄 𝐎𝐅 𝐓𝐇𝐄 𝐆𝐑𝐄𝐀𝐓 𝐕𝐎𝐈𝐂𝐄𝐒 𝐎𝐅 𝐅𝐑𝐄𝐍𝐂𝐇 𝐑𝐎𝐌𝐀𝐍𝐓𝐈𝐂𝐈𝐒𝐌 Few figures in nineteenth-century French culture united so many apparently contradictory identities as 𝐆𝐞𝐨𝐫𝐠𝐞 𝐒𝐚𝐧𝐝. She…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏𝟎 — 𝐀 𝐓𝐄𝐍𝐃𝐄𝐑 𝐀𝐓𝐓𝐀𝐂𝐇𝐌𝐄𝐍𝐓 𝐒𝐎𝐋𝐀𝐍𝐆𝐄 𝐒𝐀𝐍𝐃 When 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 became 𝐆𝐞𝐨𝐫𝐠𝐞 𝐒𝐚𝐧𝐝’s lover…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟔 — 𝐌𝐎𝐉𝐀 𝐁𝐈𝐄𝐃𝐀 𝐌𝐀𝐑𝐈𝐀 𝐖𝐎𝐃𝐙𝐈Ń𝐒𝐊𝐀 Among all the women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧’s…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟎 — 𝐓𝐇𝐄 𝐃𝐀𝐑𝐊 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝟏𝟕𝟖𝟖 Mozart’s 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟎 𝐢𝐧 𝐆 𝐦𝐢𝐧𝐨𝐫, 𝐊. 𝟓𝟓𝟎, completed on 25 July 1788, stands at the centre of one of the most astonishing…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟑 — 𝐌𝐔𝐒𝐈𝐂 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐀𝐍𝐃 𝐌𝐄𝐍𝐓𝐎𝐑 𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 When 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 completed his piano…