Library

The Homophonic Forms of Musical Composition is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding musical form / composition treatise and is catalogued with normalized title and author variants so that it remains discoverable…

Applied Counterpoint is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding counterpoint / composition treatise and is catalogued with normalized title and author variants so that it remains discoverable even when a scanned file…

The Larger Forms of Musical Composition is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding musical form / composition treatise and is catalogued with normalized title and author variants so that it remains discoverable…

The Material Used in Musical Composition is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding harmony / composition manual and is catalogued with normalized title and author variants so that it remains discoverable even…

Lessons in Music Form by Percy Goetschius is an important historical contribution to musical form / pedagogy. The work combines factual information with the author’s critical or pedagogical viewpoint and provides evidence about the musical priorities, repertory and intellectual debates of its period.

Exercises in Melody-Writing by Percy Goetschius is an important historical contribution to melody / composition pedagogy. The work combines factual information with the author’s critical or pedagogical viewpoint and provides evidence about the musical priorities, repertory and intellectual debates of its period.

The Theory and Practice of Tone-Relations is a historical teaching text in harmony / tonal theory, representing the conservatory-oriented theoretical practice of the nineteenth or early twentieth century. It is organized to move from definitions and worked examples toward increasingly complex compositional applications.

Models of the Principal Musical Forms is a historical teaching text in form / analytical models, representing the conservatory-oriented theoretical practice of the nineteenth or early twentieth century. It is organized to move from definitions and worked examples toward increasingly complex compositional applications.