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BIBLIOGRAPHIC RECORD · RESEARCHED DOSSIER
The Pianoforte Sonata: Its Origin and Development
J. S. Shedlock
Music history / form study · 1895 · English
J. S. Shedlock. The Pianoforte Sonata: Its Origin and Development. Methuen & Co., 1895.
This curated dossier identifies The Pianoforte Sonata: Its Origin and Development by J. S. Shedlock and makes the work discoverable through the unified Library search even when the underlying document uses a shortened or inconsistent technical filename. The record preserves the work as a bibliographic reference and places…
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The Opera: A Sketch of the Development of Opera, with Full Descriptions of All Works in the Modern Repertory
R. A. Streatfeild
Opera history / repertory guide · 1897 · English
R. A. Streatfeild. The Opera: A Sketch of the Development of Opera, with Full Descriptions of All Works in the Modern Repertory. London, 1897.
A compact historical survey combined with descriptions of repertory works, useful for studying late Victorian opera canon formation and reception.
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BIBLIOGRAPHIC RECORD · RESEARCHED DOSSIER
A Summary of the History and Development of Mediaeval and Modern European Music
C. Hubert H. Parry
Music history survey · 1893 · English
C. Hubert H. Parry. A Summary of the History and Development of Mediaeval and Modern European Music. Novello, Ewer and Co., London, 1893.
A Summary of the History and Development of Mediaeval and Modern European Music is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding music history survey and is catalogued with normalized title and author variants…
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Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750 — Volume II
Philipp Spitta
Monumental scholarly biography / works study · 1884–1885 · English, translated from German
Philipp Spitta. Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750 — Volume II. London: Novello, Ewer & Co., 1884–1885.
Volume II develops the central phases of Bach’s career and gives extended attention to genre, compositional technique and institutional circumstance. Spitta’s method repeatedly connects individual works with documentary events, employers, liturgical function and stylistic development.
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