Classical Archive · Library

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Documents, essays, biographies, historical sources and reference materials

The Library is the documentary archive of Classical Archive, bringing together biographies, essays, historical documents, analytical studies, booklets and selected reference materials devoted to classical music.

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Counterpoint: Strict and Free

Ebenezer Prout
Counterpoint / theory / pedagogy · 1890 · English
Ebenezer Prout. Counterpoint: Strict and Free. London: Augener & Co., 1890.

Published in London in 1890, this volume belongs to the historical literature through which musicians, critics and teachers organized knowledge about its subject. Its value in Classical Archive is not only bibliographic: the dossier records the edition identity, principal responsibility, publication context and the work's likely research role,…

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Applied Counterpoint

Percy Goetschius
Counterpoint / composition treatise · 1902 · English
Percy Goetschius. Applied Counterpoint. G. Schirmer, New York, 1902.

Applied Counterpoint is represented here as a researched bibliographic dossier for a historically significant source in music study. The volume belongs to the literature surrounding counterpoint / composition treatise and is catalogued with normalized title and author variants so that it remains discoverable even when a scanned file…

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Double Counterpoint and Canon

Ebenezer Prout
Counterpoint / canon / composition pedagogy · 1891 · English
Ebenezer Prout. Double Counterpoint and Canon. London: Augener & Co., 1891.

Double Counterpoint and Canon is a historical teaching text in counterpoint / canon / composition pedagogy, representing the conservatory-oriented theoretical practice of the nineteenth or early twentieth century. It is organized to move from definitions and worked examples toward increasingly complex compositional applications.

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Counterpoint

Frederick Bridge
Counterpoint / conservatory manual · 1881 · English
Frederick Bridge. Counterpoint. London: Novello, Ewer & Co., 1881.

Counterpoint is a historical teaching text in counterpoint / conservatory manual, representing the conservatory-oriented theoretical practice of the nineteenth or early twentieth century. It is organized to move from definitions and worked examples toward increasingly complex compositional applications.

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A Course of Counterpoint and Fugue

Luigi Cherubini
Counterpoint / fugue treatise · 1854 · English translation
Luigi Cherubini. A Course of Counterpoint and Fugue. London: Novello, Ewer & Co., 1854.

A Course of Counterpoint and Fugue is a historical teaching text in counterpoint / fugue treatise, representing the conservatory-oriented theoretical practice of the nineteenth or early twentieth century. It is organized to move from definitions and worked examples toward increasingly complex compositional applications.

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Stokowski: A Counterpoint of View

Oliver Daniel
Biography / performance history · 1982 · English
Oliver Daniel. Stokowski: A Counterpoint of View. New York: Dodd, Mead & Company, 1982. ISBN 0396079369.

Stokowski: A Counterpoint of View is a substantial biographical source on Leopold Stokowski. Monumental biography based on hundreds of interviews, correspondence and archival research, covering Stokowski’s origins, Philadelphia years, premieres, recording innovations, broadcasting, Hollywood, new-music advocacy and exceptionally long conducting career. The dossier treats the book not merely…

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Fugue

Ebenezer Prout
Fugue / counterpoint / musical form · 1891 · English
Ebenezer Prout. Fugue. London: Augener & Co., 1891.

Published in London in 1891, this volume belongs to the historical literature through which musicians, critics and teachers organized knowledge about its subject. Its value in Classical Archive is not only bibliographic: the dossier records the edition identity, principal responsibility, publication context and the work's likely research role,…

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