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Classical Archive · BIBLIOGRAPHIC RECORD · #24547

Vaughan Williams on Music

Ralph Vaughan Williams
FULL TEXT

Researched Bibliographic Dossier

Verified edition data and a musicological research note prepared specifically for this work.

Oxford University Press
Ralph Vaughan Williams. Vaughan Williams on Music. Oxford and New York: Oxford University Press, 2007. ISBN 9780195182392.
Title
Vaughan Williams on Music
Author
Ralph Vaughan Williams
Editor
David Manning
Publisher
Oxford University Press
Place
Oxford and New York
Year
2007
Extent
435 pages
ISBN
9780195182392
Online ISBN
9780199851485
Language
English
Type
Collected writings / primary source edition

SCOPE & CONTENT

Edited by David Manning, this volume gathers Vaughan Williams’s writings on musical life, English music, continental composers, folk song and his own repertory. It turns the composer into a primary source for the intellectual and institutional history of British music. Essays, lectures, program notes and shorter texts reveal how he thought about national tradition, musical education, public culture, amateur music-making and the practical responsibilities of composers and performers.

RESEARCH VALUE

The collection is valuable because it replaces quotations detached from context with a broad documentary corpus. Vaughan Williams’s statements about nationalism and folk song can be compared with his comments on Bach, Beethoven, Wagner and contemporary musical life, revealing a more complex thinker than the label “English pastoralist” suggests. Manning’s editorial organization and supporting apparatus make the writings usable as research evidence rather than as a collection of famous sayings.

EDITORIAL ORGANIZATION

The writings are grouped thematically into musical life and English music, continental composers, folk song, British composers, and program notes on Vaughan Williams’s own and other music. This structure allows ideas expressed decades apart to be studied comparatively while retaining bibliographic information about the original contexts.

PRIMARY-SOURCE SIGNIFICANCE

For research on twentieth-century British music, the book documents not only compositional aesthetics but institutions, education, broadcasting, festivals, folk-song collecting and the language through which musicians argued about national culture. It is therefore both a composer sourcebook and a broader cultural document.

DIGITAL ARCHIVE DATA
Format
PDF
File size
10.3 MB
Catalogue completeness
8 / 10 core bibliographic fields
RECORD SOURCES Oxford University Press