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Beethoven - fidelio - Karl Böhm The orchestral passage that introduces this chorus seems sublime to me.

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 𝗗𝗲𝘁𝗺𝗼𝗹𝗱, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗧𝗵𝗲 𝗗 𝗠𝗮𝗷𝗼𝗿 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝗮𝗻 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗚𝗿𝗶𝗲𝗳, 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽, 𝗮𝗻𝗱 𝗠𝗮𝘁𝘂𝗿𝗶𝘁𝘆 𝟭𝟴𝟱𝟲–𝟭𝟴𝟱𝟴 Chapter 8…

𝐔𝐧𝐩𝐥𝐞𝐚𝐬𝐚𝐧𝐭 𝐒𝐢𝐭𝐮𝐚𝐭𝐢𝐨𝐧𝐬 𝐓𝐡𝐚𝐭 𝐂𝐚𝐧 𝐇𝐚𝐩𝐩𝐞𝐧 𝐚𝐭 𝐚 𝐋𝐢𝐯𝐞 𝐂𝐥𝐚𝐬𝐬𝐢𝐜𝐚𝐥 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 Going to a concert hall or opera house can be one of life’s most moving experiences. Live classical music offers beauty, concentration, presence, and…

𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗶: 𝗧𝗵𝗲 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗢𝗽𝗲𝗻𝗲𝗱 𝘁𝗵𝗲 𝗗𝗼𝗼𝗿 𝘁𝗼 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗶 (c.1554–1612) was one of the most influential composers of the late Renaissance and early Baroque, and 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝗽𝗿𝗲𝗺𝗲 𝗰𝗿𝗲𝗮𝘁𝗼𝗿𝘀…

𝗧𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻 𝗳𝗿𝗼𝗺 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝘁𝗼 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗶𝘀𝗺 𝗧𝗵𝗲 𝗿𝗲𝗮𝗹 𝗱𝗿𝗶𝘃𝗶𝗻𝗴 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 𝗮𝗻𝗱 𝘄𝗵𝘆 The passage from the Baroque world to the Classical one was not a sudden revolution that happened in a single year, nor…

# **From Cathedrals of Sound to Musical Conversation: The Great Shift from Baroque Splendor to Classical Clarity ** The contrast between **Baroque music** and **Classical music** is not only a change in sound, but…

𝐀𝐑𝐂𝐀𝐍𝐆𝐄𝐋𝐎 𝐂𝐎𝐑𝐄𝐋𝐋𝐈 𝐀𝐒 𝐀 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐓𝐀𝐔𝐆𝐇𝐓 𝐄𝐔𝐑𝐎𝐏𝐄 𝐇𝐎𝐖 𝐓𝐎 𝐏𝐋𝐀𝐘 𝐓𝐇𝐄 𝐕𝐈𝐎𝐋𝐈𝐍 Arcangelo Corelli occupies an unusual position in the history of musical pedagogy. He left no violin method, no systematic…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟔 — 𝐌𝐎𝐉𝐀 𝐁𝐈𝐄𝐃𝐀 𝐌𝐀𝐑𝐈𝐀 𝐖𝐎𝐃𝐙𝐈Ń𝐒𝐊𝐀 Among all the women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧’s…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲 𝗘𝗻𝗼𝘂𝗴𝗵 — 𝟭𝟴𝟰𝟮 For years, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had struggled…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟬 𝗧𝗵𝗲 𝗕𝗮𝘁𝘁𝗹𝗲 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗣𝗿𝗶𝘅 𝗱𝗲 𝗥𝗼𝗺𝗲 𝗔 𝗣𝗿𝗶𝘇𝗲 𝗛𝗲 𝗗𝗲𝘀𝗽𝗶𝘀𝗲𝗱 𝗕𝘂𝘁 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼𝘁 𝗔𝗳𝗳𝗼𝗿𝗱 𝘁𝗼 𝗜𝗴𝗻𝗼𝗿𝗲 — 𝟭𝟴𝟮𝟲 For 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, the…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟮𝟬 𝗧𝗵𝗲 𝗧𝗲𝗻-𝗡𝗼𝘁𝗲 𝗖𝗵𝗼𝗿𝗱 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸, 𝗔𝗹𝗺𝗮, 𝗪𝗮𝗹𝘁𝗲𝗿 𝗚𝗿𝗼𝗽𝗶𝘂𝘀, 𝗙𝗿𝗲𝘂𝗱, 𝘁𝗵𝗲 𝗨𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗧𝗲𝗻𝘁𝗵, 𝗮𝗻𝗱 𝗠𝗮𝗵𝗹𝗲𝗿’𝘀 𝗟𝗮𝘀𝘁 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 arrived in 𝗡𝗲𝘄…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟭𝟱 𝗧𝗵𝗲 𝗠𝗮𝗻 𝗪𝗵𝗼 𝗥𝗲𝗶𝗻𝘃𝗲𝗻𝘁𝗲𝗱 𝘁𝗵𝗲 𝗢𝗽𝗲𝗿𝗮 𝗗𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗲, 𝗔𝘂𝘁𝗵𝗼𝗿𝗶𝘁𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗩𝗶𝗲𝗻𝗻𝗮 𝗖𝗼𝘂𝗿𝘁 𝗢𝗽𝗲𝗿𝗮 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 became director of the 𝗩𝗶𝗲𝗻𝗻𝗮 𝗖𝗼𝘂𝗿𝘁 𝗢𝗽𝗲𝗿𝗮…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟵 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻: 𝗦𝗵𝗮𝗸𝗲𝘀𝗽𝗲𝗮𝗿𝗲 𝗕𝗲𝗰𝗼𝗺𝗲𝘀 𝗟𝗼𝘃𝗲 𝗔𝗻 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗖𝗼𝗺𝗽𝗮𝗻𝘆 𝗖𝗼𝗻𝗾𝘂𝗲𝗿𝘀 𝗣𝗮𝗿𝗶𝘀 — 𝗔𝘂𝘁𝘂𝗺𝗻 𝟭𝟴𝟮𝟳 By the time the English actors arrived in Paris, 𝗛𝗲𝗰𝘁𝗼𝗿…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟲 𝗖𝗵𝗲𝗿𝘂𝗯𝗶𝗻𝗶, 𝗟𝗲𝘀𝘂𝗲𝘂𝗿, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗥𝗲𝗯𝗲𝗹 𝗮𝘁 𝘁𝗵𝗲 𝗖𝗼𝗻𝘀𝗲𝗿𝘃𝗮𝘁𝗼𝗶𝗿𝗲 𝗕𝗲𝗳𝗼𝗿𝗲 𝗟𝗲𝘀𝘂𝗲𝘂𝗿: 𝗜𝗺𝗮𝗴𝗶𝗻𝗮𝘁𝗶𝗼𝗻 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗧𝗲𝗰𝗵𝗻𝗶𝗾𝘂𝗲 — 𝟭𝟴𝟮𝟯 Once 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had decided that he would…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟯 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗼𝘂𝗻𝗱𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝗧𝗵𝗲 𝗙𝗹𝗮𝗴𝗲𝗼𝗹𝗲𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗗𝗿𝗮𝘄𝗲𝗿 — 𝗖𝗶𝗿𝗰𝗮 𝟭𝟴𝟭𝟱–𝟭𝟴𝟭𝟲 In the memory of 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇, love and music seemed…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭. 𝗕𝗲𝗻𝗲𝗮𝘁𝗵 𝘁𝗵𝗲 𝗔𝗹𝗽𝗶𝗻𝗲 𝗣𝗲𝗮𝗸𝘀: 𝗧𝗵𝗲 𝗖𝗵𝗶𝗹𝗱𝗵𝗼𝗼𝗱 𝗧𝗵𝗮𝘁 𝗖𝗿𝗲𝗮𝘁𝗲𝗱 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 𝗔 𝗕𝗶𝗿𝘁𝗵 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗢𝗺𝗲𝗻𝘀 Hector Berlioz began the story of his life with the…