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Demos la bienvenida a los nuevos miembros. Miguel Rangel, Dr. Tatjana. LEHNHARDT, Lidieth Fernandez, Elisabetta Gallotti, عباس الزيدي, Bachir Berrada, Miriam Teperman, Ahmed Sk Ali, Azim Abdulaev, Nazi-nino Tsiskaridze, Dimitri Morel, Vũ Ngọc Quỳnh,…

# **Handel - Arianna in Creta - Nicholas McGegan** [https://www.patreon.com/posts/handel-arianna-146974237?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/handel-arianna-146974237?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) Composed by **George Frideric Handel** and premiered in London in **1734**, *Arianna in Creta* retells the ancient myth of **Ariadne and Theseus**, but reshapes…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

𝗥𝗢𝗚𝗘𝗥 𝗡𝗢𝗥𝗥𝗜𝗡𝗚𝗧𝗢𝗡: 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗧𝗥𝗜𝗘𝗗 𝗧𝗢 𝗦𝗧𝗥𝗜𝗣 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗜𝗧𝗦 𝗥𝗢𝗠𝗔𝗡𝗖𝗘 Few conductors have divided the musical world as violently as 𝗦𝗶𝗿 𝗥𝗼𝗴𝗲𝗿 𝗡𝗼𝗿𝗿𝗶𝗻𝗴𝘁𝗼𝗻. To his admirers, he was a visionary who…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟲 𝗧𝗵𝗲 𝗠𝘂𝘀𝗶𝗰 𝗼𝗳 𝘁𝗵𝗲 𝗟𝗮𝘀𝘁 𝗝𝘂𝗱𝗴𝗺𝗲𝗻𝘁 𝗧𝗵𝗲 𝗖𝗼𝗺𝗺𝗶𝘀𝘀𝗶𝗼𝗻 𝗧𝗵𝗮𝘁 𝗪𝗮𝘀 𝗡𝗲𝗮𝗿𝗹𝘆 𝗕𝘂𝗿𝗶𝗲𝗱 𝗕𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗠𝘂𝘀𝗶𝗰 𝗘𝘅𝗶𝘀𝘁𝗲𝗱 — 𝟭𝟴𝟯𝟳 By 𝟭𝟴𝟯𝟳, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had…

𝗦𝗜𝗥 𝗖𝗢𝗟𝗜𝗡 𝗗𝗔𝗩𝗜𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Colin Davis was one of the most cultivated, humane and intellectually independent conductors of the second half of the twentieth century. He never cultivated the…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 — 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗗𝗥𝗔𝗠𝗔𝗧𝗜𝗖 𝗪𝗢𝗥𝗞𝗦 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗪𝗛𝗢 𝗪𝗔𝗡𝗧𝗘𝗗 𝗧𝗛𝗘 𝗦𝗧𝗔𝗚𝗘 — 𝗔𝗡𝗗 𝗛𝗘𝗔𝗥𝗗 𝗜𝗧 𝗜𝗡𝗪𝗔𝗥𝗗𝗟𝗬 There was always something dramatic…

𝗙𝗥𝗔𝗡𝗭 𝗩𝗢𝗡 𝗪𝗔𝗟𝗦𝗘𝗚𝗚 — 𝗧𝗛𝗘 𝗚𝗥𝗜𝗘𝗩𝗜𝗡𝗚 𝗖𝗢𝗨𝗡𝗧, 𝗧𝗛𝗘 𝗦𝗘𝗖𝗥𝗘𝗧 𝗖𝗢𝗠𝗠𝗜𝗦𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗨𝗧𝗛 𝗕𝗘𝗛𝗜𝗡𝗗 𝗠𝗢𝗭𝗔𝗥𝗧’𝗦 𝗥𝗘𝗤𝗨𝗜𝗘𝗠 Few minor figures in musical history have exercised such a decisive influence over the fate of a masterpiece…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟬 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗬𝗘𝗔𝗥 ════════════════════════════ 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥 𝗧𝗛𝗔𝗧 𝗥𝗘𝗙𝗨𝗦𝗘𝗦 𝗧𝗢 𝗕𝗘 𝗢𝗡𝗟𝗬 𝗧𝗥𝗔𝗚𝗜𝗖 After the darkness of 𝗔 “𝗖𝗼𝗻𝘀𝘁𝗮𝗻𝘁 𝗦𝗮𝗱𝗻𝗲𝘀𝘀”, one might expect Mozart’s final year to…

𝗦𝗜𝗥 𝗧𝗛𝗢𝗠𝗔𝗦 𝗕𝗘𝗘𝗖𝗛𝗔𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Thomas Beecham was one of the most charismatic, cultivated and immediately recognisable conductors of the twentieth century. His interpretations rarely depended upon severity, intellectual demonstration…

𝗖𝗔𝗥𝗟𝗢 𝗠𝗔𝗥𝗜𝗔 𝗚𝗜𝗨𝗟𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Carlo Maria Giulini possessed one of the most unmistakable conducting personalities of the twentieth century. His authority did not depend upon theatrical aggression, autocratic display or…

𝗕𝗥𝗨𝗡𝗢 𝗪𝗔𝗟𝗧𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Bruno Walter occupies a unique position in the history of conducting. He belonged directly to the final world of late Romanticism, worked closely with Gustav Mahler and…

𝗖𝗟𝗔𝗨𝗗𝗜𝗢 𝗔𝗕𝗕𝗔𝗗𝗢 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Claudio Abbado’s finest recordings reveal a conductor whose authority rarely depended upon weight, domination or theatrical self-display. His interpretations were founded upon listening, transparency, rhythmic flexibility, instrumental…

𝗗𝗼𝗺𝗲𝗻𝗶𝗰𝗼 𝗖𝗶𝗺𝗮𝗿𝗼𝘀𝗮’𝘀 𝗢𝗽𝗲𝗿𝗮𝘀 — 𝗔 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹 𝗚𝘂𝗶𝗱𝗲 Cimarosa composed more than sixty securely documented operas, although older catalogues sometimes claim over eighty by counting revisions, alternative titles, doubtful attributions and works written partly by…

𝗖𝗟𝗘𝗢𝗙𝗜𝗗𝗔 — 𝗪𝗛𝗘𝗡 𝗧𝗘𝗟𝗘𝗠𝗔𝗡𝗡 𝗧𝗥𝗔𝗡𝗦𝗙𝗢𝗥𝗠𝗘𝗗 𝗔 𝗛𝗔𝗡𝗗𝗘𝗟 𝗢𝗣𝗘𝗥𝗔 𝗙𝗢𝗥 𝗛𝗔𝗠𝗕𝗨𝗥𝗚 https://www.patreon.com/ClassicMusicComposersGroup/posts/handel-telemann-163510678?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link The recording entitled 𝗛𝗮𝗻𝗱𝗲𝗹 & 𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻: 𝗖𝗹𝗲𝗼𝗳𝗶𝗱𝗮 does not present an opera jointly composed in the conventional sense. It reconstructs a fascinating historical…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡’𝗦 𝗧𝗪𝗘𝗟𝗩𝗘 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗠𝗨𝗦𝗜𝗖 𝗕𝗘𝗖𝗔𝗠𝗘𝗦 𝗗𝗘𝗦𝗧𝗜𝗡𝗬 To choose Beethoven’s twelve “true” masterpieces is not simply to choose his most famous works. Fame is not enough. Beethoven wrote works so central to Western…

𝗧𝗛𝗘 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗕𝗘𝗔𝗨𝗧𝗬 𝗕𝗘𝗖𝗢𝗠𝗘𝗦 𝗔𝗕𝗦𝗢𝗟𝗨𝗧𝗘 To choose Mozart’s ten “true” masterpieces is not to choose merely the most famous works, nor even the most immediately seductive. Mozart wrote too much…

𝗧𝗼𝗺𝗺𝗮𝘀𝗼 𝗧𝗿𝗮𝗲𝘁𝘁𝗮 - 𝗜𝗳𝗶𝗴𝗲𝗻𝗶𝗮 𝗶𝗻 𝗧𝗮𝘂𝗿𝗶𝗱𝗲 (1763) - 𝗟𝗲𝘀 𝗧𝗮𝗹𝗲𝗻𝘀 𝗟𝘆𝗿𝗶𝗾𝘂𝗲𝘀 - 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵𝗲 𝗥𝗼𝘂𝘀𝘀𝗲𝘁 https://www.patreon.com/ClassicMusicComposersGroup/posts/traetta-ifigenia-163223355?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗔 𝗙𝗼𝗿𝗴𝗼𝘁𝘁𝗲𝗻 𝗠𝗮𝘀𝘁𝗲𝗿𝗽𝗶𝗲𝗰𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗢𝗽𝗲𝗿𝗮 𝗦𝗲𝗿𝗶𝗮 𝗮𝗻𝗱 𝗚𝗹𝘂𝗰𝗸’𝘀 𝗥𝗲𝗳𝗼𝗿𝗺 𝗜𝗳𝗶𝗴𝗲𝗻𝗶𝗮 𝗶𝗻 𝗧𝗮𝘂𝗿𝗶𝗱𝗲 is one of the most important and…

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗔𝗡𝗗𝗘𝗟 (𝟭𝟲𝟴𝟱–𝟭𝟳𝟱𝟵) 𝗣𝗼𝗿𝗼, 𝗥𝗲 𝗱𝗲𝗹𝗹’𝗜𝗻𝗱𝗶𝗲, 𝗛𝗪𝗩 𝟮𝟴 https://www.patreon.com/ClassicMusicComposersGroup/posts/handel-poro-hwv-163219889?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗢𝗽𝗲𝗿𝗮 𝘀𝗲𝗿𝗶𝗮 𝗶𝗻 𝟯 𝗮𝗰𝘁𝘀 London, 1731 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗣𝗶𝗲𝘁𝗿𝗼 𝗠𝗲𝘁𝗮𝘀𝘁𝗮𝘀𝗶𝗼 𝗖𝗔𝗦𝗧 𝗗𝗼𝗿𝗼𝘁𝗮 𝗦𝘇𝗰𝘇𝗲𝗽𝗮ń𝘀𝗸𝗮, soprano — Cleofide 𝗠𝗮𝗿𝗴𝗮𝗿𝗶𝘁𝗮 𝗦𝗹𝗲𝗽𝗮𝗸𝗼𝘃𝗮, mezzo-soprano — Erissena 𝗙𝗿𝗮𝗻𝗸𝗼 𝗞𝗹𝗶𝘀𝗼𝘃𝗶ć, alto…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟯 𝗧𝗛𝗘 𝗖𝗔𝗥𝗡𝗜𝗩𝗔𝗟𝗘𝗦𝗤𝗨𝗘 𝗗𝗜𝗠𝗘𝗡𝗦𝗜𝗢𝗡 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗢𝗧𝗛𝗘𝗥 𝗪𝗢𝗥𝗟𝗗 𝗢𝗙 𝗠𝗢𝗭𝗔𝗥𝗧 After 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦, Solomon turns toward one of the most disturbing, comic, liberating, and misunderstood…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟭 𝗙𝗥𝗘𝗘𝗠𝗔𝗦𝗢𝗡𝗥𝗬 ════════════════════════════ 𝗜. 𝗔𝗡𝗢𝗧𝗛𝗘𝗥 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 After the portrait of Mozart as man, composer, performer, social being, elegant Viennese, player, worker, and vulnerable body, the biography enters…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟵 𝗧𝗛𝗘 𝗜𝗠𝗣𝗥𝗘𝗦𝗔𝗥𝗜𝗢 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗔𝗥𝗧𝗜𝗦𝗧 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗠𝗔𝗡𝗔𝗚𝗘𝗥 After 𝗔𝗗𝗔𝗠, the symbolic chapter of self-renaming, Mozart enters a more practical and public phase…

𝗛𝗔𝗬𝗗𝗡, 𝗕𝗬 𝗝. 𝗖𝗨𝗧𝗛𝗕𝗘𝗥𝗧 𝗛𝗔𝗗𝗗𝗘𝗡 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟵 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗬𝗘𝗔𝗥𝗦 𝗛𝗢𝗡𝗢𝗨𝗥, 𝗙𝗥𝗔𝗜𝗟𝗧𝗬, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗦𝗜𝗟𝗘𝗡𝗖𝗘 𝗔𝗙𝗧𝗘𝗥 𝗚𝗥𝗘𝗔𝗧𝗡𝗘𝗦𝗦 𝗔𝗙𝗧𝗘𝗥 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗚𝗥𝗘𝗔𝗧 𝗛𝗔𝗥𝗩𝗘𝗦𝗧 After 𝗧𝗵𝗲 𝗦𝗲𝗮𝘀𝗼𝗻𝘀, there was no new creative dawn for 𝗝𝗼𝘀𝗲𝗽𝗵…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲 𝗘𝘅𝗽𝗮𝗻𝗱𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗛𝗼𝗿𝗶𝘇𝗼𝗻𝘀 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗺𝗮𝘀𝘁𝗲𝗿 𝗶𝗻 𝗪𝗲𝗶𝗺𝗮𝗿, 𝟭𝟳𝟭𝟰–𝟭𝟳𝟭𝟳 𝗧𝗵𝗲 𝗛𝗲𝗮𝘃𝗲𝗻’𝘀 𝗖𝗮𝘀𝘁𝗹𝗲: 𝗕𝗮𝗰𝗵 𝗮𝘀 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗺𝗮𝘀𝘁𝗲𝗿, 𝗖𝗮𝗻𝘁𝗮𝘁𝗮 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿, 𝗮𝗻𝗱 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁 𝗼𝗳 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗧𝗵𝗼𝘂𝗴𝗵𝘁 In 𝟭𝟳𝟭𝟰, Johann…