Posts / Fotos

# **Vox Digital Remastered 6** VOXNX2368 Mahler - 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟭 - Harold Farberman VOXNX2369 Mahler - 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟰 - Harold Farberman VOXNX2370 Mahler - 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟱 - Harold Farberman VOXNX2371 Mahler…

𝗠𝗼𝘇𝗮𝗿𝘁 - 𝗣𝗶𝗮𝗻𝗼 𝗤𝘂𝗮𝗿𝘁𝗲𝘁𝘀 - 𝗞𝘂𝗶𝗷𝗸𝗲𝗻 𝗣𝗶𝗮𝗻𝗼 𝗤𝘂𝗮𝗿𝘁𝗲𝘁 https://www.patreon.com/posts/mozart-piano-155957326?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗠𝗼𝘇𝗮𝗿𝘁 - 𝗣𝗶𝗮𝗻𝗼 𝗤𝘂𝗮𝗿𝘁𝗲𝘁𝘀 refers above all to the two great chamber works Mozart wrote for piano, violin, viola, and cello: the Piano Quartet No.…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟵 𝗧𝗛𝗘 𝗜𝗠𝗣𝗥𝗘𝗦𝗔𝗥𝗜𝗢 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗔𝗥𝗧𝗜𝗦𝗧 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗠𝗔𝗡𝗔𝗚𝗘𝗥 After 𝗔𝗗𝗔𝗠, the symbolic chapter of self-renaming, Mozart enters a more practical and public phase…

# **ARIA AND SONG (II) - (Book: **Mozart, His Character, His Work by Alfred Einstein**) ** ## Mozart on *Il curioso indiscreto*: Success, Intrigue, and a Printed “Notice” (Letter of **2 July**) On **2…

# **Mozart’s works for Piano trio, Piano Quartets - (Book: Mozart, His Character, His Work** by Alfred Einstein) The transition from the keyboard-and-violin sonatas to the trio for keyboard, violin, and cello occurred in…

# **PIANO WORKS - (Book: **Mozart, His Character, His Work by Alfred Einstein**)** ## Mozart as Pianist and “Virtuoso” in His Own Sense Mozart was, as we know, a **great pianist**, one of the…

# **CHAMBER MUSIC FOR STRING INSTRUMENTS (2) - (Book: **Mozart, His Character, His Work by Alfred Einstein**)** **The Viennese Shock of 1773: K. 168–173 and the Encounter with Haydn** Judging by numbering and chronology,…

# **CHAMBER MUSIC FOR STRING INSTRUMENTS (1) - (Book: **Mozart, His Character, His Work by Alfred Einstein**)** **When Mozart Wrote His First String Quartet** When Mozart composed his first string “quartet” (K. 80)—during his…

# **Catholicism and Freemasonry** **(Book: Mozart, His Character, His Work** by Alfred Einstein) The attitude of educated and high-ranking Catholics in the eighteenth century toward religion was aptly captured—long before Mozart—by “Madame,” **Élisabeth Charlotte**,…