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𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐅𝐈𝐅𝐓𝐇 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘: 𝐅𝐑𝐎𝐌 𝐃𝐀𝐑𝐊𝐍𝐄𝐒𝐒 𝐓𝐎 𝐋𝐈𝐆𝐇𝐓 The Symphony No. 5 in C minor, Op. 67 by 𝐋𝐮𝐝𝐰𝐢𝐠 𝐯𝐚𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 occupies an exceptional place not only in the history of music, but…

𝐌𝐎𝐙𝐀𝐑𝐓 — 𝟐𝟎 𝐆𝐑𝐄𝐀𝐓 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐍𝐎𝐒. 𝟒𝟎 𝐀𝐍𝐃 𝟒𝟏 Mozart’s final two symphonies invite radically different approaches. Symphony No. 40 in G minor, K. 550, thrives on tension, nervous energy and emotional…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟏 — 𝐓𝐇𝐄 “𝐉𝐔𝐏𝐈𝐓𝐄𝐑” 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐔𝐋𝐌𝐈𝐍𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐀𝐑𝐓 Mozart completed his 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟏 𝐢𝐧 𝐂 𝐦𝐚𝐣𝐨𝐫, 𝐊. 𝟓𝟓𝟏, on 10 August 1788. It was the last of…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝗠𝗔𝗛𝗟𝗘𝗥 – 𝗗𝗮𝘀 𝗟𝗶𝗲𝗱 𝘃𝗼𝗻 𝗱𝗲𝗿 𝗘𝗿𝗱𝗲 Two Legendary Interpretations (Giulini) 𝗦𝗮𝗹𝘇𝗯𝘂𝗿𝗴 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 – 𝟬𝟮.𝗩𝗜𝗜𝗜.𝟭𝟵𝟴𝟳 Wiener PhilharmonikerBrigitte Fassbaender (mezzo-soprano)Francisco Araiza (tenor)Carlo Maria Giulini (conductor) 🔗 https://www.youtube.com/watch?v=FyxvWq7R91w&t=41s 𝗕𝗲𝗿𝗹𝗶𝗻 𝗣𝗵𝗶𝗹𝗵𝗮𝗿𝗺𝗼𝗻𝗶𝗸𝗲𝗿 – 𝟭𝟰–𝟭𝟱 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟵𝟴𝟰 (𝗗𝗚) Berliner…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲 𝗘𝗻𝗼𝘂𝗴𝗵 — 𝟭𝟴𝟰𝟮 For years, 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 had struggled…

𝗔𝗥𝗧𝗨𝗥 𝗥𝗢𝗗𝗭𝗜𝗡́𝗦𝗞𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝟭. 𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 — 𝗧𝗛𝗘 𝗡𝗨𝗧𝗖𝗥𝗔𝗖𝗞𝗘𝗥, 𝗢𝗣. 𝟳𝟭 — 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗕𝗔𝗟𝗟𝗘𝗧 𝗥𝗼𝘆𝗮𝗹 𝗣𝗵𝗶𝗹𝗵𝗮𝗿𝗺𝗼𝗻𝗶𝗰 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 Recorded at Walthamstow Assembly Hall, London, September 1956 Westminster This should unquestionably occupy one…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…

𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗗𝗜𝗔𝗥𝗬 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗦𝗢𝗨𝗟 Robert Schumann was perhaps the composer who most completely transformed private thought, literary imagination, emotional contradiction and unstable memory into music.…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟮 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝗻𝗴 𝗣𝗮𝘀𝘁, 𝗣𝗿𝗲𝘀𝗲𝗻𝘁, 𝗮𝗻𝗱 𝗙𝘂𝘁𝘂𝗿𝗲 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗗𝗲𝗰𝗮𝗱𝗲: 𝘁𝗵𝗲 𝟭𝟳𝟰𝟬𝘀 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗕𝗮𝗰𝗵: 𝗖𝗼𝗻𝗰𝗲𝗻𝘁𝗿𝗮𝘁𝗶𝗼𝗻, 𝗥𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝗼𝗻, 𝗦𝘂𝗺𝗺𝗮, 𝗮𝗻𝗱 𝗟𝗲𝗴𝗮𝗰𝘆 The final decade of Johann…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟵 𝗧𝗵𝗲 𝗩𝗶𝗲𝗻𝗻𝗮 𝗧𝗼𝗻𝗸ü𝗻𝘀𝘁𝗹𝗲𝗿𝘃𝗲𝗿𝗲𝗶𝗻, 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝗛𝘂𝗴𝗼 𝗪𝗼𝗹𝗳, 𝗧𝗵𝘂𝗻, 𝗧𝗵𝗲 𝗟𝗮𝘁𝗲 𝗖𝗵𝗮𝗺𝗯𝗲𝗿 𝗪𝗼𝗿𝗸𝘀, 𝗧𝗵𝗲 𝗗𝗼𝘂𝗯𝗹𝗲 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗠𝗮𝗿𝘅𝘀𝗲𝗻’𝘀 𝗗𝗲𝗮𝘁𝗵, 𝗧𝗵𝗲 𝗚𝗶𝗽𝘀𝘆 𝗦𝗼𝗻𝗴𝘀,…

𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝟰𝟴 𝗛𝗢𝗨𝗥𝗦 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗔 𝗻𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝗿𝗲𝗰𝗼𝗻𝘀𝘁𝗿𝘂𝗰𝘁𝗶𝗼𝗻 𝗼𝗳 𝗱𝗲𝗰𝗹𝗶𝗻𝗲, 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗳𝗮𝗶𝘁𝗵, 𝗳𝗮𝗺𝗶𝗹𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗳𝗶𝗻𝗮𝗹 𝘀𝗶𝗹𝗲𝗻𝗰𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗴𝗿𝗲𝗮𝘁𝗲𝘀𝘁 𝗰𝗼𝗻𝘁𝗿𝗮𝗽𝘂𝗻𝘁𝗶𝘀𝘁 𝗶𝗻 𝗺𝘂𝘀𝗶𝗰 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗜. 𝗧𝗵𝗲 𝗡𝗲𝗰𝗲𝘀𝘀𝗮𝗿𝘆 𝗖𝗮𝘂𝘁𝗶𝗼𝗻: 𝗪𝗵𝗮𝘁 𝗖𝗮𝗻 𝗮𝗻𝗱…

# **𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟯 — 𝗪𝗶𝘁𝗵 𝗡𝗼𝘁𝗵𝗶𝗻𝗴 𝗬𝗼𝘂 𝗖𝗮𝗻 𝗖𝗿𝗲𝗮𝘁𝗲 𝗡𝗼𝘁𝗵𝗶𝗻𝗴** **𝗗𝗼𝗻 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶, 𝗥𝗲𝗹𝗶𝗲𝗳, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗠𝗼𝗿𝗮𝗹 𝗠𝗼𝘇𝗮𝗿𝘁** At the beginning of November 1787, Mozart wrote from Prague to his…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟯 𝗜𝗡 𝗙 𝗠𝗔𝗝𝗢𝗥, 𝗢𝗣. 𝟵𝟬: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗖𝗬𝗖𝗟𝗜𝗖 𝗨𝗡𝗜𝗧𝗬, 𝗜𝗡𝗪𝗔𝗥𝗗 𝗗𝗥𝗔𝗠𝗔, 𝗛𝗘𝗥𝗢𝗜𝗖 𝗥𝗘𝗦𝗧𝗥𝗔𝗜𝗡𝗧, 𝗔𝗡𝗗 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗜𝗦𝗠 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio recordings…

𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟮 𝗜𝗡 𝗖 𝗠𝗜𝗡𝗢𝗥, “𝗥𝗘𝗦𝗨𝗥𝗥𝗘𝗖𝗧𝗜𝗢𝗡”: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗗𝗘𝗔𝗧𝗛, 𝗧𝗥𝗔𝗡𝗦𝗖𝗘𝗡𝗗𝗘𝗡𝗖𝗘, 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗘𝗫𝗣𝗔𝗡𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗠𝗘𝗧𝗔𝗣𝗛𝗬𝗦𝗜𝗖𝗔𝗟 𝗗𝗥𝗔𝗠𝗔 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio Recordings in Patreon): https://www.patreon.com/collection/2129266 Gustav Mahler’s…

𝗦𝗘𝗥𝗚𝗘𝗜 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟮 𝗜𝗡 𝗘 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟮𝟳: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗟𝗬𝗥𝗜𝗖𝗔𝗟 𝗘𝗫𝗣𝗔𝗡𝗦𝗜𝗢𝗡, 𝗖𝗬𝗖𝗟𝗜𝗖 𝗙𝗢𝗥𝗠, 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖𝗜𝗦𝗠, 𝗔𝗡𝗗 𝗘𝗠𝗢𝗧𝗜𝗢𝗡𝗔𝗟 𝗥𝗘𝗗𝗘𝗠𝗣𝗧𝗜𝗢𝗡 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝘃: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio Recordings in…

𝗣𝗬𝗢𝗧𝗥 𝗜𝗟𝗬𝗜𝗖𝗛 𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟭 𝗜𝗡 𝗚 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟭𝟯, “𝗪𝗜𝗡𝗧𝗘𝗥 𝗗𝗔𝗬𝗗𝗥𝗘𝗔𝗠𝗦”: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗟𝗬𝗥𝗜𝗖𝗜𝗦𝗠, 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗙𝗢𝗥𝗠, 𝗔𝗡𝗗 𝗘𝗔𝗥𝗟𝗬 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗜𝗗𝗘𝗡𝗧𝗜𝗧𝗬 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟭 𝗜𝗡 𝗖 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟲𝟴: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗧𝗥𝗔𝗗𝗜𝗧𝗜𝗢𝗡, 𝗦𝗧𝗥𝗨𝗖𝗧𝗨𝗥𝗘, 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡𝗜𝗔𝗡 𝗜𝗡𝗛𝗘𝗥𝗜𝗧𝗔𝗡𝗖𝗘, 𝗔𝗡𝗗 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗘𝗫𝗣𝗥𝗘𝗦𝗦𝗜𝗢𝗡 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio recordings in patreon)…

𝗠𝗲𝗻𝗱𝗲𝗹𝘀𝘀𝗼𝗵𝗻: 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟭, 𝗢𝗽. 𝟭𝟭 (1824)- 𝗕𝗲𝗿𝗹𝗶𝗻𝗲𝗿 𝗣𝗵𝗶𝗹𝗵𝗮𝗿𝗺𝗼𝗻𝗶𝗸𝗲𝗿 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 (conductor) Recorded: 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟳𝟮, 𝗕𝗲𝗿𝗹𝗶𝗻. https://www.youtube.com/watch?v=O2IaWQ3qv8s&t=743s 𝗜. 𝗔𝗹𝗹𝗲𝗴𝗿𝗼 𝗱𝗶 𝗺𝗼𝗹𝘁𝗼 (𝗖 𝗺𝗶𝗻𝗼𝗿) The symphony opens with a bold, vigorous gesture — a…

𝗛𝗔𝗡𝗦 𝗞𝗡𝗔𝗣𝗣𝗘𝗥𝗧𝗦𝗕𝗨𝗦𝗖𝗛 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗦 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔 𝗦𝘂𝗺𝗺𝗮𝗿𝘆 𝗼𝗳 𝗧𝗼𝗻𝘆 𝗗𝘂𝗴𝗴𝗮𝗻’𝘀 𝗔𝘀𝘀𝗲𝘀𝘀𝗺𝗲𝗻𝘁 https://www.musicweb-international.com/classrev/2001/oct01/knappertsbusch.htm Tony Duggan presents this 6-CD set as a highly valuable historical document rather than a first-choice modern recommendation. Its importance lies above all…

𝐓𝐡𝐞 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐌𝐨𝐳𝐚𝐫𝐭’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐀 𝐝𝐞𝐞𝐩 𝐞𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐬𝐭𝐲𝐥𝐢𝐬𝐭𝐢𝐜 𝐢𝐧𝐡𝐞𝐫𝐢𝐭𝐚𝐧𝐜𝐞, 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐬𝐲𝐧𝐭𝐡𝐞𝐬𝐢𝐬 The history of Western music is not a sequence of ruptures but a chain of transformations. Few composers embody…