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𝐃𝐚𝐦𝐞 𝐉𝐨𝐚𝐧 𝐚𝐧𝐝 𝐋𝐮𝐜𝐢𝐚𝐧𝐨 𝐏𝐚𝐯𝐚𝐫𝐨𝐭𝐭𝐢 𝐰𝐢𝐭𝐡 𝐌𝐚𝐫𝐢𝐥𝐲𝐧 𝐇𝐨𝐫𝐧𝐞, 𝐛𝐚𝐜𝐤𝐬𝐭𝐚𝐠𝐞 𝐚𝐭 𝐀𝐯𝐞𝐫𝐲 𝐅𝐢𝐬𝐡𝐞𝐫 𝐇𝐚𝐥𝐥, 𝐋𝐢𝐧𝐜𝐨𝐥𝐧 𝐂𝐞𝐧𝐭𝐞𝐫, 𝟏𝟗𝟕𝟗.

# **Handel - Arias with Avery Amereau - Nicholas McGegan ** [https://www.patreon.com/posts/handel-arias-146973739?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link](https://www.patreon.com/posts/handel-arias-146973739?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link)

# Portrait of Indian-born conductor **Zubin Mehta** and Portuguese Classical musician **Maria Joao Pires** as they pose backstage at Avery Fisher Hall, **New York, New York, January 19, 1988**. (Photo by Rita Barros/Getty Images)

𝗛𝗢𝗟𝗦𝗧 — 𝗧𝗛𝗘 𝗣𝗟𝗔𝗡𝗘𝗧𝗦 𝗧𝗛𝗘 𝟮𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 No ranking of The Planets can be entirely objective. Some recordings stand out for their historical authority, others for the violence of Mars, the spirituality of…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟖 — 𝐅𝐄𝐋𝐋𝐎𝐖 𝐏𝐈𝐀𝐍𝐈𝐒𝐓 𝐀𝐍𝐃 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐑 𝐅𝐑𝐀𝐍𝐙 𝐋𝐈𝐒𝐙𝐓 Of all the composers of his…

𝐖𝐎𝐉𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐀𝐍𝐃 𝐀𝐃𝐕𝐈𝐒𝐄𝐑 𝐈𝐍 𝐏𝐀𝐑𝐈𝐒 The figure of 𝐖𝐨𝐣𝐜𝐢𝐞𝐜𝐡 𝐆𝐫𝐳𝐲𝐦𝐚ł𝐚 occupies a far more important place in the life of Fryderyk Chopin than his relative absence from popular biographies…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟕 — 𝐀 𝐌𝐎𝐒𝐓 𝐓𝐑𝐔𝐒𝐓𝐄𝐃 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐖𝐎𝐘𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 Among the many people who entered…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 The move to Paris changed almost every external circumstance of Fryderyk Chopin’s life. Warsaw had…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

𝐌𝐀𝐇𝐋𝐄𝐑 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐃 𝐇𝐈𝐒 𝐆𝐑𝐄𝐀𝐓𝐄𝐒𝐓 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐃𝐔𝐑𝐈𝐍𝐆 𝐇𝐈𝐒 𝐒𝐔𝐌𝐌𝐄𝐑 𝐇𝐎𝐋𝐈𝐃𝐀𝐘𝐒 Gustav Mahler (1860–1911) spent each concert season conducting some of Europe's greatest opera houses, leaving very little time to compose. His solution was remarkable: every…

𝐖𝐈𝐋𝐋𝐈𝐀𝐌 𝐒𝐂𝐇𝐔𝐌𝐀𝐍 𝐇𝐄𝐋𝐏𝐄𝐃 𝐃𝐄𝐅𝐈𝐍𝐄 𝐀𝐌𝐄𝐑𝐈𝐂𝐀𝐍 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐀𝐋 𝐌𝐔𝐒𝐈𝐂... 𝐀𝐍𝐃 𝐁𝐔𝐈𝐋𝐓 𝐈𝐓𝐒 𝐅𝐔𝐓𝐔𝐑𝐄 One of the twentieth century's greatest American composers transformed not only the concert hall, but also the institutions that shaped generations of musicians.…

𝐁𝐄𝐑𝐍𝐀𝐑𝐃 𝐇𝐄𝐑𝐑𝐌𝐀𝐍𝐍 𝐓𝐀𝐔𝐆𝐇𝐓 𝐇𝐎𝐋𝐋𝐘𝐖𝐎𝐎𝐃 𝐇𝐎𝐖 𝐓𝐎 𝐅𝐄𝐀𝐑... 𝐀𝐍𝐃 𝐂𝐇𝐀𝐍𝐆𝐄𝐃 𝐅𝐈𝐋𝐌 𝐌𝐔𝐒𝐈𝐂 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 One of the greatest film composers in history proved that music can become the true protagonist of a movie. When 𝐁𝐞𝐫𝐧𝐚𝐫𝐝 𝐇𝐞𝐫𝐫𝐦𝐚𝐧𝐧…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…