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𝗔𝗠𝗕𝗥𝗢𝗜𝗦𝗘 𝗧𝗛𝗢𝗠𝗔𝗦 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗮 𝗙𝗿𝗲𝗻𝗰𝗵 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗦𝘂𝗿𝘃𝗶𝘃𝗼𝗿 𝗔𝗺𝗯𝗿𝗼𝗶𝘀𝗲 𝗧𝗵𝗼𝗺𝗮𝘀 was one of the central figures of nineteenth-century French opera, although his reputation today rests above all on two works:…

𝗘𝗟𝗜𝗦𝗔𝗕𝗘𝗧𝗛 𝗦𝗖𝗛𝗪𝗔𝗥𝗭𝗞𝗢𝗣𝗙 𝗔𝗡𝗗 𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻, 𝗖𝗼𝗻𝘁𝗿𝗼𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝗼𝘀𝘁-𝗪𝗮𝗿 𝗚𝗼𝗹𝗱𝗲𝗻 𝗔𝗴𝗲 𝗼𝗳 𝗢𝗽𝗲𝗿𝗮 The artistic relationship between 𝗘𝗹𝗶𝘀𝗮𝗯𝗲𝘁𝗵 𝗦𝗰𝗵𝘄𝗮𝗿𝘇𝗸𝗼𝗽𝗳 and 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 belongs to one of the most refined chapters in…

𝗔𝗥𝗥𝗜𝗚𝗢 𝗕𝗢𝗜𝗧𝗢 𝗧𝗵𝗲 𝗣𝗼𝗲𝘁 𝗪𝗵𝗼 𝗕𝗿𝗼𝘂𝗴𝗵𝘁 𝗩𝗲𝗿𝗱𝗶 𝗕𝗮𝗰𝗸 𝘁𝗼 𝗦𝗵𝗮𝗸𝗲𝘀𝗽𝗲𝗮𝗿𝗲 𝗔𝗿𝗿𝗶𝗴𝗼 𝗕𝗼𝗶𝘁𝗼 was one of the most fascinating figures in nineteenth-century Italian music: poet, composer, critic, librettist, intellectual agitator, and finally the man who…

𝗪𝗔𝗚𝗡𝗘𝗥𝗜𝗔𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥𝗦 𝗠𝗼𝘁𝘁𝗹, 𝗟𝗲𝘃𝗶, 𝗦𝗰𝗵𝘂𝗰𝗵, 𝗮𝗻𝗱 𝗦𝘂𝗰𝗵𝗲𝗿 — 𝗙𝗼𝘂𝗿 𝗠𝗲𝗱𝗶𝗮𝘁𝗼𝗿𝘀 𝗼𝗳 𝗪𝗮𝗴𝗻𝗲𝗿’𝘀 𝗦𝘁𝗮𝗴𝗲 𝗙𝗘𝗟𝗜𝗫 𝗠𝗢𝗧𝗧𝗟 𝟭𝟴𝟱𝟲–𝟭𝟵𝟭𝟭 𝗙𝗲𝗹𝗶𝘅 𝗠𝗼𝘁𝘁𝗹 was one of the most admired Wagnerian conductors of the generation immediately after Wagner himself. Born…

𝗚𝗜𝗔𝗖𝗢𝗠𝗢 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗠𝗮𝗻 𝗪𝗵𝗼 𝗧𝘂𝗿𝗻𝗲𝗱 𝗢𝗽𝗲𝗿𝗮 𝗶𝗻𝘁𝗼 𝗮 𝗪𝗼𝗿𝗹𝗱 The life of 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is full of paradoxes. He was one of the most famous opera composers of the nineteenth century, perhaps the…

𝗪𝗔𝗚𝗡𝗘𝗥 𝗔𝗡𝗗 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗣𝗮𝘁𝗿𝗼𝗻, 𝘁𝗵𝗲 𝗗𝗲𝗯𝘁, 𝘁𝗵𝗲 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹 — 𝗮𝗻𝗱 𝗢𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗼𝘀𝘁 𝗧𝗿𝗼𝘂𝗯𝗹𝗶𝗻𝗴 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝗶𝗻 𝗡𝗶𝗻𝗲𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗠𝘂𝘀𝗶𝗰 The relationship between 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗪𝗮𝗴𝗻𝗲𝗿 and 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is one of the most revealing,…

𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗣𝗶𝗼𝘂𝘀 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰𝘀, 𝗧𝘄𝗼 𝗡𝗮𝘁𝗶𝗼𝗻𝘀, 𝗧𝘄𝗼 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗵𝗼𝗻𝘆 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 is much more difficult to describe than the relationship between Brahms and Dvořák.…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗦𝗹𝗮𝘃𝗶𝗰 𝗚𝗲𝗻𝗶𝘂𝘀𝗲𝘀, 𝗢𝗻𝗲 𝗣𝗿𝗮𝗴𝘂𝗲 𝗘𝗻𝗰𝗼𝘂𝗻𝘁𝗲𝗿, 𝗮𝗻𝗱 𝗮 𝗕𝗿𝗶𝗲𝗳 𝗕𝘂𝘁 𝗪𝗮𝗿𝗺 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽 The relationship between 𝗣𝘆𝗼𝘁𝗿 𝗜𝗹𝘆𝗶𝗰𝗵 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was not as long, intimate, or structurally decisive as the…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗜𝗡 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗧𝗵𝗮𝘁 𝗢𝗽𝗲𝗻𝗲𝗱 𝗮 𝗗𝗼𝗼𝗿 𝗮𝗻𝗱 𝗟𝗲𝗳𝘁 𝗮 𝗧𝗿𝗮𝗰𝗲 The influence of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 on 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was never a simple matter of imitation. It was more subtle, more fruitful,…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝗵𝗲 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗢𝗽𝗲𝗻𝗲𝗱 𝘁𝗵𝗲 𝗗𝗼𝗼𝗿 — 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗚𝗲𝗻𝗶𝘂𝘀 𝗪𝗵𝗼 𝗪𝗮𝗹𝗸𝗲𝗱 𝗧𝗵𝗿𝗼𝘂𝗴𝗵 𝗜𝘁 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗖𝗼𝗻𝘁𝗮𝗰𝘁: 𝗩𝗶𝗲𝗻𝗻𝗮, 𝟭𝟴𝟳𝟱–𝟭𝟴𝟳𝟳 The relationship between 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 began not with a…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗕𝗥𝗔𝗛𝗠𝗦 𝗧𝘄𝗼 𝗚𝗲𝗻𝗶𝘂𝘀𝗲𝘀, 𝗧𝘄𝗼 𝗪𝗼𝗿𝗹𝗱𝘀 The relationship between 𝗣𝘆𝗼𝘁𝗿 𝗜𝗹𝘆𝗶𝗰𝗵 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 and 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 was never a true friendship in the intimate sense, nor was it a simple personal rivalry. It was,…

𝗧𝗛𝗢𝗠𝗔𝗦 𝗦𝗖𝗛𝗜𝗣𝗣𝗘𝗥𝗦 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗘𝘀𝘀𝗮𝘆 𝗼𝗻 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲, 𝗔𝗿𝘁, 𝗮𝗻𝗱 𝗣𝗿𝗼𝗳𝗲𝘀𝘀𝗶𝗼𝗻𝗮𝗹 𝗖𝗮𝗿𝗲𝗲𝗿 𝗧𝗵𝗼𝗺𝗮𝘀 𝗦𝗰𝗵𝗶𝗽𝗽𝗲𝗿𝘀 was one of the most brilliant and charismatic American conductors of the post-war generation. Born in 𝗞𝗮𝗹𝗮𝗺𝗮𝘇𝗼𝗼, 𝗠𝗶𝗰𝗵𝗶𝗴𝗮𝗻, 𝗼𝗻 𝟵…

𝗣𝗬𝗢𝗧𝗥 𝗜𝗟𝗬𝗜𝗖𝗛 𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗔𝗡𝗧𝗢𝗡𝗜𝗡𝗔 𝗠𝗜𝗟𝗜𝗨𝗞𝗢𝗩𝗔 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗔𝗰𝗰𝗼𝘂𝗻𝘁 𝗼𝗳 𝗮 𝗧𝗿𝗮𝗴𝗶𝗰 𝗠𝗮𝗿𝗿𝗶𝗮𝗴𝗲 The marriage of 𝗣𝘆𝗼𝘁𝗿 𝗜𝗹𝘆𝗶𝗰𝗵 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 and 𝗔𝗻𝘁𝗼𝗻𝗶𝗻𝗮 𝗜𝘃𝗮𝗻𝗼𝘃𝗻𝗮 𝗠𝗶𝗹𝗶𝘂𝗸𝗼𝘃𝗮 is one of the most painful episodes in the composer’s life.…

𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 𝗮𝗻𝗱 𝗔𝗻𝗮𝘁𝗼𝗹𝘆 𝗕𝗿𝗮𝗻𝗱𝘂𝗸𝗼𝘃 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗱 𝗯𝘆 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗥𝗲𝘂𝘁𝗹𝗶𝗻𝗴𝗲𝗿 𝗶𝗻 𝗣𝗮𝗿𝗶𝘀 𝗼𝗻 𝟲/𝟭𝟴 𝗠𝗮𝗿𝗰𝗵 𝟭𝟴𝟴𝟴 𝗔𝗻𝗮𝘁𝗼𝗹𝘆 𝗔𝗻𝗱𝗿𝗲𝘆𝗲𝘃𝗶𝗰𝗵 𝗕𝗿𝗮𝗻𝗱𝘂𝗸𝗼𝘃 — 𝗥𝘂𝘀𝘀𝗶𝗮𝗻 𝗰𝗲𝗹𝗹𝗶𝘀𝘁 𝗮𝗻𝗱 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗕𝗼𝗿𝗻: 𝟮𝟱 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟴𝟱𝟴 / 𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟴𝟱𝟵, 𝗠𝗼𝘀𝗰𝗼𝘄 𝗗𝗶𝗲𝗱: 𝟭𝟲 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆…

𝗧𝗛𝗘 𝗙𝗢𝗢𝗗 𝗧𝗛𝗔𝗧 𝗕𝗘𝗦𝗧 𝗥𝗘𝗣𝗥𝗘𝗦𝗘𝗡𝗧𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 If we had to choose the foods that best represent Brahms, the answer would not be one dish but a constellation: 𝗗𝗮𝗿𝗸 𝗯𝗿𝗲𝗮𝗱, because it symbolizes foundation and…

𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗪𝗜𝗧𝗛𝗗𝗥𝗔𝗪𝗔𝗟 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗢𝗙 𝗦𝗔𝗬𝗜𝗡𝗚 𝗙𝗔𝗥𝗘𝗪𝗘𝗟𝗟 𝟭𝟴𝟵𝟯–𝟭𝟴𝟵𝟰 After the success and warm reception of the 𝗖𝗹𝗮𝗿𝗶𝗻𝗲𝘁 𝗦𝗼𝗻𝗮𝘁𝗮𝘀, 𝗢𝗽. 𝟭𝟮𝟬, completed in 𝟭𝟴𝟵𝟰, 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 entered what would become one of the…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗡𝗗 𝗝𝗢𝗔𝗖𝗛𝗜𝗠: 𝗔 𝗟𝗜𝗙𝗘𝗟𝗢𝗡𝗚 𝗙𝗥𝗜𝗘𝗡𝗗𝗦𝗛𝗜𝗣 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖, 𝗟𝗢𝗬𝗔𝗟𝗧𝗬, 𝗔𝗡𝗗 𝗢𝗖𝗖𝗔𝗦𝗜𝗢𝗡𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗥𝗗 The friendship between 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 and 𝗝𝗼𝘀𝗲𝗽𝗵 𝗝𝗼𝗮𝗰𝗵𝗶𝗺 belongs among the most significant artistic relationships of the 19th century. It was not…

𝗧𝗛𝗘 𝗩𝗜𝗢𝗟𝗜𝗡 𝗖𝗢𝗡𝗖𝗘𝗥𝗧𝗢 𝗜𝗡 𝗗 𝗠𝗔𝗝𝗢𝗥, 𝗢𝗣. 𝟳𝟳, 𝗕𝗬 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦, 𝗔𝗡𝗗 𝗜𝗧𝗦 𝗗𝗘𝗘𝗣 𝗖𝗢𝗡𝗡𝗘𝗖𝗧𝗜𝗢𝗡 𝗧𝗢 𝗝𝗢𝗦𝗘𝗣𝗛 𝗝𝗢𝗔𝗖𝗛𝗜𝗠 https://www.patreon.com/collection/2148724 The origins of 𝗕𝗿𝗮𝗵𝗺𝘀’𝘀 𝗩𝗶𝗼𝗹𝗶𝗻 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗶𝗻 𝗗 𝗺𝗮𝗷𝗼𝗿, 𝗢𝗽. 𝟳𝟳, lead us back to…

𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗟𝗜𝗦𝗧𝗘𝗡𝗜𝗡𝗚 𝗛𝗔𝗕𝗜𝗧𝗦, 𝗛𝗢𝗨𝗥 𝗕𝗬 𝗛𝗢𝗨𝗥 — 𝗛𝗜𝗦 𝗗𝗔𝗜𝗟𝗬 𝗥𝗢𝗨𝗧𝗜𝗡𝗘 A reconstruction grounded in letters, recollections by close friends such as Joachim, Clara Schumann, and Billroth, and scattered diary fragments. This is not an…

𝗣𝗥𝗜𝗩𝗔𝗧𝗘 𝗔𝗡𝗘𝗖𝗗𝗢𝗧𝗘𝗦 𝗔𝗕𝗢𝗨𝗧 𝗕𝗥𝗔𝗛𝗠𝗦 𝗖𝗢𝗠𝗠𝗘𝗡𝗧𝗜𝗡𝗚 𝗢𝗡 𝗢𝗧𝗛𝗘𝗥 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗔 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 𝗢𝗙 𝗔 𝗦𝗘𝗩𝗘𝗥𝗘, 𝗛𝗢𝗡𝗘𝗦𝗧, 𝗔𝗡𝗗 𝗗𝗘𝗘𝗣𝗟𝗬 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗠𝗜𝗡𝗗 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 was never a composer of easy compliments. His judgments could be abrupt, ironic, severe,…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗢𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥𝗦 — 𝗪𝗛𝗢 𝗛𝗘 𝗧𝗥𝗨𝗦𝗧𝗘𝗗, 𝗪𝗛𝗢 𝗛𝗘 𝗗𝗜𝗗𝗡’𝗧 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗔𝗦 𝗚𝗨𝗔𝗥𝗗𝗜𝗔𝗡 𝗢𝗙 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗧𝗥𝗨𝗧𝗛 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 judged conductors with the same severity he applied to composers, performers, critics, and even to…

𝗧𝗛𝗘 𝗕𝗥𝗔𝗛𝗠𝗦 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗧𝗥𝗔𝗗𝗜𝗧𝗜𝗢𝗡 — 𝗙𝗨𝗥𝗧𝗪Ä𝗡𝗚𝗟𝗘𝗥, 𝗪𝗘𝗜𝗡𝗚𝗔𝗥𝗧𝗡𝗘𝗥, 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜, 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥, 𝗕𝗥𝗨𝗡𝗢 𝗪𝗔𝗟𝗧𝗘𝗥 The 𝗕𝗿𝗮𝗵𝗺𝘀 𝘁𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 in conducting is not a single straight line, but a constellation of moral, architectural, and sonic philosophies inherited from the…

Standing: 𝗜𝗴𝗻𝗮𝘇 𝗕𝗿𝘂𝗹𝗹, 𝗔𝗻𝘁𝗼𝗻 𝗗𝗼𝗼𝗿, 𝗝𝗼𝘀𝗲𝗳 𝗚𝗮𝗻𝘀𝗯𝗮𝗰𝗵𝗲𝗿, 𝗝𝘂𝗹𝗶𝘂𝘀 𝗘𝗽𝘀𝘁𝗲𝗶𝗻 (𝗕𝗿𝘂𝗹𝗹'𝘀 𝗽𝗶𝗮𝗻𝗼 𝘁𝗲𝗮𝗰𝗵𝗲𝗿), 𝗥𝗼𝗯𝗲𝗿𝘁 𝗛𝗮𝘂𝘀𝗺𝗮𝗻𝗻. Sitting: 𝗚𝘂𝘀𝘁𝗮𝘃 𝗪𝗮𝗹𝘁𝗲𝗿, 𝗘𝗱𝘂𝗮𝗿𝗱 𝗛𝗮𝗻𝘀𝗹𝗶𝗰𝗸, 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀. 𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗠𝗢𝗡𝗚 𝗛𝗜𝗦 𝗩𝗜𝗘𝗡𝗡𝗘𝗦𝗘 𝗖𝗜𝗥𝗖𝗟𝗘 𝗔 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 𝗢𝗙 𝗙𝗥𝗜𝗘𝗡𝗗𝗦𝗛𝗜𝗣, 𝗖𝗥𝗜𝗧𝗜𝗖𝗜𝗦𝗠, 𝗔𝗡𝗗 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗜𝗗𝗘𝗔𝗟𝗦…

𝗖𝗹𝗮𝗿𝗮 𝗪𝗶𝗲𝗰𝗸-𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 (𝟭𝟴𝟭𝟵–𝟭𝟴𝟵𝟲) 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟭 𝗶𝗻 𝗔 𝗺𝗶𝗻𝗼𝗿, 𝗢𝗽. 𝟳 https://www.youtube.com/watch?v=ESsY_vVZ3gQ 𝗕𝗲𝗮𝘁𝗿𝗶𝗰𝗲 𝗥𝗮𝗻𝗮, piano 𝗖𝗵𝗮𝗺𝗯𝗲𝗿 𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗼𝗳 𝗘𝘂𝗿𝗼𝗽𝗲 𝗬𝗮𝗻𝗻𝗶𝗰𝗸 𝗡𝗲́𝘇𝗲𝘁-𝗦𝗲́𝗴𝘂𝗶𝗻, conductor 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡, 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘, 𝗔𝗡𝗗 𝗥𝗘𝗖𝗘𝗣𝗧𝗜𝗢𝗡 𝗧𝗛𝗘 𝗬𝗢𝗨𝗡𝗚 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥 𝗕𝗘𝗛𝗜𝗡𝗗 𝗧𝗛𝗘 𝗪𝗢𝗥𝗞 𝗖𝗹𝗮𝗿𝗮…