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𝗦𝗵𝗼𝘀𝘁𝗮𝗸𝗼𝘃𝗶𝗰𝗵 𝘄𝗶𝘁𝗵 𝗥𝗼𝘀𝘁𝗿𝗼𝗽𝗼𝘃𝗶𝗰𝗵 𝗮𝗻𝗱 𝗠𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 𝗮𝗳𝘁𝗲𝗿 𝘁𝗵𝗲 𝗟𝗲𝗻𝗶𝗻𝗴𝗿𝗮𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗼𝗳 𝗖𝗲𝗹𝗹𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟭. 𝗟𝗲𝗻𝗶𝗻𝗴𝗿𝗮𝗱 𝗣𝗵𝗶𝗹𝗵𝗮𝗿𝗺𝗼𝗻𝗶𝗰, 𝗕𝗼𝗹𝘀𝗵𝗼𝗶 𝗛𝗮𝗹𝗹. 𝟰 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟵𝟱𝟵. 𝗖𝗿𝗲𝗱𝗶𝘁: 𝗡. 𝗡𝗮𝘂𝗺𝗲𝗻𝗸𝗼𝘃 𝗳𝗿𝗼𝗺 “𝗥𝗼𝘀𝘁𝗿𝗼𝗽𝗼𝘃𝗶𝗰𝗵 – 𝗖𝗲𝗹𝗹𝗶𝘀𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗲𝗻𝘁𝘂𝗿𝘆”

𝗝𝗼𝗵𝗮𝗻𝗻 𝗝𝗼𝘀𝗲𝗽𝗵 𝗙𝘂𝘅: 𝗧𝗵𝗲 𝗜𝗺𝗽𝗲𝗿𝗶𝗮𝗹 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗧𝗮𝘂𝗴𝗵𝘁 𝗘𝘂𝗿𝗼𝗽𝗲 𝗛𝗼𝘄 𝘁𝗼 𝗖𝗼𝗺𝗽𝗼𝘀𝗲 𝗝𝗼𝗵𝗮𝗻𝗻 𝗝𝗼𝘀𝗲𝗽𝗵 𝗙𝘂𝘅 (c.1660–1741) was an Austrian Baroque composer, theorist, and one of the most influential teachers in music history. Born in…

𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗚𝗲𝗺𝗶𝗻𝗶𝗮𝗻𝗶: 𝗧𝗵𝗲 𝗩𝗶𝗿𝘁𝘂𝗼𝘀𝗼 𝗪𝗵𝗼 𝗧𝘂𝗿𝗻𝗲𝗱 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗩𝗶𝗼𝗹𝗶𝗻 𝗔𝗿𝘁 𝗶𝗻𝘁𝗼 𝗮 𝗘𝘂𝗿𝗼𝗽𝗲𝗮𝗻 𝗟𝗮𝗻𝗴𝘂𝗮𝗴𝗲 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗚𝗲𝗺𝗶𝗻𝗶𝗮𝗻𝗶 (1687–1762) was an Italian Baroque composer, violin virtuoso, and influential music theorist, and he stands among the most important…

𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗕𝗮𝘁𝘁𝗶𝘀𝘁𝗮 𝗣𝗲𝗿𝗴𝗼𝗹𝗲𝘀𝗶: 𝗧𝗵𝗲 𝗕𝗿𝗶𝗹𝗹𝗶𝗮𝗻𝘁 𝗦𝗵𝗼𝗿𝘁-𝗟𝗶𝘃𝗲𝗱 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗖𝗵𝗮𝗻𝗴𝗲𝗱 𝗘𝘂𝗿𝗼𝗽𝗲𝗮𝗻 𝗧𝗮𝘀𝘁𝗲 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗕𝗮𝘁𝘁𝗶𝘀𝘁𝗮 𝗣𝗲𝗿𝗴𝗼𝗹𝗲𝘀𝗶 (1710–1736) was one of the most brilliant and influential Italian composers of the early eighteenth century, and 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲…

𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗧𝗼𝗿𝗲𝗹𝗹𝗶: 𝗧𝗵𝗲 𝗘𝗮𝗿𝗹𝘆 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗦𝗵𝗮𝗽𝗲𝗱 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗚𝗶𝘂𝘀𝗲𝗽𝗽𝗲 𝗧𝗼𝗿𝗲𝗹𝗹𝗶 (1658–1709) was an Italian Baroque composer and violinist who played 𝗮 𝗰𝗿𝘂𝗰𝗶𝗮𝗹 𝗿𝗼𝗹𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗱𝗲𝘃𝗲𝗹𝗼𝗽𝗺𝗲𝗻𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗿𝘁𝗼. Born in 𝗩𝗲𝗿𝗼𝗻𝗮…

𝗪𝗶𝗹𝗹𝗶𝗮𝗺 𝗕𝗼𝘆𝗰𝗲: 𝗧𝗵𝗲 𝗡𝗼𝗯𝗹𝗲 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗩𝗼𝗶𝗰𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗮𝗻𝗱 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗶𝘀𝗺 𝗪𝗶𝗹𝗹𝗶𝗮𝗺 𝗕𝗼𝘆𝗰𝗲 (1711–1779) was one of the most important English composers of the eighteenth century and 𝗮 𝗰𝗲𝗻𝘁𝗿𝗮𝗹 𝗳𝗶𝗴𝘂𝗿𝗲 𝗶𝗻 𝗘𝗻𝗴𝗹𝗮𝗻𝗱’𝘀 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗹𝗶𝗳𝗲 𝗮𝗳𝘁𝗲𝗿…

𝗧𝗼𝗺𝗮𝘀𝗼 𝗔𝗹𝗯𝗶𝗻𝗼𝗻𝗶: 𝗧𝗵𝗲 𝗡𝗼𝗯𝗹𝗲 𝗩𝗼𝗶𝗰𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗩𝗲𝗻𝗲𝘁𝗶𝗮𝗻 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗧𝗼𝗺𝗮𝘀𝗼 𝗔𝗹𝗯𝗶𝗻𝗼𝗻𝗶 (1671–1751) was an Italian Baroque composer known for his refined instrumental music and for his 𝗶𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 𝗰𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗶𝗼𝗻𝘀 𝘁𝗼 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗿𝘁𝗼. Born in 𝗩𝗲𝗻𝗶𝗰𝗲…

𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗶: 𝗧𝗵𝗲 𝗠𝗮𝘀𝘁𝗲𝗿 𝗪𝗵𝗼 𝗢𝗽𝗲𝗻𝗲𝗱 𝘁𝗵𝗲 𝗗𝗼𝗼𝗿 𝘁𝗼 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗶 (c.1554–1612) was one of the most influential composers of the late Renaissance and early Baroque, and 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝗽𝗿𝗲𝗺𝗲 𝗰𝗿𝗲𝗮𝘁𝗼𝗿𝘀…

𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗖𝗮𝘃𝗮𝗹𝗹𝗶: 𝗧𝗵𝗲 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗪𝗵𝗼 𝗠𝗮𝗱𝗲 𝗢𝗽𝗲𝗿𝗮 𝗮 𝗣𝘂𝗯𝗹𝗶𝗰 𝗔𝗿𝘁 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗖𝗮𝘃𝗮𝗹𝗹𝗶 (1602–1676) was one of the most important opera composers of the early Baroque and 𝗮 𝗰𝗲𝗻𝘁𝗿𝗮𝗹 𝗳𝗶𝗴𝘂𝗿𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗿𝗶𝘀𝗲 𝗼𝗳 𝗽𝘂𝗯𝗹𝗶𝗰…

𝗠𝗮𝗿𝗶𝗻 𝗠𝗮𝗿𝗮𝗶𝘀: 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗣𝗼𝗲𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗩𝗶𝗼𝗹𝗮 𝗱𝗮 𝗚𝗮𝗺𝗯𝗮 𝗠𝗮𝗿𝗶𝗻 𝗠𝗮𝗿𝗮𝗶𝘀 (1656–1728) was a French Baroque composer and a supreme virtuoso of the viola da gamba, 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗱𝗶𝘀𝘁𝗶𝗻𝗴𝘂𝗶𝘀𝗵𝗲𝗱 𝗺𝘂𝘀𝗶𝗰𝗶𝗮𝗻𝘀 𝗼𝗳…

𝗧𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻 𝗳𝗿𝗼𝗺 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗠𝘂𝘀𝗶𝗰 𝘁𝗼 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗠𝘂𝘀𝗶𝗰 𝗧𝗵𝗲 𝗿𝗲𝗮𝗹 𝗱𝗿𝗶𝘃𝗶𝗻𝗴 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 The transition from Renaissance music to Baroque music was not a simple replacement of one style by another. It was a deep…

𝗧𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻 𝗳𝗿𝗼𝗺 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝘁𝗼 𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗶𝘀𝗺 𝗧𝗵𝗲 𝗿𝗲𝗮𝗹 𝗱𝗿𝗶𝘃𝗶𝗻𝗴 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿𝘀 𝗮𝗻𝗱 𝘄𝗵𝘆 The passage from the Baroque world to the Classical one was not a sudden revolution that happened in a single year, nor…

Werner Lywen, Igor Stravinsky, Leonard Bernstein and Robert Shaw

𝐊𝐚𝐫𝐥 𝐑𝐢𝐜𝐡𝐭𝐞𝐫: 𝐓𝐡𝐞 𝐁𝐚𝐜𝐡 𝐓𝐢𝐭𝐚𝐧 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐅𝐚𝐢𝐭𝐡, 𝐃𝐢𝐬𝐜𝐢𝐩𝐥𝐢𝐧𝐞, 𝐀𝐧𝐝 𝐅𝐢𝐫𝐞 𝐈𝐧𝐭𝐨 𝐒𝐨𝐮𝐧𝐝 There are musicians whose reputations rest on fashion, and others whose names remain inseparable from an entire repertory because they seemed…

𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐞𝐫 𝐁𝐨𝐫𝐨𝐝𝐢𝐧: 𝐓𝐡𝐞 𝐂𝐡𝐞𝐦𝐢𝐬𝐭-𝐂𝐨𝐦𝐩𝐨𝐬𝐞𝐫 𝐖𝐡𝐨 𝐖𝐫𝐨𝐭𝐞 𝐌𝐮𝐬𝐢𝐜 𝐀𝐬 𝐈𝐟 𝐑𝐮𝐬𝐬𝐢𝐚 𝐖𝐞𝐫𝐞 𝐃𝐫𝐞𝐚𝐦𝐢𝐧𝐠 There are composers whose lives seem wholly given over to music, and there are others whose greatness becomes even more astonishing because…

𝐄𝐫𝐢𝐤 𝐒𝐚𝐭𝐢𝐞: 𝐓𝐡𝐞 𝐄𝐜𝐜𝐞𝐧𝐭𝐫𝐢𝐜 𝐏𝐫𝐨𝐩𝐡𝐞𝐭 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐈𝐫𝐨𝐧𝐲, 𝐒𝐢𝐥𝐞𝐧𝐜𝐞, 𝐀𝐧𝐝 𝐂𝐥𝐞𝐚𝐫𝐧𝐞𝐬𝐬 𝐈𝐧𝐭𝐨 𝐌𝐨𝐝𝐞𝐫𝐧 𝐌𝐮𝐬𝐢𝐜 There are composers whose greatness lies in large monuments, and there are others whose influence works more strangely, more quietly,…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝘄𝗶𝘁𝗵 𝗵𝗶𝘀 𝗽𝘂𝗽𝗶𝗹, 𝗕𝗲𝗿𝗻𝗵𝗮𝗿𝗱 𝗦𝘁𝗮𝘃𝗲𝗻𝗵𝗮𝗴𝗲𝗻. 𝗟𝗼𝗻𝗱𝗼𝗻, 𝗔𝗽𝗿𝗶𝗹, 𝟭𝟴𝟴𝟲

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝟭𝟴𝟭𝟭-𝟭𝟴𝟴𝟲. 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵 𝗯𝘆 𝗝. 𝗚𝗮𝗻𝘇, 𝟭𝟴𝟴𝟮.

𝗩𝗘𝗥𝗗𝗜 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗢𝗣𝗘𝗥𝗔𝗦 — 𝗪𝗛𝗜𝗖𝗛 𝗢𝗡𝗘𝗦 𝗗𝗜𝗗 𝗛𝗘 𝗩𝗔𝗟𝗨𝗘 𝗠𝗢𝗦𝗧? The safest answer is that 𝗩𝗲𝗿𝗱𝗶 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗹𝗲𝗮𝘃𝗲 𝗮 𝘀𝗶𝗻𝗴𝗹𝗲, 𝘀𝘁𝗮𝗯𝗹𝗲, 𝗼𝗻𝗰𝗲-𝗮𝗻𝗱-𝗳𝗼𝗿-𝗮𝗹𝗹 “𝗳𝗮𝘃𝗼𝗿𝗶𝘁𝗲 𝗼𝗽𝗲𝗿𝗮.” His preferences changed across his career, and…

𝗪𝗜𝗟𝗛𝗘𝗟𝗠 𝗙𝗨𝗥𝗧𝗪Ä𝗡𝗚𝗟𝗘𝗥 — 𝟮𝟬 𝗢𝗙 𝗛𝗜𝗦 𝗠𝗢𝗦𝗧 𝗖𝗘𝗟𝗘𝗕𝗥𝗔𝗧𝗘𝗗 𝗔𝗡𝗗 𝗠𝗢𝗦𝗧 𝗥𝗘𝗟𝗜𝗔𝗕𝗟𝗬 𝗗𝗢𝗖𝗨𝗠𝗘𝗡𝗧𝗘𝗗 𝗤𝗨𝗢𝗧𝗔𝗧𝗜𝗢𝗡𝗦 The list below is built mainly from documented translations of his own essays, colloquia, and Beethoven writings, as cited in a…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝟮𝟬 𝗢𝗙 𝗛𝗜𝗦 𝗠𝗢𝗦𝗧 𝗖𝗘𝗟𝗘𝗕𝗥𝗔𝗧𝗘𝗗 𝗤𝗨𝗢𝗧𝗔𝗧𝗜𝗢𝗡𝗦 𝟭. 𝗧𝗵𝗶𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗼𝘂𝗿 𝗿𝗲𝗽𝗹𝘆 𝘁𝗼 𝘃𝗶𝗼𝗹𝗲𝗻𝗰𝗲: 𝘁𝗼 𝗺𝗮𝗸𝗲 𝗺𝘂𝘀𝗶𝗰 𝗺𝗼𝗿𝗲 𝗶𝗻𝘁𝗲𝗻𝘀𝗲𝗹𝘆, 𝗺𝗼𝗿𝗲 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹𝗹𝘆, 𝗺𝗼𝗿𝗲 𝗱𝗲𝘃𝗼𝘁𝗲𝗱𝗹𝘆 𝘁𝗵𝗮𝗻 𝗲𝘃𝗲𝗿 𝗯𝗲𝗳𝗼𝗿𝗲. 𝟮. 𝗠𝘂𝘀𝗶𝗰 𝗰𝗮𝗻 𝗻𝗮𝗺𝗲 𝘁𝗵𝗲…

Leonard Bernstein and Claudio Abbado

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 — 𝟮𝟰 𝗢𝗙 𝗛𝗜𝗦 𝗠𝗢𝗦𝗧 𝗖𝗘𝗟𝗘𝗕𝗥𝗔𝗧𝗘𝗗 𝗔𝗡𝗗 𝗗𝗢𝗖𝗨𝗠𝗘𝗡𝗧𝗘𝗗 𝗤𝗨𝗢𝗧𝗔𝗧𝗜𝗢𝗡𝗦 𝟭. “𝗧𝗵𝗲 𝗮𝗿𝘁 𝗼𝗳 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝗰𝗼𝗻𝘀𝗶𝘀𝘁𝘀 𝗶𝗻 𝗸𝗻𝗼𝘄𝗶𝗻𝗴 𝘄𝗵𝗲𝗻 𝘁𝗼 𝘀𝘁𝗼𝗽 𝗰𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝘁𝗼 𝗹𝗲𝘁 𝘁𝗵𝗲 𝗼𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮 𝗽𝗹𝗮𝘆.” 𝟮. “𝗤𝘂𝗶𝗰𝗸 𝗺𝘂𝘀𝗶𝗰 𝘀𝗼𝘂𝗻𝗱𝘀 𝗱𝘂𝗹𝗹…