Posts / Fotos

𝗧𝗢𝗟𝗦𝗧𝗢𝗬 𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖: 𝗧𝗛𝗘 𝗪𝗥𝗜𝗧𝗘𝗥 𝗪𝗛𝗢 𝗟𝗢𝗩𝗘𝗗, 𝗙𝗘𝗔𝗥𝗘𝗗, 𝗔𝗡𝗗 𝗝𝗨𝗗𝗚𝗘𝗗 𝗧𝗛𝗘 𝗣𝗢𝗪𝗘𝗥 𝗢𝗙 𝗦𝗢𝗨𝗡𝗗 Few great writers had a relationship with music as fascinating, contradictory, and morally charged as 𝗟𝗲𝗼 𝗧𝗼𝗹𝘀𝘁𝗼𝘆. He was not…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗠𝗮𝗿𝘅𝘀𝗲𝗻, 𝗪𝗶𝗻𝘀𝗲𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗔𝘄𝗮𝗸𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝟭𝟴𝟰𝟱–𝟭𝟴𝟰𝟴 Chapter 2 follows Johannes Brahms from the protected promise of…

𝗡𝗜𝗞𝗢𝗟𝗔𝗜 𝗥𝗜𝗠𝗦𝗞𝗬-𝗞𝗢𝗥𝗦𝗔𝗞𝗢𝗩’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Nikolai Rimsky-Korsakov is frequently described as a supreme orchestrator, as though colour were the principal—or even the only—reason for his enduring importance. The description is accurate but incomplete. His…

𝗗𝗢𝗦𝗧𝗢𝗘𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖: 𝗧𝗛𝗘 𝗦𝗢𝗨𝗡𝗗 𝗢𝗙 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗔𝗕𝗬𝗦𝗦 Few writers have influenced the musical imagination as powerfully as 𝗙𝘆𝗼𝗱𝗼𝗿 𝗠𝗶𝗸𝗵𝗮𝗶𝗹𝗼𝘃𝗶𝗰𝗵 𝗗𝗼𝘀𝘁𝗼𝗲𝘃𝘀𝗸𝘆. He was not a composer, not a professional music critic, and not…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗙𝗜𝗡𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘 𝗣𝗢𝗦𝗧 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗔𝘀 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗕𝗶𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗢𝗳 𝗕𝗿𝗮𝗵𝗺𝘀 After the death of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀, Florence May’s biography changes its nature.…

𝗔𝗟𝗕𝗔𝗡 𝗕𝗘𝗥𝗚: 𝗧𝗛𝗘 𝗟𝗬𝗥𝗜𝗖𝗔𝗟 𝗛𝗘𝗔𝗥𝗧 𝗢𝗙 𝗠𝗢𝗗𝗘𝗥𝗡𝗜𝗦𝗠 Among the great composers of the early twentieth century, 𝗔𝗹𝗯𝗮𝗻 𝗕𝗲𝗿𝗴 occupies a singular and fascinating place. He was one of the central figures of the 𝗦𝗲𝗰𝗼𝗻𝗱…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭 𝗩𝗶𝗲𝗻𝗻𝗮, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗧𝗿𝗶𝘂𝗺𝗽𝗵𝘀, 𝗧𝗵𝗲 𝗛𝗮𝗺𝗯𝘂𝗿𝗴 𝗗𝗶𝘀𝗮𝗽𝗽𝗼𝗶𝗻𝘁𝗺𝗲𝗻𝘁, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗦𝗶𝗻𝗴𝗮𝗸𝗮𝗱𝗲𝗺𝗶𝗲 𝟭𝟴𝟲𝟮–𝟭𝟴𝟲𝟰 Chapter 1 of Volume II opens a new book in…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 𝗗𝗲𝘁𝗺𝗼𝗹𝗱, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼, 𝗧𝗵𝗲 𝗗 𝗠𝗮𝗷𝗼𝗿 𝗦𝗲𝗿𝗲𝗻𝗮𝗱𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗠𝗮𝗻 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗚𝗿𝗶𝗲𝗳, 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽, 𝗮𝗻𝗱 𝗠𝗮𝘁𝘂𝗿𝗶𝘁𝘆 𝟭𝟴𝟱𝟲–𝟭𝟴𝟱𝟴 Chapter 8…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻’𝘀 “𝗡𝗲𝘄 𝗣𝗮𝘁𝗵𝘀,” 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗣𝘂𝗯𝗹𝗶𝗰𝗮𝘁𝗶𝗼𝗻𝘀, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗕𝗶𝗿𝘁𝗵 𝗼𝗳 𝗕𝗿𝗮𝗵𝗺𝘀’𝘀 𝗣𝘂𝗯𝗹𝗶𝗰 𝗡𝗮𝗺𝗲 𝟭𝟴𝟱𝟯 Chapter 5 is the chapter in which…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝗝𝗼𝗮𝗰𝗵𝗶𝗺, 𝗟𝗶𝘀𝘇𝘁, 𝘁𝗵𝗲 𝗥𝗵𝗶𝗻𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝟭𝟴𝟱𝟯 Chapter 4 is one of the turning-points…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯 𝗙𝗿𝗼𝗺 𝗛𝗮𝗺𝗯𝘂𝗿𝗴 𝗢𝗯𝘀𝗰𝘂𝗿𝗶𝘁𝘆 𝘁𝗼 𝘁𝗵𝗲 𝗧𝗵𝗿𝗲𝘀𝗵𝗼𝗹𝗱 𝗼𝗳 𝘁𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗪𝗼𝗿𝗹𝗱 𝟭𝟴𝟰𝟴–𝟭𝟴𝟱𝟯 Chapter 3 is one of the decisive transition chapters…

𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 𝗮𝗻𝗱 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 𝗧𝘄𝗼 𝗖𝗮𝘁𝗵𝗲𝗱𝗿𝗮𝗹𝘀 𝗼𝗳 𝗦𝗼𝘂𝗻𝗱: 𝗠𝗲𝗲𝘁𝗶𝗻𝗴𝘀, 𝗔𝗱𝗺𝗶𝗿𝗮𝘁𝗶𝗼𝗻, 𝗗𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝗰𝗲𝘀, 𝗮𝗻𝗱 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 belongs to one of the most fascinating lines of continuity in late…

𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 — 𝗟𝗶𝗳𝗲: 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟭 𝗙𝗮𝗺𝗶𝗹𝘆 𝗢𝗿𝗶𝗴𝗶𝗻𝘀, 𝗖𝗵𝗶𝗹𝗱𝗵𝗼𝗼𝗱, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗶𝗴𝗻𝘀 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀 𝗜. 𝗕𝗲𝗿𝗻𝗵𝗮𝗿𝗱 𝗠𝗮𝗵𝗹𝗲𝗿: 𝗧𝗵𝗲 𝗙𝗮𝘁𝗵𝗲𝗿 𝗮𝘀 𝗮 𝗙𝗼𝗿𝗰𝗲 𝗼𝗳 𝗪𝗶𝗹𝗹 The story of Gustav Mahler begins not with music,…

𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔𝗡 𝗜𝗡-𝗗𝗘𝗣𝗧𝗛 𝗔𝗡𝗗 𝗕𝗔𝗟𝗔𝗡𝗖𝗘𝗗 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 To enter the inner world of 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 is to stand before one of the most exposed psyches in the history of music. Few composers turned…

𝗣𝗬𝗢𝗧𝗥 𝗜𝗟𝗬𝗜𝗖𝗛 𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟭 𝗜𝗡 𝗚 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟭𝟯, “𝗪𝗜𝗡𝗧𝗘𝗥 𝗗𝗔𝗬𝗗𝗥𝗘𝗔𝗠𝗦”: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗟𝗬𝗥𝗜𝗖𝗜𝗦𝗠, 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗙𝗢𝗥𝗠, 𝗔𝗡𝗗 𝗘𝗔𝗥𝗟𝗬 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗜𝗗𝗘𝗡𝗧𝗜𝗧𝗬 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio…