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𝗘𝗨𝗚𝗘𝗡𝗘 𝗢𝗥𝗠𝗔𝗡𝗗𝗬 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Eugene Ormandy remains inseparable from the Philadelphia Orchestra and the famously sumptuous sonority that became known throughout the world as the “Philadelphia Sound.” During his extraordinary tenure—first…

# 𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗜𝗡 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 — 𝗙𝗥𝗢𝗠 𝗬𝗢𝗨𝗧𝗛𝗙𝗨𝗟 𝗗𝗜𝗦𝗖𝗜𝗣𝗟𝗘 𝗧𝗢 𝗖𝗥𝗘𝗔𝗧𝗜𝗩𝗘 𝗛𝗘𝗜𝗥 The influence of **𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻** on **𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀** was profound, but it cannot be reduced to direct imitation.…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯𝟬 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗬𝗘𝗔𝗥 ════════════════════════════ 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥 𝗧𝗛𝗔𝗧 𝗥𝗘𝗙𝗨𝗦𝗘𝗦 𝗧𝗢 𝗕𝗘 𝗢𝗡𝗟𝗬 𝗧𝗥𝗔𝗚𝗜𝗖 After the darkness of 𝗔 “𝗖𝗼𝗻𝘀𝘁𝗮𝗻𝘁 𝗦𝗮𝗱𝗻𝗲𝘀𝘀”, one might expect Mozart’s final year to…

𝗖𝗛𝗔𝗥𝗟𝗘𝗦 𝗠𝗨𝗡𝗖𝗛 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Charles Munch was one of the most spontaneous, incandescent and unmistakably French conductors of the twentieth century. His finest performances combine rhythmic freedom, nervous energy, luminous orchestral…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Leonard Bernstein left one of the most extensive, varied and immediately recognisable recorded legacies of the twentieth century. He was not only a conductor but also a…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗙𝗔𝗧𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗛𝗘𝗔𝗥𝗧 Pyotr Ilyich Tchaikovsky is often presented as the supreme composer of emotional immediacy: the creator of unforgettable melodies, tragic symphonies,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗗𝗜𝗔𝗥𝗬 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗦𝗢𝗨𝗟 Robert Schumann was perhaps the composer who most completely transformed private thought, literary imagination, emotional contradiction and unstable memory into music.…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗛𝗔𝗬𝗗𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗥𝗔𝗡𝗦𝗙𝗢𝗥𝗠𝗘𝗗 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬, 𝗧𝗛𝗘 𝗤𝗨𝗔𝗥𝗧𝗘𝗧 𝗔𝗡𝗗 𝗦𝗔𝗖𝗥𝗘𝗗 𝗠𝗨𝗦𝗜𝗖 Joseph Haydn is often introduced through a series of familiar labels: “father of the symphony,” “father of…

𝗦𝗔𝗜𝗡𝗧-𝗦𝗔𝗘𝗡𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗔𝗥 𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗦𝗪𝗔𝗡 𝗔𝗡𝗗 𝗧𝗛𝗘 “𝗢𝗥𝗚𝗔𝗡” 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Camille Saint-Saëns has often suffered from the very qualities that made him extraordinary. His technique seemed effortless, his craftsmanship was impeccable,…

𝗧𝗛𝗘 𝗧𝗘𝗡 𝗠𝗢𝗦𝗧 𝗨𝗡𝗝𝗨𝗦𝗧𝗟𝗬 𝗨𝗡𝗗𝗘𝗥𝗩𝗔𝗟𝗨𝗘𝗗 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗪𝗢𝗥𝗞𝗦 𝗜𝗡 𝗧𝗛𝗘 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗥𝗘𝗣𝗘𝗥𝗧𝗢𝗜𝗥𝗘 The symphonic canon is far narrower than the actual history of orchestral music. Beethoven, Brahms, Bruckner, Mahler, Tchaikovsky, Sibelius and Shostakovich occupy their…

𝗦𝗜𝗕𝗘𝗟𝗜𝗨𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗥𝗢𝗠 𝗙𝗜𝗡𝗡𝗜𝗦𝗛 𝗠𝗬𝗧𝗛 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗘𝗜𝗡𝗩𝗘𝗡𝗧𝗜𝗢𝗡 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Jean Sibelius is often described as the musical voice of Finland: a composer of forests, lakes, swans, northern darkness and…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡’𝗦 𝗧𝗪𝗘𝗟𝗩𝗘 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗠𝗨𝗦𝗜𝗖 𝗕𝗘𝗖𝗔𝗠𝗘𝗦 𝗗𝗘𝗦𝗧𝗜𝗡𝗬 To choose Beethoven’s twelve “true” masterpieces is not simply to choose his most famous works. Fame is not enough. Beethoven wrote works so central to Western…

𝗧𝗛𝗘 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦: 𝗪𝗛𝗘𝗥𝗘 𝗕𝗘𝗔𝗨𝗧𝗬 𝗕𝗘𝗖𝗢𝗠𝗘𝗦 𝗔𝗕𝗦𝗢𝗟𝗨𝗧𝗘 To choose Mozart’s ten “true” masterpieces is not to choose merely the most famous works, nor even the most immediately seductive. Mozart wrote too much…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟰 𝗙𝗘𝗔𝗥𝗙𝗨𝗟 𝗦𝗬𝗠𝗠𝗘𝗧𝗥𝗜𝗘𝗦 ════════════════════════════ 𝗜. 𝗕𝗘𝗔𝗨𝗧𝗬 𝗔𝗦 𝗗𝗔𝗡𝗚𝗘𝗥 After the worlds of 𝗙𝗥𝗘𝗘𝗠𝗔𝗦𝗢𝗡𝗥𝗬, 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦, and 𝗧𝗛𝗘 𝗖𝗔𝗥𝗡𝗜𝗩𝗔𝗟𝗘𝗦𝗤𝗨𝗘 𝗗𝗜𝗠𝗘𝗡𝗦𝗜𝗢𝗡, Solomon turns to Mozart’s music itself, especially…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱 — 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗖𝗢𝗠𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡𝗦 𝗣𝗥𝗜𝗢𝗥 𝗧𝗢 𝟭𝟴𝟯𝟰 𝗕𝗘𝗙𝗢𝗥𝗘 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 𝗔𝗣𝗣𝗘𝗔𝗥𝗦 Before 1834, Robert Schumann had not yet fully become…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟵 𝗧𝗛𝗘 𝗜𝗠𝗣𝗥𝗘𝗦𝗔𝗥𝗜𝗢 ════════════════════════════ 𝗜. 𝗧𝗛𝗘 𝗔𝗥𝗧𝗜𝗦𝗧 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗛𝗜𝗦 𝗢𝗪𝗡 𝗠𝗔𝗡𝗔𝗚𝗘𝗥 After 𝗔𝗗𝗔𝗠, the symbolic chapter of self-renaming, Mozart enters a more practical and public phase…

𝗝𝗢𝗦𝗘𝗣𝗛 𝗠𝗔𝗥𝗧𝗜𝗡 𝗞𝗥𝗔𝗨𝗦: 𝗧𝗛𝗘 𝗦𝗪𝗘𝗗𝗜𝗦𝗛 𝗠𝗢𝗭𝗔𝗥𝗧 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗗𝗔𝗥𝗞 𝗙𝗜𝗥𝗘 𝗢𝗙 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗜𝗦𝗠 𝗝𝗼𝘀𝗲𝗽𝗵 𝗠𝗮𝗿𝘁𝗶𝗻 𝗞𝗿𝗮𝘂𝘀 𝗕𝗼𝗿𝗻: 𝟮𝟬 𝗝𝘂𝗻𝗲 𝟭𝟳𝟱𝟲, 𝗠𝗶𝗹𝘁𝗲𝗻𝗯𝗲𝗿𝗴 𝗮𝗺 𝗠𝗮𝗶𝗻, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗗𝗶𝗲𝗱: 𝟭𝟱 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟵𝟮, 𝗦𝘁𝗼𝗰𝗸𝗵𝗼𝗹𝗺, 𝗦𝘄𝗲𝗱𝗲𝗻 𝗝𝗼𝘀𝗲𝗽𝗵 𝗠𝗮𝗿𝘁𝗶𝗻 𝗞𝗿𝗮𝘂𝘀 is one…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗡𝗘𝗣𝗢𝗠𝗨𝗞 𝗛𝗨𝗠𝗠𝗘𝗟: 𝗧𝗛𝗘 𝗘𝗟𝗘𝗚𝗔𝗡𝗧 𝗩𝗜𝗥𝗧𝗨𝗢𝗦𝗢 𝗪𝗛𝗢 𝗦𝗧𝗢𝗢𝗗 𝗕𝗘𝗧𝗪𝗘𝗘𝗡 𝗠𝗢𝗭𝗔𝗥𝗧, 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗡𝗗 𝗖𝗛𝗢𝗣𝗜𝗡 𝗝𝗼𝗵𝗮𝗻𝗻 𝗡𝗲𝗽𝗼𝗺𝘂𝗸 𝗛𝘂𝗺𝗺𝗲𝗹 𝗕𝗼𝗿𝗻: 𝟭𝟰 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟳𝟴, 𝗣𝗿𝗲𝘀𝘀𝗯𝘂𝗿𝗴, 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 𝗼𝗳 𝗛𝘂𝗻𝗴𝗮𝗿𝘆 — 𝗻𝗼𝘄 𝗕𝗿𝗮𝘁𝗶𝘀𝗹𝗮𝘃𝗮, 𝗦𝗹𝗼𝘃𝗮𝗸𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟭𝟳 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟴𝟯𝟳, 𝗪𝗲𝗶𝗺𝗮𝗿, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆…

# **SWR Digital Archive 1 ** 𝗦𝗪𝗥𝟭𝟬𝟬𝟬𝟭 𝗠𝗲𝗻𝗱𝗲𝗹𝘀𝘀𝗼𝗵𝗻 - Piano Quartet No. 1 & Piano Trio No. 2 - Bartholdy Piano Quartet, Odeon Trio 𝗦𝗪𝗥𝟭𝟬𝟬𝟬𝟮 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 - Piano Quartet & Quintet - Thomas Selditz,…

# **SWR Digital Archive 2** 𝗦𝗪𝗥𝟭𝟬𝟭𝟭𝟬 𝗦𝗶𝘀𝘁𝗲𝗿𝗺𝗮𝗻𝗻𝘀 - Klangerzählen 𝗦𝗪𝗥𝟭𝟬𝟭𝟭𝟭 𝗛𝗼𝗻𝗲𝗴𝗴𝗲𝗿 & 𝗚𝗶𝗻𝗮𝘀𝘁𝗲𝗿𝗮 - String Quartets - Végh Quartet 𝗦𝗪𝗥𝟭𝟬𝟭𝟭𝟮 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 - Variations in G major, Op. 121a - Stuttgart Piano Trio 𝗦𝗪𝗥𝟭𝟬𝟭𝟭𝟯 𝗕𝗼𝗰𝗰𝗵𝗲𝗿𝗶𝗻𝗶…

# **SWR Digital Archive 5 ** 𝗦𝗪𝗥𝟭𝟬𝟰𝟬𝟮 𝗕𝗿𝗮𝗵𝗺𝘀 - Violin Sonata No. 1, Op. 78 - Max Rostal, Maria Bergmann 𝗦𝗪𝗥𝟭𝟬𝟰𝟬𝟯 𝗕𝗿𝗮𝘂𝗻𝗳𝗲𝗹𝘀 - 14 Preludes, Op. 33 - Michael Braunfels 𝗦𝗪𝗥𝟭𝟬𝟰𝟬𝟰 𝗕𝗿𝗶𝘁𝘁𝗲𝗻 - String…