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𝗕𝗥𝗨𝗡𝗢 𝗪𝗔𝗟𝗧𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Bruno Walter occupies a unique position in the history of conducting. He belonged directly to the final world of late Romanticism, worked closely with Gustav Mahler and…

𝗕𝗘𝗥𝗟𝗜𝗢𝗭 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗘 𝗙𝗔𝗡𝗧𝗔𝗦𝗧𝗜𝗤𝗨𝗘 Berlioz’s Symphonie fantastique requires far more than orchestral brilliance. A truly great interpretation must reconcile two apparently opposing qualities: the extravagant narrative of hallucination,…

𝗔𝗥𝗧𝗨𝗥𝗢 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Arturo Toscanini was one of the decisive figures in the creation of modern orchestral performance. His reputation was built upon fidelity to the written score, rhythmic discipline,…

𝗖𝗟𝗔𝗨𝗗𝗜𝗢 𝗔𝗕𝗕𝗔𝗗𝗢 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Claudio Abbado’s finest recordings reveal a conductor whose authority rarely depended upon weight, domination or theatrical self-display. His interpretations were founded upon listening, transparency, rhythmic flexibility, instrumental…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Leonard Bernstein left one of the most extensive, varied and immediately recognisable recorded legacies of the twentieth century. He was not only a conductor but also a…

𝗢𝗧𝗧𝗢 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Otto Klemperer’s recorded legacy is frequently reduced to a convenient stereotype: monumental tempos, massive sonorities and granite-like severity. Those qualities certainly formed part of his mature style,…

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Herbert von Karajan left one of the largest recorded legacies of any conductor. He repeatedly returned to the same compositions, sometimes recording them three or four…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗙𝗔𝗧𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗛𝗘𝗔𝗥𝗧 Pyotr Ilyich Tchaikovsky is often presented as the supreme composer of emotional immediacy: the creator of unforgettable melodies, tragic symphonies,…

𝗙𝗘𝗟𝗜𝗫 𝗠𝗘𝗡𝗗𝗘𝗟𝗦𝗦𝗢𝗛𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗢𝗙 𝗟𝗜𝗚𝗛𝗧, 𝗠𝗘𝗠𝗢𝗥𝗬 𝗔𝗡𝗗 𝗣𝗘𝗥𝗙𝗘𝗖𝗧𝗜𝗢𝗡 Felix Mendelssohn has often been admired for his elegance and simultaneously underestimated because of it. His music appears so lucid, balanced…

𝗥𝗢𝗕𝗘𝗥𝗧 𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗗𝗜𝗔𝗥𝗬 𝗢𝗙 𝗧𝗛𝗘 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗦𝗢𝗨𝗟 Robert Schumann was perhaps the composer who most completely transformed private thought, literary imagination, emotional contradiction and unstable memory into music.…

𝗦𝗔𝗜𝗡𝗧-𝗦𝗔𝗘𝗡𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗔𝗥 𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗦𝗪𝗔𝗡 𝗔𝗡𝗗 𝗧𝗛𝗘 “𝗢𝗥𝗚𝗔𝗡” 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Camille Saint-Saëns has often suffered from the very qualities that made him extraordinary. His technique seemed effortless, his craftsmanship was impeccable,…

𝗦𝗜𝗕𝗘𝗟𝗜𝗨𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗙𝗥𝗢𝗠 𝗙𝗜𝗡𝗡𝗜𝗦𝗛 𝗠𝗬𝗧𝗛 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗘𝗜𝗡𝗩𝗘𝗡𝗧𝗜𝗢𝗡 𝗢𝗙 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 Jean Sibelius is often described as the musical voice of Finland: a composer of forests, lakes, swans, northern darkness and…

𝗗𝗩𝗢𝗥𝗔𝗞’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗪𝗢𝗥𝗞𝗦 𝗧𝗛𝗔𝗧 𝗥𝗘𝗩𝗘𝗔𝗟 𝗛𝗜𝗦 𝗙𝗨𝗟𝗟 𝗚𝗘𝗡𝗜𝗨𝗦 Antonin Dvorak is sometimes reduced to three familiar emblems: the New World Symphony, the Cello Concerto and the Slavonic Dances. Yet his…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗩𝗜𝗘𝗡𝗡𝗔 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟰 𝗙𝗘𝗔𝗥𝗙𝗨𝗟 𝗦𝗬𝗠𝗠𝗘𝗧𝗥𝗜𝗘𝗦 ════════════════════════════ 𝗜. 𝗕𝗘𝗔𝗨𝗧𝗬 𝗔𝗦 𝗗𝗔𝗡𝗚𝗘𝗥 After the worlds of 𝗙𝗥𝗘𝗘𝗠𝗔𝗦𝗢𝗡𝗥𝗬, 𝗧𝗛𝗘 𝗭𝗢𝗥𝗢𝗔𝗦𝗧𝗥𝗔𝗡 𝗥𝗜𝗗𝗗𝗟𝗘𝗦, and 𝗧𝗛𝗘 𝗖𝗔𝗥𝗡𝗜𝗩𝗔𝗟𝗘𝗦𝗤𝗨𝗘 𝗗𝗜𝗠𝗘𝗡𝗦𝗜𝗢𝗡, Solomon turns to Mozart’s music itself, especially…

𝗧𝗔𝗗𝗔𝗔𝗞𝗜 𝗢𝗧𝗔𝗞𝗔 — 𝗔 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗗𝗜𝗚𝗡𝗜𝗧𝗬, 𝗖𝗟𝗔𝗥𝗜𝗧𝗬, 𝗔𝗡𝗗 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔𝗟 𝗡𝗢𝗕𝗜𝗟𝗜𝗧𝗬 𝗧𝗮𝗱𝗮𝗮𝗸𝗶 𝗢𝘁𝗮𝗸𝗮 is one of the most distinguished Japanese conductors of the post-war generation: a musician whose career has united 𝗝𝗮𝗽𝗮𝗻𝗲𝘀𝗲 𝗱𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗲, 𝗘𝘂𝗿𝗼𝗽𝗲𝗮𝗻…

𝗚𝗲𝗼𝗿𝗴𝗲 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗔𝗡𝗗𝗘𝗟 (𝟭𝟲𝟴𝟱–𝟭𝟳𝟱𝟵) 𝗧𝗲𝘀𝗲𝗼, 𝗛𝗪𝗩 𝟵 https://www.patreon.com/ClassicMusicComposersGroup/posts/handel-teseo-hwv-163219389?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗢𝗽𝗲𝗿𝗮 𝘀𝗲𝗿𝗶𝗮 𝗶𝗻 𝟱 𝗮𝗰𝘁𝘀 London, 1713 𝗟𝗶𝗯𝗿𝗲𝘁𝘁𝗼: 𝗡𝗶𝗰𝗼𝗹𝗮 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗼 𝗛𝗮𝘆𝗺 after 𝗣𝗵𝗶𝗹𝗶𝗽𝗽𝗲 𝗤𝘂𝗶𝗻𝗮𝘂𝗹𝘁, 𝗧𝗵é𝘀é𝗲 𝗖𝗔𝗦𝗧 𝗖𝗮𝗿𝗹𝗼𝘁𝘁𝗮 𝗖𝗼𝗹𝗼𝗺𝗯𝗼, soprano — Medea 𝗔𝗻𝗻𝗮 𝗞𝗼𝗲𝗵𝗹𝗲𝗿, soprano — Clizia…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 — 𝗖𝗢𝗠𝗠𝗜𝗧𝗠𝗘𝗡𝗧 𝗧𝗢 𝗠𝗨𝗦𝗜𝗖 𝗧𝗛𝗘 𝗠𝗢𝗠𝗘𝗡𝗧 𝗪𝗛𝗘𝗡 𝗠𝗨𝗦𝗜𝗖 𝗖𝗘𝗔𝗦𝗘𝗗 𝗧𝗢 𝗕𝗘 𝗔 𝗗𝗥𝗘𝗔𝗠 Robert Schumann’s commitment to music was not…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 — 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗬𝗘𝗔𝗥𝗦 𝗧𝗛𝗘 𝗟𝗔𝗪 𝗦𝗧𝗨𝗗𝗘𝗡𝗧 𝗪𝗛𝗢 𝗪𝗔𝗦 𝗡𝗢𝗧 𝗠𝗔𝗗𝗘 𝗙𝗢𝗥 𝗟𝗔𝗪 When Robert Schumann left Zwickau for university life,…

𝗖𝗛𝗥𝗜𝗦𝗧𝗜𝗔𝗡 𝗖𝗔𝗡𝗡𝗔𝗕𝗜𝗖𝗛: 𝗧𝗛𝗘 𝗠𝗔𝗡𝗡𝗛𝗘𝗜𝗠 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢 𝗧𝗔𝗨𝗚𝗛𝗧 𝗧𝗛𝗘 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 𝗧𝗢 𝗕𝗥𝗘𝗔𝗧𝗛𝗘 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗖𝗮𝗻𝗻𝗮𝗯𝗶𝗰𝗵 𝗕𝗼𝗿𝗻: 𝟮𝟴 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟯𝟭, 𝗠𝗮𝗻𝗻𝗵𝗲𝗶𝗺, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗗𝗶𝗲𝗱: 𝟮𝟬 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟵𝟴, 𝗙𝗿𝗮𝗻𝗸𝗳𝘂𝗿𝘁 𝗮𝗺 𝗠𝗮𝗶𝗻, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗮𝗻 𝗖𝗮𝗻𝗻𝗮𝗯𝗶𝗰𝗵 was one of the central…

𝗡𝗜𝗖𝗖𝗢𝗟𝗢̀ 𝗣𝗜𝗖𝗖𝗜𝗡𝗡𝗜: 𝗧𝗛𝗘 𝗜𝗧𝗔𝗟𝗜𝗔𝗡 𝗟𝗬𝗥𝗜𝗖 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢 𝗦𝗧𝗢𝗢𝗗 𝗢𝗣𝗣𝗢𝗦𝗜𝗧𝗘 𝗚𝗟𝗨𝗖𝗞 𝗜𝗡 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗣𝗔𝗥𝗜𝗦𝗜𝗔𝗡 𝗢𝗣𝗘𝗥𝗔 𝗪𝗔𝗥 𝗡𝗶𝗰𝗰𝗼𝗹𝗼̀ 𝗣𝗶𝗰𝗰𝗶𝗻𝗻𝗶 𝗕𝗼𝗿𝗻: 𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟮𝟴, 𝗕𝗮𝗿𝗶, 𝗜𝘁𝗮𝗹𝘆 𝗗𝗶𝗲𝗱: 𝟳 𝗠𝗮𝘆 𝟭𝟴𝟬𝟬, 𝗣𝗮𝘀𝘀𝘆, 𝗙𝗿𝗮𝗻𝗰𝗲 Among the great Italian…

𝗙𝗥𝗔𝗡𝗖̧𝗢𝗜𝗦-𝗝𝗢𝗦𝗘𝗣𝗛 𝗚𝗢𝗦𝗦𝗘𝗖: 𝗧𝗛𝗘 𝗙𝗔𝗧𝗛𝗘𝗥 𝗢𝗙 𝗧𝗛𝗘 𝗙𝗥𝗘𝗡𝗖𝗛 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗚𝗥𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗩𝗢𝗜𝗖𝗘 𝗢𝗙 𝗥𝗘𝗩𝗢𝗟𝗨𝗧𝗜𝗢𝗡𝗔𝗥𝗬 𝗣𝗨𝗕𝗟𝗜𝗖 𝗟𝗜𝗙𝗘 𝗙𝗿𝗮𝗻𝗰̧𝗼𝗶𝘀-𝗝𝗼𝘀𝗲𝗽𝗵 𝗚𝗼𝘀𝘀𝗲𝗰 𝗕𝗼𝗿𝗻: 𝟭𝟳 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟳𝟯𝟰, 𝗩𝗲𝗿𝗴𝗻𝗶𝗲𝘀, 𝗛𝗮𝗶𝗻𝗮𝘂𝘁 — 𝗻𝗼𝘄 𝗕𝗲𝗹𝗴𝗶𝘂𝗺 𝗗𝗶𝗲𝗱: 𝟭𝟲 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟴𝟮𝟵, 𝗣𝗮𝘀𝘀𝘆, 𝗙𝗿𝗮𝗻𝗰𝗲…

𝗝𝗢𝗦𝗘𝗙 𝗠𝗬𝗦𝗟𝗜𝗩𝗘𝗖̌𝗘𝗞: 𝗜𝗟 𝗕𝗢𝗘𝗠𝗢, 𝗧𝗛𝗘 𝗕𝗢𝗛𝗘𝗠𝗜𝗔𝗡 𝗢𝗣𝗘𝗥𝗔 𝗦𝗧𝗔𝗥 𝗪𝗛𝗢 𝗖𝗔𝗣𝗧𝗜𝗩𝗔𝗧𝗘𝗗 𝗜𝗧𝗔𝗟𝗬 𝗔𝗡𝗗 𝗙𝗔𝗦𝗖𝗜𝗡𝗔𝗧𝗘𝗗 𝗠𝗢𝗭𝗔𝗥𝗧 𝗝𝗼𝘀𝗲𝗳 𝗠𝘆𝘀𝗹𝗶𝘃𝗲𝗰̌𝗲𝗸 𝗕𝗼𝗿𝗻: 𝟵 𝗠𝗮𝗿𝗰𝗵 𝟭𝟳𝟯𝟳, 𝗣𝗿𝗮𝗴𝘂𝗲, 𝗕𝗼𝗵𝗲𝗺𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟳𝟴𝟭, 𝗥𝗼𝗺𝗲, 𝗜𝘁𝗮𝗹𝘆 Among the remarkable composers of the…

𝗠𝗜𝗖𝗛𝗔𝗘𝗟 𝗛𝗔𝗬𝗗𝗡: 𝗧𝗛𝗘 𝗦𝗔𝗟𝗭𝗕𝗨𝗥𝗚 𝗠𝗔𝗦𝗧𝗘𝗥 𝗪𝗛𝗢 𝗦𝗧𝗢𝗢𝗗 𝗕𝗘𝗦𝗜𝗗𝗘 𝗠𝗢𝗭𝗔𝗥𝗧 𝗔𝗡𝗗 𝗕𝗘𝗡𝗘𝗔𝗧𝗛 𝗧𝗛𝗘 𝗦𝗛𝗔𝗗𝗢𝗪 𝗢𝗙 𝗛𝗜𝗦 𝗕𝗥𝗢𝗧𝗛𝗘𝗥 𝗠𝗶𝗰𝗵𝗮𝗲𝗹 𝗛𝗮𝘆𝗱𝗻 𝗕𝗼𝗿𝗻: 𝟭𝟰 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟳𝟯𝟳, 𝗥𝗼𝗵𝗿𝗮𝘂, 𝗔𝘂𝘀𝘁𝗿𝗶𝗮 𝗗𝗶𝗲𝗱: 𝟭𝟬 𝗔𝘂𝗴𝘂𝘀𝘁 𝟭𝟴𝟬𝟲, 𝗦𝗮𝗹𝘇𝗯𝘂𝗿𝗴, 𝗔𝘂𝘀𝘁𝗿𝗶𝗮 Among the composers of…