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𝐓𝐖𝐄𝐍𝐓𝐘 𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟑 «𝐄𝐑𝐎𝐈𝐂𝐀» 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟑 𝐢𝐧 𝐄-𝐟𝐥𝐚𝐭 𝐦𝐚𝐣𝐨𝐫, 𝐎𝐩. 𝟓𝟓 «𝐄𝐫𝐨𝐢𝐜𝐚» — 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰𝐚𝐧𝐠𝐥𝐞𝐫, conductor — 𝐕𝐢𝐞𝐧𝐧𝐚 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐜 https://www.youtube.com/watch?v=qbxD-_yNIKw&t=1506s 𝐑𝐞𝐜𝐨𝐫𝐝𝐞𝐝 𝐨𝐧 𝟏𝟗 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟏𝟗𝟒𝟒 (radio broadcast)…

𝐓𝐖𝐄𝐍𝐓𝐘 𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟑 «𝐄𝐑𝐎𝐈𝐂𝐀» 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧: 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟑 𝐢𝐧 𝐄-𝐟𝐥𝐚𝐭 𝐦𝐚𝐣𝐨𝐫, 𝐎𝐩. 𝟓𝟓 «𝐄𝐫𝐨𝐢𝐜𝐚» — 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰𝐚𝐧𝐠𝐥𝐞𝐫, conductor — 𝐕𝐢𝐞𝐧𝐧𝐚 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐜 [https://www.youtube.com/watch?v=qbxD-_yNIKw&t=1506s](https://www.youtube.com/watch?v=qbxD-_yNIKw&t=1506s) 𝐑𝐞𝐜𝐨𝐫𝐝𝐞𝐝 𝐨𝐧 𝟏𝟗 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟏𝟗𝟒𝟒 (radio broadcast)…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟖 — 𝐅𝐄𝐋𝐋𝐎𝐖 𝐏𝐈𝐀𝐍𝐈𝐒𝐓 𝐀𝐍𝐃 𝐂𝐎𝐌𝐏𝐎𝐒𝐄𝐑 𝐅𝐑𝐀𝐍𝐙 𝐋𝐈𝐒𝐙𝐓 Of all the composers of his…

𝐌𝐈𝐂𝐇𝐄𝐋 𝐂𝐎𝐑𝐁𝐎𝐙 — 𝟐𝟎 𝐅𝐀𝐒𝐂𝐈𝐍𝐀𝐓𝐈𝐍𝐆 𝐒𝐓𝐎𝐑𝐈𝐄𝐒, 𝐅𝐀𝐂𝐓𝐒 𝐀𝐍𝐃 𝐂𝐔𝐑𝐈𝐎𝐒𝐈𝐓𝐈𝐄𝐒 𝐀𝐁𝐎𝐔𝐓 𝐓𝐇𝐄 𝐌𝐀𝐒𝐓𝐄𝐑 𝐎𝐅 𝐓𝐇𝐄 𝐇𝐔𝐌𝐀𝐍 𝐕𝐎𝐈𝐂𝐄 Michel Corboz was never one of those conductors who built a public image around theatrical gestures or celebrity.…

𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐃𝐄𝐀𝐓𝐇 𝐌𝐀𝐒𝐊 — 𝐓𝐇𝐄 𝐒𝐈𝐋𝐄𝐍𝐓 𝐅𝐀𝐂𝐄 𝐎𝐅 𝐀 𝐆𝐄𝐍𝐈𝐔𝐒 Ludwig van Beethoven died in Vienna on the afternoon of 26 March 1827, in his apartment in the Schwarzspanierhaus, after a long period of…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟕 — 𝐀 𝐌𝐎𝐒𝐓 𝐓𝐑𝐔𝐒𝐓𝐄𝐃 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐖𝐎𝐘𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 Among the many people who entered…

𝐌𝐎𝐙𝐀𝐑𝐓 — 𝟐𝟎 𝐆𝐑𝐄𝐀𝐓 𝐑𝐄𝐂𝐎𝐑𝐃𝐈𝐍𝐆𝐒 𝐎𝐅 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒 𝐍𝐎𝐒. 𝟒𝟎 𝐀𝐍𝐃 𝟒𝟏 Mozart’s final two symphonies invite radically different approaches. Symphony No. 40 in G minor, K. 550, thrives on tension, nervous energy and emotional…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟏 — 𝐓𝐇𝐄 “𝐉𝐔𝐏𝐈𝐓𝐄𝐑” 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐔𝐋𝐌𝐈𝐍𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐇𝐈𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐂 𝐀𝐑𝐓 Mozart completed his 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟏 𝐢𝐧 𝐂 𝐦𝐚𝐣𝐨𝐫, 𝐊. 𝟓𝟓𝟏, on 10 August 1788. It was the last of…

𝐌𝐎𝐙𝐀𝐑𝐓’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟒𝟎 — 𝐓𝐇𝐄 𝐃𝐀𝐑𝐊 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝟏𝟕𝟖𝟖 Mozart’s 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨. 𝟒𝟎 𝐢𝐧 𝐆 𝐦𝐢𝐧𝐨𝐫, 𝐊. 𝟓𝟓𝟎, completed on 25 July 1788, stands at the centre of one of the most astonishing…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟒 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 “𝐋𝐎𝐕𝐄” 𝐊𝐎𝐍𝐒𝐓𝐀𝐍𝐂𝐉𝐀 𝐆Ł𝐀𝐃𝐊𝐎𝐖𝐒𝐊𝐀 In 𝐀𝐩𝐫𝐢𝐥 𝟏𝟖𝟐𝟗, when 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 was…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟑 — 𝐌𝐔𝐒𝐈𝐂 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐀𝐍𝐃 𝐌𝐄𝐍𝐓𝐎𝐑 𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 When 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 completed his piano…

𝐍𝐀𝐓𝐇𝐀𝐋𝐈𝐄 𝐒𝐓𝐔𝐓𝐙𝐌𝐀𝐍𝐍 — 𝐅𝐑𝐎𝐌 𝐓𝐇𝐄 𝐃𝐄𝐄𝐏𝐄𝐒𝐓 𝐕𝐎𝐈𝐂𝐄 𝐓𝐎 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑’𝐒 𝐏𝐎𝐃𝐈𝐔𝐌 Nathalie Stutzmann is one of the most unusual figures in contemporary classical music. Long before becoming an internationally celebrated conductor, she was already…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟏 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐀𝐌𝐈𝐋𝐘 𝐈𝐍 𝐇𝐈𝐒 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐕𝐄 𝐘𝐄𝐀𝐑𝐒 The first people…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐂𝐋𝐀𝐔𝐃𝐈𝐎 𝐀𝐁𝐁𝐀𝐃𝐎 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐁𝐔𝐈𝐋𝐓 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀𝐒 𝐀𝐑𝐎𝐔𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐈𝐀𝐍𝐒, 𝐍𝐎𝐓 𝐄𝐆𝐎𝐒 Claudio Abbado belonged to a generation in which the great conductor was still frequently imagined as an absolute ruler: an imposing figure…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐁𝐑𝐔𝐍𝐎 𝐖𝐀𝐋𝐓𝐄𝐑 — 𝐌𝐀𝐇𝐋𝐄𝐑’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐇𝐈𝐒 𝐋𝐄𝐆𝐀𝐂𝐘 𝐈𝐍𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 Bruno Walter was much more than one of the leading conductors of the twentieth century. He was…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐎𝐓𝐓𝐎 𝐊𝐋𝐄𝐌𝐏𝐄𝐑𝐄𝐑 — 𝐓𝐇𝐄 𝐁𝐑𝐀𝐈𝐍 𝐓𝐔𝐌𝐎𝐔𝐑 𝐓𝐇𝐀𝐓 𝐍𝐄𝐀𝐑𝐋𝐘 𝐄𝐍𝐃𝐄𝐃 𝐇𝐈𝐒 𝐂𝐀𝐑𝐄𝐄𝐑 Otto Klemperer’s life was marked not only by exceptional musical achievement, but also by illness, exile, physical disability and repeated personal catastrophe. Among…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…