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𝗕𝗥𝗔𝗛𝗠𝗦: 𝗪𝗢𝗥𝗞𝗦 𝗛𝗘 𝗗𝗜𝗦𝗟𝗜𝗞𝗘𝗗, 𝗖𝗥𝗜𝗧𝗜𝗖𝗜𝗭𝗘𝗗, 𝗢𝗥 𝗔𝗗𝗠𝗜𝗥𝗘𝗗 𝗪𝗜𝗧𝗛 𝗥𝗘𝗦𝗘𝗥𝗩𝗔𝗧𝗜𝗢𝗡 𝗧𝗛𝗘 𝗦𝗘𝗩𝗘𝗥𝗜𝗧𝗬 𝗢𝗙 𝗔 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗖𝗢𝗡𝗦𝗖𝗜𝗘𝗡𝗖𝗘 Before naming specific composers or works, one essential truth must be stated: 𝗕𝗿𝗮𝗵𝗺𝘀 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗱𝗶𝘀𝗹𝗶𝗸𝗲 𝗹𝗶𝗴𝗵𝘁𝗹𝘆. His criticisms…

# **𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟯 — 𝗪𝗶𝘁𝗵 𝗡𝗼𝘁𝗵𝗶𝗻𝗴 𝗬𝗼𝘂 𝗖𝗮𝗻 𝗖𝗿𝗲𝗮𝘁𝗲 𝗡𝗼𝘁𝗵𝗶𝗻𝗴** **𝗗𝗼𝗻 𝗚𝗶𝗼𝘃𝗮𝗻𝗻𝗶, 𝗥𝗲𝗹𝗶𝗲𝗳, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗠𝗼𝗿𝗮𝗹 𝗠𝗼𝘇𝗮𝗿𝘁** At the beginning of November 1787, Mozart wrote from Prague to his…

𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟯 𝗜𝗡 𝗗 𝗠𝗜𝗡𝗢𝗥: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗡𝗔𝗧𝗨𝗥𝗘, 𝗖𝗢𝗦𝗠𝗜𝗖 𝗛𝗜𝗘𝗥𝗔𝗥𝗖𝗛𝗬, 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗘𝗫𝗣𝗔𝗡𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗠𝗘𝗧𝗔𝗣𝗛𝗬𝗦𝗜𝗖𝗔𝗟 𝗔𝗦𝗖𝗘𝗡𝗧 Gustav Mahler’s 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗡𝗼. 𝟯 𝗶𝗻 𝗗 𝗺𝗶𝗻𝗼𝗿 is one of the most immense…

𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟮 𝗜𝗡 𝗖 𝗠𝗜𝗡𝗢𝗥, “𝗥𝗘𝗦𝗨𝗥𝗥𝗘𝗖𝗧𝗜𝗢𝗡”: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗗𝗘𝗔𝗧𝗛, 𝗧𝗥𝗔𝗡𝗦𝗖𝗘𝗡𝗗𝗘𝗡𝗖𝗘, 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗘𝗫𝗣𝗔𝗡𝗦𝗜𝗢𝗡, 𝗔𝗡𝗗 𝗠𝗘𝗧𝗔𝗣𝗛𝗬𝗦𝗜𝗖𝗔𝗟 𝗗𝗥𝗔𝗠𝗔 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio Recordings in Patreon): https://www.patreon.com/collection/2129266 Gustav Mahler’s…

𝗦𝗘𝗥𝗚𝗘𝗜 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗡𝗢. 𝟮 𝗜𝗡 𝗘 𝗠𝗜𝗡𝗢𝗥, 𝗢𝗣. 𝟮𝟳: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗟𝗬𝗥𝗜𝗖𝗔𝗟 𝗘𝗫𝗣𝗔𝗡𝗦𝗜𝗢𝗡, 𝗖𝗬𝗖𝗟𝗜𝗖 𝗙𝗢𝗥𝗠, 𝗥𝗨𝗦𝗦𝗜𝗔𝗡 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖𝗜𝗦𝗠, 𝗔𝗡𝗗 𝗘𝗠𝗢𝗧𝗜𝗢𝗡𝗔𝗟 𝗥𝗘𝗗𝗘𝗠𝗣𝗧𝗜𝗢𝗡 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝘃: 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝘀𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗰𝘆𝗰𝗹𝗲𝘀 𝗶𝗻 𝗺𝘂𝗹𝘁𝗶𝗽𝗹𝗲 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝘃𝗲𝗿𝘀𝗶𝗼𝗻𝘀 (Audio Recordings in…

𝗧𝗛𝗘 𝗖𝗛𝗜𝗟𝗗𝗛𝗢𝗢𝗗 𝗢𝗙 𝗟𝗨𝗗𝗪𝗜𝗚 𝗩𝗔𝗡 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 (𝗜𝗩) “𝗦𝗼𝗿𝗿𝗼𝘄 𝗮𝗻𝗱 𝗔𝘄𝗮𝗸𝗲𝗻𝗶𝗻𝗴” (𝟭𝟳𝟴𝟰–𝟭𝟳𝟴𝟳) 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟭: 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗖𝗼𝘂𝗿𝘁 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 By 𝟭𝟳𝟴𝟰, Beethoven was no longer a 𝗰𝗵𝗶𝗹𝗱 𝗽𝗿𝗼𝗱𝗶𝗴𝘆, but a recognized musician within the court of…

𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 — 𝗔 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 Vienna, 1826–1827 Age at death: 56 𝗜. 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗗𝗘𝗦𝗖𝗘𝗡𝗧 𝗕𝗘𝗚𝗜𝗡𝗦 — 𝗦𝗨𝗠𝗠𝗘𝗥 𝗧𝗢 𝗔𝗨𝗧𝗨𝗠𝗡 𝟭𝟴𝟮𝟲 Beethoven’s final decline did not begin in a single dramatic…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴: 𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘, 𝗥𝗢𝗠𝗘, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗗𝗜𝗦𝗖𝗢𝗩𝗘𝗥𝗬 𝗢𝗙 𝗜𝗧𝗔𝗟𝗬 (𝟭𝟳𝟬𝟲–𝟭𝟳𝟬𝟳) When Handel left Hamburg in the autumn of 1706, he was not fleeing failure. He was leaving behind a…

𝗙𝗥𝗘𝗡𝗖𝗛 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗔𝗧 𝗧𝗛𝗘 𝟭𝟵𝟬𝟬 𝗣𝗔𝗥𝗜𝗦 𝗘𝗫𝗣𝗢𝗦𝗜𝗧𝗜𝗢𝗡 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘𝗟𝗟𝗘 𝗧𝗵𝗲 1900 Paris Exposition Universelle was far more than a world’s fair. It was a vast theatrical display of modern civilization, a place where nations exhibited…

𝐎𝐥𝐢𝐯𝐢𝐞𝐫 𝐌𝐞𝐬𝐬𝐢𝐚𝐞𝐧: 𝐓𝐡𝐞 𝐌𝐲𝐬𝐭𝐢𝐜 𝐎𝐟 𝐒𝐨𝐮𝐧𝐝 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐅𝐚𝐢𝐭𝐡, 𝐂𝐨𝐥𝐨𝐫, 𝐁𝐢𝐫𝐝𝐬𝐨𝐧𝐠, 𝐀𝐧𝐝 𝐄𝐭𝐞𝐫𝐧𝐢𝐭𝐲 𝐈𝐧𝐭𝐨 𝐌𝐮𝐬𝐢𝐜 There are composers who expand musical language, and there are rarer figures who seem to create an entire spiritual…

𝗖𝗮𝗺𝗶𝗹𝗹𝗲 𝗦𝗮𝗶𝗻𝘁-𝗦𝗮𝗲̈𝗻𝘀: 𝗣𝗿𝗶𝘃𝗮𝘁𝗲 𝗟𝗶𝗳𝗲, 𝗣𝘀𝘆𝗰𝗵𝗼𝗹𝗼𝗴𝘆, 𝗧𝗲𝗮𝗰𝗵𝗲𝗿𝘀, 𝗮𝗻𝗱 𝗣𝘂𝗽𝗶𝗹𝘀 𝗜. 𝗘𝗮𝗿𝗹𝘆 𝗟𝗶𝗳𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗼𝗳 𝗛𝗶𝘀 𝗠𝗶𝗻𝗱 Camille Saint-Saëns was born in Paris on 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟵, 𝟭𝟴𝟯𝟱, and from the very beginning his life…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱: 𝗙𝗥𝗜𝗘𝗡𝗗𝗦𝗛𝗜𝗣, 𝗥𝗜𝗩𝗔𝗟𝗥𝗬, 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗗𝗨𝗘𝗟 𝗪𝗜𝗧𝗛 𝗠𝗔𝗧𝗧𝗛𝗘𝗦𝗢𝗡 (𝟭𝟳𝟬𝟰) Among the decisive encounters of Handel’s youth, few were as fruitful, as tense, or as revealing as his relationship…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰: 𝗛𝗔𝗠𝗕𝗨𝗥𝗚 — 𝗧𝗛𝗘 𝗙𝗜𝗥𝗦𝗧 𝗕𝗔𝗧𝗧𝗟𝗘𝗙𝗜𝗘𝗟𝗗 𝗢𝗙 𝗔𝗠𝗕𝗜𝗧𝗜𝗢𝗡 (𝟭𝟳𝟬𝟯–𝟭𝟳𝟬𝟰) When Handel left Halle in the spring of 1703, he was not simply changing cities. He was crossing a…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗭𝗔𝗖𝗛𝗔𝗨 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗠𝗔𝗞𝗜𝗡𝗚 𝗢𝗙 𝗔 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 (𝟭𝟲𝟵𝟳–𝟭𝟳𝟬𝟮) If the first stage of Handel’s life was the awakening of a vocation, this second one was the period…

𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐊𝐞𝐦𝐩𝐟𝐟: 𝐓𝐡𝐞 𝐏𝐨𝐞𝐭 𝐎𝐟 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 𝐚𝐧𝐝 𝐒𝐜𝐡𝐮𝐛𝐞𝐫𝐭 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐋𝐲𝐫𝐢𝐜𝐢𝐬𝐦 𝐈𝐧𝐭𝐨 𝐋𝐞𝐠𝐞𝐧𝐝 There are pianists whose greatness is built on force, brilliance, or spectacle, and there are others whose authority comes from something…

𝐊𝐚𝐫𝐥 𝐑𝐢𝐜𝐡𝐭𝐞𝐫: 𝐓𝐡𝐞 𝐁𝐚𝐜𝐡 𝐓𝐢𝐭𝐚𝐧 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐅𝐚𝐢𝐭𝐡, 𝐃𝐢𝐬𝐜𝐢𝐩𝐥𝐢𝐧𝐞, 𝐀𝐧𝐝 𝐅𝐢𝐫𝐞 𝐈𝐧𝐭𝐨 𝐒𝐨𝐮𝐧𝐝 There are musicians whose reputations rest on fashion, and others whose names remain inseparable from an entire repertory because they seemed…

𝐋𝐞𝐨𝐩𝐨𝐥𝐝 𝐒𝐭𝐨𝐤𝐨𝐰𝐬𝐤𝐢: 𝐓𝐡𝐞 𝐖𝐢𝐳𝐚𝐫𝐝 𝐎𝐟 𝐒𝐨𝐮𝐧𝐝 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐬 𝐈𝐧𝐭𝐨 𝐋𝐢𝐯𝐢𝐧𝐠 𝐅𝐢𝐫𝐞 There are conductors who preserve tradition, and there are others who seem to reinvent the very act of orchestral music-making. 𝐋𝐞𝐨𝐩𝐨𝐥𝐝 𝐒𝐭𝐨𝐤𝐨𝐰𝐬𝐤𝐢…

𝐒𝐢𝐫 𝐌𝐚𝐥𝐜𝐨𝐥𝐦 𝐒𝐚𝐫𝐠𝐞𝐧𝐭: 𝐓𝐡𝐞 𝐆𝐥𝐚𝐦𝐨𝐮𝐫𝐨𝐮𝐬 𝐌𝐚𝐞𝐬𝐭𝐫𝐨 𝐖𝐡𝐨 𝐌𝐚𝐝𝐞 𝐁𝐫𝐢𝐭𝐚𝐢𝐧 𝐒𝐢𝐧𝐠 There are conductors whose greatness lies in severity, austerity, and intellectual weight, and there are others whose power comes from something more public, more…

𝐆𝐮𝐬𝐭𝐚𝐯 𝐇𝐨𝐥𝐬𝐭 – 𝐓𝐡𝐞 𝐏𝐥𝐚𝐧𝐞𝐭𝐬 – 𝐑𝐢𝐜𝐡𝐚𝐫𝐝 𝐒𝐭𝐫𝐚𝐮𝐬𝐬 – 𝐀𝐥𝐬𝐨 𝐒𝐩𝐫𝐚𝐜𝐡 𝐙𝐚𝐫𝐚𝐭𝐡𝐮𝐬𝐭𝐫𝐚 – 𝐁𝐨𝐬𝐭𝐨𝐧 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚 – 𝐖𝐢𝐥𝐥𝐢𝐚𝐦 𝐒𝐭𝐞𝐢𝐧𝐛𝐞𝐫𝐠 https://www.patreon.com/posts/gustav-holst-153584329?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐆𝐔𝐒𝐓𝐀𝐕 𝐇𝐎𝐋𝐒𝐓 — 𝐓𝐇𝐄 𝐏𝐋𝐀𝐍𝐄𝐓𝐒 (𝟏𝟗𝟏𝟒–𝟏𝟗𝟏𝟔) 𝐓𝐇𝐄 𝐎𝐑𝐈𝐆𝐈𝐍𝐒, 𝐂𝐎𝐍𝐂𝐄𝐏𝐓, 𝐀𝐍𝐃 𝐋𝐄𝐆𝐀𝐂𝐘 𝐎𝐅 𝐀 𝐌𝐎𝐃𝐄𝐑𝐍…

# **CHURCH MUSIC (IV)** **(Book: **Mozart, His Character, His Work by Alfred Einstein**)** ## A Necessary “Revolution” in Mozart’s Inner and Professional Life So what, then, actually happened? A revolution had to occur simultaneously…

# **Four-Hand Works and the Highest Form of Concertante Dialogue (Book:** Mozart, His Character, His Work by Alfred Einstein) The most striking examples of concert style we find in Mozart’s four-hand works for one…

# **Concert and Mechanical Principles (Book:** Mozart, His Character, His Work by Alfred Einstein) Let us begin with a simple, almost trivial observation: **for a pianist, broken chords and arpeggios are the most natural…

# **CHAMBER MUSIC FOR STRING INSTRUMENTS (2) - (Book: **Mozart, His Character, His Work by Alfred Einstein**)** **The Viennese Shock of 1773: K. 168–173 and the Encounter with Haydn** Judging by numbering and chronology,…

# **Mozart and Counterpoint (Book: Mozart, His Character, His Work** by Alfred Einstein) What time and environment could offer him was **no longer genuinely living polyphony**, but rather **a survival—something rigid, petrified, a textbook…