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𝗚𝗨𝗦𝗧𝗔𝗩𝗢 𝗗𝗨𝗗𝗔𝗠𝗘𝗟: 𝗚𝗘𝗡𝗜𝗨𝗦, 𝗦𝗬𝗠𝗕𝗢𝗟, 𝗢𝗥 𝗣𝗥𝗢𝗗𝗨𝗖𝗧 𝗢𝗙 𝗠𝗔𝗥𝗞𝗘𝗧𝗜𝗡𝗚? Gustavo Dudamel is one of the few conductors of the 21st century whose name has crossed the narrow borders of the classical-music world. That fact alone…

𝗘𝗟𝗜𝗔𝗛𝗨 𝗜𝗡𝗕𝗔𝗟 — 𝗔 𝗟𝗜𝗙𝗘 𝗜𝗡 𝗠𝗨𝗦𝗜𝗖 𝗧𝗵𝗲 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 𝗼𝗳 𝗖𝗹𝗮𝗿𝗶𝘁𝘆, 𝗦𝘁𝗿𝘂𝗰𝘁𝘂𝗿𝗲, 𝗮𝗻𝗱 𝗟𝗮𝘁𝗲-𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰 𝗙𝗶𝗿𝗲 Eliahu Inbal belongs to that rare generation of conductors whose careers were shaped by the great European symphonic tradition,…

𝗛𝗔𝗬𝗗𝗡, 𝗕𝗬 𝗝. 𝗖𝗨𝗧𝗛𝗕𝗘𝗥𝗧 𝗛𝗔𝗗𝗗𝗘𝗡 - 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟳 𝗕𝗘𝗧𝗪𝗘𝗘𝗡 𝗦𝗘𝗥𝗩𝗜𝗖𝗘 𝗔𝗡𝗗 𝗚𝗘𝗡𝗜𝗨𝗦 𝗧𝗛𝗘 𝗩𝗜𝗖𝗘-𝗖𝗔𝗣𝗘𝗟𝗟𝗠𝗘𝗜𝗦𝗧𝗘𝗥 𝗔𝗧 𝗪𝗢𝗥𝗞 𝗧𝗛𝗘 𝗡𝗘𝗪 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗗𝗔𝗜𝗟𝗬 𝗗𝗨𝗧𝗬 When 𝗝𝗼𝘀𝗲𝗽𝗵 𝗛𝗮𝘆𝗱𝗻 entered the service of the 𝗘𝘀𝘁𝗲𝗿𝗵𝗮́𝘇𝘆 family, he did…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗣𝗥𝗢𝗟𝗢𝗚𝗨𝗘 𝗕𝗮𝗰𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗡𝗼𝘁𝗶𝗼𝗻 𝗼𝗳 “𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗦𝗰𝗶𝗲𝗻𝗰𝗲” 𝗣𝗼𝘀𝘁 𝟭.𝟭 — 𝗕𝗮𝗰𝗵 𝗮𝘀 𝗠𝗼𝗿𝗲 𝗧𝗵𝗮𝗻 𝗮 𝗖𝗵𝘂𝗿𝗰𝗵 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 Johann Sebastian Bach has often been imagined…

𝗙𝗥𝗜𝗘𝗗𝗥𝗜𝗖𝗛 𝗡𝗜𝗘𝗧𝗭𝗦𝗖𝗛𝗘 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗙𝗿𝗶𝗲𝗱𝗿𝗶𝗰𝗵 𝗡𝗶𝗲𝘁𝘇𝘀𝗰𝗵𝗲 — 𝟭𝟴𝟰𝟰–𝟭𝟵𝟬𝟬 𝗙𝗿𝗶𝗲𝗱𝗿𝗶𝗰𝗵 𝗡𝗶𝗲𝘁𝘇𝘀𝗰𝗵𝗲 was not only one of the most influential philosophers of the modern age; he was also one of the thinkers…

𝗖𝗛𝗔𝗥𝗟𝗘𝗦 𝗗𝗜𝗖𝗞𝗘𝗡𝗦 𝗔𝗡𝗗 𝗛𝗜𝗦 𝗖𝗢𝗡𝗡𝗘𝗖𝗧𝗜𝗢𝗡 𝗪𝗜𝗧𝗛 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗗𝗶𝗰𝗸𝗲𝗻𝘀 was not a composer, nor was he primarily a musical thinker in the way that Goethe, Hoffmann, Tolstoy, or Thomas Mann could be said…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟬 𝗛𝗮𝗺𝗯𝘂𝗿𝗴 𝗛𝗼𝗻𝗼𝗿𝗮𝗿𝘆 𝗖𝗶𝘁𝗶𝘇𝗲𝗻𝘀𝗵𝗶𝗽, 𝗜𝘀𝗰𝗵𝗹, 𝗧𝗵𝗲 𝗦𝗲𝗰𝗼𝗻𝗱 𝗦𝘁𝗿𝗶𝗻𝗴 𝗤𝘂𝗶𝗻𝘁𝗲𝘁, 𝗠ü𝗵𝗹𝗳𝗲𝗹𝗱, 𝗧𝗵𝗲 𝗖𝗹𝗮𝗿𝗶𝗻𝗲𝘁 𝗤𝘂𝗶𝗻𝘁𝗲𝘁 𝗔𝗻𝗱 𝗧𝗿𝗶𝗼, 𝗧𝗵𝗲 𝗟𝗮𝘁𝗲 𝗣𝗶𝗮𝗻𝗼 𝗣𝗶𝗲𝗰𝗲𝘀, 𝗕𝗶𝗹𝗹𝗿𝗼𝘁𝗵’𝘀 𝗗𝗲𝗮𝘁𝗵, 𝗙𝗼𝗹𝗸-𝗦𝗼𝗻𝗴𝘀,…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗖. 𝗙. 𝗔𝗯𝗱𝘆 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀 — 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜𝗜 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗬𝗲𝗮𝗿𝘀: 𝗛𝗼𝗻𝗼𝘂𝗿, 𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺, 𝗙𝗿𝗲𝗱𝗲𝗿𝗶𝗰𝗸 𝘁𝗵𝗲 𝗚𝗿𝗲𝗮𝘁, 𝗕𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗔𝗻𝗱 𝗗𝗲𝗮𝘁𝗵 𝗜. 𝗧𝗵𝗲 𝗠𝗲𝗮𝗻𝗶𝗻𝗴 𝗢𝗳 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜𝗜 Chapter VII of C. F. Abdy Williams’s…

𝗗𝗔𝗡𝗜𝗘𝗟 𝗕𝗔𝗥𝗘𝗡𝗕𝗢𝗜𝗠 𝗔𝗡𝗗 𝗔𝗡𝗧𝗢𝗡 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥: 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗥𝗘𝗧𝗨𝗥𝗡𝗘𝗗 𝗧𝗛𝗥𝗘𝗘 𝗧𝗜𝗠𝗘𝗦 𝗧𝗢 𝗧𝗛𝗘 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗖𝗔𝗧𝗛𝗘𝗗𝗥𝗔𝗟 Among modern Bruckner conductors, 𝗗𝗮𝗻𝗶𝗲𝗹 𝗕𝗮𝗿𝗲𝗻𝗯𝗼𝗶𝗺 occupies a distinctive and rather unusual place. He is not normally placed in…

𝗦𝗘𝗥𝗚𝗜𝗨 𝗖𝗘𝗟𝗜𝗕𝗜𝗗𝗔𝗖𝗛𝗘 𝗔𝗡𝗗 𝗔𝗡𝗧𝗢𝗡 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥: 𝗧𝗛𝗘 𝗠𝗘𝗧𝗔𝗣𝗛𝗬𝗦𝗜𝗖𝗦 𝗢𝗙 𝗦𝗢𝗨𝗡𝗗, 𝗦𝗜𝗟𝗘𝗡𝗖𝗘, 𝗔𝗡𝗗 𝗧𝗜𝗠𝗘 Among the great Bruckner conductors of the twentieth century, 𝗦𝗲𝗿𝗴𝗶𝘂 𝗖𝗲𝗹𝗶𝗯𝗶𝗱𝗮𝗰𝗵𝗲 occupies a position unlike anyone else. He was not a “Brucknerian”…

𝗚𝗨̈𝗡𝗧𝗘𝗥 𝗪𝗔𝗡𝗗 𝗔𝗡𝗗 𝗔𝗡𝗧𝗢𝗡 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥: 𝗧𝗛𝗘 𝗚𝗥𝗔𝗡𝗜𝗧𝗘 𝗔𝗥𝗖𝗛𝗜𝗧𝗘𝗖𝗧 𝗢𝗙 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥’𝗦 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗖 𝗖𝗔𝗧𝗛𝗘𝗗𝗥𝗔𝗟𝗦 Among the great Bruckner conductors of the twentieth century, 𝗚𝘂̈𝗻𝘁𝗲𝗿 𝗪𝗮𝗻𝗱 occupies a place of exceptional authority. His Bruckner is not theatrical,…

𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗔𝗡𝗗 𝗔𝗡𝗧𝗢𝗡 𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥: 𝗧𝗛𝗘 𝗦𝗢𝗨𝗡𝗗 𝗢𝗙 𝗚𝗥𝗔𝗡𝗜𝗧𝗘, 𝗟𝗜𝗚𝗛𝗧, 𝗔𝗡𝗗 𝗦𝗣𝗜𝗥𝗜𝗧𝗨𝗔𝗟 𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧𝗔𝗟𝗜𝗧𝗬 Among the great conductors of 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿, 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 occupies a very special place. He was not the most…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲 𝗛𝗼𝗹𝗹𝗮𝗻𝗱, 𝗧𝗵𝗲 𝗧𝗵𝗶𝗿𝗱 𝗦𝘁𝗿𝗶𝗻𝗴 𝗤𝘂𝗮𝗿𝘁𝗲𝘁, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝗧𝗵𝗲 𝗥𝗲𝘃𝗶𝘃𝗮𝗹 𝗢𝗳 𝗧𝗵𝗲 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗗𝗿𝗲𝗮𝗺, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗦𝗲𝗰𝗼𝗻𝗱 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝟭𝟴𝟳𝟲–𝟭𝟴𝟳𝟴 Chapter 6…

𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 𝗶𝗻 𝗔𝗺𝘀𝘁𝗲𝗿𝗱𝗮𝗺 𝗧𝗵𝗲 𝗖𝗶𝘁𝘆 𝗧𝗵𝗮𝘁 𝗕𝗲𝗰𝗮𝗺𝗲 𝗛𝗶𝘀 “𝗦𝗲𝗰𝗼𝗻𝗱 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗛𝗼𝗺𝗲𝗹𝗮𝗻𝗱” There is a revealing paradox at the heart of Gustav Mahler’s relationship with Amsterdam. He was not especially enchanted by the city…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗢𝗽𝗲𝗿𝗮, 𝗧𝗵𝗲 𝗟𝗶𝗲𝗯𝗲𝘀𝗹𝗶𝗲𝗱𝗲𝗿, 𝗧𝗵𝗲 𝗔𝗹𝘁𝗼 𝗥𝗵𝗮𝗽𝘀𝗼𝗱𝘆, 𝗧𝗵𝗲 𝗧𝗿𝗶𝘂𝗺𝗽𝗵𝗹𝗶𝗲𝗱, 𝗧𝗵𝗲 𝗦𝗼𝗻𝗴 𝗼𝗳 𝗗𝗲𝘀𝘁𝗶𝗻𝘆, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗗𝗲𝗮𝘁𝗵 𝗢𝗳 𝗝𝗮𝗸𝗼𝗯 𝗕𝗿𝗮𝗵𝗺𝘀 𝟭𝟴𝟲𝟵–𝟭𝟴𝟳𝟮 Chapter 4…

𝗔𝗟𝗠𝗔 𝗠𝗔𝗥𝗜𝗔 𝗥𝗢𝗦𝗘́ 𝟭𝟵𝟬𝟲–𝟭𝟵𝟰𝟰 𝗧𝗛𝗘 𝗩𝗜𝗢𝗟𝗜𝗡𝗜𝗦𝗧 𝗪𝗛𝗢 𝗖𝗔𝗥𝗥𝗜𝗘𝗗 𝗩𝗜𝗘𝗡𝗡𝗔 𝗜𝗡𝗧𝗢 𝗧𝗛𝗘 𝗦𝗛𝗔𝗗𝗢𝗪 𝗢𝗙 𝗔𝗨𝗦𝗖𝗛𝗪𝗜𝗧𝗭 𝗔𝗹𝗺𝗮 𝗠𝗮𝗿𝗶𝗮 𝗥𝗼𝘀𝗲́ was born in 𝗩𝗶𝗲𝗻𝗻𝗮 𝗼𝗻 𝟯 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟬𝟲 and died in 𝗔𝘂𝘀𝗰𝗵𝘄𝗶𝘁𝘇-𝗕𝗶𝗿𝗸𝗲𝗻𝗮𝘂 𝗼𝗻 𝟰 𝗼𝗿 𝟱 𝗔𝗽𝗿𝗶𝗹…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭 𝗩𝗶𝗲𝗻𝗻𝗮, 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗧𝗿𝗶𝘂𝗺𝗽𝗵𝘀, 𝗧𝗵𝗲 𝗛𝗮𝗺𝗯𝘂𝗿𝗴 𝗗𝗶𝘀𝗮𝗽𝗽𝗼𝗶𝗻𝘁𝗺𝗲𝗻𝘁, 𝗔𝗻𝗱 𝗧𝗵𝗲 𝗦𝗶𝗻𝗴𝗮𝗸𝗮𝗱𝗲𝗺𝗶𝗲 𝟭𝟴𝟲𝟮–𝟭𝟴𝟲𝟰 Chapter 1 of Volume II opens a new book in…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟲 𝗧𝗵𝗲 𝗡𝗲𝘄 𝗟𝗶𝗳𝗲, 𝗧𝗵𝗲 𝗖𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗲, 𝗮𝗻𝗱 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗕𝘂𝗿𝗱𝗲𝗻 𝗼𝗳 𝗟𝗼𝘆𝗮𝗹𝘁𝘆 𝟭𝟴𝟱𝟰–𝟭𝟴𝟱𝟱 Chapter 6 is one of the most emotionally…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝗝𝗼𝗮𝗰𝗵𝗶𝗺, 𝗟𝗶𝘀𝘇𝘁, 𝘁𝗵𝗲 𝗥𝗵𝗶𝗻𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝘄𝗶𝘁𝗵 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 𝟭𝟴𝟱𝟯 Chapter 4 is one of the turning-points…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗡𝗗 𝗦𝗛𝗢𝗦𝗧𝗔𝗞𝗢𝗩𝗜𝗖𝗛 𝗧𝗵𝗲 𝗠𝗼𝗿𝗮𝗹 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝘁𝗵𝗲 𝗤𝘂𝗮𝗿𝘁𝗲𝘁, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗧𝗿𝗮𝗴𝗶𝗰 𝗩𝗼𝗶𝗰𝗲 The influence of 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻 on 𝗗𝗺𝗶𝘁𝗿𝗶 𝗦𝗵𝗼𝘀𝘁𝗮𝗸𝗼𝘃𝗶𝗰𝗵 was not a matter of simple imitation. Shostakovich did not…

𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗔𝗦 𝗖𝗥𝗜𝗧𝗜𝗖 𝗧𝗵𝗲 𝗙𝗶𝗲𝗿𝘆 𝗝𝘂𝗱𝗴𝗲 𝗼𝗳 𝗚𝗲𝗻𝗶𝘂𝘀, 𝗙𝗮𝘀𝗵𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗧𝗿𝘂𝗲 𝗠𝘂𝘀𝗶𝗰 For 𝗟𝘂𝗱𝘄𝗶𝗴 𝘃𝗮𝗻 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, criticism was never a polite salon game. He did not judge composers, poets, singers, or performers according to…

𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 𝗼𝗻 𝗥𝗲𝗰𝗼𝗿𝗱: 𝗧𝗵𝗲 𝗦𝘁𝗼𝗻𝗲, 𝘁𝗵𝗲 𝗙𝗶𝗿𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗮𝘀𝘁 𝗚𝗿𝗲𝗮𝘁 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁 𝗼𝗳 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗶𝗻𝗴 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗦𝘁𝘂𝗱𝘆 𝗼𝗳 𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿’𝘀 𝗗𝗶𝘀𝗰𝗼𝗴𝗿𝗮𝗽𝗵𝘆 The recorded legacy of 𝗢𝘁𝘁𝗼 𝗞𝗹𝗲𝗺𝗽𝗲𝗿𝗲𝗿 is one of the most imposing…

# 𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟳 — 𝗘𝘁 𝗟𝘂𝘅 𝗣𝗲𝗿𝗽𝗲𝘁𝘂𝗮 𝗟𝘂𝗰𝗲𝗮𝘁 𝗘𝗶𝘀 ## 𝗠𝗼𝘇𝗮𝗿𝘁, 𝗧𝗵𝗲 𝗥𝗲𝗾𝘂𝗶𝗲𝗺, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗮𝘀𝘁 𝗗𝗮𝘆𝘀 𝗼𝗳 𝗮 𝗚𝗲𝗻𝗶𝘂𝘀 After the triumphant premiere of 𝗗𝗶𝗲 𝗭𝗮𝘂𝗯𝗲𝗿𝗳𝗹ö𝘁𝗲 in September…

𝐋𝐢𝐥𝐢 𝐚𝐧𝐝 𝐍𝐚𝐝𝐢𝐚 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 𝐓𝐰𝐨 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝐓𝐰𝐨 𝐃𝐞𝐬𝐭𝐢𝐧𝐢𝐞𝐬, 𝐎𝐧𝐞 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐂𝐨𝐧𝐬𝐜𝐢𝐞𝐧𝐜𝐞 The history of 𝐋𝐢𝐥𝐢 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 and 𝐍𝐚𝐝𝐢𝐚 𝐁𝐨𝐮𝐥𝐚𝐧𝐠𝐞𝐫 is one of the most moving and paradoxical stories in modern music. They were sisters,…