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𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗜𝗟𝗟𝗡𝗘𝗦𝗦𝗘𝗦 𝗢𝗙 𝗕𝗔𝗖𝗛 𝗩𝗦. 𝗛𝗔𝗡𝗗𝗘𝗟 — 𝗔 𝗖𝗢𝗠𝗣𝗔𝗥𝗔𝗧𝗜𝗩𝗘 𝗡𝗔𝗥𝗥𝗔𝗧𝗜𝗩𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 𝗧𝘄𝗼 𝗴𝗶𝗮𝗻𝘁𝘀 𝗼𝗳 𝟭𝟳𝟴𝟱, 𝘁𝘄𝗼 𝗰𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗶𝗰 𝗱𝗲𝗰𝗹𝗶𝗻𝗲𝘀, 𝗼𝗻𝗲 𝗶𝗻𝗳𝗮𝗺𝗼𝘂𝘀 𝗼𝗰𝘂𝗹𝗶𝘀𝘁, 𝗮𝗻𝗱 𝘁𝘄𝗼 𝘃𝗲𝗿𝘆 𝗱𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝘁 𝘄𝗮𝘆𝘀 𝗼𝗳 𝗱𝘆𝗶𝗻𝗴 𝗜. 𝗧𝘄𝗼 𝗠𝗲𝗻 𝗕𝗼𝗿𝗻 𝗶𝗻…

𝗟𝗨𝗟𝗟𝗬 𝗩𝗦. 𝗥𝗔𝗠𝗘𝗔𝗨 — 𝗗𝗘𝗔𝗧𝗛, 𝗟𝗘𝗚𝗔𝗖𝗬, 𝗔𝗡𝗗 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗪𝗢𝗥𝗟𝗗𝗦 𝗔 𝗰𝗼𝗺𝗽𝗮𝗿𝗮𝘁𝗶𝘃𝗲 𝗲𝘀𝘀𝗮𝘆 𝗼𝗻 𝘁𝘄𝗼 𝗲𝗻𝗱𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗙𝗿𝗲𝗻𝗰𝗵 𝗕𝗮𝗿𝗼𝗾𝘂𝗲: 𝗹𝗮𝘄, 𝗽𝗼𝘄𝗲𝗿, 𝗵𝗮𝗿𝗺𝗼𝗻𝘆, 𝗱𝗲𝗮𝘁𝗵, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗹𝗼𝗻𝗴 𝗮𝗳𝘁𝗲𝗿𝗹𝗶𝗳𝗲 𝗼𝗳 𝗙𝗿𝗲𝗻𝗰𝗵 𝗼𝗽𝗲𝗿𝗮 𝗜. 𝗧𝘄𝗼 𝗚𝗶𝗮𝗻𝘁𝘀 𝗪𝗵𝗼…

𝗟𝗨𝗟𝗟𝗬’𝗦 𝗥𝗘𝗟𝗔𝗧𝗜𝗢𝗡𝗦𝗛𝗜𝗣 𝗪𝗜𝗧𝗛 𝗟𝗢𝗨𝗜𝗦 𝗫𝗜𝗩 𝗜𝗡 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗬𝗘𝗔𝗥𝗦 𝗔 𝗻𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝘀𝘁𝘂𝗱𝘆 𝗼𝗳 𝗱𝗲𝘃𝗼𝘁𝗶𝗼𝗻, 𝗱𝗶𝘀𝘁𝗮𝗻𝗰𝗲, 𝗽𝗼𝘄𝗲𝗿, 𝘀𝗰𝗮𝗻𝗱𝗮𝗹, 𝗮𝗻𝗱 𝗱𝗲𝗰𝗹𝗶𝗻𝗲 𝗜. 𝗧𝗵𝗲 𝗢𝗹𝗱𝗲𝗿 𝗦𝘂𝗻 𝗞𝗶𝗻𝗴 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗔𝗴𝗶𝗻𝗴 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗙𝗮𝘃𝗼𝘂𝗿𝗶𝘁𝗲 In the last decade of…

𝗧𝗛𝗘 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗣𝗥𝗢𝗙𝗜𝗟𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 𝗗𝗨𝗥𝗜𝗡𝗚 𝗛𝗜𝗦 𝗙𝗜𝗡𝗔𝗟 𝗬𝗘𝗔𝗥 𝟭𝟳𝟰𝟵–𝟭𝟳𝟱𝟬: 𝗯𝗹𝗶𝗻𝗱𝗻𝗲𝘀𝘀, 𝗳𝗮𝗶𝘁𝗵, 𝗰𝗼𝘂𝗻𝘁𝗲𝗿𝗽𝗼𝗶𝗻𝘁, 𝗳𝗮𝗺𝗶𝗹𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗶𝗻𝘄𝗮𝗿𝗱 𝗮𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗼𝗳 𝗮 𝗱𝘆𝗶𝗻𝗴 𝗺𝗶𝗻𝗱 𝗜. 𝗔 𝗠𝗶𝗻𝗱 𝗼𝗳 𝗠𝗼𝗻𝘂𝗺𝗲𝗻𝘁𝗮𝗹 𝗢𝗿𝗱𝗲𝗿 𝗙𝗮𝗰𝗶𝗻𝗴 𝘁𝗵𝗲 𝗤𝘂𝗶𝗲𝘁 𝗖𝗼𝗹𝗹𝗮𝗽𝘀𝗲…

𝗡𝗶𝗸𝗼𝗹𝗮𝘂𝘀 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 (𝟭𝟵𝟮𝟵–𝟮𝟬𝟭𝟲): 𝗔 𝗟𝗶𝗳𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗛𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗧𝗿𝘂𝘁𝗵, 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗥𝗵𝗲𝘁𝗼𝗿𝗶𝗰, 𝗗𝗿𝗮𝗺𝗮, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗥𝗲𝘃𝗼𝗹𝘂𝘁𝗶𝗼𝗻 𝗼𝗳 𝗟𝗶𝘀𝘁𝗲𝗻𝗶𝗻𝗴 𝗜. 𝗔 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗪𝗵𝗼 𝗧𝗮𝘂𝗴𝗵𝘁 𝘁𝗵𝗲 𝗣𝗮𝘀𝘁 𝘁𝗼 𝗦𝗽𝗲𝗮𝗸 𝗔𝗴𝗮𝗶𝗻 𝗡𝗶𝗸𝗼𝗹𝗮𝘂𝘀 𝗛𝗮𝗿𝗻𝗼𝗻𝗰𝗼𝘂𝗿𝘁 was born on 𝟲 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟵𝟮𝟵…

𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 𝗮𝗻𝗱 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 𝗧𝘄𝗼 𝗖𝗮𝘁𝗵𝗲𝗱𝗿𝗮𝗹𝘀 𝗼𝗳 𝗦𝗼𝘂𝗻𝗱: 𝗠𝗲𝗲𝘁𝗶𝗻𝗴𝘀, 𝗔𝗱𝗺𝗶𝗿𝗮𝘁𝗶𝗼𝗻, 𝗗𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝗰𝗲𝘀, 𝗮𝗻𝗱 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 belongs to one of the most fascinating lines of continuity in late…

𝐒𝐡𝐞𝐫𝐫𝐢𝐥𝐥 𝐌𝐢𝐥𝐧𝐞𝐬: 𝐓𝐡𝐞 𝐀𝐦𝐞𝐫𝐢𝐜𝐚𝐧 𝐕𝐞𝐫𝐝𝐢 𝐁𝐚𝐫𝐢𝐭𝐨𝐧𝐞 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐏𝐨𝐰𝐞𝐫, 𝐍𝐨𝐛𝐢𝐥𝐢𝐭𝐲, 𝐀𝐧𝐝 𝐒𝐭𝐚𝐠𝐞 𝐂𝐨𝐦𝐦𝐚𝐧𝐝 𝐈𝐧𝐭𝐨 𝐋𝐞𝐠𝐞𝐧𝐝 There are baritones whose greatness lies in vocal beauty alone, and others whose greatness comes from something broader and…

𝐆𝐥𝐮𝐜𝐤 – 𝐀𝐫𝐫𝐚𝐧𝐠𝐞𝐝 𝐛𝐲 𝐖𝐚𝐠𝐧𝐞𝐫 – 𝐈𝐩𝐡𝐢𝐠𝐞𝐧𝐢𝐚 𝐢𝐧 𝐀𝐮𝐥𝐢𝐬 – 𝐂𝐡𝐫𝐢𝐬𝐭𝐨𝐩𝐡 𝐒𝐩𝐞𝐫𝐢𝐧𝐠 https://www.patreon.com/posts/gluck-wagner-in-156565073?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗜𝗟𝗟𝗜𝗕𝗔𝗟𝗗 𝗚𝗟𝗨𝗖𝗞’𝗦 𝗜𝗣𝗛𝗜𝗚É𝗡𝗜𝗘 𝗘𝗡 𝗔𝗨𝗟𝗜𝗗𝗘, 𝗔𝗥𝗥𝗔𝗡𝗚𝗘𝗗 𝗕𝗬 𝗥𝗜𝗖𝗛𝗔𝗥𝗗 𝗪𝗔𝗚𝗡𝗘𝗥: 𝗔 𝗥𝗜𝗚𝗢𝗥𝗢𝗨𝗦 𝗦𝗧𝗨𝗗𝗬 𝗢𝗙 𝗢𝗣𝗘𝗥𝗔𝗧𝗜𝗖 𝗥𝗘𝗙𝗢𝗥𝗠, 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗧𝗥𝗔𝗚𝗘𝗗𝗬, 𝗔𝗡𝗗 𝗡𝗜𝗡𝗘𝗧𝗘𝗘𝗡𝗧𝗛-𝗖𝗘𝗡𝗧𝗨𝗥𝗬 𝗥𝗘𝗜𝗡𝗧𝗘𝗥𝗣𝗥𝗘𝗧𝗔𝗧𝗜𝗢𝗡…

𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻’𝘀 𝗣𝗶𝗮𝗻𝗼 𝗖𝗼𝗻𝗰𝗲𝗿𝘁𝗼 𝗡𝗼. 𝟱 𝗶𝗻 𝗘-𝗳𝗹𝗮𝘁 𝗺𝗮𝗷𝗼𝗿, 𝗢𝗽. 𝟳𝟯 — “𝗘𝗺𝗽𝗲𝗿𝗼𝗿” 𝗔 𝗳𝘂𝗹𝗹 𝗵𝗶𝘀𝘁𝗼𝗿𝗶𝗰𝗮𝗹 𝗮𝗻𝗱 𝗻𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝗮𝗰𝗰𝗼𝘂𝗻𝘁 𝗼𝗳 𝗶𝘁𝘀 𝗰𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗜. 𝗩𝗶𝗲𝗻𝗻𝗮 𝗨𝗻𝗱𝗲𝗿 𝗦𝗶𝗲𝗴𝗲 — 𝗧𝗵𝗲 𝗪𝗼𝗿𝗹𝗱 𝗮𝗿𝗼𝘂𝗻𝗱 𝗕𝗲𝗲𝘁𝗵𝗼𝘃𝗲𝗻, 𝟭𝟴𝟬𝟴–𝟭𝟴𝟬𝟵 When…

𝗧𝗛𝗘 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 — 𝗔 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗔𝗡𝗔𝗟𝗬𝗦𝗜𝗦 Vienna, 1826–1827 Age at death: 56 𝗜. 𝗧𝗛𝗘 𝗙𝗜𝗡𝗔𝗟 𝗗𝗘𝗦𝗖𝗘𝗡𝗧 𝗕𝗘𝗚𝗜𝗡𝗦 — 𝗦𝗨𝗠𝗠𝗘𝗥 𝗧𝗢 𝗔𝗨𝗧𝗨𝗠𝗡 𝟭𝟴𝟮𝟲 Beethoven’s final decline did not begin in a single dramatic…

𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝟰𝟴 𝗛𝗢𝗨𝗥𝗦 𝗢𝗙 𝗟𝗨𝗗𝗪𝗜𝗚 𝗩𝗔𝗡 𝗕𝗘𝗘𝗧𝗛𝗢𝗩𝗘𝗡 𝗜. 𝗧𝗛𝗘 𝗣𝗘𝗡𝗨𝗟𝗧𝗜𝗠𝗔𝗧𝗘 𝗠𝗢𝗥𝗡𝗜𝗡𝗚 — 𝗠𝗔𝗥𝗖𝗛 𝟮𝟰, 𝟭𝟴𝟮𝟳 The light that entered Beethoven’s room on the morning of 𝗠𝗮𝗿𝗰𝗵 𝟮𝟰, 𝟭𝟴𝟮𝟳, was not the light of…

𝗧𝗥𝗔𝗚𝗜𝗖 𝗟𝗢𝗩𝗘 𝗦𝗧𝗢𝗥𝗜𝗘𝗦 𝗜𝗡 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗠𝗨𝗦𝗜𝗖 𝗕𝗿𝗼𝗸𝗲𝗻 𝗵𝗲𝗮𝗿𝘁𝘀, 𝗳𝗼𝗿𝗯𝗶𝗱𝗱𝗲𝗻 𝗹𝗼𝗻𝗴𝗶𝗻𝗴, 𝗺𝗮𝗱𝗻𝗲𝘀𝘀, 𝗱𝗲𝗮𝘁𝗵, 𝗯𝗲𝘁𝗿𝗮𝘆𝗮𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗲𝗺𝗼𝘁𝗶𝗼𝗻𝗮𝗹 𝘄𝗼𝘂𝗻𝗱𝘀 𝘁𝗵𝗮𝘁 𝗳𝗲𝗱 𝘀𝗼𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗴𝗿𝗲𝗮𝘁𝗲𝘀𝘁 𝗺𝘂𝘀𝗶𝗰 𝗲𝘃𝗲𝗿 𝘄𝗿𝗶𝘁𝘁𝗲𝗻. Classical music is often spoken of as though…

𝐇𝐞𝐜𝐭𝐨𝐫 𝐁𝐞𝐫𝐥𝐢𝐨𝐳: 𝐓𝐡𝐞 𝐅𝐞𝐯𝐞𝐫𝐢𝐬𝐡 𝐏𝐫𝐨𝐩𝐡𝐞𝐭 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐎𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐥 𝐅𝐢𝐫𝐞, 𝐎𝐛𝐬𝐞𝐬𝐬𝐢𝐨𝐧, 𝐀𝐧𝐝 𝐃𝐫𝐞𝐚𝐦 𝐈𝐧𝐭𝐨 𝐀 𝐍𝐞𝐰 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐔𝐧𝐢𝐯𝐞𝐫𝐬𝐞 There are composers who refine an existing language, and there are others who seem to arrive almost…

𝗧𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹 — 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯 𝗟𝗔𝗪 𝗢𝗥 𝗠𝗨𝗦𝗜𝗖? 𝗧𝗛𝗘 𝗬𝗢𝗨𝗡𝗚 𝗛𝗔𝗡𝗗𝗘𝗟 𝗖𝗛𝗢𝗢𝗦𝗘𝗦 𝗛𝗜𝗦 𝗣𝗔𝗧𝗛 (𝟭𝟳𝟬𝟮–𝟭𝟳𝟬𝟯) By the beginning of the eighteenth century, the essential question in Handel’s life was no longer whether…

𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐞𝐫 𝐁𝐨𝐫𝐨𝐝𝐢𝐧: 𝐓𝐡𝐞 𝐂𝐡𝐞𝐦𝐢𝐬𝐭-𝐂𝐨𝐦𝐩𝐨𝐬𝐞𝐫 𝐖𝐡𝐨 𝐖𝐫𝐨𝐭𝐞 𝐌𝐮𝐬𝐢𝐜 𝐀𝐬 𝐈𝐟 𝐑𝐮𝐬𝐬𝐢𝐚 𝐖𝐞𝐫𝐞 𝐃𝐫𝐞𝐚𝐦𝐢𝐧𝐠 There are composers whose lives seem wholly given over to music, and there are others whose greatness becomes even more astonishing because…

**𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟭𝟱 — 𝗚𝗻𝗮𝗴𝗳𝗹𝗼𝘄 𝗮𝗻𝗱 𝗭𝗻𝗮𝘁𝘀𝗻𝗼𝗰** **Mozart in Vienna: opera, gossip, love, independence, and the making of a new life** Mozart’s arrival in Vienna in **1781** marked the true…

𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗠𝘂𝗻𝗰𝗵: 𝗧𝗵𝗲 𝗜𝗻𝘀𝘁𝗶𝗻𝗰𝘁𝗶𝘃𝗲 𝗣𝗼𝗲𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗣𝗼𝗱𝗶𝘂𝗺 𝗜. 𝗧𝗵𝗲 𝗥𝗲𝗹𝘂𝗰𝘁𝗮𝗻𝘁 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿: 𝗙𝗿𝗼𝗺 𝗩𝗶𝗼𝗹𝗶𝗻 𝘁𝗼 𝗕𝗮𝘁𝗼𝗻 𝗖𝗵𝗮𝗿𝗹𝗲𝘀 𝗠𝘂𝗻𝗰𝗵 never intended to be a conductor. He began as a violinist—gifted, gentle, and lyrical. In fact,…

𝐄𝐫𝐢𝐜𝐡 𝐊𝐥𝐞𝐢𝐛𝐞𝐫: 𝐓𝐡𝐞 𝐀𝐫𝐢𝐬𝐭𝐨𝐜𝐫𝐚𝐭 𝐨𝐟 𝐅𝐢𝐫𝐞 𝐖𝐡𝐨 𝐂𝐨𝐧𝐝𝐮𝐜𝐭𝐞𝐝 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐓𝐲𝐫𝐚𝐧𝐧𝐲 There are conductors whose greatness lies in sheer musical command, and there are conductors whose greatness also acquires a moral dimension because of the…

𝐇𝐞𝐫𝐦𝐚𝐧𝐧 𝐒𝐜𝐡𝐞𝐫𝐜𝐡𝐞𝐧: 𝐓𝐡𝐞 𝐑𝐞𝐛𝐞𝐥 𝐌𝐚𝐞𝐬𝐭𝐫𝐨 𝐖𝐡𝐨 𝐓𝐮𝐫𝐧𝐞𝐝 𝐂𝐨𝐧𝐝𝐮𝐜𝐭𝐢𝐧𝐠 𝐈𝐧𝐭𝐨 𝐚 𝐌𝐢𝐬𝐬𝐢𝐨𝐧 There are conductors who preserve tradition, and there are conductors who explode it from within so that music can live again. Hermann Scherchen…

𝐀𝐍𝐓𝐎𝐍𝐈𝐍 𝐃𝐕𝐎𝐑𝐀𝐊: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Antonin Dvorak is often remembered as one of the healthiest, warmest, and most balanced figures in nineteenth-century music: a deeply Czech composer, a…

𝐆𝐄𝐎𝐑𝐆𝐄 𝐅𝐑𝐈𝐃𝐄𝐑𝐈𝐂 𝐇𝐀𝐍𝐃𝐄𝐋: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 George Frideric Handel is often remembered as a figure of magnificence, authority, theatrical brilliance, and overwhelming musical confidence: the composer of Messiah,…

𝐋𝐔𝐃𝐖𝐈𝐆 𝐕𝐀𝐍 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Ludwig van Beethoven is often presented as the supreme heroic figure in music: defiant, original, morally elevated, and artistically invincible. Yet his…

𝐏𝐈𝐄𝐑𝐑𝐄 𝐌𝐎𝐍𝐓𝐄𝐔𝐗 — 𝐅𝐑𝐎𝐌 𝐏𝐀𝐑𝐈𝐒𝐈𝐀𝐍 𝐕𝐈𝐎𝐋𝐈𝐍𝐈𝐒𝐓 𝐓𝐎 𝐓𝐇𝐄 𝐁𝐀𝐓𝐎𝐍 𝐎𝐅 𝐑𝐄𝐕𝐎𝐋𝐔𝐓𝐈𝐎𝐍 𝐓𝐇𝐄 𝐄𝐀𝐑𝐋𝐘 𝐋𝐈𝐅𝐄 𝐀𝐍𝐃 𝐀𝐒𝐂𝐄𝐍𝐓 𝐎𝐅 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄𝐃 𝐓𝐇𝐄 𝐌𝐎𝐃𝐄𝐑𝐍 𝐄𝐑𝐀 𝐁𝐈𝐑𝐓𝐇 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐇𝐄𝐀𝐑𝐓 𝐎𝐅 𝐏𝐀𝐑𝐈𝐒 — 𝟏𝟖𝟕𝟓 𝐏𝐢𝐞𝐫𝐫𝐞…

𝗘𝗥𝗜𝗖𝗛 𝗞𝗟𝗘𝗜𝗕𝗘𝗥 — 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗗𝗘𝗙𝗜𝗘𝗗 𝗧𝗬𝗥𝗔𝗡𝗡𝗬 Erich Kleiber (1890–1956) remains one of the most fascinating figures in twentieth-century conducting. Brilliant, uncompromising, witty, and fiercely independent, his life was filled with dramatic decisions,…