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𝗚𝗨𝗦𝗧𝗔𝗩 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔𝗡 𝗜𝗡-𝗗𝗘𝗣𝗧𝗛 𝗔𝗡𝗗 𝗕𝗔𝗟𝗔𝗡𝗖𝗘𝗗 𝗣𝗦𝗬𝗖𝗛𝗢𝗟𝗢𝗚𝗜𝗖𝗔𝗟 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 To enter the inner world of 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 is to stand before one of the most exposed psyches in the history of music. Few composers turned…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗔𝗡𝗗 𝗠𝗔𝗛𝗟𝗘𝗥 𝗔 𝗠𝗘𝗘𝗧𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗪𝗢𝗥𝗟𝗗𝗦 — 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗚𝗨𝗔𝗥𝗗𝗜𝗔𝗡 𝗢𝗙 𝗖𝗟𝗔𝗦𝗦𝗜𝗖𝗔𝗟 𝗙𝗢𝗥𝗠 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗣𝗥𝗢𝗣𝗛𝗘𝗧 𝗢𝗙 𝗧𝗛𝗘 𝗠𝗢𝗗𝗘𝗥𝗡 𝗦𝗢𝗨𝗟 The meeting between 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 belongs to those rare…

𝗪𝗛𝗬 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗖𝗔𝗠𝗘 𝗧𝗢 𝗠𝗔𝗛𝗟𝗘𝗥 𝗟𝗔𝗧𝗘 𝗜𝗡 𝗟𝗜𝗙𝗘 𝗧𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝘃𝗲 𝗘𝗹𝗱𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗲𝘀 𝗼𝗳 𝗙𝗮𝗿𝗲𝘄𝗲𝗹𝗹 The relationship between 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 and 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 was never simple, never complete, and never entirely comfortable.…

**𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - **𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝟮𝟱 — 𝗘𝗻𝗱𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝗕𝗲𝗴𝗶𝗻𝗻𝗶𝗻𝗴𝘀 ## 𝗠𝗼𝘇𝗮𝗿𝘁 𝗮𝘁 𝘁𝗵𝗲 𝗘𝗱𝗴𝗲 𝗼𝗳 𝗮 𝗡𝗲𝘄 𝗪𝗼𝗿𝗹𝗱 (1790–1791) The death of Joseph II on February 20, 1790, marked not only the…

𝗥𝗼𝘀𝘀𝗶𝗻𝗶 – 𝗦𝘁𝗮𝗯𝗮𝘁 𝗠𝗮𝘁𝗲𝗿 – 𝗙𝗲𝗿𝗲𝗻𝗰 𝗙𝗿𝗶𝗰𝘀𝗮𝘆 https://www.patreon.com/posts/rossini-stabat-147103359?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗦𝗮𝗰𝗿𝗲𝗱 𝗗𝗿𝗮𝗺𝗮 𝗼𝗳 𝗮 𝗥𝗲𝘁𝗶𝗿𝗲𝗱 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗚𝗲𝗻𝗶𝘂𝘀 𝗚𝗶𝗼𝗮𝗰𝗵𝗶𝗻𝗼 𝗥𝗼𝘀𝘀𝗶𝗻𝗶’s 𝗦𝘁𝗮𝗯𝗮𝘁 𝗠𝗮𝘁𝗲𝗿 is one of the most fascinating sacred works of the nineteenth century because it…

𝗖𝗢𝗨𝗟𝗗 𝗥𝗢𝗦𝗦𝗜𝗡𝗜 𝗛𝗔𝗩𝗘 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗚𝗥𝗘𝗔𝗧 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗜𝗘𝗦? The idea that 𝗚𝗶𝗼𝗮𝗰𝗵𝗶𝗻𝗼 𝗥𝗼𝘀𝘀𝗶𝗻𝗶 might have written outstanding symphonies, had he chosen to devote himself to the genre, is not a romantic exaggeration or a form of…

𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 – 𝗖𝗮𝗽𝗿𝗶𝗰𝗰𝗶𝗼 – 𝗪𝗼𝗹𝗳𝗴𝗮𝗻𝗴 𝗦𝗮𝘄𝗮𝗹𝗹𝗶𝘀𝗰𝗵 https://www.patreon.com/posts/richard-strauss-147365951?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗢𝗽𝗲𝗿𝗮: 𝗪𝗼𝗿𝗱, 𝗠𝘂𝘀𝗶𝗰, 𝗟𝗼𝘃𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗦𝘂𝗻𝘀𝗲𝘁 𝗼𝗳 𝗮𝗻 𝗔𝗿𝘁𝗶𝘀𝘁𝗶𝗰 𝗪𝗼𝗿𝗹𝗱 𝗖𝗮𝗽𝗿𝗶𝗰𝗰𝗶𝗼, the last opera of 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀, is one of the most refined…

𝗞𝗔𝗧𝗜𝗔 𝗥𝗜𝗖𝗖𝗜𝗔𝗥𝗘𝗟𝗟𝗜 𝗧𝗵𝗲 𝗟𝘆𝗿𝗶𝗰 𝗦𝗼𝗽𝗿𝗮𝗻𝗼 𝗼𝗳 𝗣𝗼𝗲𝘁𝗿𝘆, 𝗥𝗶𝘀𝗸, 𝗮𝗻𝗱 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗠𝗲𝗺𝗼𝗿𝘆 𝗞𝗮𝘁𝗶𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶, born 𝗞𝗮𝘁𝗶𝘂𝘀𝗰𝗶𝗮 𝗠𝗮𝗿𝗶𝗮 𝗦𝘁𝗲𝗹𝗹𝗮 𝗥𝗶𝗰𝗰𝗶𝗮𝗿𝗲𝗹𝗹𝗶 in 𝗥𝗼𝘃𝗶𝗴𝗼, Veneto, on 𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟵𝟰𝟲, belongs to that fascinating category of singers whose…

𝗛𝗨𝗚𝗢 𝗩𝗢𝗡 𝗛𝗢𝗙𝗠𝗔𝗡𝗡𝗦𝗧𝗛𝗔𝗟 𝗧𝗵𝗲 𝗣𝗼𝗲𝘁 𝗪𝗵𝗼 𝗚𝗮𝘃𝗲 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗦𝘁𝗿𝗮𝘂𝘀𝘀 𝗛𝗶𝘀 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗪𝗼𝗿𝗹𝗱 𝗛𝘂𝗴𝗼 𝘃𝗼𝗻 𝗛𝗼𝗳𝗺𝗮𝗻𝗻𝘀𝘁𝗵𝗮𝗹 was one of the most refined literary minds of fin-de-siècle Vienna and one of the greatest librettists in the…

𝗚𝗜𝗔𝗖𝗢𝗠𝗢 𝗣𝗨𝗖𝗖𝗜𝗡𝗜 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗬𝗲𝗮𝗿: 𝗧𝘂𝗿𝗮𝗻𝗱𝗼𝘁, 𝗜𝗹𝗹𝗻𝗲𝘀𝘀, 𝗕𝗿𝘂𝘀𝘀𝗲𝗹𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗨𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 𝗙𝗶𝗻𝗮𝗹 𝗣𝘂𝘇𝘇𝗹𝗲 The last year of 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗣𝘂𝗰𝗰𝗶𝗻𝗶’s life was one of the most dramatic final chapters in the history of opera. It…

𝗔𝗠𝗕𝗥𝗢𝗜𝗦𝗘 𝗧𝗛𝗢𝗠𝗔𝗦 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗮 𝗙𝗿𝗲𝗻𝗰𝗵 𝗢𝗽𝗲𝗿𝗮𝘁𝗶𝗰 𝗦𝘂𝗿𝘃𝗶𝘃𝗼𝗿 𝗔𝗺𝗯𝗿𝗼𝗶𝘀𝗲 𝗧𝗵𝗼𝗺𝗮𝘀 was one of the central figures of nineteenth-century French opera, although his reputation today rests above all on two works:…

𝗘𝗟𝗜𝗦𝗔𝗕𝗘𝗧𝗛 𝗦𝗖𝗛𝗪𝗔𝗥𝗭𝗞𝗢𝗣𝗙 𝗔𝗡𝗗 𝗛𝗘𝗥𝗕𝗘𝗥𝗧 𝗩𝗢𝗡 𝗞𝗔𝗥𝗔𝗝𝗔𝗡 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻, 𝗖𝗼𝗻𝘁𝗿𝗼𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝗼𝘀𝘁-𝗪𝗮𝗿 𝗚𝗼𝗹𝗱𝗲𝗻 𝗔𝗴𝗲 𝗼𝗳 𝗢𝗽𝗲𝗿𝗮 The artistic relationship between 𝗘𝗹𝗶𝘀𝗮𝗯𝗲𝘁𝗵 𝗦𝗰𝗵𝘄𝗮𝗿𝘇𝗸𝗼𝗽𝗳 and 𝗛𝗲𝗿𝗯𝗲𝗿𝘁 𝘃𝗼𝗻 𝗞𝗮𝗿𝗮𝗷𝗮𝗻 belongs to one of the most refined chapters in…

𝗔𝗥𝗥𝗜𝗚𝗢 𝗕𝗢𝗜𝗧𝗢 𝗧𝗵𝗲 𝗣𝗼𝗲𝘁 𝗪𝗵𝗼 𝗕𝗿𝗼𝘂𝗴𝗵𝘁 𝗩𝗲𝗿𝗱𝗶 𝗕𝗮𝗰𝗸 𝘁𝗼 𝗦𝗵𝗮𝗸𝗲𝘀𝗽𝗲𝗮𝗿𝗲 𝗔𝗿𝗿𝗶𝗴𝗼 𝗕𝗼𝗶𝘁𝗼 was one of the most fascinating figures in nineteenth-century Italian music: poet, composer, critic, librettist, intellectual agitator, and finally the man who…

𝗪𝗔𝗚𝗡𝗘𝗥𝗜𝗔𝗡 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥𝗦 𝗠𝗼𝘁𝘁𝗹, 𝗟𝗲𝘃𝗶, 𝗦𝗰𝗵𝘂𝗰𝗵, 𝗮𝗻𝗱 𝗦𝘂𝗰𝗵𝗲𝗿 — 𝗙𝗼𝘂𝗿 𝗠𝗲𝗱𝗶𝗮𝘁𝗼𝗿𝘀 𝗼𝗳 𝗪𝗮𝗴𝗻𝗲𝗿’𝘀 𝗦𝘁𝗮𝗴𝗲 𝗙𝗘𝗟𝗜𝗫 𝗠𝗢𝗧𝗧𝗟 𝟭𝟴𝟱𝟲–𝟭𝟵𝟭𝟭 𝗙𝗲𝗹𝗶𝘅 𝗠𝗼𝘁𝘁𝗹 was one of the most admired Wagnerian conductors of the generation immediately after Wagner himself. Born…

𝗪𝗔𝗚𝗡𝗘𝗥 𝗔𝗡𝗗 𝗠𝗘𝗬𝗘𝗥𝗕𝗘𝗘𝗥 𝗧𝗵𝗲 𝗣𝗮𝘁𝗿𝗼𝗻, 𝘁𝗵𝗲 𝗗𝗲𝗯𝘁, 𝘁𝗵𝗲 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹 — 𝗮𝗻𝗱 𝗢𝗻𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗼𝘀𝘁 𝗧𝗿𝗼𝘂𝗯𝗹𝗶𝗻𝗴 𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝗶𝗻 𝗡𝗶𝗻𝗲𝘁𝗲𝗲𝗻𝘁𝗵-𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗠𝘂𝘀𝗶𝗰 The relationship between 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗪𝗮𝗴𝗻𝗲𝗿 and 𝗚𝗶𝗮𝗰𝗼𝗺𝗼 𝗠𝗲𝘆𝗲𝗿𝗯𝗲𝗲𝗿 is one of the most revealing,…

𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗣𝗶𝗼𝘂𝘀 𝗥𝗼𝗺𝗮𝗻𝘁𝗶𝗰𝘀, 𝗧𝘄𝗼 𝗡𝗮𝘁𝗶𝗼𝗻𝘀, 𝗧𝘄𝗼 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗵𝗼𝗻𝘆 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 is much more difficult to describe than the relationship between Brahms and Dvořák.…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬 𝗔𝗡𝗗 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝘄𝗼 𝗦𝗹𝗮𝘃𝗶𝗰 𝗚𝗲𝗻𝗶𝘂𝘀𝗲𝘀, 𝗢𝗻𝗲 𝗣𝗿𝗮𝗴𝘂𝗲 𝗘𝗻𝗰𝗼𝘂𝗻𝘁𝗲𝗿, 𝗮𝗻𝗱 𝗮 𝗕𝗿𝗶𝗲𝗳 𝗕𝘂𝘁 𝗪𝗮𝗿𝗺 𝗙𝗿𝗶𝗲𝗻𝗱𝘀𝗵𝗶𝗽 The relationship between 𝗣𝘆𝗼𝘁𝗿 𝗜𝗹𝘆𝗶𝗰𝗵 𝗧𝗰𝗵𝗮𝗶𝗸𝗼𝘃𝘀𝗸𝘆 and 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was not as long, intimate, or structurally decisive as the…

𝗕𝗥𝗔𝗛𝗠𝗦 𝗜𝗡 𝗗𝗩𝗢ŘÁ𝗞 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗧𝗵𝗮𝘁 𝗢𝗽𝗲𝗻𝗲𝗱 𝗮 𝗗𝗼𝗼𝗿 𝗮𝗻𝗱 𝗟𝗲𝗳𝘁 𝗮 𝗧𝗿𝗮𝗰𝗲 The influence of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 on 𝗔𝗻𝘁𝗼𝗻í𝗻 𝗗𝘃𝗼řá𝗸 was never a simple matter of imitation. It was more subtle, more fruitful,…

𝗕𝗥𝗨𝗖𝗞𝗡𝗘𝗥 𝗔𝗡𝗗 𝗕𝗥𝗔𝗛𝗠𝗦 𝗧𝘄𝗼 𝗩𝗶𝗲𝗻𝗻𝗲𝘀𝗲 𝗪𝗼𝗿𝗹𝗱𝘀, 𝗧𝘄𝗼 𝗜𝗱𝗲𝗮𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 The relationship between 𝗔𝗻𝘁𝗼𝗻 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 and 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 was not a friendship in the usual sense, nor was it a direct personal feud…

𝗧𝗛𝗢𝗠𝗔𝗦 𝗦𝗖𝗛𝗜𝗣𝗣𝗘𝗥𝗦 𝗔 𝗥𝗶𝗴𝗼𝗿𝗼𝘂𝘀 𝗘𝘀𝘀𝗮𝘆 𝗼𝗻 𝗛𝗶𝘀 𝗟𝗶𝗳𝗲, 𝗔𝗿𝘁, 𝗮𝗻𝗱 𝗣𝗿𝗼𝗳𝗲𝘀𝘀𝗶𝗼𝗻𝗮𝗹 𝗖𝗮𝗿𝗲𝗲𝗿 𝗧𝗵𝗼𝗺𝗮𝘀 𝗦𝗰𝗵𝗶𝗽𝗽𝗲𝗿𝘀 was one of the most brilliant and charismatic American conductors of the post-war generation. Born in 𝗞𝗮𝗹𝗮𝗺𝗮𝘇𝗼𝗼, 𝗠𝗶𝗰𝗵𝗶𝗴𝗮𝗻, 𝗼𝗻 𝟵…

𝗧𝗛𝗘 𝗜𝗡𝗡𝗘𝗥 𝗟𝗜𝗕𝗥𝗔𝗥𝗬 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗧𝗛𝗘 𝗕𝗢𝗢𝗞𝗦 𝗔𝗡𝗗 𝗪𝗜𝗦𝗗𝗢𝗠 𝗧𝗛𝗔𝗧 𝗦𝗛𝗔𝗣𝗘𝗗 𝗛𝗜𝗦 𝗦𝗢𝗨𝗟 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 read not to decorate the mind, but to discipline and nourish it. Reading, for him, was never a…

𝗣𝗥𝗜𝗩𝗔𝗧𝗘 𝗔𝗡𝗘𝗖𝗗𝗢𝗧𝗘𝗦 𝗔𝗕𝗢𝗨𝗧 𝗕𝗥𝗔𝗛𝗠𝗦 𝗖𝗢𝗠𝗠𝗘𝗡𝗧𝗜𝗡𝗚 𝗢𝗡 𝗢𝗧𝗛𝗘𝗥 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗔 𝗣𝗢𝗥𝗧𝗥𝗔𝗜𝗧 𝗢𝗙 𝗔 𝗦𝗘𝗩𝗘𝗥𝗘, 𝗛𝗢𝗡𝗘𝗦𝗧, 𝗔𝗡𝗗 𝗗𝗘𝗘𝗣𝗟𝗬 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗠𝗜𝗡𝗗 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 was never a composer of easy compliments. His judgments could be abrupt, ironic, severe,…

𝗧𝗛𝗘 𝗕𝗥𝗔𝗛𝗠𝗦 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗧𝗥𝗔𝗗𝗜𝗧𝗜𝗢𝗡 — 𝗙𝗨𝗥𝗧𝗪Ä𝗡𝗚𝗟𝗘𝗥, 𝗪𝗘𝗜𝗡𝗚𝗔𝗥𝗧𝗡𝗘𝗥, 𝗧𝗢𝗦𝗖𝗔𝗡𝗜𝗡𝗜, 𝗞𝗟𝗘𝗠𝗣𝗘𝗥𝗘𝗥, 𝗕𝗥𝗨𝗡𝗢 𝗪𝗔𝗟𝗧𝗘𝗥 The 𝗕𝗿𝗮𝗵𝗺𝘀 𝘁𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 in conducting is not a single straight line, but a constellation of moral, architectural, and sonic philosophies inherited from the…

𝗔 𝗩𝗶𝘀𝗶𝘁 𝘁𝗼 𝗕𝗿𝘂𝗰𝗸𝗻𝗲𝗿 𝗶𝗻 𝗩𝗶𝗲𝗻𝗻𝗮 — 𝗔 𝗣𝗲𝗿𝘀𝗼𝗻𝗮𝗹 𝗥𝗲𝗳𝗹𝗲𝗰𝘁𝗶𝗼𝗻 This past summer, during my visit to 𝗩𝗶𝗲𝗻𝗻𝗮, I had one of those quiet and unforgettable encounters that only music can truly prepare us…