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𝐉𝐄𝐀𝐍-𝐏𝐇𝐈𝐋𝐈𝐏𝐏𝐄 𝐑𝐀𝐌𝐄𝐀𝐔 (𝟏𝟔𝟖𝟑–𝟏𝟕𝟔𝟒): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Jean-Philippe Rameau (1683–1764) was born on 25 September 1683 and died on 12 September 1764. He is often remembered as the supreme…

𝐉𝐄𝐀𝐍-𝐁𝐀𝐏𝐓𝐈𝐒𝐓𝐄 𝐋𝐔𝐋𝐋𝐘 (𝟏𝟔𝟑𝟐–𝟏𝟔𝟖𝟕): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Jean-Baptiste Lully (1632–1687) was one of the most powerful and contradictory figures in seventeenth-century music. He was born Giovanni Battista Lulli in…

𝐂𝐀𝐌𝐈𝐋𝐋𝐄 𝐒𝐀𝐈𝐍𝐓-𝐒𝐀𝐄̈𝐍𝐒 (𝟏𝟖𝟑𝟓–𝟏𝟗𝟐𝟏): 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Camille Saint-Saëns (1835–1921) is often remembered as the supreme French classicist of the later nineteenth century: elegant, lucid, disciplined, cultivated, brilliant, and…

**𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - Chapter 9 — Breaking** **1) Salzburg Stagnation and the Weight of Dependence** After Munich, **Mozart returned to Salzburg still without a meaningful future**. He had no major post beyond…

𝐄𝐥𝐢𝐳𝐚𝐛𝐞𝐭𝐡 𝐒𝐜𝐡𝐰𝐚𝐫𝐳𝐤𝐨𝐩𝐟 𝐚𝐧𝐝 𝐖𝐚𝐥𝐭𝐞𝐫 𝐋𝐞𝐠𝐠𝐞: 𝐓𝐡𝐞 𝐒𝐭𝐨𝐫𝐲 𝐨𝐟 𝐚𝐧 𝐀𝐫𝐭𝐢𝐬𝐭𝐢𝐜 𝐚𝐧𝐝 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐀𝐥𝐥𝐢𝐚𝐧𝐜𝐞 Elizabeth Schwarzkopf and Walter Legge formed one of the most influential, complex, and frequently debated personal and artistic partnerships in the…

𝐀𝐍𝐉𝐀 𝐒𝐈𝐋𝐉𝐀 𝐀𝐍𝐃 𝐂𝐇𝐑𝐈𝐒𝐓𝐎𝐏𝐇 𝐕𝐎𝐍 𝐃𝐎𝐇𝐍𝐀𝐍𝐘𝐈: 𝐀 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋 𝐀𝐍𝐃 𝐀𝐑𝐓𝐈𝐒𝐓𝐈𝐂 𝐏𝐀𝐑𝐓𝐍𝐄𝐑𝐒𝐇𝐈𝐏 𝐓𝐡𝐞 𝐁𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠: 𝐅𝐫𝐨𝐦 𝐎𝐩𝐞𝐫𝐚𝐭𝐢𝐜 𝐂𝐨𝐧𝐭𝐚𝐜𝐭 𝐭𝐨 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐂𝐥𝐨𝐬𝐞𝐧𝐞𝐬𝐬 Anja Silja and Christoph von Dohnányi came together in the world of postwar German opera,…

𝐑𝐄𝐆𝐈𝐍𝐄 𝐂𝐑𝐄𝐒𝐏𝐈𝐍 (𝟏𝟗𝟐𝟕–𝟐𝟎𝟎𝟕) 𝐓𝐇𝐄 𝐕𝐎𝐈𝐂𝐄 𝐎𝐅 𝐅𝐑𝐀𝐍𝐂𝐄 — 𝐀 𝐃𝐈𝐕𝐀 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐖𝐀𝐆𝐍𝐄𝐑, 𝐁𝐄𝐑𝐋𝐈𝐎𝐙 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐒𝐎𝐔𝐋 𝐎𝐅 𝐅𝐑𝐄𝐍𝐂𝐇 𝐌𝐔𝐒𝐈𝐂 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐀𝐍𝐃 𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 — 𝐓𝐇𝐄 𝐒𝐎𝐔𝐓𝐇 𝐎𝐅 𝐅𝐑𝐀𝐍𝐂𝐄 𝐑𝐞𝐠𝐢𝐧𝐞 𝐂𝐫𝐞𝐬𝐩𝐢𝐧 (𝟐𝟑 𝐅𝐞𝐛𝐫𝐮𝐚𝐫𝐲 𝟏𝟗𝟐𝟕 – 𝟓…

𝐃𝐌𝐈𝐓𝐑𝐈 𝐒𝐇𝐎𝐒𝐓𝐀𝐊𝐎𝐕𝐈𝐂𝐇: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Dmitri Shostakovich is one of the most contradictory figures in all music history. He was at once a state-honored Soviet composer and a…

𝐌𝐀𝐗 𝐋𝐎𝐑𝐄𝐍𝐙 (𝟏𝟗𝟎𝟏–𝟏𝟗𝟕𝟓) - 𝐓𝐇𝐄 𝐖𝐀𝐆𝐍𝐄𝐑𝐈𝐀𝐍 𝐓𝐄𝐍𝐎𝐑 𝐖𝐇𝐎 𝐒𝐀𝐍𝐆 𝐓𝐑𝐈𝐒𝐓𝐀𝐍 𝐈𝐍 𝐓𝐇𝐄 𝐒𝐇𝐀𝐃𝐎𝐖 𝐎𝐅 𝐇𝐈𝐒𝐓𝐎𝐑𝐘 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐀𝐍𝐃 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐁𝐄𝐆𝐈𝐍𝐍𝐈𝐍𝐆𝐒 𝐌𝐚𝐱 𝐋𝐨𝐫𝐞𝐧𝐳 (𝟏𝟎 𝐌𝐚𝐲 𝟏𝟗𝟎𝟏 – 𝟏𝟏 𝐉𝐚𝐧𝐮𝐚𝐫𝐲 𝟏𝟗𝟕𝟓) was born in Düsseldorf, Germany, into…

𝐌𝐀𝐑𝐈𝐎 𝐃𝐄𝐋 𝐌𝐎𝐍𝐀𝐂𝐎 (𝟏𝟗𝟏𝟓–𝟏𝟗𝟖𝟐) - 𝐓𝐇𝐄 𝐓𝐄𝐍𝐎𝐑 𝐎𝐅 𝐅𝐋𝐀𝐌𝐄 — 𝐓𝐇𝐄 𝐅𝐄𝐀𝐑𝐋𝐄𝐒𝐒 𝐕𝐎𝐈𝐂𝐄 𝐓𝐇𝐀𝐓 𝐑𝐄𝐃𝐄𝐅𝐈𝐍𝐄𝐃 𝐎𝐓𝐄𝐋𝐋𝐎 𝐀 𝐂𝐇𝐈𝐋𝐃 𝐎𝐅 𝐌𝐔𝐒𝐈𝐂 — 𝐅𝐋𝐎𝐑𝐄𝐍𝐂𝐄, 𝟏𝟗𝟏𝟓 𝐌𝐚𝐫𝐢𝐨 𝐃𝐞𝐥 𝐌𝐨𝐧𝐚𝐜𝐨 (𝟐𝟕 𝐉𝐮𝐥𝐲 𝟏𝟗𝟏𝟓 – 𝟏𝟔 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟖𝟐) was…

𝐋𝐔𝐃𝐖𝐈𝐆 𝐕𝐀𝐍 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Ludwig van Beethoven is often presented as the supreme heroic figure in music: defiant, original, morally elevated, and artistically invincible. Yet his…

𝐅𝐄𝐋𝐈𝐗 𝐌𝐄𝐍𝐃𝐄𝐋𝐒𝐒𝐎𝐇𝐍: 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐏𝐎𝐋𝐄𝐌𝐈𝐂𝐀𝐋 𝐀𝐍𝐃 𝐂𝐎𝐍𝐓𝐑𝐀𝐃𝐈𝐂𝐓𝐎𝐑𝐘 𝐒𝐈𝐓𝐔𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐇𝐈𝐒 𝐋𝐈𝐅𝐄 Felix Mendelssohn lived a life that seemed outwardly orderly, brilliant, elegant, and successful. Yet beneath that polished surface lay a series of deep…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 - 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨.𝟑 “𝐄𝐫𝐨𝐢𝐜𝐚” - 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰𝐚𝐧𝐠𝐥𝐞𝐫 - 𝐖𝐢𝐞𝐧𝐞𝐫 𝐏𝐡𝐢𝐥𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐤𝐞𝐫 - 𝟏𝟗𝟒𝟒 https://www.youtube.com/watch?v=sbHD189DAp0&t=234s https://www.youtube.com/watch?v=qbxD-_yNIKw (Good Sound) The 1944 Vienna performance of Beethoven’s Third Symphony conducted by Wilhelm Furtwangler with the Wiener Philharmoniker is…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 - 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 𝐍𝐨.𝟑 - 𝐀𝐮𝐝𝐢𝐨 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧 in Patreon: https://www.patreon.com/collection/2053627 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍’𝐒 𝐓𝐇𝐈𝐑𝐃 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘, “𝐄𝐑𝐎𝐈𝐂𝐀”: 𝐓𝐇𝐄 𝐇𝐈𝐒𝐓𝐎𝐑𝐘 𝐎𝐅 𝐈𝐓𝐒 𝐂𝐎𝐌𝐏𝐎𝐒𝐈𝐓𝐈𝐎𝐍 Beethoven’s Third Symphony in E-flat major, Op. 55, universally known as the “Eroica”, stands at…

# **𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 - Chapter 8 — Inertia** **1) Back in Salzburg: Success Without Direction** When **Leopold and Wolfgang returned from Italy in March 1773**, they brought back prestige but **no new…

𝐆𝐔𝐍𝐃𝐔𝐋𝐀 𝐉𝐀𝐍𝐎𝐖𝐈𝐓𝐙: 𝐓𝐇𝐄 𝐒𝐈𝐋𝐕𝐄𝐑-𝐆𝐎𝐋𝐃 𝐕𝐎𝐈𝐂𝐄 𝐎𝐅 𝐌𝐎𝐙𝐀𝐑𝐓, 𝐒𝐓𝐑𝐀𝐔𝐒𝐒, 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐏𝐔𝐑𝐄𝐒𝐓 𝐋𝐘𝐑𝐈𝐂 𝐈𝐃𝐄𝐀𝐋 𝐎𝐅 𝐏𝐎𝐒𝐓𝐖𝐀𝐑 𝐄𝐔𝐑𝐎𝐏𝐄 Gundula Janowitz belongs to that very rare group of sopranos whose voices seem to exist almost beyond ordinary…

**𝐀 𝐑𝐈𝐆𝐎𝐑𝐎𝐔𝐒 𝐂𝐎𝐌𝐏𝐀𝐑𝐀𝐓𝐈𝐕𝐄 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒 𝐎𝐅 𝐍𝐈𝐍𝐄 𝐌𝐀𝐉𝐎𝐑 𝐁𝐎𝐎𝐊𝐒 𝐎𝐍 𝐁𝐀𝐑𝐎𝐐𝐔𝐄 𝐌𝐔𝐒𝐈𝐂, 𝟏𝟔𝟎𝟎–𝟏𝟕𝟓𝟎** To compare these nine books properly, one must begin by recognizing that they do **not** all aim to do the same thing.…

# **Bruce Haynes’s *****The End of Early Music: A Period Performer’s History of Music for the Twenty-First Century*** Bruce Haynes’s ***The End of Early Music: A Period Performer’s History of Music for the Twenty-First…

# **The Cambridge History of Eighteenth-Century Music ** ***The Cambridge History of Eighteenth-Century Music*** was published by **Cambridge University Press in 2009**, under the editorship of **Simon P. Keefe**. Cambridge’s own record identifies the…

# **Richard Taruskin’s *****Music in the Seventeenth and Eighteenth Centuries***** ** Richard Taruskin’s ***Music in the Seventeenth and Eighteenth Centuries*** was published by **Oxford University Press in 2010** as part of his monumental ***The…

**𝐊𝐀𝐑𝐋 𝐄𝐋𝐈𝐀𝐒𝐁𝐄𝐑𝐆 (1907–1978): 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐆𝐀𝐕𝐄 𝐋𝐄𝐍𝐈𝐍𝐆𝐑𝐀𝐃 𝐈𝐓𝐒 𝐕𝐎𝐈𝐂𝐄** Karl Ilyich Eliasberg was born in **Minsk on 10 June 1907** and died in **Leningrad on 12 February 1978**. In the broad history of…

The relationship between 𝐖𝐢𝐥𝐡𝐞𝐥𝐦 𝐅𝐮𝐫𝐭𝐰ä𝐧𝐠𝐥𝐞𝐫 and 𝐀𝐭𝐚ú𝐥𝐟𝐨 𝐀𝐫𝐠𝐞𝐧𝐭𝐚 was not that of master and formal disciple in the strict documentary sense, nor was it a long public partnership built on frequent joint projects. What…

𝐓𝐇𝐄 𝐍𝐈𝐆𝐇𝐓 𝐓𝐇𝐀𝐓 𝐂𝐇𝐀𝐍𝐆𝐄𝐃 𝐎𝐏𝐄𝐑𝐀 𝐅𝐎𝐑𝐄𝐕𝐄𝐑 𝐓𝐫𝐢𝐬𝐭𝐚𝐧 𝐮𝐧𝐝 𝐈𝐬𝐨𝐥𝐝𝐞, 𝟏𝟖𝟔𝟓 — 𝐭𝐡𝐞 𝐬𝐭𝐚𝐠𝐞 𝐭𝐫𝐢𝐮𝐦𝐩𝐡, 𝐭𝐡𝐞 𝐯𝐨𝐜𝐚𝐥 𝐚𝐛𝐲𝐬𝐬, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐟𝐚𝐭𝐞 𝐨𝐟 𝐢𝐭𝐬 𝐟𝐢𝐫𝐬𝐭 𝐥𝐨𝐯𝐞𝐫𝐬 𝐋𝐮𝐝𝐰𝐢𝐠 𝐒𝐜𝐡𝐧𝐨𝐫𝐫 𝐯𝐨𝐧 𝐂𝐚𝐫𝐨𝐥𝐬𝐟𝐞𝐥𝐝 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐰𝐢𝐟𝐞 𝐌𝐚𝐥𝐰𝐢𝐧𝐚 were not…

𝐇𝐄𝐑𝐌𝐀𝐍𝐍 𝐀𝐁𝐄𝐍𝐃𝐑𝐎𝐓𝐇 — 𝐅𝐑𝐎𝐌 𝐏𝐑𝐔𝐒𝐒𝐈𝐀𝐍 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐒𝐓𝐔𝐃𝐄𝐍𝐓 𝐓𝐎 𝐌𝐀𝐄𝐒𝐓𝐑𝐎 𝐎𝐅 𝐓𝐇𝐄 𝐆𝐄𝐑𝐌𝐀𝐍 𝐓𝐑𝐀𝐃𝐈𝐓𝐈𝐎𝐍 𝐓𝐇𝐄 𝐄𝐀𝐑𝐋𝐘 𝐋𝐈𝐅𝐄 𝐀𝐍𝐃 𝐑𝐈𝐒𝐄 𝐎𝐅 𝐀 𝐆𝐑𝐄𝐀𝐓 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐍𝐃 𝐁𝐄𝐄𝐓𝐇𝐎𝐕𝐄𝐍 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 𝐈𝐍 𝐅𝐑𝐀𝐍𝐊𝐅𝐔𝐑𝐓 — 𝟏𝟖𝟖𝟑 𝐇𝐞𝐫𝐦𝐚𝐧𝐧 𝐀𝐛𝐞𝐧𝐝𝐫𝐨𝐭𝐡 was born…